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Akira Ifukube (伊福部 昭) (31 May 1914 – 8 February 2006) was a Japanese composer, best known for his works on the film scores of the Godzilla movies since 1954.

Contents

1 Biography

1.1 Early years in Hokkaido 1.2 From 1946 to 2006 in Tokyo 1.3 Honors

2 Works

2.1 Orchestral / Chamber 2.2 Instrumental 2.3 Vocal 2.4 Film scores

3 References 4 External links

Biography[edit] Early years in Hokkaido[edit] Akira Ifukube was born on 31 May 1914 in Kushiro, Japan as the third son of a police officer Toshimitsu Ifukube. He was strongly influenced by the Ainu music as he spent his childhood (from age of 9 to 12) in Otofuke near Obihiro, where was with a mixed population of Ainu and Japanese. His first encounter with classical music occurred when attending secondary school in Sapporo city. Ifukube decided to become a composer at the age of 14 after hearing a radio performance of Igor Stravinsky's The Rite of Spring, also cited the music of Manuel de Falla as a major influence. Ifukube studied forestry at Hokkaido University in Sapporo and composed in his spare time, which prefigured a line of self-taught Japanese composers. His first piece was the piano solo, Piano Suite (later the title was changed to Japan Suite, arranged for orchestra), dedicated to George Copeland who was living in Spain. Ifukube's friend Atsushi Miura at university sent a letter to Copeland. Copeland replied, "It is wonderful that you listen my disc in spite of you living in Japan, the opposite side of the earth. I imagine you may compose music. Send me some piano pieces." Then Miura, who was not a composer, presented Ifukube and this piece to Copeland. Copeland promised to interpret it, but the correspondence was unfortunately stopped because of the Spanish Civil War. Ifukube's big break came in 1935, when his first orchestral piece Japanese Rhapsody won the first prize in an international competition for young composers promoted by Alexander Tcherepnin. The judges of that contest—Albert Roussel, Jacques Ibert, Arthur Honegger, Alexandre Tansman, Tibor Harsányi, Pierre-Octave Ferroud, and Henri Gil-Marchex were unanimous in their selection of Ifukube as the winner.[1] Ifukube studied modern Western composition while Tcherepnin was visiting Japan, his Piano Suite received an honourable mention at the I.C.S.M. festival in Venice in 1938. Japanese Rhapsody was performed in Europe on a number of occasions in the late 1930s. On completing University, he worked as a forestry officer and lumber processor in Akkeshi , and towards the end of the Second World War was appointed by the Imperial Japanese Army to study the elasticity and vibratory strength of wood. He suffered radiation exposure after carrying out x-rays without protection, a consequence of the wartime lead shortage. Thus, he had to abandon forestry work and became a professional composer and teacher. Ifukube spent some time in hospital due to the radiation exposure, and was startled one day to hear one of his own marches being played over the radio when General Douglas MacArthur arrived to formalize the Japanese surrender.

From 1946 to 2006 in Tokyo[edit] He taught at the Tokyo University of the Arts, during which period he composed his first film score for The End of the Silver Mountains, released in 1947. Over the next fifty years, he would compose more than 250 film scores, the high point of which was his 1954 music for Ishirō Honda's Toho movie, Godzilla. Ifukube also created Godzilla's trademark roar – produced by rubbing a resin-covered leather glove along the loosened strings of a double bass – and its footsteps, created by striking an amplifier box. Despite his financial success as a film composer, Ifukube's first love had always been his general classical work as a composer. In fact his compositions for the two genres cross-fertilized each other. For example, he was to recycle his 1953 music for the ballet Shaka, about how the young Siddhartha Gautama eventually became the Buddha, for Kenji Misumi's 1961 film Buddha. Then in 1988 he reworked the film music to create his three-movement symphonic ode Gotama the Buddha. Meanwhile, he had returned to teaching at the Tokyo College of Music, becoming president of the college the following year, and in 1987 retired to become head of the College's ethnomusicology department. He trained younger generation composers such as Toshiro Mayuzumi, Yasushi Akutagawa, Kaoru Wada, Yssimal Motoji, Kōji Ueno, Tadashi Yamauchi and Imai Satoshi. See: List of music students by teacher: G to J#Akira Ifukube. He also published Orchestration, a 1,000-page book on theory. He died in Tokyo at Meguro-ku Hospital of multiple organ dysfunction on 8 February in 2006, at the age of 91. Honors[edit] The Japanese government awarded Ifukube the Order of Culture. Subsequently, he was awarded the Order of the Sacred Treasure, Third Class.[2] Works[edit] Orchestral / Chamber[edit]

Japanese Rhapsody (1935) Triptyque Aborigène for chamber orchestra (1937) dedicated to Alexander Tcherepnin. Etenraku, ballet (1940, lost) Symphony Concertante for piano and orchestra (1941) Ballata sinfonica (1943) Overture to the Nation of Philippines (1944) Arctic Forest (1944) Rapsodia Concertante for Violin and Orchestra (Violin Concerto No. 1) (1948/51/59/71) Salome, ballet (1948, score revised and expanded 1987 for Suite)[3] based on Oscar Wilde's play Fire of Prometheus, ballet (1950) Drumming of Japan, ballet (1951, revised 1984) Sinfonia Tapkaara (1954, revised 1979) Ritmica Ostinata for piano and orchestra (1961, revised 1971) Ronde in Burlesque for wind orchestra (1972, arranged to orchestra in 1983)[3] Violin Concerto No. 2 (1978) Lauda concertata for marimba and orchestra (1979) Eglogue symphonique for 20-strings koto and orchestra (1982) Symphonic Fantasia No. 1 (1983); arrangement from the film scores Symphonic Fantasia No. 2 (1983) Symphonic Fantasia No. 3 (1983) Gotama the Buddha, symphonic ode for mixed chorus and orchestra (1989) Japanese Suite for orchestra (1991); arrangement from the piano suite Japanese Suite for string orchestra (1998)

Instrumental[edit]

Piano Suite (1933) Toka: Cantilena ballabile sul mode antico de Giappone, for guitar (1967) Kugoka for guitar (1969) Toccata for guitar (1970) Fantasia for baroque lute (1980) Sonata for violin and piano (1985) Ballata sinfonica for duo-treble and bass 25-stringed koto (2001)

Vocal[edit]

Ancient Minstrelsies of Gilyak Tribes, for soprano and piano (1946) Three Lullabies among the Native Tribes on the Island of Sakhalin, for soprano and piano (1949) Eclogues after Epos among Aino Races, for soprano and timpani (1950) A Shanty of the Shiretoko Peninsula (1961) The Sea of Okhotsk for soprano, bassoon, piano (or harp) and double bass (1988) Tomo no oto for traditional ensemble and orchestra (1990) Lake Kimtaankamuito (Lake Mashū) (摩周湖, Mashū-ko) for soprano, viola and harp or piano (1992) La Fontaine sacrée for soprano, viola, bassoon and harp (1964, 2000); arrangement by the composer from the 1964 film score Mothra vs. Godzilla Ao Saghi (Grey heron) for soprano, oboe, double bass and piano (2000)

Film scores[edit]

Snow Trail (1947) Woman in the Typhoon Belt (1948) The Quiet Duel (1949) Jakoman and Tetsu (1949) Kumo no machi (City of the Spider) (1950) The Tale of Genji (1951) Children of Hiroshima (1952) Tenryu River (1952) Hiroshima (1953) Anatahan (アナタハン), also known as The Saga of Anatahan (1953) Sakuma Dam Part 1 (1954) Cape Ashizuri (1954) Godzilla (1954) Dobu (1954) Ningen gyorai kaiten (1955) Sakuma Dam Part 2 (1955) The Burmese Harp (1956) Rodan (1956) Sakuma Dam Part 3 (1957) The Mysterians (1957) Varan the Unbelievable (1958) The Birth of Japan (1958) Battle in Outer Space (1959) The Big Boss (Boss of the Underworld) (1959) Baluchaung Project (1960) Shinran (1960) Zoku Shinran (1960) Musashi Miyamoto (1961) The Story of Osaka Castle (1961) The Tale of Zatoichi (1962) Whale God (1962) King Kong vs. Godzilla (1962) Chushingura (1962) 13 Assassins (1963) New Tale of Zatoichi (1963) Wanpaku Ouji no Orochi Taiji (1963) Atragon (1963) Zatoichi the Fugitive (1963) Zatoichi on the Road (1963) Mothra vs. Godzilla (1964) Fight, Zatoichi, Fight (1964) Dogora (1964) Ghidorah, the Three-Headed Monster (1964) Whirlwind (1964) Frankenstein Conquers the World (1965) Zatoichi's Revenge (1965) Zatoichi and the Chess Expert (1965) Invasion of Astro-Monster (1965) The War of the Gargantuas (1966) Daimajin (1966) Wrath of Daimajin (1966) Zatoichi's Vengeance (1966) Return of Daimajin (1966) King Kong Escapes (1967) Zatoichi Challenged (1967) Destroy All Monsters (1968) Latitude Zero (1969) Zatoichi Meets Yojimbo (1970) Space Amoeba (1970) Godzilla vs. Gigan (1972) Zatoichi's Conspiracy (1973) Sandakan No. 8 (1974) Terror of Mechagodzilla (1975) Lady Ogin (1978) Dozoku no ranjo (1991) Godzilla vs. King Ghidorah (1991) Godzilla vs. Mothra (1992) Godzilla vs. Mechagodzilla II (1993) Kushiro Marshland (1993) Godzilla vs. Destoroyah (1995) Tetsujin 28th: Hakuchu no Zangetsu (2007, posthumous score)

In addition, his work has also been used in Godzilla vs. Biollante, Godzilla vs. SpaceGodzilla, Godzilla 2000, Godzilla vs. Megaguirus, Godzilla, Mothra and King Ghidorah: Giant Monsters All-Out Attack, Godzilla: Final Wars, and Shin Godzilla. References[edit]

^ liner notes: Naxos 8.555071 (Morihide Katayarna) ^ L'Harmattan web site (in French) ^ a b Homenick, Erik. "Discography – Concert Works". Akiraifukube.org. Retrieved 3 April 2016. 

External links[edit]

official site Akira Ifukube on IMDb A guide to Ifukube's concert music on CD Information about his death in Japanese AKIRAIFUKUBE.ORG:A virtual museum dedicated to Akira Ifukube Larson, Randall D. Voice of Gojira: Remembering Akira Ifukube at the Wayback Machine (archived April 18, 2008) at musicfromthemovies.com Milner, David. Yohihiko Shibata (trans.) December 1992 & December 1993. "The Complete Akira Ifukube Interview", Kaiju Fan Online.

Authority control

WorldCat Identities VIAF: 111292943 LCCN: n88269238 ISNI: 0000 0000 8177 7276 GND: 103787135 SUDOC: 059256850 BNF: cb13895458f (data) BIBSYS: 7068140 MusicBrainz: 0ac212bb-c62c-4f33-a137-9f7ba8ba1fcb NDL: 00017223 BNE: XX1315

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