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Piano Sonata No. 1 (Enescu)
The Sonata No. 1 for Piano in F-sharp minor, Op. 24, No. 1, is a piano sonata by the Romanian composer George Enescu, completed in 1924. History On 18 July 1912 Enescu completed an Allegro movement for a piano sonata in F-sharp minor, which he played to Herbert Peyser later that summer in connection with an interview. In a heavily reworked form, this would become the first movement of the Sonata, Op. 24, No. 1. However, Enescu set aside this project for twelve years, resuming work again only in 1924. The early version of this movement was only rediscovered in 1993, by the musicologist Clemansa Liliana Firca. Enescu took up the sonata again in July 1924 in Tețcani, completely rewriting the first movement and adding the other two, completing the work in Sinaia on 27 August 1924. The score was written for and is dedicated to the Swiss pianist Emil Frey, who had been court pianist in Bucharest from 1907 until the outbreak of World War I. In an interview given shortly after compl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Enescu
George Enescu (; – 4 May 1955), known in France as Georges Enesco, was a Romanian composer, violinist, conductor and teacher. Regarded as one of the greatest musicians in Romanian history, Enescu is featured on the Romanian five lei. Biography Enescu was born in Romania, in the village of Liveni (later renamed "George Enescu" in his honor), then in Dorohoi County, today Botoșani County. His father was Costache Enescu, a landholder, and his mother was Maria Enescu (née Cosmovici), the daughter of an Orthodox priest. Their eighth child, he was born after all the previous siblings had died in infancy. His father later separated from Maria Enescu and had another son with Maria Ferdinand-Suschi: the painter Dumitru Bâșcu. A child prodigy, Enescu began experimenting with composing at an early age. Several, mostly very short, pieces survive, all for violin and piano. The earliest work of significant length bears the title ''Pămînt românesc'' ("Romanian Land"), and is i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fugue
In music, a fugue () is a contrapuntal compositional technique in two or more voices, built on a subject (a musical theme) that is introduced at the beginning in imitation (repetition at different pitches) and which recurs frequently in the course of the composition. It is not to be confused with a ''fuguing tune'', which is a style of song popularized by and mostly limited to early American (i.e. shape note or "Sacred Harp") music and West Gallery music. A fugue usually has three main sections: an exposition, a development and a final entry that contains the return of the subject in the fugue's tonic key. Some fugues have a recapitulation. In the Middle Ages, the term was widely used to denote any works in canonic style; by the Renaissance, it had come to denote specifically imitative works. Since the 17th century, the term ''fugue'' has described what is commonly regarded as the most fully developed procedure of imitative counterpoint. Most fugues open with a short ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Muntenia
Muntenia (, also known in English as Greater Wallachia) is a historical region of Romania, part of Wallachia (also, sometimes considered Wallachia proper, as ''Muntenia'', ''Țara Românească'', and the seldom used ''Valahia'' are synonyms in Romanian). It is situated between the Danube (south and east), the Carpathian Mountains (the Transylvanian Alps branch) and Moldavia (both north), and the Olt River to the west. The latter river is the border between Muntenia and Oltenia (or ''Lesser Wallachia''). Part of the traditional border between Wallachia/Muntenia and Moldavia was formed by the rivers Milcov and Siret. Geography Muntenia includes București - Ilfov, Sud - Muntenia, and part of the Sud-Est development regions. It consists of ten counties entirely: * Brăila * Buzău * Călărași * Argeș * Dâmbovița * Giurgiu * Ialomița * Ilfov * Prahova And parts of four others: * Teleorman (the entire county with the exception of Islaz) * Vrancea (southern part) * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oltenia
Oltenia (, also called Lesser Wallachia in antiquated versions, with the alternative Latin names ''Wallachia Minor'', ''Wallachia Alutana'', ''Wallachia Caesarea'' between 1718 and 1739) is a historical province and geographical region of Romania in western Wallachia. It is situated between the Danube, the Southern Carpathians and the Olt river. History Ancient times Initially inhabited by Dacians, Oltenia was incorporated in the Roman Empire (106, at the end of the Dacian Wars; ''see Roman Dacia''). In 129, during Hadrian's rule, it formed Dacia Inferior, one of the two divisions of the province (together with Dacia Superior, in today's Transylvania); Marcus Aurelius' administrative reform made Oltenia one of the three new divisions (''tres Daciae'') as Dacia Malvensis, its capital and chief city being named Romula. It was colonized with veterans of the Roman legions. The Romans withdrew their administration south of the Danube at the end of the 3rd century and Oltenia wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Banat
Banat (, ; hu, Bánság; sr, Банат, Banat) is a geographical and historical region that straddles Central and Eastern Europe and which is currently divided among three countries: the eastern part lies in western Romania (the counties of Timiș, Caraș-Severin, Arad south of the Mureș river, and the western part of Mehedinți); the western part of Banat is in northeastern Serbia (mostly included in Vojvodina, except for a small part included in the Belgrade Region); and a small northern part lies within southeastern Hungary (Csongrád-Csanád County). The region's historical ethnic diversity was severely affected by the events of World War II. Today, Banat is mostly populated by ethnic Romanians, Serbs and Hungarians, but small populations of other ethnic groups also live in the region. Nearly all are citizens of either Serbia, Romania or Hungary. Name During the Middle Ages, the term "banate" designated a frontier province led by a military governor who was called ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aksak
In Ottoman musical theory, ''aksak'' is a rhythmic system in which pieces or sequences, executed in a fast tempo, are based on the uninterrupted reiteration of a matrix, which results from the juxtaposition of rhythmic cells based on the alternation of binary and ternary quantities, as in , , , etc. The name literally means "limping", "stumbling", or "slumping", and has been borrowed by Western ethnomusicologists to refer generally to irregular, or additive meters. In Turkish folk music, these metres occur mainly in vocal and instrumental dance music, though they are found also in some folksongs. Strictly speaking, in Turkish music theory the term refers only to the grouping of nine pulses into a pattern of . Some examples are shown below. In jazz The ''aksak'' rhythm is prominently featured in the jazz standard "Blue Rondo à la Turk" by Dave Brubeck. In rock The Belgian experimental rock group Aksak Maboul take their name from this rhythm. See also *Additive rhythm and div ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rondo
The rondo is an instrumental musical form introduced in the Classical period. Etymology The English word ''rondo'' comes from the Italian form of the French ''rondeau'', which means "a little round". Despite the common etymological root, rondo and rondeau as musical forms are essentially different. Rondeau is a ''vocal'' musical form that was originally developed as monophonic music (in the 13th century) and then as polyphonic music (in the 14th century). Notably, both vocal forms of rondeau nearly disappeared from the repertoire by the beginning of the 16th century. In French, ''rondeau'' is used for both forms, while in English ''rondeau'' is generally used for the ''vocal'' musical form, while ''rondo'' is used for the ''instrumental'' musical form.Don Neville, "Rondò", ''The New Grove Dictionary of Opera'', 4 vols., edited by Stanley Sadie Stanley John Sadie (; 30 October 1930 – 21 March 2005) was an influential and prolific British musicologist, music critic, and edit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano Sonata (Stravinsky)
The Piano Sonata, sometimes also referred to as Sonata for Piano or in its original French form, Sonate pour piano, is a 1924 piano sonata by Russian expatriate composer Igor Stravinsky. Composition Stravinsky composed this sonata when he was in Biarritz and Nice in the summer of 1924. He finished it on October 21 that year. It was premiered by the composer himself at the Donaueschingen Festival in July 1925. It was eventually edited by Albert Spalding and published by Boosey & Hawkes in 1925. It is dedicated to the Princess Edmond de Polignac, Winnaretta Singer. Structure The sonata is in three movements and takes between 9 and 11 minutes to perform. The movements are: In some recordings, the first movement is titled ''Moderato'' and the third ''Allegro moderato''; however, such titles or tempo markings are not present in the original score. Analysis The first and the third movement are related to each other: both share the same tempo and both are in sonata form, ea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Igor Stravinsky
Igor Fyodorovich Stravinsky (6 April 1971) was a Russian composer, pianist and conductor, later of French (from 1934) and American (from 1945) citizenship. He is widely considered one of the most important and influential composers of the 20th century and a pivotal figure in modernist music. Stravinsky's compositional career was notable for its stylistic diversity. He first achieved international fame with three ballets commissioned by the impresario Sergei Diaghilev and first performed in Paris by Diaghilev's Ballets Russes: ''The Firebird'' (1910), ''Petrushka'' (1911), and ''The Rite of Spring'' (1913). The last transformed the way in which subsequent composers thought about rhythmic structure and was largely responsible for Stravinsky's enduring reputation as a revolutionary who pushed the boundaries of musical design. His "Russian phase", which continued with works such as '' Renard'', ''L'Histoire du soldat,'' and ''Les noces'', was followed in the 1920s by a period ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sergei Prokofiev
Sergei Sergeyevich Prokofiev; alternative transliterations of his name include ''Sergey'' or ''Serge'', and ''Prokofief'', ''Prokofieff'', or ''Prokofyev''., group=n (27 April .S. 15 April1891 – 5 March 1953) was a Russian composer, pianist, and conductor who later worked in the Soviet Union. As the creator of acknowledged masterpieces across numerous music genres, he is regarded as one of the major composers of the 20th century. His works include such widely heard pieces as the March from ''The Love for Three Oranges,'' the suite ''Lieutenant Kijé'', the ballet ''Romeo and Juliet''—from which "Dance of the Knights" is taken—and ''Peter and the Wolf.'' Of the established forms and genres in which he worked, he created—excluding juvenilia—seven completed operas, seven symphonies, eight ballets, five piano concertos, two violin concertos, a cello concerto, a symphony-concerto for cello and orchestra, and nine completed piano sonatas. A graduate of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neoclassicism (music)
Neoclassicism in music was a twentieth-century trend, particularly current in the interwar period, in which composers sought to return to aesthetic precepts associated with the broadly defined concept of "classicism", namely order, balance, clarity, economy, and emotional restraint. As such, neoclassicism was a reaction against the unrestrained emotionalism and perceived formlessness of late Romanticism, as well as a "call to order" after the experimental ferment of the first two decades of the twentieth century. The neoclassical impulse found its expression in such features as the use of pared-down performing forces, an emphasis on rhythm and on contrapuntal texture, an updated or expanded tonal harmony, and a concentration on absolute music as opposed to Romantic program music. In form and thematic technique, neoclassical music often drew inspiration from music of the 18th century, though the inspiring canon belonged as frequently to the Baroque and even earlier periods as t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maurice Ravel
Joseph Maurice Ravel (7 March 1875 – 28 December 1937) was a French composer, pianist and conductor. He is often associated with Impressionism along with his elder contemporary Claude Debussy, although both composers rejected the term. In the 1920s and 1930s Ravel was internationally regarded as France's greatest living composer. Born to a music-loving family, Ravel attended France's premier music college, the Paris Conservatoire; he was not well regarded by its conservative establishment, whose biased treatment of him caused a scandal. After leaving the conservatoire, Ravel found his own way as a composer, developing a style of great clarity and incorporating elements of modernism, baroque, neoclassicism and, in his later works, jazz. He liked to experiment with musical form, as in his best-known work, ''Boléro'' (1928), in which repetition takes the place of development. Renowned for his abilities in orchestration, Ravel made some orchestral arrangements of other compose ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
