Post-minimalism
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Post-minimalism
Postminimalism is an art term coined (as post-minimalism) by Robert Pincus-Witten in 1971Chilvers, Ian and Glaves-Smith, John, ''A Dictionary of Modern and Contemporary Art'', second edition (Oxford and New York: Oxford University Press, 2009), p. 569. . and used in various artistic fields for work which is influenced by, or attempts to develop and go beyond, the aesthetic of minimalism. The expression is used specifically in relation to music and the visual arts, but can refer to any field using minimalism as a critical reference point. In music, "postminimalism" refers to music following minimal music. Visual art In visual art, postminimalist art uses minimalism either as an aesthetic or conceptual reference point. Postminimalism is more an artistic tendency than a particular movement. Postminimalist artworks are usually everyday objects, use simple materials, and sometimes take on a "pure", formalist aesthetic. However, since postminimalism includes such a diverse and dispar ...
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Robert Pincus-Witten
Robert Pincus-Witten (April 5, 1935 – January 28, 2018) was an American art critic, curator and art historian. Biography Born in New York City, Pincus-Witten earned his undergraduate degree at The Cooper Union, in New York City in 1956. He wrote his master's degree (1962) and Ph.D. (1968) both at the University of Chicago. His dissertation, on Joséphin Péladan and the Salon de la Rose + Croix was written under Joshua Taylor and John Rewald. Pincus-Witten joined the City University of New York in 1964. In 1970 he was promoted to professor at CUNY. Pincus-Witten retired from CUNY in 1990. In 1966 he began writing criticism for Artforum magazine as its senior editor. He became associate editor of Artforum in 1976. An initial book on minimalism and the era following it was issued in 1977. His collected art criticism was published as Eye to Eye: Twenty Years of Art Criticism, in 1984. His treatise on post-modern art, Postminimalism into Maximalism: American Art 1966-1986, ap ...
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