Symphony No. 3 (Enescu)
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Symphony No. 3 (Enescu)
The Symphony No. 3, Op. 21, in C major is a large-scale orchestral-vocal composition by the Romanian composer George Enescu. While it was first written in 1916–18. the composer revised it numerous times over the following decades. History Enescu began writing the Third Symphony at Sinaia in May 1916, not long before Romania entered the First World War. During the withdrawal of Romania to the province of Moldavia in face of the invading forces of the Central Powers, he finished the first movement in 1917 at Iași. The second movement was completed at the height of the conflict, in January 1918, also at Iași, and the third was finished on 20 August of the same year at Dorohoi. The premiere date is disputed. According to one authority the Symphony was first performed in 1918 and then again at least once in the same year. According to others, however, the first performance did not take place until 25 May 1919 at the Athenaeum in Bucharest, with the Orchestra of the Ministry o ...
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Choral Symphony
A choral symphony is a musical composition for orchestra, choir, and sometimes solo (music), solo vocalists that, in its internal workings and overall musical architecture, adheres broadly to symphony, symphonic musical form. The term "choral symphony" in this context was coined by Hector Berlioz when he described his ''Roméo et Juliette (Berlioz), Roméo et Juliette'' as such in his five-paragraph introduction to that work."Avant-Propos de l'auteur", Reiter-Biedermann's vocal score (Winterthur, 1858), p. 1. As quoted in The direct antecedent for the choral symphony is Ludwig van Beethoven's Symphony No. 9 (Beethoven), Ninth Symphony. Beethoven's Ninth incorporates part of the ''Ode an die Freude'' ("Ode to Joy"), a poem by Friedrich Schiller, with text sung by soloists and chorus in the last movement. It is the first example of a major composer's use of the human voice on the same level as instruments in a symphony. A few 19th-century composers, notably Felix Mendelssohn and ...
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Pierre Lalo
Pierre Lalo (6 September 1866– 9 June 1943) was a French music critic and translator. He was the son of the composer Edouard Lalo. His reviews for the Parisian paper ''Le Temps'' combined conservatism and wit; among his principal targets was the composer Maurice Ravel, whose music Lalo disparaged throughout his career. In addition to his journalistic work Lalo served on the governing boards of the Paris Conservatoire and the national radio station Radiodiffusion. Life and career Lalo was born in Puteaux, west of central Paris. His father, Edouard Lalo, was a composer; his mother, Julie de Maligny, was a professional singer of Breton origin. He studied at the École polytechnique in Paris. He was a fine scholar, excelling in the study of literature, classics, philosophy and modern languages.Trevitt, John"Lalo, Pierre" Grove Music Online, Oxford University Press, retrieved 4 March 2015 From 1896 Lalo contributed articles to the ''Journal des débats'', and two years later he ...
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Noel Malcolm
Sir Noel Robert Malcolm, (born 26 December 1956) is an English political journalist, historian and academic. A King's Scholar at Eton College, Malcolm read history at Peterhouse, Cambridge, and received his doctorate in history from Trinity College, Cambridge. He was a Fellow and College Lecturer of Gonville and Caius College, Cambridge, before becoming a political and foreign affairs journalist for ''The Spectator'' and the ''Daily Telegraph''. He stepped away from journalism in 1995 to become a writer and academic, being appointed as a Visiting Fellow of St Antony's College, Oxford, for two years. He became a Fellow of the Royal Society of Literature (FRSL) in 1997 and a Fellow of the British Academy (FBA) in 2001. Since 2002 he has been a senior research fellow of All Souls College, Oxford. He was knighted in the 2014 New Year Honours for services to scholarship, journalism, and European history. Early life and education Malcolm was born on 26 December 1956. He was educated ...
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Myriam Marbe
Miriam () is a feminine given name recorded in Biblical Hebrew, recorded in the Book of Exodus as the name of the sister of Moses, the prophetess Miriam. Spelling variants include French ''Myriam'', German ''Mirjam, Mirijam''; hypocoristic forms include Mira, Miri and Mimi (commonly given in Israel). The name's etymology is unclear. Since many Levite names are of Egyptian origin, the name could come from the Egyptian ''mr'' "love", as in the Egyptian names ''mry.t-jmn'' (Merit-Amun) "beloved of Amun" and ''mry.t-rꜥ'' (Merytre) "beloved of Ra". An older Grecian pronunciation of this name, ''Maryām'' (Μαριάμ), is found in the Greek Old Testament (3rd century BC) and in the New Testament manuscripts as the name of several women, including Mary, mother of Jesus and Mary Magdalene. Variants of this name include Greek and Latin ''Maria'', whence French ''Marie'' and English ''Mary''. Variant Maryam Mary, mother of the Jesus of the New Testament, bore a Judeo-Aram ...
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Pascal Bentoiu
Pascal Bentoiu (22 April 1927 – 21 February 2016) was a Romanian modernist composer. Life and career Bentoiu studied harmony, counterpoint and composition with Mihail Jora and piano with Theophil Demetriescu. He spent three years researching the rhythm and harmony of Romanian folk music at the Bucharest Folklore Institute and then began composing for the stage. His operas are written with dramatic flair and make use of a variety of elements, including folksong, tape, serialism and diatonic qualities. His instrumental and orchestral works also contain a variety of contemporary techniques, and Bentoiu's work is characterized by its color and lyricism. He has edited the sketches of the Fourth (1934) and Fifth (1941) Symphonies of Georges Enescu into shape for performance. (There is a recording of both realizations from a 1998 festival.) In 1949, he married Annie Deculescu. Bentoiu died in Bucharest on 21 February 2016 at the age of 88. Compositions Orchestral ...
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Tampere Hall
sv, Tammerforshuset , image = Tampere-talo panorama 2014.jpg , caption = Tampere Hall in June 2014 , former_names = , building_type = , architectural_style = Postmodernism , structural_system = , location = Sorsapuisto , owner = City of Tampere , current_tenants = , landlord = , coordinates = , map_type = Finland , start_date = , completion_date = 29 September 1990 , demolition_date = , height = , diameter = , other_dimensions = , floor_area = , main_contractor = A. Puolimatka Oy & YIT , architect = Sakari Aartelo & Esa Piironen , structural_engineer = , services_engineer = , civil_engineer = , other_designers = , quantity_surveyor = , awards = The Tampere Hall ( fi, Tampere-talo; sv, Tammerforshuset) is the largest congress centre in the Nordic ...
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Hannu Lintu
Hannu Petteri Lintu (born 13 October 1967) is a Finnish conductor. Biography Lintu was born in Rauma. He studied piano and cello at the Turku Conservatory and at the Sibelius Academy. He also studied conducting with Atso Almila, and later with Jorma Panula and Eri Klas. He took part in conducting master classes with Ilya Musin. Lintu won the Nordic Conducting Competition in 1994 in Bergen. He graduated from the Sibelius Academy in 1996 with honours. Lintu took up a part-time appointment of professor of conducting at the Sibelius Academy in September 2014. From 1998 to 2001, Lintu was chief conductor of the Turku Philharmonic Orchestra. In 2005, he served as the artistic director for the Summer Sounds Festival of the Finnish contemporary music ensemble Avanti!. Lintu was chief conductor of the Tampere Philharmonic Orchestra from 2009 to 2013. In December 2010, the Finnish Radio Symphony Orchestra announced the appointment of Lintu as its eighth chief conductor, effective ...
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Tampere Philharmonic Orchestra
The Tampere Philharmonic Orchestra (Finnish:''Tampere Filharmonia'') is a Finnish orchestra based in Tampere. Founded in 1930, and maintained by the municipality of Tampere since 1947, the orchestra is currently based in the Tampere Hall. The orchestra collaborates with the Tampere Opera and Tampere Ballet and regularly participates in the Tampere Biennale music festival. History In 1929, the Tampere Music Board decided to establish a local orchestra, and entrusted the task of assembling the musicians to Elias Kiianmies, who became the orchestra's first chief conductor. The ensemble, first named the ''Tampereen Orkesteri'' (Tampere Orchestra) and consisting of 34 musicians, gave its first performance on January 6, 1930 in the Tampere Town Hall. In the spring of 1932, Eero Kosonen became chief conductor of the orchestra, and held the post for a record 37 years. In 1947, the municipality took over the orchestra, renaming it the ''Tampereen Kaupunginorkesteri'' (Tampere City Orch ...
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Valeriy Sokolov
Valeriy Sokolov (born September 22, 1986)Violinist Valeriy Sokolov: your patriotism, I try not to emphasize in the program, and to express things
SQ (20 November 2015)
is a Ukrainian violinist. Sokolov was born in . He was awarded the Study Grant Prize at the International Pablo Sarasate Competition in , Spain in 1999 which provided him with a scholarship to study with Natalia Boyarskaya at the

Lawrence Foster
Lawrence Foster (born October 23, 1941) is an American conductor of Romanian ancestry. He is currently the artistic director and chief conductor of the Polish National Radio Symphony Orchestra and the music director of the Marseille Opera and the . Early life Foster was born in Los Angeles, California, to Romanian parents. His father died when Foster was three years old. He was later adopted by his father-in-law which is why the last name is not traditionally Romanian. Foster studied conducting with German conductor Fritz Zweig and piano with Joanna Grauden, both in Los Angeles. His other teachers and mentors have included Karl Böhm, Bruno Walter, and Franz Waxman. Career Foster became the conductor of the San Francisco Ballet at the age of 18, and served as assistant conductor of the Los Angeles Philharmonic under Zubin Mehta. He was awarded the Koussevitzky Conducting Prize at Tanglewood in 1966. In 1969 he was named chief guest conductor of the Royal Philharmonic Orchestra ...
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Gennady Rozhdestvensky
Gennady Nikolayevich Rozhdestvensky, CBE (russian: Генна́дий Никола́евич Рожде́ственский; 4 May 1931 – 16 June 2018) was a Soviet and Russian conductor. Biography Gennady Rozhdestvensky was born in Moscow. His parents were the noted conductor and pedagogue Nikolai Anosov and soprano Natalya Rozhdestvenskaya. His given name was Gennady Nikolayevich Anosov, but he adopted his mother's maiden name in its masculine form for his professional career so as to avoid the appearance of nepotism. His younger brother, the painter P.N. Anosov, retained their father's name.Yampol'sky, I.M., ed. Stanley Sadie, "Rozhdestvensky, Gennady (Nikolayevich)", ''The New Grove Dictionary of Music and Musicians, First Edition'' (London: Macmillan, 1980), 20 vols. He studied conducting with his father at the Moscow Conservatory and piano with Lev Oborin. Already known for having conducted Tchaikovsky's ''The Nutcracker'' ballet at the Bolshoi Theatre at the age of 20, ...
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Paradiso (Dante)
''Paradiso'' (; Italian for "Paradise" or "Heaven") is the third and final part of Dante's ''Divine Comedy'', following the ''Inferno'' and the ''Purgatorio''. It is an allegory telling of Dante's journey through Heaven, guided by Beatrice, who symbolises theology. In the poem, Paradise is depicted as a series of concentric spheres surrounding the Earth, consisting of the Moon, Mercury, Venus, the Sun, Mars, Jupiter, Saturn, the Fixed Stars, the Primum Mobile and finally, the Empyrean. It was written in the early 14th century. Allegorically, the poem represents the soul's ascent to God. Introduction The ''Paradiso'' begins at the top of Mount Purgatory, called the Earthly Paradise (i.e. the Garden of Eden), at noon on Wednesday, March 30 (or April 13), 1300, following Easter Sunday. Dante's journey through Paradise takes approximately twenty-four hours, which indicates that the entire journey of the ''Divine Comedy'' has taken one week, Thursday evening (''Inferno'' I and II ...
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