The Sonata No. 1 for Piano in F-sharp minor, Op. 24, No. 1, is a

piano sonata A piano sonata is a sonata written for a solo piano. Piano sonatas are usually written in three or four movements, although some piano sonatas have been written with a single movement ( Scarlatti, Liszt, Scriabin, Medtner, Berg), others with ...

by the Romanian composer

George Enescu George Enescu (; – 4 May 1955), known in France as Georges Enesco, was a Romanian composer, violinist, conductor and teacher. Regarded as one of the greatest musicians in Romanian history, Enescu is featured on the Romanian five lei. Biogr ...

, completed in 1924.

History

On 18 July 1912 Enescu completed an Allegro movement for a piano sonata in F-sharp minor, which he played to Herbert Peyser later that summer in connection with an interview. In a heavily reworked form, this would become the first movement of the Sonata, Op. 24, No. 1. However, Enescu set aside this project for twelve years, resuming work again only in 1924. The early version of this movement was only rediscovered in 1993, by the musicologist Clemansa Liliana Firca. Enescu took up the sonata again in July 1924 in Tețcani, completely rewriting the first movement and adding the other two, completing the work in

Sinaia Sinaia () is a town and a mountain resort in Prahova County, Romania. It is situated in the historical region of Muntenia. The town was named after the Sinaia Monastery of 1695, around which it was built. The monastery, in turn, is named aft ...

on 27 August 1924. The score was written for and is dedicated to the Swiss pianist

Emil Frey Emil Johann Rudolf Frey (24 October 1838 – 24 December 1922) was a Swiss politician, Union Army soldier in the American Civil War and member of the Swiss Federal Council (1890–1897). He served as President of the Swiss Confederation in ...

, who had been court pianist in Bucharest from 1907 until the outbreak of World War I. In an interview given shortly after completing the score, Enescu admitted, The first performance was given in November 1925 by the composer himself, in a concert that was part of a festival dedicated to his chamber-music works, organized by the Society of Romanian Composers at the Mic Theatre in Bucharest. He also performed the work in Paris for the first time in April 1926, as part of a concert given by the

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Analysis

The Sonata is in three movements, whose moderate–fast–slow pattern resembles that of Enescu's Third Symphony. * Allegro molto moderato e grave * Presto vivace * Andante molto espressivo The first movement is in an extremely free

sonata form Sonata form (also ''sonata-allegro form'' or ''first movement form'') is a musical structure generally consisting of three main sections: an exposition, a development, and a recapitulation. It has been used widely since the middle of the 18th c ...

(though the composer himself declined to characterize it this way). There are two major deviations from the usual sonata design. First, the

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begins in the home key of F-sharp minor, while the recapitulation begins in the most distant possible key of C minor, a

tritone In music theory, the tritone is defined as a musical interval composed of three adjacent whole tones (six semitones). For instance, the interval from F up to the B above it (in short, F–B) is a tritone as it can be decomposed into the three adj ...

away from the overall tonic. Second, the sense of arrival of the recapitulation is divided in two by this fact, in that the return of the main theme is separated from the reappearance of its home tonality. The Coda (music), coda of the movement takes on the character of a passacaglia, a feature first noted by the composer Anatol Vieru. The second movement opens with a gradual accumulation of voices, at first suggesting a Fugue#Exposition, fugal exposition with a first answer at the interval of a tritone, but lacking a countersubject. Its burlesque-Scherzo, scherzando character, contrasting with the dark quality of the first movement, resembles those toccatas revived in the music of Claude Debussy, Debussy and Maurice Ravel, Ravel, or the Neoclassicism (music), neoclassical, motoric style adopted in the early twentieth century by composers like Sergei Prokofiev, Prokofiev. Some other passages resemble the diatonicism of Igor Stravinsky, Stravinsky’s Piano Sonata (Stravinsky), Piano Sonata, which was composed slightly later, in the summer and autumn of 1924. The movement does not adhere to any conventional formal scheme and is built economically from a very small number of elements. Although the second theme returns several times, suggesting a rondo form, the recurrences are subject to variations. The most striking of these variants is in a Aksak, limping 5/4 meter, reminiscent of folk dances such as the ''șocâcili'' from Banat, the ''ghimpele'', and ''șobolanul'' from Oltenia and Muntenia, and the ''hodoroaga'' from the Ardeal and Moldova regions. Myriam Marbe finds that this movement’s spontaneity and exuberant character suggests, through its pulsating motion, a surging crowd at a public celebration, in a stylized manner similar to the one Stravinsky creates in ''Petrushka''. In an interview with Bernard Gavoty broadcast by the Radiodiffusion-Télévision Française, French Radio on 25 January 1952, Enescu played part of the finale of this First Piano Sonata as an example of a musical transposition of the atmosphere of the Moldavian Plain, Romanian Plain at night.( The movement begins evocatively with a single repeated note in an irregular rhythm, whose gentle accents eventually produce the distant signal of a rising minor third, from which the first motif gradually emerges. Hesitant motivic statements separated by long pauses produce a characteristic "spatial poetry" for this movement, which is one of the most striking features of the Enescian style. As with the second movement, the form of the finale is difficult to assign to a conventional model. It may be interpreted as a ternary form, or else as a modified sonata-allegro.

Discography

* George Enescu: Suita nr. 2 pentru pian în re major, op. 10; Sonata nr. 1 pentru pian în fa diez minor, op. 24. Li-min-Cean, piano (Op. 10); Maria Fotino, piano (Op. 24 No. 1). LP recording, 1 disc: analog, 33⅓ rpm, monaural, 12 in. Electrecord ECE 025. Bucharest: Electrecord, 196?. * George Enescu: Sonata nr. 1 pentru pian în fa diez minor, op. 24, nr. 1; Sonata nr. 3 pentru pian în re major, op. 24, nr. 3. Maria Fotino, piano. Recorded October 1980, Studioul de la Casa Scinteii. LP recording, 1 disc: analog, 33⅓ rpm, stereo, 12 in. Electrecord ST-ECE 01691. Bucharest: Electrecord, [1981]. * George Enescu: Sonate für Klavier fis-moll op. 24/1; Sonate für Klavier und Violoncello op. 26/2; Rapsodia Romina für Klavier, op. 11/1. Lory Wallfisch, piano; Julien Musafia, piano (Op. 11, No. 1); Julius Berger, cello (Op. 26, No. 2). Recorded. 25–27 October 1993, in the Konzerthaus, Kronberg/Taunus. CD recording, 1 disc: digital, 4¾ in., stereo. EBS 6043. Bietigheim-Bissingen: EBS Records, 1995. * ''Enesco: Œuvres pour piano''. Cristian Petrescu, piano. Recorded by Sender Freies Berlin, July 1994 and March 1995. CD recording, 3 discs: digital, 4¾ in., stereo. Accord 476 2394 (476 2395; 476 2396; 476 2397). Universal Classics France, 1998. * ''Romania''. Dana Ciocarlie piano. Recorded April 2000, Salle Guillaume Farel, Marseille. CD recording, 1 disc: digital, 4¾ in., stereo. Empreinte Digitale ED 13122. Marseille, France: L'empreinte digitale, 2000. * ''Raluca Stirbat Plays Enescu, Silvestri, Constantinescu, Rachmaninoff/Kreisler''. Raluca Stirbat, piano. Enescu’s Sonata No. 1 recorded April 2004 at Schweizer Radio DRS Studio Zurich. CD recording, 1 disc: digital, 4¾ in., stereo. Gramola 98905. Vienna: Gramola, 2011. * Enescu: Piano Music, Vol. 2: Piano Sonata No. 1; Piano Sonata No. 2; Prelude and Fugue in C Major; Nocturne in D-flat Major; Scherzo; ''Pièce sur la nom de Fauré''; Luiza Borac, piano. Recorded 4, 5, and 7 July 2005 at St. Dunstan's Church, Mayfield, England. SACD recording, 2 discs: digital 4¾ in., multi/hybrid. Avie AV2081. [Basel]: Pert Beratungs AG, 2006. * ''Five Sonatas: Ernesto Halffter, George Enescu, Igor Stravinsky, Leoš Jánáček''. Andrew Rangell, piano. Bridge 9205. 2006. * George Enescu: Piano Sonata No. 1; Suite No. 2; Choral; Carillon nocturne. Matei Varga, piano. CD recording, 1 disc: digital, 4¾ in., stereo. Naxos 8.572120. Naxos, 2010. * ''George Enescu: Complete Works for Piano Solo''. Raluca Stirbat, piano. Sonata recorded Universität für Musik und darstellende Kunst Wien, April or June 2015. CD recording, 3 discs: digital, 4¾ in., stereo. Hänssler Classic 98.060. Holzgerlingen: Hänssler Classic im SCM-Verlag GmbH & Co. KG, 2015. Includes the early version (1912) of the first movement of Sonata No. 1. * ''George Enescu, Béla Bartók, Erkki-Sven Tüür''. Mihkel Poll, piano. Recorded at Sello Hall in Espoo, Finland, 12–13 October and 2–3 November 2014. CD recording, 1 disc: digital, 4¾ in., stereo. Dux 1256. Warsaw: Dux Recording Publishers, 2015. * ''Paris'' [Music by Ravel, Debussy, and Enescu]. Elisabeth Leonskaja, piano. Recorded in Berlin, Meistersaal 14–15 July 2013. CD recording, 1 disc: digital, 4¾ in., stereo. EAS 29237. Berlin: EaSonus, 2015. * ''Enescu: Complete Works for Piano, Vol. 1''. Josu de Solaun Soto, Josu de Solaun, piano. CD recording, 1 disc: digital, 4¾ in., stereo. Grand Piano GP705. [Kowloon City, Hong Kong]: HNH International Limited, 2016.

References

Cited sources

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External links