RohSouthern Standard Bhojpuri is prevalent in the Shahabad district (Buxar, Bhojpur, Rohtas, and Kaimur districts) and the Saran region (Saran, Siwan and Gopalganj districts) in Bihar, and the eastern Azamgarh (Ballia and Mau districts) and Varanasi (eastern part of Ghazipur district) regions in Uttar Pradesh. The dialect is also known as Kharwari. It can be further divided into Shahabadi, Chhaprahiya and Pachhimahi.[36]
Northern Bhojpuri is common in the western Tirhut division (east and west Champaran districts) in Bihar, and Gorakhpur division (Deoria, Kushinagar, Gorakhpur, and Maharajganj districts) and Basti division (Basti, Sidharthanagar, and Sant Kabir Nagar districts) in Uttar Pradesh. It is also spoken in Nepal.[37]
Western Bhojpuri is prevalent in the areas of Varanasi (Varanasi, Chandauli, Jaunpur, and the western part of Ghazipur district), Azamgarh (Azamgarh district), and Mirzapur, Sonbhadra, Sant Ravidas Nagar, and Bhadohi districts) in Uttar Pradesh. Banarasi is a local name for Bhojpuri, named after Banaras.[clarification needed] Other names for Western Bhojpuri include Purbi and Benarsi.[38]
Nagpuria Bhojpuri is the southernmost popular dialect, found in the Chota Nagpur Plateau of Jharkhand, particularly parts of Palamau and Ranchi. It has been influenced more by the Magahi language than by other dialects.[35][37] It is sometimes referred to as Sadari.[39]
A more specific classification recognises the dialects of Bhojpuri as Bhojpuri Tharu, Domra, Madhesi, Musahari, Northern Standard Bhojpuri (Basti, Gorakhpuri, Sarawaria), Southern Standard Bhojpuri (Kharwari), and Western Standard Bhojpuri (Benarsi, Purbi).[7]
Bhojpuri is, sociolinguistically, one of the seven Hindi languages (Haryanvi, Braj, Awadhi, Bhojpuri, Bundeli, Bagheli, and Kannauji).[11] Of the seven, Bhojpuri has the most allophonic variations in vowels.[41]
Bhojpuri has 6 vowel phonemes[42] and 10 vocoids. The higher vowels are relatively tense, and the lower vowels are relatively lax. The language has 31 consonant phonemes and 34 contoids (6 bilabial, 4 apico-dental, 5 apico-alveolar, 7 retroflex, 6 alveo-palatal, 5 dorso-velar, and 1 glottal).[40]
Linguist Robert L. Trammell published the phonology of Northern Standard Bhojpuri in 1971.[40][42] According to him, the syllable system is peak type: every syllable has the vowel phoneme as the highest point of sonority. Codas may consist of one, two, or three consonants. Vowels occur as simple peaks or as peak nuclei in diphthongs. The intonation system involves 4 pitch levels and 3 terminal contours.[40][43]
Writing system
Bhojpuri story written in
Kaithi script by Babu Rama Smaran Lal in 1898
Bhojpuri was historically written in Kaithi script,[7] but since 1894 Devanagari has served as the primary script. Kaithi is now rarely used for Bhojpuri.
Kaithi script was used for administrative purposes in the Mughal era for writing Bhojpuri, Awadhi, Maithili, Magahi, and Hindustani from at least the 16th century up to the first decade of the 20th century. Government gazetteers[who?] report that Kaithi was used in a few districts of Bihar throughout the 1960s. Bhojpuri residents of India who moved to British colonies in Africa, the Indian Ocean, and the Caribbean in the 19th and early 20th centuries used both Kaithi and Devanagari scripts.[12]
Signboard at Purbi Gumti Arrah along with
Persian script (on the right side) and
Roman script (above). "Lock no. 11" is written on the board in Bhojpuri.
By 1894 both Kaithi and Devanagari became common scripts to write official texts in Bihar. At present almost all Bhojpuri texts are written in Devanagari, even in islands outside of India where Bhojpuri is spoken. In Mauritius, Kaithi script was historically considered informal, and Devanagari was sometimes spelled as Devanagri. In modern Mauritius, the major script is Devanagari.[44]
Politeness
Bhojpuri syntax and vocabulary reflects a three-tier system of politeness. Any verb can be conjugated through these tiers. The verb to come in Bhojpuri is aana and the verb to speak is bolna. The imperatives come! and speak! can be conjugated in five ways, each marking subtle variation in politeness and propriety. These permutations exclude a host of auxiliary verbs and expressions, which can be added to verbs to add another degree of subtle variation. For extremely polite or formal situations, the pronoun is generally omitted.