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An ode (from Ancient Greek: ᾠδή, translit. ōdḗ) is a type of lyrical stanza. It is an elaborately structured poem praising or glorifying an event or individual, describing nature intellectually as well as emotionally. A classic ode is structured in three major parts: the strophe, the antistrophe, and the epode. Different forms such as the homostrophic ode and the irregular ode also exist. Greek odes were originally poetic pieces performed with musical accompaniment. As time passed on, they gradually became known as personal lyrical compositions whether sung (with or without musical instruments) or merely recited (always with accompaniment). The primary instruments used were the aulos and the lyre (the latter was the most revered instrument to the ancient Greeks). There are three typical forms of odes: the Pindaric, Horatian, and irregular. Pindaric odes follow the form and style of Pindar. Horatian odes follow conventions of Horace; the odes of Horace
Horace
deliberately imitated the Greek lyricists such as Alcaeus and Anacreon. Irregular odes use rhyme, but not the three-part form of the Pindaric ode, nor the two- or four-line stanza of the Horatian ode. The ode is a lyric poem. It conveys exalted and inspired emotions. It is a lyric in an elaborate form, expressed in a language that is imaginative, dignified and sincere. Like the lyric, it is of Greek origin.

Contents

1 English ode 2 Notable practitioners 3 Notes 4 References 5 External links

English ode[edit] An English ode is a lyrical stanza in praise of, or dedicated to someone or something that captures the poet's interest or serves as an inspiration for the ode. The lyrics can be on various themes. The earliest odes in the English language, using the word in its strict form, were the Epithalamium and Prothalamium of Edmund Spenser. In the 17th century, the most important original odes in English are by Abraham Cowley. These were iambic, but had irregular line length patterns and rhyme schemes. Cowley based the principle of his Pindariques on an apparent misunderstanding of Pindar's metrical practice but, nonetheless, others widely imitated his style, with notable success by John Dryden. With Pindar's metre being better understood in the 18th century, the fashion for Pindaric odes faded, though there are notable actual Pindaric odes by Thomas Gray, The Progress of Poesy and The Bard. Around 1800, William Wordsworth
William Wordsworth
revived Cowley's Pindarick for one of his finest poems, the Intimations of Immortality ode. Others also wrote odes: Samuel Taylor Coleridge, John Keats, and Percy Bysshe Shelley who wrote odes with regular stanza patterns. Shelley's Ode to the West Wind, written in fourteen line terza rima stanzas, is a major poem in the form. Perhaps the greatest odes of the 19th century, however, were Keats's Five Great Odes of 1819, which included " Ode to a Nightingale", " Ode on Melancholy", " Ode on a Grecian Urn", " Ode to Psyche", and "To Autumn". After Keats, there have been comparatively few major odes in English. One major exception is the fourth verse of the poem For the Fallen by Laurence Binyon, which is often known as The Ode to the Fallen, or simply as The Ode. W.H. Auden also wrote Ode, one of the most popular poems from his earlier career when he lived in London, in opposition to people's ignorance over the reality of war. In an interview, Auden once stated that he had intended to title the poem My Silver Age in mockery of the supposedly imperial Golden age, however chose Ode as it seemed to provide a more sensitive exploration of warfare. Ode on a Grecian Urn, while an ekphrasis, also functions as an ode to the artistic beauty the narrator observes. The English ode's most common rhyme scheme is ABABCDECDE. Notable practitioners[edit]

Thomas Gray John Keats Samuel Taylor Coleridge William Wordsworth Percy Bysshe Shelley Pablo Neruda Álvaro de Campos Dorothy Regan Drake William Shakespeare Thomas Nashe John Donne Allen Tate Gary Soto Ronsard

Notes[edit]

This article includes a list of references, related reading or external links, but its sources remain unclear because it lacks inline citations. Please help to improve this article by introducing more precise citations. (December 2009) (Learn how and when to remove this template message)

References[edit]

 This article incorporates text from a publication now in the public domain: Gosse, Edmund (1911). "Ode". In Chisholm, Hugh. Encyclopædia Britannica. 20 (11th ed.). Cambridge University Press. 

External links[edit]

Wikisource
Wikisource
has original text related to this article: Odes

'Ode' - JPiC Forum For Writers Glossary Term of the Day[permanent dead link]  "Ode". Encyclopedia Americana. 1920. 

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