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Händel
George Frideric (or Frederick) Handel (; baptised , ; 23 February 1685 – 14 April 1759) was a German-British Baroque composer well known for his operas, oratorios, anthems, concerti grossi, and organ concertos. Handel received his training in Halle and worked as a composer in Hamburg and Italy before settling in London in 1712, where he spent the bulk of his career and became a naturalised British subject in 1727. He was strongly influenced both by the middle-German polyphonic choral tradition and by composers of the Italian Baroque. In turn, Handel's music forms one of the peaks of the "high baroque" style, bringing Italian opera to its highest development, creating the genres of English oratorio and organ concerto, and introducing a new style into English church music. He is consistently recognized as one of the greatest composers of his age. Handel started three commercial opera companies to supply the English nobility with Italian opera. In 1737, he had a physical break ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Compositions By George Frideric Handel
George Frideric Handel (23 February 1685 – 14 April 1759) composed works including 42 operas; 25 oratorios; more than 120 cantatas, trios and duets; numerous arias; odes and serenatas; solo and trio sonatas; 18 concerti grossi; and 12 organ concertos. Collected editions of Handel's works include the Händel-Gesellschaft (HG) and the Hallische Händel-Ausgabe (HHA), but the more recent Händel-Werke-Verzeichnis (HWV) publication is now commonly used to number his works. For example, Handel's ''Messiah'' can be referred to as: HG xlv, HHA i/17, or HWV 56. Some of Handel's music is also numbered based on initial publications, for example a 1741 publication by Walsh labelled twelve of Handel's concerti grossi as '' Opus 6''. Operas Incidental music Oratorios Odes and masques Cantatas Italian duets Italian trios Hymns Italian arias English songs German church cantatas Italian sacred cantatas Latin church music Anthems Canticles Concertos Conce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Messiah (Handel)
''Messiah'' (HWV 56) is an English-language oratorio composed in 1741 by George Frideric Handel. The text was compiled from the King James Bible and the Coverdale Psalter by Charles Jennens. It was first performed in Dublin on 13 April 1742 and received its London premiere nearly a year later. After an initially modest public reception, the oratorio gained in popularity, eventually becoming one of the best-known and most frequently performed choral works in Western music. Handel's reputation in England, where he had lived since 1712, had been established through his compositions of Italian opera. He turned to English oratorio in the 1730s in response to changes in public taste; ''Messiah'' was his sixth work in this genre. Although its structure resembles that of opera, it is not in dramatic form; there are no impersonations of characters and no direct speech. Instead, Jennens's text is an extended reflection on Jesus as the Messiah called Christ. The text begins in Part I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Halle (Saale)
Halle (Saale), or simply Halle (; from the 15th to the 17th century: ''Hall in Sachsen''; until the beginning of the 20th century: ''Halle an der Saale'' ; from 1965 to 1995: ''Halle/Saale'') is the largest city of the German state of Saxony-Anhalt, the fifth most populous city in the area of former East Germany after ( East) Berlin, Leipzig, Dresden and Chemnitz, as well as the 31st largest city of Germany, and with around 239,000 inhabitants, it is slightly more populous than the state capital of Magdeburg. Together with Leipzig, the largest city of Saxony, Halle forms the polycentric Leipzig-Halle conurbation. Between the two cities, in Schkeuditz, lies Leipzig/Halle International Airport. The Leipzig-Halle conurbation is at the heart of the larger Central German Metropolitan Region. Halle lies in the south of Saxony-Anhalt, in the Leipzig Bay, the southernmost part of the North German Plain, on the River Saale (a tributary of the Elbe), which is the third longest rive ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Water Music
The ''Water Music'' is a collection of orchestral movements, often published as three suites, composed by George Frideric Handel. It premiered on 17 July 1717, in response to King George I's request for a concert on the River Thames. Structure The ''Water Music'' opens with a French overture and includes minuets, bourrées, and hornpipes. It is divided into three suites: Suite in F major (HWV 348) # #Overture ( Largo – Allegro) # Adagio e staccato # Allegro – Andante – Allegro da capo # Passepied # Air # Minuet # Bourrée # Hornpipe # Andante # Allegro # Hornpipe Suite in D major (HWV 349) # Overture (Allegro) # Alla Hornpipe # Lentement # Bourree # Minuet Suite in G major (HWV 350) # Sarabande # Rigaudon # Menuet # Gigue There is evidence for the different arrangement found in Chrysander's Gesellschaft edition of Handel's works (in volume 47, published in 1886), where the movements from the "suites" in D and G were mingled and publish ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque Music
Baroque music ( or ) refers to the period or dominant style of Western classical music composed from about 1600 to 1750. The Baroque style followed the Renaissance period, and was followed in turn by the Classical period after a short transition, the galant style. The Baroque period is divided into three major phases: early, middle, and late. Overlapping in time, they are conventionally dated from 1580 to 1650, from 1630 to 1700, and from 1680 to 1750. Baroque music forms a major portion of the "classical music" canon, and is now widely studied, performed, and listened to. The term "baroque" comes from the Portuguese word ''barroco'', meaning " misshapen pearl". The works of George Frideric Handel and Johann Sebastian Bach are considered the pinnacle of the Baroque period. Other key composers of the Baroque era include Claudio Monteverdi, Domenico Scarlatti, Alessandro Scarlatti, Antonio Vivaldi, Henry Purcell, Georg Philipp Telemann, Jean-Baptiste Lully, Jean-Philippe Rame ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zadok The Priest
''Zadok the Priest'' ( HWV 258) is a British anthem that was composed by George Frideric Handel for the coronation of King George II in 1727. Alongside ''The King Shall Rejoice'', '' My Heart is Inditing'' and ''Let Thy Hand Be Strengthened'', ''Zadok the Priest'' is one of Handel's Coronation Anthems. One of Handel's best-known works, ''Zadok the Priest'' has been sung prior to the anointing of the sovereign at the coronation of every British monarch since its composition and has become recognised as a British patriotic anthem. Text Part of the traditional content of British coronations, the texts for all four anthems were picked by Handel—a personal selection from the most accessible account of an earlier coronation, that of James II in 1685. The text is a translation of the traditional antiphon, ''Unxerunt Salomonem'', itself derived from the biblical account of the anointing of Solomon by the priest Zadok ( 1 Kings 1:38-40). These words have been used in every Engli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music For The Royal Fireworks
The ''Music for the Royal Fireworks'' ( HWV 351) is a suite in D major for wind instruments composed by George Frideric Handel in 1749 under contract of George II of Great Britain for the fireworks in London's Green Park on 27 April 1749. The music celebrates the end of the War of the Austrian Succession and the signing of the Treaty of Aix-la-Chapelle (Aachen) in 1748. The work was very popular when first performed and following Handel's death. Rehearsal and final production During the preparations Handel and the Duke of Montagu, the Master-General of the Ordnance and the officer responsible for the Royal Fireworks, had an argument about adding violins. The duke made clear to Handel that King George had a preference for only martial instruments (winds and percussion), and hoped there would be "no fiddles". Handel omitted the string instruments against his will. Also against Handel's will, there was a full rehearsal of the music in Vauxhall Gardens and not in Green Park. On ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coronation Anthems (Handel)
A coronation anthem is a piece of choral music written to accompany the coronation of a monarch. Many composers have written coronation anthems. However, the best known were composed by George Frideric Handel for the coronation of the British monarch. Handel's four coronation anthems use text from the King James Bible and were originally commissioned for the coronation of George II of Great Britain in 1727, but have become standard for later coronations. They are ''Zadok the Priest'', ''Let Thy Hand Be Strengthened'', ''The King Shall Rejoice'', and ''My Heart Is Inditing''. Each was originally a separate work but they were later published together. Handel's coronation anthems Although part of the traditional content of British coronations, the texts for all four anthems were picked by Handel—a personal selection from the most accessible account of an earlier coronation, that of James II of England in 1685. One of George I of Great Britain's last acts before his death in 1727 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Baroque
Italian Baroque (or ''Barocco'') is a stylistic period in Italian history and art that spanned from the late 16th century to the early 18th century. History The early 17th century marked a time of change for those of the Roman Catholic religion, a symbolization of their strength as a congregation and the intelligence of their creative minds. In response to the Protestant Reformation of the earlier 16th century, Roman Catholics embarked on a program of restoration, a new way of living that became known as the Counter Reformation. The purpose of the Counter Reformation was aimed at remedying some of the abuses challenged by the Protestants earlier in the century.John Varriano, ''Italian Baroque and Rococo Architecture'', New York: Oxford University Press, 1986. Within the church, a renewed Catholic culture was imposed on Italian society. It started with the Council of Trent, imposed by Pope Paul III, a commission of cardinals who came together to address issues of the Catholic Ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Balthasar Denner
Balthasar Denner (15 November 1685 – 14 April 1749) was a German painter, highly regarded as a portraitist. He painted mostly half-length and head-and-shoulders portraits and a few group portraits of families in interiors. Usually Denner concentrated on the face; clothes and paraphernalia were done by other painters or later his daughter. His chief peculiarity consisted in the fineness of his mechanical finish, which extended to depicting even the almost invisible furze of hair growing on smooth skin. He is particularly noted for his heads of old men and women. Life Denner was born in the city of Altona, now incorporated into Hamburg. At the time Altona was part of the Danish kingdom, its second largest city after Copenhagen and famous for its religious tolerance. His father Jacob Denner was a Mennonite minister and a dyer. Balthasar had seven sisters; he was the only son. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polyphony
Polyphony ( ) is a type of musical texture (music), texture consisting of two or more simultaneous lines of independent melody, as opposed to a musical texture with just one voice, monophony, or a texture with one dominant melodic voice accompanied by chord (music), chords, homophony. Within the context of the Western musical tradition, the term ''polyphony'' is usually used to refer to music of the late Medieval music, Middle Ages and Renaissance music, Renaissance. Baroque music, Baroque forms such as fugue, which might be called polyphonic, are usually described instead as counterpoint, contrapuntal. Also, as opposed to the ''species'' terminology of counterpoint, polyphony was generally either "pitch-against-pitch" / "point-against-point" or "sustained-pitch" in one part with melismas of varying lengths in another. In all cases the conception was probably what Margaret Bent (1999) calls "dyadic counterpoint", with each part being written generally against one other part, with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera Seria
''Opera seria'' (; plural: ''opere serie''; usually called '' dramma per musica'' or '' melodramma serio'') is an Italian musical term which refers to the noble and "serious" style of Italian opera that predominated in Europe from the 1710s to about 1770. The term itself was rarely used at the time and only attained common usage once ''opera seria'' was becoming unfashionable and beginning to be viewed as something of a historical genre. The popular rival to ''opera seria'' was '' opera buffa,'' the 'comic' opera that took its cue from the improvisatory commedia dell'arte. Italian ''opera seria'' (invariably to Italian libretti) was produced not only in Italy but almost throughout Europe, and beyond (see Opera in Latin America, Opera in Cuba e. g.). Among the main centres in Europe were the court operas based in Warsaw (since 1628), Munich (founded in 1653), London (established in 1662), Vienna (firmly established 1709; first operatic representation: '' Il pomo d'oro'', 16 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
