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Authenticity (art)
Authenticity in art is manifest in the different ways that a work of art, or an artistic performance, can be considered authentic. The initial distinction is between ''nominal authenticity'' and ''expressive authenticity''. In the first sense, nominal authenticity is the correct identification of the author of a work of art; of how closely an actor or an actress interprets a role in a stageplay as written by the playwright; of how well a musician's performance of an artistic composition corresponds to the composer's intention; and how closely an '' objet d’art'' conforms to the artistic traditions of its genre. In the second sense, expressive authenticity is how much the work of art possesses inherent authority of and about its subject, and how much of the artist's intent is in the work of art. For the spectator, the listener, and the viewer, the ''authenticity of experience'' is an emotion impossible to recapture beyond the first encounter with the work of art in its original ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sartre And De Beauvoir At Balzac Memorial
Jean-Paul Charles Aymard Sartre (, ; ; 21 June 1905 – 15 April 1980) was one of the key figures in the philosophy of existentialist, existentialism (and Phenomenology (philosophy), phenomenology), a French playwright, novelist, screenwriter, political activist, biographer, and literary criticism, literary critic, as well as a leading figure in Twentieth-Century French Philosophy, 20th-century French philosophy and Marxism. His work has influenced sociology, critical theory, post-colonial theory, and literary studies, and continues to do so. He was awarded the 1964 Nobel Prize in Literature despite attempting to refuse it, saying that he always declined official honors and that "a writer should not allow himself to be turned into an institution." Sartre held an open relationship with prominent feminist and fellow existentialist philosopher Simone de Beauvoir. Together, Sartre and de Beauvoir challenged the culture, cultural and society, social assumptions and expectations of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lionel Trilling
Lionel Mordecai Trilling (July 4, 1905 – November 5, 1975) was an American literary critic, short story writer, essayist, and teacher. He was one of the leading U.S. critics of the 20th century who analyzed the contemporary cultural, social, and political implications of literature. With his wife Diana Trilling (née Rubin), whom he married in 1929, he was a member of the New York Intellectuals and contributor to the ''Partisan Review''. Personal and academic life Lionel Mordecai Trilling was born in Queens, New York, the son of Fannie (née Cohen), who was from London, and David Trilling, a tailor from Bialystok in Poland. His family was Jewish. In 1921, he graduated from DeWitt Clinton High School, and, at age 16, entered Columbia University, thus beginning a lifelong association with the university. He joined the Boar's Head Society and wrote for the ''Morningside'' literary journal. In 1925, he graduated from Columbia College, and, in 1926, earned a Master of Arts degree ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Old Masters
In art history, "Old Master" (or "old master")Old Masters Department Christies.com. refers to any painting, painter of skill who worked in Europe before about 1800, or a painting by such an artist. An "old master print" is an original printmaking, print (for example an engraving or etching) made by an artist in the same period. The term "old master drawing" is used in the same way. In theory, "Old Master" applies only to artists who were fully trained, were Master craftsman, Masters of their local Guild of Saint Luke, artists' guild, and worked independently, but in practice, paintings produced by pupils or workshops are often included in the scope of the term. Therefore, beyond a certain level of competence, date rather than quality is the criterion for using the term. Pe ...
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Collaborationism
Wartime collaboration is cooperation with the enemy against one's country of citizenship in wartime, and in the words of historian Gerhard Hirschfeld, "is as old as war and the occupation of foreign territory". The term ''collaborator'' dates to the 19th century and was used in France during the Napoleonic Wars. The meaning shifted during World War II to designate traitorous collaboration with the enemy. The related term ''collaborationism'' is used by historians restricted to a subset of wartime collaborators in Vichy France who actively promoted German victory. Etymology The term ''collaborate'' dates from 1871, and is a back-formation from collaborator (1802), from the French ''collaborateur'' as used during the Napoleonic Wars against smugglers trading with England and assisting in the escape of monarchists, and is itself derived from the Latin ''collaboratus'', past participle of ''collaborare'' "work with", from ''com''- "with" + ''labore'' "to work". The meaning of "traitoro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Netherlands In World War II
Despite Dutch neutrality, Nazi Germany invaded the Netherlands on 10 May 1940 as part of Fall Gelb (Case Yellow). On 15 May 1940, one day after the bombing of Rotterdam, the Dutch forces surrendered. The Dutch government and the royal family relocated to London. Princess Juliana and her children sought refuge in Ottawa, Canada until after the war. The invaders placed the Netherlands under German occupation, which lasted in some areas until the German surrender in May 1945. Active resistance, at first carried out by a minority, grew in the course of the occupation. The occupiers deported the majority of the country's Jews to Nazi concentration camps. Due to the high variation in the survival rate of Jewish inhabitants among local regions in the Netherlands, scholars have questioned the validity of a single explanation at the national level. In part due to the well-organized population registers, about 70% of the country's Jewish population were killed in the course of World Wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abraham Bredius
Dr. Abraham Bredius (18 April 1855 in Amsterdam – 13 March 1946 in Monaco) was a Dutch art collector, art historian, and museum curator. Life Bredius travelled widely, visiting various art collections in his youth, and worked at the Dutch Museum for History and Art before becoming director, from 1889 to 1909, of the Mauritshuis. He became a Rembrandt expert who had many differences of opinion with Cornelis Hofstede de Groot. He was a regular contributor to the historical magazines ''Oud Holland'' and ''Künstler-Inventare''. In 1922, he left the Netherlands for health reasons and settled in Monaco, publishing books in 1927 on Jan Steen and, in 1935, a catalog of Rembrandt paintings, often referred to in the literature as "Bredius 1935". He bequeathed his papers to the Rijksbureau voor Kunsthistorische Documentatie, and his art collection lives on in the Museum Bredius. He also bequeathed several Rembrandt paintings to the National Dutch collection, including Rembrandt's '' H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Supper At Emmaus
According to the Gospel of Luke, the road to Emmaus appearance is one of the early post-resurrection appearances of Jesus after his crucifixion and the discovery of the empty tomb. Both the meeting on the road to Emmaus and the subsequent supper at Emmaus, depicting the meal that Jesus had with two disciples after the encounter on the road, have been popular subjects in art. Biblical accounts N. T. Wright considers the detailed narration of the Emmaus journey in Luke 24:13–35 as one of the best sketches of a biblical scene in the Gospel of Luke. Jan Lambrecht, citing D. P. Moessner, writes: "the Emmaus story is one of Luke's 'most exquisite literary achievements'." It describes the encounter on the road to Emmaus and the supper at Emmaus, and states that a disciple named Cleopas was walking towards Emmaus with another disciple when they met Jesus. They did not recognize him, and discussed their sadness at recent events with him. They persuaded him to come and eat with them, an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johannes Vermeer
Johannes Vermeer ( , , #Pronunciation of name, see below; also known as Jan Vermeer; October 1632 – 15 December 1675) was a Dutch Baroque Period Painting, painter who specialized in domestic interior scenes of middle class, middle-class life. During his lifetime, he was a moderately successful provincial Genre works, genre painter, recognized in Delft and The Hague. Nonetheless, he produced relatively few paintings and evidently was not wealthy, leaving his wife and children in debt at his death. Vermeer worked slowly and with great care, and frequently used very expensive pigments. He is particularly renowned for his masterly treatment and use of light in his work. "Almost all his paintings", Hans Koningsberger wrote, "are apparently set in two smallish rooms in his house in Delft; they show the same furniture and decorations in various arrangements and they often portray the same people, mostly women." His modest celebrity gave way to obscurity after his death. He was bare ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gerard Ter Borch
Gerard ter Borch (; December 1617 – 8 December 1681), also known as Gerard Terburg (), was a Dutch genre painter who lived in the Dutch Golden Age. He influenced fellow Dutch painters Gabriel Metsu, Gerrit Dou, Eglon van der Neer and Johannes Vermeer. According to Arthur K. Wheelock Jr., Ter Borch "established a new framework for subject matter, taking people into the sanctum of the home", showing the figures' uncertainties and expertly hinting at their inner lives. His influence as a painter, however, was later surpassed by Vermeer. Biography Gerard ter Borch was born in December 1617 in Zwolle in the province of Overijssel in the Dutch Republic. He received an excellent education from his father Gerard ter Borch the Elder, also an artist, and developed his talent very early. The inscription on a study of a head proves that Ter Borch was at Amsterdam in 1632, where he studied possibly under Willem Cornelisz Duyster or Pieter Codde. Duyster's influence can be traced in a pic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pieter De Hooch
Pieter de Hooch (, also spelled "Hoogh" or "Hooghe"; 20 December 1629 (baptized) – 24 March 1684 (buried)) was a Dutch Golden Age painter famous for his genre works of quiet domestic scenes with an open doorway. He was a contemporary of Jan Vermeer in the Delft Guild of St. Luke, with whom his work shares themes and style. Biography De Hooch was born in Rotterdam to Hendrick Hendricksz de Hooch, a bricklayer, and Annetge Pieters, a midwife. He was the eldest of five children and outlived all of his siblings. Little is known of his early life and most archival evidence suggests he worked in Rotterdam, Delft, and Amsterdam. According to his first biographer Arnold Houbraken, he studied art in Haarlem under the landscape painter Nicolaes Berchem at the same time as Jacob Ochtervelt and was known for his "kamergezichten" or "room-views" with ladies and gentlemen in conversation. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frans Hals
Frans Hals the Elder (, , ; – 26 August 1666) was a Dutch Golden Age painter, chiefly of individual and group portraits and of genre works, who lived and worked in Haarlem. Hals played an important role in the evolution of 17th-century group Portrait painting, portraiture. He is known for his loose painterly brushwork. Biography Hals was born in 1582 or 1583 in Antwerp, then in the Spanish Netherlands, as the son of cloth merchant Franchois Fransz Hals van Mechelen ( 1542–1610) and his second wife Adriaentje van Geertenryck.Frans Hals iat the Netherlands Institute for Art History Like many, Hals's parents fled during the Fall of Antwerp (1584–1585) from the south to Haarlem in the new Dutch Republic in the north, where he lived for the remainder of his life. Hals studied under Flemish people, Flemi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Han Van Meegeren
Henricus Antonius "Han" van Meegeren (; 10 October 1889 – 30 December 1947) was a Dutch painter and portraitist, considered one of the most ingenious art forgers of the 20th century. Van Meegeren became a national hero after World War II when it was revealed that he had sold a forged painting to ''Reichsmarschall'' Hermann Göring during the Nazi occupation of the Netherlands. As a child, Van Meegeren developed an enthusiasm for the paintings of the Dutch Golden Age, and he set out to become an artist. Art critics, however, decried his work as tired and derivative, and Van Meegeren felt that they had destroyed his career. He decided to prove his talent by forging paintings by 17th-century artists including Frans Hals, Pieter de Hooch, Gerard ter Borch and Johannes Vermeer. The best art critics and experts of the time accepted the paintings as genuine and sometimes exquisite. His most successful forgery was ''Supper at Emmaus'', created in 1937 while he was living in the south ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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