Don Carlos
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''Don Carlos'' is a five-act
grand opera Grand opera is a genre of 19th-century opera generally in four or five acts, characterized by large-scale casts and orchestras, and (in their original productions) lavish and spectacular design and stage effects, normally with plots based on o ...
composed by Giuseppe Verdi to a French-language
libretto A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or Musical theatre, musical. The term ''libretto'' is also sometimes used to refer to the t ...
by
Joseph Méry Joseph Méry (21 January 179717 June 1866) was a French writer, journalist, novelist, poet, playwright and librettist. Career An ardent romanticist, he collaborated with Auguste Barthélemy in many of his satires and wrote a great number of st ...
and Camille du Locle, based on the dramatic play '' Don Carlos, Infant von Spanien'' (''Don Carlos,
Infante ''Infante'' (, ; f. ''infanta''), also anglicised as Infant or translated as Prince, is the title and rank given in the Iberian kingdoms of Spain (including the predecessor kingdoms of Aragon, Castile, Navarre, and León) and Portugal to th ...
of Spain'') by
Friedrich Schiller Johann Christoph Friedrich von Schiller (, short: ; 10 November 17599 May 1805) was a German playwright, poet, and philosopher. During the last seventeen years of his life (1788–1805), Schiller developed a productive, if complicated, friends ...
. In addition, several incidents, of which the
Forest of Fontainebleau The forest of Fontainebleau (french: Forêt de Fontainebleau, or ''Forêt de Bière'', meaning "forest of heather") is a mixed deciduous forest lying southeast of Paris, France. It is located primarily in the arrondissement of Fontainebleau ...
scene and ''
auto-da-fé An ''auto-da-fé'' ( ; from Portuguese , meaning 'act of faith'; es, auto de fe ) was the ritual of public penance carried out between the 15th and 19th centuries of condemned heretics and apostates imposed by the Spanish, Portuguese, or Mexi ...
'' were the most substantial, were borrowed from
Eugène Cormon Pierre-Étienne Piestre, known as Eugène Cormon (5 May 1810 – March 1903), was a French dramatist and librettist. He used his mother's name, Cormon, during his career. Cormon wrote dramas, comedies and, from the 1840s, libretti; around 15 ...
's 1846 play ''Philippe II, Roi d'Espagne''. The opera is most often performed in Italian translation, usually under the title ''Don Carlo''. The opera's story is based on conflicts in the life of Carlos, Prince of Asturias (1545–1568). Though he was betrothed to
Elisabeth of Valois Elisabeth of France or Elisabeth of Valois ( es, Isabel de Valois; french: Élisabeth de France) (2 April 1545 – 3 October 1568) was Queen of Spain as the third spouse of Philip II of Spain. She was the eldest daughter of Henry II of France ...
, part of the peace treaty ending the
Italian War of 1551–59 Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Ita ...
between the Houses of
Habsburg The House of Habsburg (), alternatively spelled Hapsburg in Englishgerman: Haus Habsburg, ; es, Casa de Habsburgo; hu, Habsburg család, it, Casa di Asburgo, nl, Huis van Habsburg, pl, dom Habsburgów, pt, Casa de Habsburgo, la, Domus Hab ...
and Valois demanded that she be married instead to his father Philip II of Spain. It was commissioned and produced by the Théâtre Impérial de l'Opéra ( Paris Opera) and given its premiere at the
Salle Le Peletier The Salle Le Peletier or Lepeletier (sometimes referred to as the Salle de la rue Le Peletier or the Opéra Le Peletier) was the home of the Paris Opera from 1821 until the building was destroyed by fire in 1873. The theatre was designed and con ...
on 11 March 1867. The first performance in Italian was given at
Covent Garden Covent Garden is a district in London, on the eastern fringes of the West End, between St Martin's Lane and Drury Lane. It is associated with the former fruit-and-vegetable market in the central square, now a popular shopping and tourist si ...
in London in June 1867. The first performance in Italy was in
Bologna Bologna (, , ; egl, label= Emilian, Bulåggna ; lat, Bononia) is the capital and largest city of the Emilia-Romagna region in Northern Italy. It is the seventh most populous city in Italy with about 400,000 inhabitants and 150 different nat ...
in October 1867, also in Italian translation. After some revisions by Verdi, it was performed in Italian in
Naples Naples (; it, Napoli ; nap, Napule ), from grc, Νεάπολις, Neápolis, lit=new city. is the regional capital of Campania and the third-largest city of Italy, after Rome and Milan, with a population of 909,048 within the city's adminis ...
in November/December 1872. Verdi was also responsible for a short four-act "Milan version" in which the first act was removed and the ballet omitted (performed in
Milan Milan ( , , Lombard: ; it, Milano ) is a city in northern Italy, capital of Lombardy, and the second-most populous city proper in Italy after Rome. The city proper has a population of about 1.4 million, while its metropolitan city h ...
in January 1884 in Italian translation) but also apparently approved a five-act "Modena version" in which the first act was restored but the ballet still omitted (performed in
Modena Modena (, , ; egl, label=Emilian language#Dialects, Modenese, Mòdna ; ett, Mutna; la, Mutina) is a city and ''comune'' (municipality) on the south side of the Po Valley, in the Province of Modena in the Emilia-Romagna region of northern I ...
in December 1886, also in Italian translation). Around 1970, substantial passages of music cut before the premiere were discovered in Paris archives, giving rise to at least one additional version that can be ascribed to Verdi: the version he prepared for the Paris Opera in 1866, before any cuts were made. No other Verdi opera exists in so many authentic versions. At its full length (including the ballet and the cuts made before the first performance), it contains close to four hours of music and is Verdi's longest opera.Budden 1981, pp. 23–25.


Composition history

Pre-première cuts and first published edition Verdi made a number of cuts in 1866, after finishing the opera but before composing the ballet, simply because the work was becoming too long. These were a duet for Elisabeth and Eboli in Act 4, Scene 1; a duet for Carlos and the King after the death of Posa in Act 4, Scene 2; and an exchange between Elisabeth and Eboli during the insurrection in the same scene. After the ballet had been composed, it emerged during the 1867 rehearsal period that, without further cuts, the opera would not finish before midnight (the time by which patrons would need to leave in order to catch the last trains to the Paris suburbs). Verdi then authorised some further cuts, which were, firstly, the introduction to Act 1 (with a chorus of woodcutters and their wives, and including the first appearance of Elisabeth); secondly, a short entry solo for Posa (''J'étais en Flandres'') in Act 2, Scene 1; and, thirdly, part of the dialogue between the King and Posa at the end of Act 2, Scene 2. The opera was first published as given at the première and consisted of Verdi's original conception, without the music of the above-named cuts, but with the ballet. In 1969, at a Verdi congress in
Verona Verona ( , ; vec, Verona or ) is a city on the Adige River in Veneto, Northern Italy, Italy, with 258,031 inhabitants. It is one of the seven provincial capitals of the region. It is the largest city Comune, municipality in the region and the ...
, the American musicologist David Rosen presented the missing section from the Philip-Posa duet from the end of Act 2, which he had found folded down in the conductor's copy of the score. Other pages with cuts had simply been removed from the autograph score and the conductor's copy. Shortly thereafter, the British music critic Andrew Porter found most of these other cut passages could be reconstructed from the individual parts, in which the pages with the "lost" music had been either "pasted, pinned or stitched down." In all, 21 minutes of missing music was restored.Porter, Andrew. "Musical Events: Proper Bostonian
''The New Yorker'', 2 June 1973, pp. 102–108
Nearly all of the known music Verdi composed for the opera, including the pre-première cuts and later revisions, can be found in an integral edition prepared by the German musicologist Ursula Günther, first published in 1980 and in a second, revised version in 1986.


Performance history


19th century


As ''Don Carlos'' in French

After the première and before leaving Paris, Verdi authorised the Opéra authorities to end Act 4, Scene 2 with the death of Posa (thereby omitting the insurrection scene) if they thought fit. This was done, beginning with the second performance on 13 March, after his departure. Further (unauthorised) cuts were apparently made during the remaining performances. Despite a grandiose production designed by scenic artists Charles-Antoine Cambon and Joseph Thierry (Acts I and III),
Édouard Desplechin Édouard Desplechin His name is often spelt "Despléchin" » with an acute accent. (12 April 1802 – 10 December 1871), was a 19th-century French scenic designer, one of the most famous of his time. Biography He created numerous settings for ...
and
Jean-Baptiste Lavastre Jean-Baptiste Lavastre (24 August 1839 – 24 April 1891) was a French landscape painter and scenic designer. Biography A student of Édouard Desplechin as soon as 1854 when he was only fifteen (and then his associate from 1864 to 1870), J ...
(Acts II and V), and
Auguste Alfred Rubé Auguste Alfred Rubé (20 June 1817 – 13 April 1899) was a French painter. Biography Born in the 9th arrondissement of Paris, Rubé was an innovator in the field of theatrical set design. This "decorator of rare ingenuity", focused on a local ...
and
Philippe Chaperon Philippe Chaperon (2 February 1823 – 21 December 1906) was a French painter and scenic designer, particularly known for his work at the Paris Opera. He produced stage designs for the premieres of numerous 19th-century operas, including Verdi's ...
(Act IV), it appears to have been a "problem opera" for the Opéra—it disappeared from its repertoire after 1869. File:Marie Sasse as Elisabeth in Don Carlos, 1867 photograph by Numa Blanc – Gallica btv1b52502563r (adjusted).jpg,
Marie Sasse Marie Constance Sasse ax, Saxe, Sass(26 January 1834 – 8 November 1907) was a Belgian operatic soprano. "Her voice was powerful, flexible, and appealing",Warrack, p. 632. "Sass, Marie Constance". and she was one of the leading sopranos at t ...
as Elisabeth File:Carlo V (basso), figurino di Alfred Albert per Don Carlos (1867) - Archivio Storico Ricordi ICON001220.jpg, Costume design for
Charles V Charles V may refer to: * Charles V, Holy Roman Emperor (1500–1558) * Charles V of Naples (1661–1700), better known as Charles II of Spain * Charles V of France (1338–1380), called the Wise * Charles V, Duke of Lorraine (1643–1690) * Infa ...
, act 5 File:Don Carlos poster.png, Poster depicting the death of Rodrigo in the King's presence


As ''Don Carlo'' in an Italian translation

It was common practice at the time for most theatres (other than those in French-speaking communities) to perform operas in Italian, and an Italian translation of ''Don Carlos'' was prepared in the autumn of 1866 by Achille de Lauzières. On 18 November 1866 Verdi wrote to
Giovanni Ricordi Giovanni Ricordi (3 March 1785 – 15 March 1853) was an Italian violinist and the founder of the classical music publishing company Casa Ricordi. The musicologist Philip Gossett described him as "a genius and positive force in the history of Ita ...
, offering the Milan publisher the Italian rights, but insisting that the opera: :must be performed in its entirety as it will be performed for the first time at the Paris Opéra. ''Don Carlos'' is an opera in five acts with ballet: if nevertheless the management of Italian theatres would like to pair it with a different ballet, this must be placed either before or after the uncut opera, never in the middle, following the barbarous custom of our day. However, the Italian translation was first performed not in Italy but in London at the
Royal Opera House The Royal Opera House (ROH) is an opera house and major performing arts venue in Covent Garden, central London. The large building is often referred to as simply Covent Garden, after a previous use of the site. It is the home of The Royal Op ...
, Covent Garden on 4 June 1867, where it was produced and conducted by Michael Costa. However, it was not as Verdi desired; the opera was given in a cut and altered form, with the first act being removed, the ballet in Act 3 being omitted, and Carlo's aria ''Io la vidi'' (originally in Act 1) being moved to Act 3, just before the terzetto. Additionally, the duet between Philip and the Inquisitor was shortened by four lines, and Elisabeth's aria in Act 5 consisted only of part of the middle section and the reprise. The production was initially considered a success, and Verdi sent a congratulatory note to Costa. Later when he learned of the alterations, Verdi was greatly irritated, but Costa's version anticipated revisions Verdi himself would make a few years later in 1882–83. The Italian premiere on 27 October 1867 at the
Teatro Comunale di Bologna The Teatro Comunale di Bologna is an opera house in Bologna, Italy. Typically, it presents eight operas with six performances during its November to April season. While there had been various theatres presenting opera in Bologna since the early 1 ...
, conducted by Verdi's close friend Angelo Mariani, was an "instant success", and this version, although produced in Verdi's absence, was more complete and included the ballet.Budden 1981, p. 28. For the Rome premiere on 9 February 1868 at the
Teatro Apollo The Tor di Nona is a neighborhood in Rome's ''rione'' '' Ponte''. It lies in the heart of the city's historic center, between the ''Via dei Coronari'' and the Tiber River. Its name commemorates the Torre dell'Annona, a mediaeval tower which once s ...
, perhaps unsurprisingly, the Papal censor changed the Inquisitor into a Gran Cancelliere (Grand Chancellor) and the Monk/Emperor into a Solitario (Recluse). This version of the opera was first performed in Milan at
La Scala La Scala (, , ; abbreviation in Italian of the official name ) is a famous opera house in Milan, Italy. The theatre was inaugurated on 3 August 1778 and was originally known as the ' (New Royal-Ducal Theatre alla Scala). The premiere performan ...
on 25 March 1868, and prestige productions in most other Italian opera houses followed, but it did not become a popular success. The length was a particular problem, and subsequent performances were generally heavily cut. The first production in Naples in 1871 was indisputably a failure.


1872 revisions for Naples

Following the unsuccessful performance in
Naples Naples (; it, Napoli ; nap, Napule ), from grc, Νεάπολις, Neápolis, lit=new city. is the regional capital of Campania and the third-largest city of Italy, after Rome and Milan, with a population of 909,048 within the city's adminis ...
in 1871, Verdi was persuaded to visit the city for further performances in November / December 1872, and he made two more modifications to the score: (a) a revision of the closing two-thirds of the Philippe-Rodrique duet in Act 2, Scene 2 (to Italian verses, almost certainly by Antonio GhislanzoniPorter 1982, p. 368.), which replaced some of the previously cut material, and (b) the removal of the ''allegro marziale'' section of the final Elisabeth-Carlos duet (replaced with an 8-bar patch). These are the only portions of the opera that were composed to an Italian rather than a French text. According to Julian Budden, Verdi "was to regret both modifications". Ricordi incorporated the revisions into later prints of the opera without changing the plate numbers. This subsequently confused some authors, e.g.
Francis Toye John Francis Toye (27 January 1883 – 13 October 1964) was an English music critic, teacher, writer and educational administrator. After early efforts as a composer and novelist, and service in naval intelligence in World War I, he became music ...
and
Ernest Newman Ernest Newman (30 November 1868 – 7 July 1959) was an English music critic and musicologist. ''Grove's Dictionary of Music and Musicians'' describes him as "the most celebrated British music critic in the first half of the 20th century." His ...
, who dated them to 1883.


1882/83 and 1886 revisions: "Milan version" and "Modena version"

The idea of reducing the scope and scale of ''Don Carlos'' had originally come to Verdi in 1875, partly as a result of his having heard reports of productions, such as Costa's, which had removed Act 1 and the ballet and introduced cuts to other parts of the opera. By April 1882, he was in Paris where he was ready to make changes. He was already familiar with the work of
Charles-Louis-Étienne Nuitter Charles-Louis-Étienne Nuitter was a French librettist, translator, writer and librarian born in Paris, France, on 24 April 1828. He died there on 23 February 1899 after suffering a stroke a few days before.Cooper J: Nuitter, Charles-Louis-Étien ...
, who had worked on French translations of '' Macbeth'', '' La forza del destino'' and ''
Aida ''Aida'' (or ''Aïda'', ) is an opera in four acts by Giuseppe Verdi to an Italian libretto by Antonio Ghislanzoni. Set in the Old Kingdom of Egypt, it was commissioned by Cairo's Khedivial Opera House and had its première there on 24 December ...
'' with du Locle, and the three proceeded to spend nine months on major revisions of the French text and the music to create a four-act version. This omitted Act 1 and the ballet, and was completed by March 1883. An Italian translation of this revised French text, re-using much of the original 1866 translation by de Lauzières, was made by . The La Scala première of the 1883 revised version took place on 10 January 1884 in Italian. Although Verdi had accepted the need to remove the first act, it seems that he changed his mind and allowed a performance which presented the "Fontainebleau" first act along with the revised four-act version. It was given on 29 December 1886 in Modena, and has become known as the "Modena version", which was published by
Ricordi Ricordi may refer to: People *Giovanni Ricordi (1785–1853), Italian violinist and publishing company founder * Giulio Ricordi (1840–1912), Italian publisher and musician Music *Casa Ricordi, an Italian music publishing company established i ...
as "a new edition in five acts without ballet".


20th century and beyond

In Italian Performances of ''Don Carlo'' in the first half of the twentieth century were rare, but in the post Second World War period it has been regularly performed, particularly in the four-act 1884 "Milan version" in Italian. In 1950, to open
Rudolf Bing Sir Rudolf Bing, KBE (January 9, 1902 – September 2, 1997) was an Austrian-born British opera impresario who worked in Germany, the United Kingdom and the United States, most notably being General Manager of the Metropolitan Opera in New York ...
's first season as director of the
Metropolitan Opera The Metropolitan Opera (commonly known as the Met) is an American opera company based in New York City, resident at the Metropolitan Opera House at Lincoln Center, currently situated on the Upper West Side of Manhattan. The company is oper ...
, the four-act version was performed without the ballet in a production by
Margaret Webster Margaret Webster (March 15, 1905 – November 13, 1972) was an American-British theater actress, producer and director. Critic George Jean Nathan described her as "the best director of the plays of Shakespeare that we have." Life and care ...
with
Jussi Björling Johan Jonatan "Jussi" Björling ( , ; 5 February 19119 September 1960) was a Swedish tenor. One of the leading operatic singers of the 20th century, Björling appeared for many years at the Metropolitan Opera in New York City and less frequentl ...
in the title role,
Delia Rigal Delia Rigal is the stage name of Delia Dominga Mastrarrigo (October 6, 1920 - May 8, 2013), an Argentine soprano who performed at the Teatro Colón in Buenos Aires in the period 1943-1955, La Scala in Milan and the Metropolitan Opera in New York ...
as Elizabeth,
Robert Merrill Robert Merrill (June 4, 1917 – October 23, 2004) was an American operatic baritone and actor, who was also active in the musical theatre circuit. He received the National Medal of Arts in 1993. Early life Merrill was born Moishe Miller, ...
as Rodrigo,
Fedora Barbieri Fedora Barbieri (4 June 1920 – 4 March 2003) was an Italian mezzo-soprano and actor. Barbieri was born in Trieste. She performed regularly in Florence for fifty years, and performed internationally through the years. She died, aged 82, in Flor ...
as Eboli, Cesare Siepi as Philip II and
Jerome Hines Jerome A. Hines (November 8, 1921 – February 4, 2003) was an American operatic bass who performed at the Metropolitan Opera from 1946 to 1987. Standing 6'6", his stage presence and stentorian voice made him ideal for such roles as Sarastro in ' ...
as the Grand Inquisitor. This version was performed there until 1972.David Stevens (6 March 1996)
"'Don Carlos,' Early and Late"
''
The New York Times ''The New York Times'' (''the Times'', ''NYT'', or the Gray Lady) is a daily newspaper based in New York City with a worldwide readership reported in 2020 to comprise a declining 840,000 paid print subscribers, and a growing 6 million paid ...
''.
The four-act version in Italian continued to be championed by conductors such as
Herbert von Karajan Herbert von Karajan (; born Heribert Ritter von Karajan; 5 April 1908 – 16 July 1989) was an Austrian conductor. He was principal conductor of the Berlin Philharmonic for 34 years. During the Nazi era, he debuted at the Salzburg Festival, wit ...
(1978 audio recording and 1986 video recording) and
Riccardo Muti Riccardo Muti, (; born 28 July 1941) is an Italian conductor. He currently holds two music directorships, at the Chicago Symphony Orchestra and at the Orchestra Giovanile Luigi Cherubini. Muti has previously held posts at the Maggio Musicale ...
(1992 video recording). Also influential was a 1958 staging of the 1886 five-act "Modena version" in Italian by
The Royal Opera The Royal Opera is a British opera company based in central London, resident at the Royal Opera House in Covent Garden. Along with the English National Opera, it is one of the two principal opera companies in London. Founded in 1946 as the Cove ...
company, Covent Garden, directed by
Luchino Visconti Luchino Visconti di Modrone, Count of Lonate Pozzolo (; 2 November 1906 – 17 March 1976) was an Italian filmmaker, stage director, and screenwriter. A major figure of Italian art and culture in the mid-20th century, Visconti was one of the ...
and conducted by Carlo Maria Giulini. The cast included
Jon Vickers Jonathan Stewart Vickers, (October 29, 1926 – July 10, 2015), known professionally as Jon Vickers, was a Canadian heldentenor. Born in Prince Albert, Saskatchewan, he was the sixth in a family of eight children. In 1950, he was awarded a ...
as Don Carlo,
Tito Gobbi Tito Gobbi (24 October 19135 March 1984) was an Italian operatic baritone with an international reputation. He made his operatic debut in Gubbio in 1935 as Count Rodolfo in Bellini's '' La sonnambula'' and quickly appeared in Italy's major oper ...
as Rodrigo, Boris Christoff as King Phillip and Gré Brouwenstijn as Elizabeth. This version has increasingly been performed elsewhere and has been recorded by, among others, Georg Solti and Giulini. After the discovery of music cut before the premiere, conductors began performing five-act versions that included some of it. In 1973 at La Fenice,
Georges Prêtre Georges Prêtre (; 14 August 1924 – 4 January 2017) was a French orchestral and opera conductor. Biography Prêtre was born in Waziers (Nord), and attended the Douai Conservatory and then studied harmony under Maurice Duruflé and conducting ...
conducted a 5-act version in Italian without the ballet that included the discarded woodcutters scene, the first Carlo-Rodrigo duet in a hybrid beginning with the Paris edition but ending with the Milan revision, the discarded Elisabeth-Eboli duet from Act 4, and the Paris finale. In 1975,
Charles Mackerras Mackerras in 2005 Sir Alan Charles MacLaurin Mackerras (; 1925 2010) was an Australian conductor. He was an authority on the operas of Janáček and Mozart, and the comic operas of Gilbert and Sullivan. He was long associated with the Engli ...
conducted an expanded and modified five-act version (with Verdi's original prelude, the woodcutters' scene and the original Paris ending) in an English translation for
English National Opera English National Opera (ENO) is an opera company based in London, resident at the London Coliseum in St Martin's Lane. It is one of the two principal opera companies in London, along with The Royal Opera. ENO's productions are sung in English ...
at the London Coliseum. In 1978,
Claudio Abbado Claudio Abbado (; 26 June 1933 – 20 January 2014) was an Italian conductor who was one of the leading conductors of his generation. He served as music director of the La Scala opera house in Milan, principal conductor of the London Symphony ...
mounted an expanded five-act version in Italian at La Scala. The cast included
Mirella Freni Mirella Freni, OMRI (, born Mirella Fregni, 27 February 1935 – 9 February 2020) was an Italian operatic soprano who had a career of 50 years and appeared at major international opera houses. She received international attention at the Gl ...
as Elizabeth,
Elena Obraztsova Elena Vasiliyevna Obraztsova ( rus, Еле́на Васи́льевна Образцо́ва, , ɪ̯ɪˈlʲenə vɐˈsʲilʲɪ̯ɪvnə ɐbrɐˈstsovə; 7 July 1939 – 12 January 2015) was a Soviet and Russian mezzo-soprano. She was awarded the ...
as Eboli, José Carreras in the title role,
Piero Cappuccilli Piero Cappuccilli (November 9, 1926 – July 11, 2005) was an Italian operatic baritone. Best known for his interpretations of Verdi roles, he was widely regarded as one of the finest Italian baritones of the second half of the 20th century. He w ...
as Rodrigo,
Nicolai Ghiaurov Nicolai Ghiaurov (or ''Nikolai Gjaurov'', ''Nikolay Gyaurov'', bg, Николай Гяуров) (September 13, 1929 – June 2, 2004) was a Bulgarian opera singer and one of the most famous basses of the postwar period. He was admired for his ...
as King Phillip, and
Evgeny Nesterenko Yevgeny Yevgenievich Nesterenko (russian: Евгений Евгеньевич Нестеренко, link=no; 8 January 1938 – 20 March 2021) was a Soviet and Russian operatic bass. He made an international career, based at the Bolshoi Theatre. ...
as the Grand Inquisitor. On 5 February 1979,
James Levine James Lawrence Levine (; June 23, 1943 – March 9, 2021) was an American conductor and pianist. He was music director of the Metropolitan Opera from 1976 to 2016. He was terminated from all his positions and affiliations with the Met on March 1 ...
conducted an expanded five-act version in Italian at the
Metropolitan Opera The Metropolitan Opera (commonly known as the Met) is an American opera company based in New York City, resident at the Metropolitan Opera House at Lincoln Center, currently situated on the Upper West Side of Manhattan. The company is oper ...
in New York. The cast included
Renata Scotto Renata Scotto (born 24 February 1934) is an Italian soprano and opera director. Recognized for her sense of style, her musicality, and as a remarkable singer-actress, Scotto is considered one of the preeminent singers of her generation. Since ...
as Elizabeth,
Marilyn Horne Marilyn Horne (born January 16, 1934) is an American mezzo-soprano opera singer. She specialized in roles requiring beauty of tone, excellent breath support, and the ability to execute difficult coloratura passages. She is a recipient of the Natio ...
as Eboli, Giuseppe Giacomini as Don Carlo,
Sherrill Milnes Sherrill Milnes (born January 10, 1935) is an American dramatic baritone most famous for his Verdi roles. From 1965 until 1997 he was associated with the Metropolitan Opera. His voice is a high dramatic baritone, combining good legato with an in ...
as Rodrigo, Nicolai Ghiaurov as King Philip, and James Morris as the Grand Inquisitor. Today, as translated into Italian and presented in four-act and five-act versions, the opera has become part of the standard repertory. In French Stagings and broadcasts of five-act French versions of the opera have become more frequent in the later 20th and into the 21st century. Up to 1973, these productions consisted of the revised and abridged four-act score of 1882–83 prefaced by the shortened, revised Act 1 set in Fontainebleau. A radio broadcast by ORTF in France was given in 1967 with a nearly all-French cast, with the exception of the Italian
Matteo Manuguerra Matteo Manuguerra (5 October 1924 – 23 July 1998) was a Tunisian-born French baritone, one of the leading Verdi baritones of the 1970s. Manuguerra was born in Tunis, Tunisia, to Italian parents, who later moved to Argentina. He came late to ...
as Rodrigue. A five-act French version was performed at
La Scala La Scala (, , ; abbreviation in Italian of the official name ) is a famous opera house in Milan, Italy. The theatre was inaugurated on 3 August 1778 and was originally known as the ' (New Royal-Ducal Theatre alla Scala). The premiere performan ...
Milan in 1970. On 22 May 1973, the
Opera Company of Boston The Opera Company of Boston was an American opera company located in Boston, Massachusetts, that was active from the late 1950s through the 1980s. The company was founded by American conductor Sarah Caldwell in 1958 under the name Boston Opera Gr ...
under the direction of
Sarah Caldwell Sarah Caldwell (March 6, 1924March 23, 2006) was an American opera conductor, impresario, and stage director. Early life Caldwell was born in Maryville, Missouri, and grew up in Fayetteville, Arkansas. She was a child prodigy and gave publ ...
presented a nearly complete five-act French version which included the 21 minutes of music cut before the premiere, but not the ballet. The 1867 version was used, since the restored music does not easily fit with the 1886 revised version. The cast included John Alexander in the title role, the French-Canadia
Édith Tremblay
as Élisabeth, the French singer as Princess Eboli, William Dooley as Rogrigue and
Donald Gramm Donald John Gramm (February 26, 1927 – June 2, 1983) was an American bass-baritone whose career was divided between opera and concert performances. His appearances were primarily limited to the United States, which at the time was unusual for an ...
as Philippe. According to Andrew Porter, the Boston production was "the first performance, ever, of the immense opera that Verdi prepared in 1867; and in doing so it opened a new chapter in the stage history of the piece." The BBC Concert Orchestra under
John Matheson John Ross Matheson, (November 14, 1917 – December 27, 2013) was a Canadian politician, lawyer, and judge who helped develop both the national flag of Canada and the Order of Canada. Early life John Matheson was born in Arundel, Quebec, t ...
broadcast the opera in June 1973 with the roles of Don Carlos sung by André Turp, Philippe II by
Joseph Rouleau Joseph A. Rouleau, (February 28, 1929 – July 12, 2019) was a French Canadian Bass (voice type), bass opera singer, particularly associated with the Italian and French repertoires. Life and career Born in Matane, Quebec, he studied privately w ...
, and Rodrigue by Robert Savoie. Julian Budden comments that "this was the first complete performance of what could be called the 1866 conception in French with the addition of the ballet." Several notable productions of five-act French versions have been mounted more recently. A five-act French version was performed by the Théâtre Royal de la Monnaie in Brussels in 1983. A co-production between the
Théâtre du Châtelet The Théâtre du Châtelet () is a theatre and opera house, located in the place du Châtelet in the 1st arrondissement of Paris, France. One of two theatres (the other being the Théâtre de la Ville) built on the site of a ''châtelet'', a ...
in Paris and the Royal Opera in London in 1996 used Andrew Porter as a consultant and was a "judicious mixture" of music from the 1866 original and the 1883 revision. The production, staged by
Luc Bondy Luc Bondy (17 July 1948 – 28 November 2015) was a Swiss theatre and film director. Life and career upright=1.3, '' Charlotte Salomon'' at the Salzburg Festival 2014 Trained in Paris with the theatre teacher Jacques Lecoq, he received a job ...
, was also shared with the opera houses in Brussels, Nice and Lyon. The performance by the Paris cast (March 1996), was conducted by
Antonio Pappano Sir Antonio Pappano (born 30 December 1959) is an English-Italian conductor and pianist. He is currently music director of the Royal Opera House and of the Orchestra dell'Accademia Nazionale di Santa Cecilia. He is scheduled to become chief c ...
with
Roberto Alagna Roberto Alagna (; born 7 June 1963) is a French operatic tenor. He obtained French citizenship in 1981, while also retaining his previous Italian citizenship. Early years Alagna was born in Clichy-sous-Bois, outside the city of Paris, in 1963 to ...
as Don Carlos,
Karita Mattila Karita Marjatta Mattila (born 5 September 1960) is a Finnish operatic soprano. Mattila appears regularly in the major opera houses worldwide, including the Metropolitan Opera, the Royal Opera House in London, Théâtre du Châtelet, Opéra Bastill ...
as Elisabeth,
Thomas Hampson Thomas Walter Hampson (born June 28, 1955) is an American lyric baritone, a classical singer who has appeared world-wide in major opera houses and concert halls and made over 170 musical recordings. Hampson's operatic repertoire spans a range ...
as Rodrigue,
José Van Dam Joseph, Baron Van Damme (born 27 August 1940 in Brussels), known as José van Dam, is a Belgian bass-baritone. At the age of 17, he entered the Brussels Royal Conservatory and studied with Frederic Anspach. A year later, he graduated with diplo ...
as Philippe II and
Waltraud Meier Waltraud Meier (born 9 January 1956) is a German dramatic soprano and mezzo-soprano singer. She is particularly known for her Wagnerian roles as Kundry, Isolde, Ortrud, Venus, Fricka, and Sieglinde, but has also had success in the French and ...
as Eboli. It was recorded on
videotape Videotape is magnetic tape used for storing video and usually sound in addition. Information stored can be in the form of either an analog or digital signal. Videotape is used in both video tape recorders (VTRs) and, more commonly, videocasse ...
and is now available in a remastered
HD video High-definition video (HD video) is video of higher resolution and quality than standard-definition. While there is no standardized meaning for ''high-definition'', generally any video image with considerably more than 480 vertical scan lines (N ...
format. A
Vienna State Opera The Vienna State Opera (, ) is an opera house and opera company based in Vienna, Austria. The 1,709-seat Renaissance Revival venue was the first major building on the Vienna Ring Road. It was built from 1861 to 1869 following plans by August ...
production, staged by
Peter Konwitschny Peter Konwitschny (born 21 January 1945 in Frankfurt am Main) is a German opera and theatre director. Biography Peter Konwitschny grew up in Leipzig, where his father Franz Konwitschny was principal conductor of the Leipzig Gewandhaus Orchestr ...
and performed in Vienna in October 2004, included all of the music excised during the Paris rehearsal period plus the ballet. Patrick O'Connor, writing in the '' Gramophone'' magazine, reports the ballet was "staged as 'Eboli's Dream'. She and Don Carlos are living in suburban bliss, and have Philip and Elisabeth round for a pizza, delivered by Rodrigo. Musically, the performance, apart from the Auto-da-fé scene, has a lot going for it under the direction of
Bertrand de Billy Bertrand de Billy (born Paris, 11 January 1965) is a French conductor. He attended a Jesuit school, but only started serious musical studies when he was around 14–15; he studied piano and violin.
." A
DVD video DVD-Video is a consumer video format used to store digital video on DVD discs. DVD-Video was the dominant consumer home video format in Asia, North America, Europe, and Australia in the 2000s until it was supplanted by the high-definition Bl ...
recording is available.''Don Carlos''. TDK, 2007. . Arthaus Musik, 2010. . On 17 September 2005 a co-production directed by John Caird of the largely uncut Paris version in French between the
Welsh National Opera Welsh National Opera (WNO) ( cy, Opera Cenedlaethol Cymru) is an opera company based in Cardiff, Wales; it gave its first performances in 1946. It began as a mainly amateur body and transformed into an all-professional ensemble by 1973. In its ...
and the
Canadian Opera Company The Canadian Opera Company (COC) is an opera company in Toronto, Ontario, Canada. It is the largest opera company in Canada and one of the largest producers of opera in North America. The COC performs in its own opera house, the Four Seasons Cent ...
(Toronto) was premiered by the WNO at the
Wales Millennium Center Wales Millennium Centre ( cy, Canolfan Mileniwm Cymru) is an arts centre located in the Cardiff Bay area of Cardiff, Wales. The site covers a total area of . Phase 1 of the building was opened during the weekend of the 26–28 November 2004 and ...
. The performance was conducted by Carlo Rizzi with
Nuccia Focile Nuccia Focile (born 25 November 1961) is an Italian operatic soprano. Nuccia Focile was born in Militello in Val di Catania, Sicily, studied in Turin under Elio Battaglia, and made her opera debut in 1983 as Serpina in ''La Serva Padrona'' by ...
as Elizabeth, Paul Charles Clarke as Don Carlos, Scott Hendricks as Rodrigue, Guang Yang as Eboli, Andrea Silvestrelli as Philippe II, and Daniel Sumegi as the Grand Inquisitor. The production was taken on tour to
Edinburgh Edinburgh ( ; gd, Dùn Èideann ) is the capital city of Scotland and one of its 32 Council areas of Scotland, council areas. Historically part of the county of Midlothian (interchangeably Edinburghshire before 1921), it is located in Lothian ...
,
Oxford Oxford () is a city in England. It is the county town and only city of Oxfordshire. In 2020, its population was estimated at 151,584. It is north-west of London, south-east of Birmingham and north-east of Bristol. The city is home to the ...
,
Birmingham Birmingham ( ) is a city and metropolitan borough in the metropolitan county of West Midlands in England. It is the second-largest city in the United Kingdom with a population of 1.145 million in the city proper, 2.92 million in the West ...
,
Bristol Bristol () is a city, ceremonial county and unitary authority in England. Situated on the River Avon, it is bordered by the ceremonial counties of Gloucestershire to the north and Somerset to the south. Bristol is the most populous city in ...
,
Southampton Southampton () is a port city in the ceremonial county of Hampshire in southern England. It is located approximately south-west of London and west of Portsmouth. The city forms part of the South Hampshire built-up area, which also covers Po ...
and
Liverpool Liverpool is a city and metropolitan borough in Merseyside, England. With a population of in 2019, it is the 10th largest English district by population and its metropolitan area is the fifth largest in the United Kingdom, with a popul ...
. It was performed by the Canadian Opera Company in
Toronto Toronto ( ; or ) is the capital city of the Canadian province of Ontario. With a recorded population of 2,794,356 in 2021, it is the most populous city in Canada and the fourth most populous city in North America. The city is the ancho ...
in October/November 2007 with a different cast. The production was performed several times by the Houston Grand Opera from 13 April 2012 until 28 April. The Houston production was conducted by
Patrick Summers Patrick Summers (born August 14, 1963) is an American conductor best known for his work with Houston Grand Opera (HGO), where he has been the artistic and music director since 2011, and with San Francisco Opera, where he served as principal gue ...
with
Brandon Jovanovich Brandon Jovanovich (born 5 October 1970) is an American operatic tenor whose repertoire encompasses Wagner, Puccini, Strauss, Britten, and from early Baroque to world premiere operas. He is most known for his passionate portrayals of Slavic, Frenc ...
as Don Carlos,
Tamara Wilson Tamara Wilson is an American operatic soprano who has had an active international opera career since 2007. She has performed leading roles at the Canadian Opera Company, the English National Opera, the Houston Grand Opera, the Liceu, the Metropol ...
as Elizabeth, Andrea Silvestrelli as Philippe II,
Christine Goerke Christine Goerke (born 1969) is an American dramatic soprano. Early life and education The daughter of Richard Goerke and Marguerite Goerke, Goerke was born in 1969 in New York State. She grew up in Medford, New York, where she attended Tremont ...
as Eboli, Scott Hendricks as Rodrigue and
Samuel Ramey Samuel Edward Ramey (born March 28, 1942) is an American operatic bass. At the height of his career, he was greatly admired for his range and versatility, having possessed a sufficiently accomplished bel canto technique to enable him to sing t ...
as the Grand Inquisitor. In 2017, the
Opéra National de Paris The Paris Opera (, ) is the primary opera and ballet company of France. It was founded in 1669 by Louis XIV as the , and shortly thereafter was placed under the leadership of Jean-Baptiste Lully and officially renamed the , but continued to be ...
performed the 1866 French version (before the ballet was composed) in a production staged by
Krzysztof Warlikowski Krzysztof Warlikowski (Polish pronunciation: ; born 26 May 1962) is a Polish theatre director. He is the creator and artistic director of Nowy Teatr (New Theatre) in Warsaw. Biography He studied history, philosophy and Romance languages at t ...
at the
Bastille The Bastille (, ) was a fortress in Paris, known formally as the Bastille Saint-Antoine. It played an important role in the internal conflicts of France and for most of its history was used as a state prison by the kings of France. It was stor ...
. Conducted by
Philippe Jordan Philippe Jordan (born 18 October 1974) is a Swiss conductor and pianist. Biography Born in Zürich, the son of conductor Armin Jordan, he began to study piano at the age of six. At age eight, he joined the Zürcher Sängerknaben. He has ackno ...
, the cast included
Jonas Kaufmann Jonas Kaufmann (born 10 July 1969) is a German operatic tenor. He is best known for the versatility of his repertoire, performing a variety of opera roles in multiple languages in recitalTommasini, Anthony (21 February 2014)"A Tenor Finds Energy ...
as Don Carlos,
Sonya Yoncheva Sonya Yoncheva ( bg, Соня Йончева; born 25 December 1981) is a Bulgarian operatic soprano. Early life Yoncheva was born in Plovdiv, Bulgaria. From the age of 6, she was "working", according to her own words from an interview for ''Metr ...
as Elisabeth,
Ludovic Tézier Ludovic Tézier (born 1968 in Marseille) is a French operatic baritone. Biography Ludovic Tézier trained at the Paris Opéra’s École d’Art lyrique and at the Centre National d’Artistes Lyriques. He was a prize winner at Operalia, The W ...
as Rodrigue,
Ildar Abdrazakov Ildar Amirovich Abdrazakov (russian: Ильда́р Ами́рович Абдраза́ков; ba, Абдразаҡов Илдар Әмир улы, ''Abdrazaqov İldar Ämir ulı''; born 26 September 1976) is a Russian bass opera singer. Honoure ...
as Philippe II and
Elīna Garanča Elīna Garanča (born 16 September 1976) is a Latvian mezzo-soprano. She began to study singing in her hometown of Riga in 1996 and continued her studies in Vienna and in the United States. By 1999 she had won first place in a significant compe ...
as Eboli.


Roles


Synopsis

:[This synopsis is based on the original five-act version composed for Paris and completed in 1866. Important changes for subsequent versions are noted in indented brackets. First lines of arias, etc., are given in French and Italian].


Act 1

:[This act was omitted in the 1883 revision] ''The
Forest of Fontainebleau The forest of Fontainebleau (french: Forêt de Fontainebleau, or ''Forêt de Bière'', meaning "forest of heather") is a mixed deciduous forest lying southeast of Paris, France. It is located primarily in the arrondissement of Fontainebleau ...
,
France France (), officially the French Republic ( ), is a country primarily located in Western Europe. It also comprises of Overseas France, overseas regions and territories in the Americas and the Atlantic Ocean, Atlantic, Pacific Ocean, Pac ...
in winter'' A prelude and chorus of woodcutters and their wives is heard. They complain of their hard life, made worse by war with Spain. Elisabeth, daughter of the King of France, arrives with her attendants. She reassures the people that her impending marriage to Don Carlos, Infante and son of Philip II, King of Spain, will bring the war to an end, and departs. :[The preceding prelude and chorus of woodcutters was cut before the Paris première and replaced by a short scene in which Elisabeth crosses the stage and hands out money to the woodcutters; she exits without singing. The prelude and chorus of woodcutters was also omitted when Act 1 was restored in the 1886 five-act Modena version.] Carlos, coming out from hiding, has seen Elisabeth and fallen in love with her (Aria: "Je l'ai vue" / "Io la vidi"). When she reappears, he initially pretends to be a member of the Count of Lerma's delegation. She asks him about Don Carlos, whom she has not yet met. Before long, Carlos reveals his true identity and his feelings, which she reciprocates (Duet: "De quels transports poignants et doux" / "Di quale amor, di quanto ardor"). A cannon-shot signifies that peace has been declared between Spain and France. Thibault appears and gives Elisabeth the surprising news that her hand is to be claimed not by Carlos but by his father, Philip. When Lerma and his followers confirm this, Elisabeth is devastated but feels bound to accept, in order to consolidate the peace. She departs for Spain, leaving Carlos equally devastated.


Act 2

:
his is Act 1 in the 1883 revision His or HIS may refer to: Computing * Hightech Information System, a Hong Kong graphics card company * Honeywell Information Systems * Hybrid intelligent system * Microsoft Host Integration Server Education * Hangzhou International School, in ...
''Scene 1: The monastery of Saint-Just (San Jerónimo de
Yuste The Monastery of Yuste is a monastery in the small village now called Cuacos de Yuste (in older works ''San Yuste'' or ''San Just'') in the province of Cáceres in the autonomous community of Extremadura, Spain. The monastery was founded by t ...
) in Spain'' The scene takes place soon after King Philip II and Elisabeth have married. Monks pray before the tomb of the former Emperor Charles V ("Carlo Quinto"). The monks' leader proclaims that the Emperor was proud but has been humbled through error. Don Carlos enters, anguished that the woman he loves is now his stepmother. :[In the 1883 revision, he sings a revised version of the aria "Je l'ai vue" / "Io la vidi", which was salvaged from the omitted first act but with some different music and different text to reflect his current situation. In the four-act version he already knows that he cannot marry Elisabeth. In the original, when singing the aria, he was still expecting to marry her] When Carlos pauses in his lament, the leader of the monks proclaims that the turbulence of the world persists even in sacred places; we cannot rest except in Heaven. The sound of his voice frightens Carlos, who thinks it sounds like that of the Emperor Charles V. Carlos further notices that the monk physically resembles the Emperor, and recalls hearing rumors that the Emperor's ghost haunts the monastery. Carlos' dear friend Rodrigue, Marquis of Posa, who has just arrived from the oppressed land of Flanders, enters. The two greet each other joyfully (Aria: "J'étais en Flandres"). Posa asks for the Infante's aid on behalf of the suffering people there. Carlos reveals that he loves his stepmother. Posa is first shocked, but then sympathetic. He encourages Carlos to leave Spain and go to Flanders, and to forget his pain by focusing on political activity there. The two men swear eternal friendship (Duet: "Dieu, tu semas dans nos âmes" / "Dio, che nell'alma infondere"). King Philip and his new wife, with their attendants, enter also to do homage at Charles V's tomb, while Don Carlos laments his lost love. ''Scene 2: A garden near Saint-Just'' Princess Eboli sings the Veil Song ("Au palais des fées" / "Nel giardin del bello") about a Moorish King trying to seduce an alluring veiled beauty, who turns out to be his own neglected wife. Elisabeth enters. Posa gives her a letter from France, which covers a secret note from Don Carlos. At his urging (Aria: "L'Infant Carlos, notre espérance" / "Carlo ch'è sol il nostro amore"), Elisabeth agrees to see the Infante alone. Unaware of this relationship, Eboli infers that she, Eboli, is the one Don Carlos loves. When they are alone, Don Carlos tells Elisabeth that he is miserable, and asks her to request the King to send him to Flanders. She promptly agrees, provoking Carlos to renew his declarations of love, which she piously rejects. Don Carlos exits in a frenzy, shouting that he must be under a curse. The King enters and becomes angry because the Queen is alone and unattended. His suspicions are insulting to her. He orders the lady-in-waiting who was meant to be attending her, the Countess of Aremberg, to return to France, prompting Elizabeth to sing a sorrowful farewell-aria. (Aria: "Oh ma chère compagne" / "Non pianger, mia compagna"). The King now approaches Posa, with whose character and activism he is impressed, and offers to reward him for his loyalty and service. Posa begs the King to stop oppressing the people of Flanders. The King calls Posa's idealism unrealistic and warns that the Grand Inquisitor is watching him. The King confides in Posa, telling him that he fears that Carlos is having an affair with Elisabeth. Posa replies that Carlos is innocent, and offers to watch Elisabeth and to be responsible for her good behavior. The King gratefully accepts this offer, and again warns Posa to beware of the Grand Inquisitor. :
his dialogue was revised three times by Verdi. His or HIS may refer to: Computing * Hightech Information System, a Hong Kong graphics card company * Honeywell Information Systems * Hybrid intelligent system * Microsoft Host Integration Server Education * Hangzhou International School, in ...


Act 3

:
his is Act 2 in the 1883 revision His or HIS may refer to: Computing * Hightech Information System, a Hong Kong graphics card company * Honeywell Information Systems * Hybrid intelligent system * Microsoft Host Integration Server Education * Hangzhou International School, in ...
''Scene 1: Evening in the Queen's garden in Madrid'' Elisabeth is tired, and wishes to concentrate on the following day's coronation of the King. To avoid the ''
divertissement ''Divertissement'' (from the French 'diversion' or 'amusement') is used, in a similar sense to the Italian 'divertimento', for a light piece of music for a small group of players, however the French term has additional meanings. During the 17th and ...
'' planned for the evening, she exchanges masks with Eboli, assuming that thereby her absence will not be noticed, and leaves. : his scene was omitted from the 1883 revision : n the première, the ballet (choreographed by Lucien Petipa and entitled "La Pérégrina") took place at this point] At midnight, Don Carlos enters, clutching a note suggesting a tryst in the gardens. Although he thinks this is from Elisabeth, it is really from Eboli. Eboli, who still thinks Don Carlos loves her, enters. Don Carlos mistakes her for Elisabeth in the dark, and passionately declares his love. When he sees Eboli's face, he realizes his error and recoils from her. Eboli guesses his secret—that he was expecting the Queen, whom he loves. She threatens to tell the King that Elisabeth and Carlos are lovers. Carlos, terrified, begs for mercy. Posa enters, and warns her not to cross him; he is the King's confidant. Eboli replies by hinting darkly that she is a formidable and dangerous foe, with power which Posa does not yet know about. (Her power is that she is having an affair with the King, but she does not reveal this yet.) Posa draws his dagger, intending to stab her to death, but reconsiders, spares her, and declares his trust in the Lord. Eboli exits in a vengeful rage. Posa advises Carlos to entrust to him any sensitive, potentially incriminating political documents that he may have and, when Carlos agrees, they reaffirm their friendship. ''Scene 2: In front of the Cathedral of
Valladolid Valladolid () is a municipality in Spain and the primary seat of government and de facto capital of the autonomous community of Castile and León. It is also the capital of the province of the same name. It has a population around 300,000 peop ...
'' Preparations are being made for an ''
auto-da-fé An ''auto-da-fé'' ( ; from Portuguese , meaning 'act of faith'; es, auto de fe ) was the ritual of public penance carried out between the 15th and 19th centuries of condemned heretics and apostates imposed by the Spanish, Portuguese, or Mexi ...
'', the public parade and burning of condemned heretics. While the people celebrate, monks drag the condemned to the woodpile. A royal procession follows, and the King addresses the populace, promising to protect them with fire and sword. Don Carlos enters with six Flemish envoys, who plead with the King for their country's freedom. Although the people and the court are sympathetic, the King, supported by the monks, orders his guards to arrest the envoys. Carlos demands that the King grant him authority to govern Flanders; the King scornfully refuses. Enraged, Carlos draws his sword against the King. The King calls for help but the guards will not attack Don Carlos. Posa realizes that actually attacking the King would be disastrous for Carlos. He steps forward and defuses the situation by taking Carlos' sword from him. Carlos, astonished, yields to his friend without resisting. Relieved and grateful, the King raises Posa to the rank of Duke. The guards arrest Carlos, the monks fire the woodpile, and as the flames start to rise, a heavenly voice can be heard promising heavenly peace to the condemned souls.


Act 4

:
his is Act 3 in the 1883 revision His or HIS may refer to: Computing * Hightech Information System, a Hong Kong graphics card company * Honeywell Information Systems * Hybrid intelligent system * Microsoft Host Integration Server Education * Hangzhou International School, in ...
''Scene 1: Dawn in King Philip's study in Madrid'' Alone and suffering from
insomnia Insomnia, also known as sleeplessness, is a sleep disorder in which people have trouble sleeping. They may have difficulty falling asleep, or staying asleep as long as desired. Insomnia is typically followed by daytime sleepiness, low energy, ...
, the King, in a reverie, laments that Elisabeth has never loved him, that his position means that he has to be eternally vigilant and that he will only sleep properly when he is in his tomb in the
Escorial El Escorial, or the Royal Site of San Lorenzo de El Escorial ( es, Monasterio y Sitio de El Escorial en Madrid), or Monasterio del Escorial (), is a historical residence of the King of Spain located in the town of San Lorenzo de El Escorial, up ...
(Aria: "Elle ne m'aime pas" / " Ella giammai m'amò"). The blind, ninety-year-old Grand Inquisitor is announced and shuffles into the King's apartment. When the King asks if the Church will object to him putting his own son to death, the Inquisitor replies that the King will be in good company: God sacrificed ''His'' own son. In return for his support, the Inquisitor demands that the King have Posa killed. The King refuses at first to kill his friend, whom he admires and likes. However, the Grand Inquisitor reminds the King that the Inquisition can take down any king; he has created and destroyed other rulers before. Frightened and overwhelmed, the King begs the Grand Inquisitor to forget about the past discussion. The latter replies "Peut-être" / "Forse!" – perhaps! – and leaves. The King bitterly muses on his helplessness to oppose the Church. Elisabeth enters, alarmed at the apparent theft of her jewel casket. However, the King produces it and points to the portrait of Don Carlos which it contains, accusing her of adultery. She protests her innocence but, when the King threatens her, she faints. In response to his calls for help, into the chamber come Eboli and Posa. Their laments of suspicion cause the King to realize that he has been wrong to suspect his wife (Quartet: "Maudit soit le soupçon infâme" / "Ah, sia maledetto, il rio sospetto"). Aside, Posa resolves to save Carlos, though it may mean his own death. Eboli feels remorse for betraying Elisabeth; the latter, recovering, expresses her despair. : he quartet was revised by Verdi in 1883 and begins: "Maudit soit, maudit le soupçon infâme" / "Ah! sii maledetto, sospetto fatale". Elisabeth and Eboli are left together. Eboli confesses that it was she who told the King that Elisabeth and Carlos were having an affair, for revenge against Carlos for having rejected her. This is followed by the duet "J'ai tout compris". Eboli also confesses that she herself is guilty of that which she accused the Queen, and has become the King's mistress. Elisabeth leaves, and the Count di Lerma orders Eboli to choose between exile or the convent, then leaves. :[At the premiere, the duet "J'ai tout compris" and Eboli's second confession, of her affair with the king, were omitted. Elisabeth orders Eboli to choose between exile or the convent immediately after Eboli's first confession. In 1883, the duet was omitted, but Eboli's second confession was reinstated in a revised version, and Elisabeth remains on stage to sing the Count di Lerma's lines.] Eboli, left alone, curses her own beauty and pride, and resolves to make amends by trying to save Carlos from the Inquisition (Aria: "O don fatal" / "O don fatale"). ''Scene 2: A prison'' Don Carlos has been imprisoned. Posa arrives and tells Carlos that he (Posa) has saved Carlos from being executed, by allowing himself (Posa) to be incriminated by the politically sensitive documents which he had obtained from Carlos earlier (Aria, part 1: "C'est mon jour suprême" / "Per me giunto è il dì supremo"). A shadowy figure appears—one of the Grand Inquisitor's assassins—and shoots Posa in the chest. As he dies, Posa tells Carlos that Elisabeth will meet him at Saint-Just the following day. He adds that he is content to die if his friend can save Flanders and rule over a happier Spain (Aria, part 2: "Ah, je meurs, l'âme joyeuse" / "Io morrò, ma lieto in core"). At that moment, the King enters, offering his son freedom, as Posa had arranged. Carlos repulses him for having murdered Posa. The King sees that Posa is dead and cries out in sorrow. :
Lacrimosa_ The_''Lacrimosa''_(Latin_for_"_weeping/tearful"),_also_a_name_that_derives_from_''Our_Lady_of_Sorrows'',_a_title_given_to_The_Virgin_Mary,_is_part_of_the__Dies_Irae_sequence_in_the_Roman_Catholic_Requiem_Mass._Its_text_comes_from_the_Latin_18th_an_...
_of_his_''Requiem_(Verdi).html" "title="Lacrimosa_(Requiem).html" "title="uet: Carlos and the King- "Qui me rendra ce mort ?" /"Chi rende a me quest'uom" It was cut before the première and, following it, Verdi authorized its optional removal. The music was later re-used by Verdi for the Lacrimosa (Requiem)">Lacrimosa The ''Lacrimosa'' (Latin for " weeping/tearful"), also a name that derives from ''Our Lady of Sorrows'', a title given to The Virgin Mary, is part of the Dies Irae sequence in the Roman Catholic Requiem Mass. Its text comes from the Latin 18th an ...
of his ''Requiem (Verdi)">Messa da Requiem The ''Messa da Requiem'' is a musical setting of the Catholic funeral mass ( Requiem) for four soloists, double choir and orchestra by Giuseppe Verdi. It was composed in memory of Alessandro Manzoni, whom Verdi admired. The first performance, at ...
'' of 1874] Bells ring as Elisabeth and Eboli enter. The crowd pushes its way into the prison and threatens the King, demanding the release of Carlos. In the confusion, Eboli escapes with Carlos. The people are brave enough at first in the presence of the King, but they are terrified by the arrival of the Grand Inquisitor, and instantly obey his angry command to quiet down and pay homage to the King. :[After the première, some productions ended this act with the death of Posa. However, in 1883 Verdi provided a much shortened version of the insurrection, as he felt that otherwise it would not be clear how Eboli had fulfilled her promise to rescue Carlos]


Act 5

:[This is Act 4 in the 1883 revision] ''The moonlit monastery of Yuste'' Elisabeth kneels before the tomb of Charles V. She is committed to help Don Carlos on his way to fulfill his destiny in Flanders, but she herself longs only for death (Aria: "Toi qui sus le néant" / " Tu che le vanità"). Carlos appears and tells her that he has overcome his desire for her; he now loves her honorably, as a son loves his mother. They say a final farewell, promising to meet again in Heaven (Duet: "Au revoir dans un monde où la vie est meilleure" / "Ma lassù ci vedremo in un mondo migliore"). :
his duet was twice revised by Verdi His or HIS may refer to: Computing * Hightech Information System, a Hong Kong graphics card company * Honeywell Information Systems * Hybrid intelligent system * Microsoft Host Integration Server Education * Hangzhou International School, in ...
The King and the Grand Inquisitor enter, with several armed guards. The King infers that Carlos and Elisabeth have been lovers and demands that they both be immediately killed in a double sacrifice. The Inquisitor confirms that the Inquisition will do its duty. A short summary trial follows, confirming Carlos's putative culpability. :[The trial was omitted in 1883 and does not occur on any commercially available audio recording, although it was performed at
La Scala La Scala (, , ; abbreviation in Italian of the official name ) is a famous opera house in Milan, Italy. The theatre was inaugurated on 3 August 1778 and was originally known as the ' (New Royal-Ducal Theatre alla Scala). The premiere performan ...
in 1978. It was performed in Vienna in 2004 and recorded on video.] Carlos, cries "Ah, God will avenge me, this tribunal of blood, His hand will crush."''Don Carlos'', 1867 libretto, pp. 81–82
Defending himself, Carlos retreats towards the tomb of Charles V. The gate opens, the Monk appears, draws Carlos into his arms, covers him with his coat and sings: "My son, the pains of the earth still follow us in this place, the peace your heart hopes for is found only with God." The King and the Inquisitor recognize the Monk's voice: he is the King's father, Charles V, who was believed dead. As the curtain slowly falls, the Monk leads the distraught Carlos into the cloister to the chanting of monks in the chapel that "Charles V, the august Emperor is naught but ash and dust." The opera concludes softly with
pianissimo In music, the dynamics of a piece is the variation in loudness between notes or phrases. Dynamics are indicated by specific musical notation, often in some detail. However, dynamics markings still require interpretation by the performer dependin ...
chords Chord may refer to: * Chord (music), an aggregate of musical pitches sounded simultaneously ** Guitar chord a chord played on a guitar, which has a particular tuning * Chord (geometry), a line segment joining two points on a curve * Chord ( ...
and
tremolo In music, ''tremolo'' (), or ''tremolando'' (), is a trembling effect. There are two types of tremolo. The first is a rapid reiteration: * Of a single Musical note, note, particularly used on String instrument#Bowing, bowed string instrument ...
s played by the strings. :[The ending was revised in 1883, with the Monk singing a tone higher. The score explicitly indicates he is Charles V with royal robe and crown, and the chanting of the monks is no longer sung, but "thundered out as a brass chorale."]


Instrumentation

Except as noted, the instrumentation shown here is from the ''Edizione integrale'', second edition, edited by Ursula Günther.Verdi; Günther 1986, p. XXXVII. * ''
Woodwinds Woodwind instruments are a family of musical instruments within the greater category of wind instruments. Common examples include flute, clarinet, oboe, bassoon, and saxophone. There are two main types of woodwind instruments: flutes and reed ...
'': 3
flutes The flute is a family of classical music instrument in the woodwind group. Like all woodwinds, flutes are aerophones, meaning they make sound by vibrating a column of air. However, unlike woodwind instruments with reeds, a flute is a reedless ...
,
piccolo The piccolo ( ; Italian for 'small') is a half-size flute and a member of the woodwind family of musical instruments. Sometimes referred to as a "baby flute" the modern piccolo has similar fingerings as the standard transverse flute, but the so ...
, 2
oboe The oboe ( ) is a type of double reed woodwind instrument. Oboes are usually made of wood, but may also be made of synthetic materials, such as plastic, resin, or hybrid composites. The most common oboe plays in the treble or soprano range. ...
s, English horn, 2 clarinets, 4 bassoons,
contrabassoon The contrabassoon, also known as the double bassoon, is a larger version of the bassoon, sounding an octave lower. Its technique is similar to its smaller cousin, with a few notable differences. Differences from the bassoon The reed is consi ...
* ''
Brass Brass is an alloy of copper (Cu) and zinc (Zn), in proportions which can be varied to achieve different mechanical, electrical, and chemical properties. It is a substitutional alloy: atoms of the two constituents may replace each other wit ...
'': 4
horns Horns or The Horns may refer to: * Plural of Horn (instrument), a group of musical instruments all with a horn-shaped bells * The Horns (Colorado), a summit on Cheyenne Mountain * ''Horns'' (novel), a dark fantasy novel written in 2010 by Joe Hill ...
, 2
cornets The cornet (, ) is a brass instrument similar to the trumpet but distinguished from it by its conical bore, more compact shape, and mellower tone quality. The most common cornet is a transposing instrument in B, though there is also a sopr ...
, 2
trumpet The trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group ranges from the piccolo trumpet—with the highest register in the brass family—to the bass trumpet, pitched one octave below the standard ...
s, 3
trombone The trombone (german: Posaune, Italian, French: ''trombone'') is a musical instrument in the Brass instrument, brass family. As with all brass instruments, sound is produced when the player's vibrating lips cause the Standing wave, air column ...
s, ophicleide * ''
Percussion A percussion instrument is a musical instrument that is sounded by being struck or scraped by a beater including attached or enclosed beaters or rattles struck, scraped or rubbed by hand or struck against another similar instrument. Exc ...
'':
timpani Timpani (; ) or kettledrums (also informally called timps) are musical instruments in the percussion family. A type of drum categorised as a hemispherical drum, they consist of a membrane called a head stretched over a large bowl traditionally ...
,
bass drum The bass drum is a large drum that produces a note of low definite or indefinite pitch. The instrument is typically cylindrical, with the drum's diameter much greater than the drum's depth, with a struck head at both ends of the cylinder. Th ...
,
triangle A triangle is a polygon with three Edge (geometry), edges and three Vertex (geometry), vertices. It is one of the basic shapes in geometry. A triangle with vertices ''A'', ''B'', and ''C'' is denoted \triangle ABC. In Euclidean geometry, an ...
,
bell A bell is a directly struck idiophone percussion instrument. Most bells have the shape of a hollow cup that when struck vibrates in a single strong strike tone, with its sides forming an efficient resonator. The strike may be made by an inte ...
s, cannon,
tambourine The tambourine is a musical instrument in the percussion family consisting of a frame, often of wood or plastic, with pairs of small metal jingles, called "zills". Classically the term tambourine denotes an instrument with a drumhead, though ...
,
castanets Castanets, also known as ''clackers'' or ''palillos'', are a percussion instrument (idiophone), used in Spanish, Kalo, Moorish, Ottoman, Italian, Sephardic, Swiss, and Portuguese music. In ancient Greece and ancient Rome there was a simil ...
* ''Other'':
harp The harp is a stringed musical instrument that has a number of individual strings running at an angle to its soundboard; the strings are plucked with the fingers. Harps can be made and played in various ways, standing or sitting, and in orche ...
,
harmonium The pump organ is a type of free-reed organ that generates sound as air flows past a vibrating piece of thin metal in a frame. The piece of metal is called a reed. Specific types of pump organ include the reed organ, harmonium, and melodeon. Th ...
* ''Stage band'':The autograph score does not specify the instrumentation of the stage band, and Verdi notated the music at real pitch. For the 1867 Paris premiere, instruments made by
Adolphe Sax Antoine-Joseph "Adolphe" Sax (; 6 November 1814 – 4 February 1894) was a Belgian inventor and musician who invented the saxophone in the early 1840s, patenting it in 1846. He also invented the saxotromba, saxhorn and saxtuba. He played the f ...
were used (Verdi; Günther 1986, p. XXXVII). The instrumentation given here is from the Dover reprint (Verdi 2011, p. xii), which states the instrumentation is from the "authoritative Ricordi edition of ''Don Carlo''" but is rarely used in its entirety.
Offstage horns (''left and right'') in E-flat and B-flat, D clarinet, 2 clarinets in A, 2 flugelhorns, 2 trumpets in D, 4 horns in D, 2
tuba The tuba (; ) is the lowest-pitched musical instrument in the brass family. As with all brass instruments, the sound is produced by lip vibrationa buzzinto a mouthpiece. It first appeared in the mid-19th century, making it one of the ne ...
s, 2 trombones, 2 bass tubas * ''
Strings String or strings may refer to: *String (structure), a long flexible structure made from threads twisted together, which is used to tie, bind, or hang other objects Arts, entertainment, and media Films * ''Strings'' (1991 film), a Canadian anim ...
'':
violin The violin, sometimes known as a ''fiddle'', is a wooden chordophone (string instrument) in the violin family. Most violins have a hollow wooden body. It is the smallest and thus highest-pitched instrument (soprano) in the family in regular ...
s,
viola The viola ( , also , ) is a string instrument that is bow (music), bowed, plucked, or played with varying techniques. Slightly larger than a violin, it has a lower and deeper sound. Since the 18th century, it has been the middle or alto voice of ...
s,
cello The cello ( ; plural ''celli'' or ''cellos'') or violoncello ( ; ) is a Bow (music), bowed (sometimes pizzicato, plucked and occasionally col legno, hit) string instrument of the violin family. Its four strings are usually intonation (music), t ...
s,
double bass The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox addit ...
es


Recordings


See also

*
Cultural depictions of Philip II of Spain Philip II of Spain has inspired artistic and cultural works for over four centuries, as the most powerful ruler in the Europe of his day, and subsequently a central figure in the " Black Legend" of Spanish power. The following list covers representa ...


References

Notes Cited sources *
Budden, Julian Julian Medforth Budden (9 April 1924 in Hoylake, Wirral – 28 February 2007 in Florence, Italy) was a British opera scholar, radio producer and broadcaster. He is particularly known for his three volumes on the operas of Giuseppe Verdi (publish ...
(1981), ''The Operas of Verdi'', Volume 3: From ''Don Carlos'' to ''Falstaff''. London: Cassell. . *Kimbell, David (2001), in Holden, Amanda (Ed.), ''The New Penguin Opera Guide'', New York: Penguin Putnam, 2001. * Kessler, Daniel (2008), ''Sarah Caldwell; The First Woman of Opera''. Lanham, Maryland: Scarecrow Press. . * Parker, Roger (1998), "''Don Carlos''", in Stanley Sadie (ed.), ''The New Grove Dictionary of Opera'', Vol. One. London: Macmillan Publishers, Inc. 1998 . * Kobbé, Gustav (1997). '' The New Kobbé's Opera Book'', edited by the
Earl of Harewood Earl of Harewood (), in the County of York, is a title in the Peerage of the United Kingdom. History The title was created in 1812 for Edward Lascelles, 1st Earl of Harewood, Edward Lascelles, 1st Baron Harewood, a wealthy sugar plantation own ...
and
Antony Peattie Antony Peattie is a British music writer. He co-edited the 1997 revision of ''The New Kobbé's Opera Book'', with Lord Harewood. Career Peattie was publications editor at Welsh National Opera, before leaving to help launch '' Opera Now'' magazine ...
. New York: G. P. Putnam's Sons. . * Phillips-Matz, Mary Jane (1994), ''Verdi: A Biography'', Oxford and New York: Oxford University Press. . * Porter, Andrew (1982), Review of: "Giuseppe Verdi. ''Don Carlos: Edizione integrale...'', edited by Ursula Günther (and Lucian Petazzoni). 1980." ''Journal of the American Musicological Society'', vol. 35, no. 2 (Summer, 1982), pp. 360–370. . * Verdi, Giuseppe (2011). ''Don Carlos ("Don Carlo") in Full Score. The classic Italian translation authorized by the composer, published as DON CARLO in a revised five-act restoration, with notations for an alternative four-act version''. Mineola, New York: Dover Publications, 2001, 2011. . Dover states this is an unabridged republication of the work published by G. Ricordi, Milan, undated, as ''Giuseppe Verdi, Don Carlo—Partitura (Valevole per l'edizione in 4 e 5 atti)''. * Verdi, Giuseppe; Ursula Günther, editor (1986), ''Don Carlos, edizione integrale delle varie versioni in cinque e in quattro atti (comprendente gli inediti verdiani a cura di Ursula Günther)''. Second revision of the sources, prepared by Ursula Günther and Luciano Petazzoni. Piano-vocal score in two volumes with French and Italian text. Milan: Ricordi. Copyright 1974. . * Walker, Frank (1962), ''The Man Verdi''. New York: Knopf. . London: Dent. . Chicago: The University of Chicago Press (1982 paperback reprint with a new introduction by Philip Gossett). . Other sources * Batchelor, Jennifer (ed.) (1992), ''Don Carlos/Don Carlo'', London: John Calder; New York: Riverrun. . * De Van, Gilles (trans. Gilda Roberts) (1998), ''Verdi's Theater: Creating Drama Through Music''. Chicago & London: University of Chicago Press. (hardback), * Gossett, Philip (2006), ''Divas and Scholar: Performing Italian Opera'', Chicago: University of Chicago Press. *Martin, George, '' Verdi: His Music, Life and Times'' (1983), New York: Dodd, Mead and Company. * Osborne, Charles (1969), ''The Complete Operas of Verdi'', New York: Da Capo Press, Inc., 1969. *Parker, Roger (2007), ''The New Grove Guide to Verdi and His Operas'', Oxford & New York: Oxford University Press. * Pistone, Danièle (1995), ''Nineteenth-Century Italian Opera: From Rossini to Puccini'', Portland, OR: Amadeus Press. * Toye, Francis (1931), ''Giuseppe Verdi: His Life and Works'', New York: Knopf, 1931 *
Warrack, John John Hamilton Warrack (born 1928, in London) is an English music critic, writer on music, and oboist. Warrack is the son of Scottish conductor and composer Guy Warrack. He was educated at Winchester College (1941-6) and then at the Royal College o ...
and West, Ewan (1992), ''The Oxford Dictionary of Opera'' New York: OUP. *
Werfel, Franz Franz Viktor Werfel (; 10 September 1890 – 26 August 1945) was an Austrian- Bohemian novelist, playwright, and poet whose career spanned World War I, the Interwar period, and World War II. He is primarily known as the author of ''The For ...
and Stefan, Paul (1973), ''Verdi: The Man and His Letters'', New York, Vienna House.


External links


Verdi: "The story" and "History"
on giuseppeverdi.it
1867 French libretto
at
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Libretto (Italian)
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*, ''The Metropolitan Opera Presents'' *,
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*,
Salzburg Easter Festival The Salzburg Easter Festival (German: ''Osterfestspiele Salzburg'') is an annual festival of opera and classical music held in Salzburg, Austria during Easter week. For most of the festival's history, the resident orchestra of the Easter Festival ...
*,
Théâtre du Châtelet The Théâtre du Châtelet () is a theatre and opera house, located in the place du Châtelet in the 1st arrondissement of Paris, France. One of two theatres (the other being the Théâtre de la Ville) built on the site of a ''châtelet'', a ...
*, The Royal Opera {{Authority control Operas Operas set in France Operas set in Spain 1867 operas Grand operas French-language operas Italian-language operas Operas by Giuseppe Verdi Opera world premieres at the Paris Opera Operas based on works by Friedrich Schiller Operas based on plays Cultural depictions of Ana de Mendoza y de Silva, Princess of Éboli