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Divertissement
''Divertissement'' (from the French 'diversion' or 'amusement') is used, in a similar sense to the Italian 'divertimento', for a light piece of music for a small group of players, however the French term has additional meanings. During the 17th and 18th century, the term implied incidental aspects of an entertainment (usually involving singing and dancing) that might be inserted in an opera or ballet or other stage performance. In the operas produced by the Académie Royale de Musique, both tragédies lyriques and comédies lyriques, these 'divertissements' were sometimes linked to the main plot, or performed at the close of the performance. (Similar examples during the 19th century include Charles Gounod's opera ''Faust'' and Delibes's ballet ''Coppélia''.) Special entertainments of a similar kind given ''between'' the acts of an opera were called 'intermèdes'. The term is also sometimes used for a ballet suite of loosely connected dances. One 20th-century example is Jacques ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Compositions By Jean Françaix
Below is a sortable list of compositions by Jean Françaix. The works are categorized by genre, date of composition and titles. Scores by Françaix are published mainly by Schott Music Schott Music () is one of the oldest German music publishers. It is also one of the largest music publishing houses in Europe, and is the second oldest music publisher after Breitkopf & Härtel. The company headquarters of Schott Music were fou ..., Éditions Transatlantiques, Éditions Max Eschig and Éditions Gérard Billaudot. External links Jean Françaix list of works {{DEFAULTSORT:List of compositions by Jean Francaix Francaix ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacques Ibert
Jacques François Antoine Marie Ibert (15 August 1890 – 5 February 1962) was a French composer of classical music. Having studied music from an early age, he studied at the Paris Conservatoire and won its top prize, the Prix de Rome at his first attempt, despite studies interrupted by his service in World War I. Ibert pursued a successful composing career, writing (sometimes in collaboration with other composers) seven operas, five ballets, incidental music for plays and films, works for piano solo, choral works, and chamber music. He is probably best remembered for his orchestral works including ''Divertissement'' (1930) and ''Escales'' (1922). As a composer, Ibert did not attach himself to any of the prevalent genres of music of his time, and has been described as an eclectic. This is seen even in his best-known pieces: ''Divertissement'' for small orchestra is lighthearted, even frivolous, and ''Escales'' (1922) is a ripely romantic work for large orchestra. In tandem with h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Léo Delibes
Clément Philibert Léo Delibes (; 21 February 1836 – 16 January 1891) was a French Romantic composer, best known for his ballets and operas. His works include the ballets ''Coppélia'' (1870) and '' Sylvia'' (1876) and the opera ''Lakmé'' (1883), which includes the well-known "Flower Duet". Born into a musical family, Delibes enrolled at France's foremost music academy, the Conservatoire de Paris, when he was twelve, studying under several professors including Adolphe Adam. After composing light comic opérettes in the 1850s and 1860s, while also serving as a church organist, Delibes achieved public recognition for his music for the ballet '' La Source'' in 1866. His later ballets ''Coppélia'' and ''Sylvia'' were key works in the development of modern ballet, giving the music much greater importance than previously. He composed a small number of mélodies, some of which are still performed frequently. Delibes had several attempts at writing more serious operas, and a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Françaix
Jean René Désiré Françaix (; 23 May 1912, in Le Mans – 25 September 1997, in Paris) was a French neoclassicism (music), neoclassical composer, piano, pianist, and orchestration, orchestrator, known for his prolific output and vibrant style. Life Françaix's natural gifts were encouraged from an early age by his family. His father, Director of the Conservatoire of Le Mans, was a musicology, musicologist, composer, and pianist, and his mother was a teacher of singing. Jean Françaix studied at the Conservatoire of Le Mans and then at the Conservatoire de Paris, Paris Conservatory, and was only six when he took up composing, with a style heavily influenced by Ravel."Françaix, Jean René (23 May 1912, Le Mans)." ''Harvard Biographical Dictionary of Music''. Cambridge: Harvard University Press, 2003. Credo Reference. Web. 1 October 2012. Françaix's first publication, in 1922, caught the attention of a composer working for the publishing house, who steered the gifted boy toward a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Divertimento
''Divertimento'' (; from the Italian '' divertire'' "to amuse") is a musical genre, with most of its examples from the 18th century. The mood of the ''divertimento'' is most often lighthearted (as a result of being played at social functions) and it is generally composed for a small ensemble. The term is used to describe a wide variety of secular (non-religious) instrumental works for soloist or chamber ensemble. It is usually a kind of music entertainment, although it could also be applied to a more serious genre. After 1780, the term generally designated works that were informal or light. Genre As a separate genre, it appears to have no specific form, although most of the ''divertimenti'' of the second half of the 18th century go either back to a dance suite approach (derived from the 'ballet' type of theatrical ''divertimento''), or take the form of other chamber music genres of their century (as a continuation of the merely instrumental theatrical ''divertimento''). There are ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French Words And Phrases
French ( or ) is a Romance language of the Indo-European family. It descended from the Vulgar Latin of the Roman Empire, as did all Romance languages. French evolved from Gallo-Romance, the Latin spoken in Gaul, and more specifically in Northern Gaul. Its closest relatives are the other langues d'oïl—languages historically spoken in northern France and in southern Belgium, which French (Francien) largely supplanted. French was also influenced by native Celtic languages of Northern Roman Gaul like Gallia Belgica and by the ( Germanic) Frankish language of the post-Roman Frankish invaders. Today, owing to France's past overseas expansion, there are numerous French-based creole languages, most notably Haitian Creole. A French-speaking person or nation may be referred to as Francophone in both English and French. French is an official language in 29 countries across multiple continents, most of which are members of the ''Organisation internationale de la Francophonie'' (OI ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Kennedy (music Critic)
George Michael Sinclair Kennedy CBE (19 February 1926 – 31 December 2014) was an English music critic and author who specialized in classical music. For nearly two decades he was the chief classical music critic for both ''The Daily Telegraph'' (1986–2005) and ''The Sunday Telegraph'' (1989–2005). A prolific writer, he was the biographer of many composers and musicians, including Vaughan Williams, Elgar, Barbirolli, Mahler, Strauss, Britten, Boult and Walton. Other notable publications include writings on various musical institutions, the editing of music dictionaries as well as numerous articles for ''The New Grove Dictionary of Music and Musicians'' and the subsequent ''Grove Music Online''. Life and career On 19 February 1926 Kennedy was born in Chorlton-cum-Hardy, Manchester, and attended Berkhamsted School. On 17 November 1941, he joined the Manchester office of ''Daily Telegraph'' at age 15, as a tea boy. In his youth, Kennedy auditioned for a role in the mus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Entr'acte
(or ', ;Since 1932–35 the French Academy recommends this spelling, with no apostrophe, so historical, ceremonial and traditional uses (such as the 1924 René Clair film title) are still spelled ''Entr'acte''. German: ' and ', Italian: ''intermezzo'', Spanish: ') means "between the acts". It can mean a pause between two parts of a stage production, synonymous to an intermission (this is nowadays the more common meaning in French), but it more often (in English) indicates a piece of music performed between acts of a theatrical production. In the case of stage musicals, the ''entr'acte'' serves as the overture of act 2 (and sometimes acts 3 and 4, as in ''Carmen''). In films that were meant to be shown with an intermission, there was frequently a specially recorded ''entr'acte'' on the soundtrack between the first and second half of the film, although this practice eventually died out. Origin Originally ''entr'actes'' resulted from stage curtains being closed for set or costume ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coppélia
''Coppélia'' (sometimes subtitled: ''La Fille aux Yeux d'Émail'' (The Girl with the Enamel Eyes)) is a comic ballet from 1870 originally choreographed by Arthur Saint-Léon to the music of Léo Delibes, with libretto by Charles-Louis-Étienne Nuitter. Nuitter's libretto and mise-en-scène was based upon E. T. A. Hoffmann's short story ''Der Sandmann'' (''The Sandman''). In Greek, ''κοπέλα'' (or ''κοπελιά'' in some dialects) means ''young woman''. ''Coppélia'' premiered on 25 May 1870 at the Théâtre Impérial de l'Opéra, with the 16-year-old Giuseppina Bozzacchi in the principal role of Swanhilda and ballerina Eugénie Fiocre playing the part of Frantz ''en travesti''. The costumes were designed by Paul Lormier and Alfred Albert, the scenery by Charles-Antoine Cambon (Act I, scene 1; Act II, scene 1), and Édouard Desplechin and Jean-Baptiste Lavastre (Act I, scene 2). The ballet's first flush of success was interrupted by the Franco-Prussian War and t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Intermède
Intermède (also intermédie, intramède, entremets) is a French term for a musical or theatrical performance involving song and dance, also an 18th-century opera genre. The context in which the 'intermède' was performed has changed over time. During the 16th century they were court entertainments in which ballet was an important element. The intermède was sometimes given between the acts of spoken plays, especially in the 17th century when they were performed with the works of Pierre Corneille and Jean Racine. During the Age of Enlightenment, the term was used for one-act Italian operas, as performed in 18th-century France, either in the original language or in French translation (such as ''La servante maîtresse'', the French version of Pergolesi's ''La serva padrona''), but also for original French works of similar style in one or two acts, with or without spoken dialogue. During the course of the century, the intermède gradually disappeared as it was developed and transfor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballet
Ballet () is a type of performance dance that originated during the Italian Renaissance in the fifteenth century and later developed into a concert dance form in France and Russia. It has since become a widespread and highly technical form of dance with its own vocabulary. Ballet has been influential globally and has defined the foundational techniques which are used in many other dance genres and cultures. Various schools around the world have incorporated their own cultures. As a result, ballet has evolved in distinct ways. A ''ballet'' as a unified work comprises the choreography and music for a ballet production. Ballets are choreographed and performed by trained ballet dancers. Traditional classical ballets are usually performed with classical music accompaniment and use elaborate costumes and staging, whereas modern ballets are often performed in simple costumes and without elaborate sets or scenery. Etymology Ballet is a French word which had its origin in Italian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Faust (opera)
''Faust'' is an opera in five acts by Charles Gounod to a French libretto by Jules Barbier and Michel Carré from Carré's play ''Faust et Marguerite'', in turn loosely based on Johann Wolfgang von Goethe's ''Faust, Part One''. It debuted at the Théâtre Lyrique on the Boulevard du Temple in Paris on 19 March 1859, with influential sets designed by Charles-Antoine Cambon and Joseph Thierry, Jean Émile Daran, Édouard Desplechin, and Philippe Chaperon. Performance history The original version of Faust employed spoken dialogue, and it was in this form that the work was first performed. The manager of the Théâtre Lyrique, Léon Carvalho cast his wife Caroline Miolan-Carvalho as Marguerite and there were various changes during production, including the removal and contraction of several numbers. The tenor Hector Gruyer was originally cast as Faust but was found to be inadequate during rehearsals, being eventually replaced by a principal of the Opéra-Comique, Joseph-Théodore ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
