The DIGHA NIKAYA (dīghanikāya; "Collection of Long Discourses") is
a Buddhist scripture, the first of the five nikayas , or collections,
Sutta Pitaka , which is one of the "three baskets" that compose
STRUCTURE AND CONTENTS
The Digha Nikaya consists of 34 discourses, broken into three groups:
* Silakkhandha-vagga—The Division Concerning Morality (suttas 1-13); named after a tract on monks' morality that occurs in each of its suttas (in theory; in practice it is not written out in full in all of them); in most of them it leads on to the jnanas (the main attainments of samatha meditation), the cultivation of psychic powers and becoming an arahant * Maha-vagga—The Great Division (suttas 14-23) * Patika-vagga—The Patika Division (suttas 24-34)
SUTTAS OF THE DIGHA NIKAYA
SUTTA NUMBER PALI TITLE ENGLISH TITLE DESCRIPTION
DN 1 Brahmajāla Sutta The All - embracing Net of views Mainly concerned with 62 types of wrong view
DN 2 Sāmaññaphala Sutta The Fruits of the Contemplative Life King Ajatasattu of Magadha asks the Buddha about the benefits in this life of being a samana ("recluse" or "renunciant"); the Buddha's reply is in terms of becoming an arahant
DN 3 Ambaṭṭha Sutta
Ambattha the Brahmin is sent by his teacher to find whether the Buddha possesses the 32 bodily marks, but on arrival he is rude to the Buddha on grounds of descent (caste ); the Buddha responds that he is actually higher born than Ambattha by social convention, but that he himself considers those fulfilled in conduct and wisdom as higher.
DN 4 Soṇadaṇḍanta Sutta)
The Buddha asks Sonadanda the Brahmin what are the qualities that make a Brahmin; Sonadanda gives five, but the Buddha asks if any can be omitted and argues him down to two: morality and wisdom.
DN 5 Kūṭadanta Sutta
Kutadanta the Brahmin asks the Buddha how to perform a sacrifice; the Buddha replies by telling of one of his past lives, as chaplain to a king, where they performed a sacrifice which consisted of making offerings, with no animals killed.
DN 6 Mahāli Sutta
In reply to a question as to why a certain monk sees divine sights but does not hear divine sounds, the Buddha explains that it is because of the way he has directed his meditation.
DN 7 Jāliya Sutta
Asked by two Brahmins whether the soul and the body are the same or different, the Buddha describes the path to wisdom, and asks whether one who has fulfilled it would bother with such questions
DN 8 Kassapa Sīhanāda Sutta (alt:Maha Sīhanāda or Sīhanāda Sutta) The word sihanada literally means 'lion's roar': this discourse is concerned with asceticism.
DN 9 Poṭṭhapāda Sutta About Potthapada Asked about the cause of the arising of saññā, usually translated as perception, the Buddha says it is through training; he explains the path as above up to the jhanas and the arising of their perceptions, and then continues with the first three formless attainments; the sutta then moves on to other topics, the self and the unanswered questions.
DN 10 Subha Sutta
DN 11 Kevaṭṭa Sutta alt: Kevaḍḍha Sutta To Kevatta Kevaddha asks the Buddha why he does not gain disciples by working miracles; the Buddha explains that people would simply dismiss this as magic and that the real miracle is the training of his followers.
DN 12 Lohicca Sutta To Lohicca On good and bad teachers.
DN 13 Tevijja Sutta
Asked about the path to union with
DN 14 Mahāpadāna Sutta
Tells the story of a past Buddha up to shortly after his enlightenment; the story is similar to that of Gautama Buddha.
DN 15 Mahanidāna Sutta The Great Causes Discourse On dependent origination .
DN 16 Mahaparinibbāna Sutta The Last Days of the Buddha Story of the last few months of the Buddha's life, his death and funeral, and the distribution of his relics.
DN 17 Mahasudassana Sutta
DN 18 Janavasabha Sutta
King Bimbisara of Magadha, reborn as the god Janavasabha, tells the Buddha that his teaching has resulted in increased numbers of people being reborn as gods.
DN 19 Maha-Govinda Sutta
Story of a past life of the Buddha.
DN 20 Mahasamaya Sutta The Great Meeting Long versified list of gods coming to honour the Buddha
The Buddha answers questions from Sakka, ruler of the gods (a
Buddhist version of
DN 22 Mahasatipaṭṭhāna Sutta The Great Discourse on the Foundations of Mindfulness The basis for one of the Burmese vipassana meditation traditions; many people have it read or recited to them on their deathbeds.
DN 23 Pāyāsi Sutta alt: Payasi Rājañña Sutta Dialogue between the skeptical Prince Payasi and a monk.
DN 24 Pāṭika Sutta alt:Pāthika Sutta A monk has left the order because he says the Buddha does not work miracles; most of the sutta is taken up with accounts of miracles the Buddha has worked
DN 25 Udumbarika Sihanada Sutta alt: Udumbarika Sutta Another discourse on asceticism.
DN 26 Cakkavatti Sihanada Sutta The Wheel-turning Emperor Story of humanity's decline from a golden age in the past, with a prophecy of its eventual return.
DN 27 Aggañña Sutta
Another story of humanity's decline.
DN 28 Sampasādaniya Sutta
Sariputta praises the Buddha.
DN 29 Pāsādika Sutta
The Buddha's response to the news of the death of his rival, the
DN 30 Lakkhaṇa Sutta
Explains the actions of the Buddha in his previous lives leading to his 32 bodily marks; thus it describes practices of a bodhisattva (perhaps the earliest such description).
DN 31 Sigalovada Sutta alt:Singala Sutta, Singalaka Sutta or Sigala Sutta To Sigala/The Layperson's Code of Discipline Traditionally regarded as the lay vinaya .
DN 32 Āṭānāṭiya Sutta The Discourse on Atanatiya Gods give the Buddha a poem for his followers, male and female, monastic and lay, to recite for protection from evil spirits; it sets up a mandala or circle of protection and a version of this sutta is classified as a tantra in Tibet and Japan
DN 33 Saṅgāti Sutta
L. S. Cousins has tentatively suggested that this was the first sutta created as a literary text, at the Second Council, his theory being that sutta was originally a pattern of teaching rather than a body of literature; it is taught by Sariputta at the Buddha's request, and gives lists arranged numerically from ones to tens (cf. Anguttara Nikaya ); a version of this belonging to another school was used as the basis for one of the books of their Abhidharma Pitaka .
DN 34 Dasuttara Sutta
Similar to the preceding sutta but with a fixed format; there are ten categories, and each number has one list in each; this material is also used in the Patisambhidamagga .
CORRESPONDENCE WITH THE DīRGHA ĀGAMA
Nikaya corresponds to the
Dīrgha Āgama found in the Sutra
Pitikas of various Sanskritic early Buddhists schools, fragments of
which survive in Sanskrit. A complete version of the
Dīrgha Āgama of
the Dharmagupta school survives in Chinese translation by the name
Cháng Ahánjīng 長阿含經. It contains 30 sūtras in contrast to
the 34 suttas of the Theravadin Dīgha Nikāya. In addition, portions
of the Sarvāstivādin school's
Dīrgha Āgama survive in
* Dialogues of the Buddha, tr T. W. and C. A. F. Rhys Davids, 1899–1921, 3 volumes, Pali Text Society , Vol. 1, Vol. 2, Vol. 3. * Thus Have I Heard: the Long Discourses of the Buddha, tr Maurice Walshe, Wisdom Pubs, 1987; later reissued under the original subtitle; ISBN 0-86171-103-3
* The Buddha's Philosophy of Man, Rhys Davids tr, rev Trevor Ling, Everyman, out of print; 10 suttas including 2, 16, 22, 31 * Long Discourses of the Buddha, tr Mrs A. A. G. Bennett, Bombay, 1964; 1-16 * Ten Suttas from Digha Nikaya, Burma Pitaka Association, Rangoon, 1984; 1, 2, 9, 15, 16, 22, 26, 28-9, 31
* ^ A B C D "Digha Nikaya: The Long Discourses".
www.accesstoinsight.org. Retrieved 2015-12-12.
* ^ A B "Brahmajāla Sutta: The All-embracing Net of Views".
www.accesstoinsight.org. Retrieved 2015-12-12.
* ^ "English translation of DN 2, “The Fruits of Recluseship”".
Sutta Central. Retrieved 2015-12-15.
* ^ "English translation of DN 3, “To Ambaṭṭha”". Sutta
Central. Retrieved 2015-12-15.
* ^ "English translation of DN 4, “To Soṇadaṇḍa”". Sutta
Central. Retrieved 2015-12-27.
* ^ "English translation of DN 9, “To Poṭṭhapada”". Sutta
Central. Retrieved 2015-12-15.
* ^ "English translation of DN 12, “Lohicca”". Sutta Central.
* ^ Gombrich, Richard (1997), How
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