Arthur Honegger
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Arthur Honegger
Arthur Honegger (; 10 March 1892 – 27 November 1955) was a Swiss composer who was born in France and lived a large part of his life in Paris. A member of Les Six, his best known work is probably ''Antigone'', composed between 1924 and 1927 to the French libretto by Jean Cocteau based on the tragedy ''Antigone'' by Sophocles. It premiered on 28 December 1927 at the Théâtre Royal de la Monnaie with sets designed by Pablo Picasso and costumes by Coco Chanel. However, his most frequently performed work is probably the orchestral work ''Pacific 231'', which was inspired by the sound of a steam locomotive. Biography Born Oscar-Arthur Honegger (the first name was never used) to Swiss parents in Le Havre, France, he initially studied harmony with Robert-Charles Martin (to whom he dedicated his first published work and violin in Le Havre. After studying for two years at the Zurich Conservatory, he enrolled in the Paris Conservatoire from 1911 to 1918, studying with both Charl ...
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Arthur Honegger B Meurisse 1928
Arthur is a common male given name of Brythonic origin. Its popularity derives from it being the name of the legendary hero King Arthur. The etymology is disputed. It may derive from the Celtic ''Artos'' meaning “Bear”. Another theory, more widely believed, is that the name is derived from the Roman clan '' Artorius'' who lived in Roman Britain for centuries. A common spelling variant used in many Slavic, Romance, and Germanic languages is Artur. In Spanish and Italian it is Arturo. Etymology The earliest datable attestation of the name Arthur is in the early 9th century Welsh-Latin text ''Historia Brittonum'', where it refers to a circa 5th to 6th-century Briton general who fought against the invading Saxons, and who later gave rise to the famous King Arthur of medieval legend and literature. A possible earlier mention of the same man is to be found in the epic Welsh poem ''Y Gododdin'' by Aneirin, which some scholars assign to the late 6th century, though this is still a ma ...
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Zurich University Of The Arts
Zurich University of the Arts (ZHdK, german: Zürcher Hochschule der Künste) has approximately 2,500 students, which makes it the largest arts university in Switzerland. The university was established in 2007, following the merger between Zurich's School of Art and Design (HGKZ) and the School of Music, Drama, and Dance (HMT). ZHdK is one of four universities affiliated to Zürcher Fachhochschule. ZHdK offers Bachelor's and master's degree courses and further education programmes in art, design, music, art education, theatre, film, dance, transdisciplinary studies as well as PhD programmes in collaboration with different international Art Universities and with ETH Zurich. ZHdK holds an active role in research, especially in artistic research and design research. Affiliated to ZHdK are the Museum of Design, Zurich, the Theater der Künste (Theatre of the Arts), the Mehrspur Music Club, and the Media and Information Centre (MIZ). History Established on 1 August 2007, Zurich Un ...
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La Roue
''La Roue'' (, 'The Wheel') is a French silent film, directed by Abel Gance, who also directed ''Napoléon'' and ''J'accuse''. It was released in 1923. The film used then-revolutionary lighting techniques, and rapid scene changes and cuts. Plot Railroad engineer Sisif (Severin-Mars) rescues a small orphan, whose name he learns is Norma (Ivy Close), following a disastrous crash. He raises the little girl as his own, along with his son Elie (Gabriel de Gravone), whose mother died during his birth. In time, Norma becomes a lively and playful young woman. Her greatest joy is time spent with Elie, by now a handsome violin maker, whom she believes to be her natural brother. But Sisif, to his own horror, finds himself falling in love with his adopted daughter. Sisif confesses to a wealthy colleague, Hersan (Pierre Magnier), Norma's origin and that he is attracted to her. Hersan threatens Sisif with blackmail if he does not consent to give Norma to him in marriage. Norma herself is ...
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J'accuse (1919 Film)
''J'accuse'' is a 1919 French silent film directed by Abel Gance. It juxtaposes a romantic drama with the background of the horrors of World War I, and it is sometimes described as a pacifist or anti-war film. Work on the film began in 1918, and some scenes were filmed on real battlefields. The film's powerful depiction of wartime suffering, and particularly its climactic sequence of the "return of the dead", made it an international success, and confirmed Gance as one of the most important directors in Europe. Plot In a Provençal village in the south of France, the villagers welcome the declaration of war with Germany in 1914 and flock to enlist. Among them is François Laurin, a man of jealous and violent temperament, who is married to Édith, the daughter of an upright veteran soldier Maria Lazare. François suspects, correctly, that Édith is conducting an affair with the poet Jean Diaz who lives in the village with his mother, and he sends Édith to stay with his parents ...
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Napoléon (1927 Film)
''Napoléon'' is a 1927 French Silent film, silent Epic film, epic historical film, produced, and directed by Abel Gance that tells the story of Napoleon's early years. On screen, the title is ''Napoléon vu par Abel Gance'', meaning "Napoleon as seen by Abel Gance". The film is recognised as a masterwork of fluid camera motion, produced in a time when most camera shots were static. Many innovative techniques were used to make the film, including fast cutting, extensive close-ups, a wide variety of hand-held camera shots, location shooting, point of view shots, multiple-camera setups, multiple exposure, superimposition, underwater camera, kaleidoscopic images, film tinting, Split screen (filmmaking), split screen and mosaic shots, multi-screen projection, and other visual effects. A revival of ''Napoléon'' in the mid-1950s influenced the filmmakers of the French New Wave. The film used the Keller-Dorian cinematography for its color sequences. The film begins in Brienne-le-Chât ...
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Abel Gance
Abel Gance (; born Abel Eugène Alexandre Péréthon; 25 October 188910 November 1981) was a French film director and producer, writer and actor. A pioneer in the theory and practice of montage, he is best known for three major silent films: ''J'accuse'' (1919), ''La Roue'' (1923), and ''Napoléon'' (1927). Early life Born in Paris in 1889, Abel Gance was the illegitimate son of a prosperous doctor, Abel Flamant, and a working-class mother, Françoise Péréthon (or Perthon). Initially taking his mother's name, he was brought up until the age of eight by his maternal grandparents in the coal-mining town of Commentry in central France. He then returned to Paris to rejoin his mother, who had by then married Adolphe Gance, a chauffeur and mechanic, whose name Abel then adopted. Although he later fabricated the history of a brilliant school career and middle-class background, Gance left school at the age of 14, and the love of literature and art which sustained him throughout his l ...
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King David
David (; , "beloved one") (traditional spelling), , ''Dāwūd''; grc-koi, Δαυΐδ, Dauíd; la, Davidus, David; gez , ዳዊት, ''Dawit''; xcl, Դաւիթ, ''Dawitʿ''; cu, Давíдъ, ''Davidŭ''; possibly meaning "beloved one". was, according to the Hebrew Bible, the third king of the United Kingdom of Israel. In the Books of Samuel, he is described as a young shepherd and harpist who gains fame by slaying Goliath, a champion of the Philistines, in southern Canaan. David becomes a favourite of Saul, the first king of Israel; he also forges a notably close friendship with Jonathan, a son of Saul. However, under the paranoia that David is seeking to usurp the throne, Saul attempts to kill David, forcing the latter to go into hiding and effectively operate as a fugitive for several years. After Saul and Jonathan are both killed in battle against the Philistines, a 30-year-old David is anointed king over all of Israel and Judah. Following his rise to power, David c ...
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Le Roi David
''Le Roi David'' was composed in Mézières, Switzerland, in 1921 by Arthur Honegger, as incidental music for a play in French by René Morax. It was called dramatic psalm, but has also been performed as oratorio, without staging. The plot, based on biblical narration, tells the story of King David, first a shepherd boy, his victories in battle, relationship to Saul, rise to power, adultery, mourning of his son's death, and finally his own death. The work has 27 musical movements consisting of voice solos, choruses, and instrumental interludes. A narrator unifies the work by providing spoken narration of the story of King David. Arthur Honegger was commissioned to write incidental music to accompany René Morax's play ''Le Roi David'' in 1921. The commission outlined that the work was to be performed by 100 singers and seventeen instruments. Honegger struggled with these limited resources, and wrote to Igor Stravinsky for advice. Stravinsky advised him to think as if he had pu ...
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Claire Croiza
Claire Croiza (14 September 1882 – 27 May 1946) was a French mezzo-soprano and an influential teacher of singers. Career Claire Croiza (née Conelly, or O'Connolly) was born in Paris, the daughter of an expatriate American father and an Italian mother, and as a child she excelled at piano and singing. She was taught singing privately at first and then went to the Polish tenor Jean de Reszke for further study. She made her opera début in Nancy in 1905 in ''Messaline'' by Isidore de Lara. In 1906 she made her first appearance at La Monnaie in Brussels, as Dalila in ''Samson et Dalila'', beginning a long association with that theatre which included the roles of Dido (Berlioz), Clytemnestra (''Elektra''), Erda, Carmen, Léonor (''La favorite''), Charlotte (''Werther'') and the title role in Fauré's opera ''Pénélope''. In 1910 she performed as Alays in the world premiere of Cesare Galeotti’s ''La Dorise'' and created the title role in the world premiere of Pierre de Bréville ...
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Conservatoire De Paris
The Conservatoire de Paris (), also known as the Paris Conservatory, is a college of music and dance founded in 1795. Officially known as the Conservatoire National Supérieur de Musique et de Danse de Paris (CNSMDP), it is situated in the avenue Jean Jaurès in the 19th arrondissement of Paris, France. The Conservatoire offers instruction in music and dance, drawing on the traditions of the 'French School'. Formerly the conservatory also included drama, but in 1946 that division was moved into a separate school, the Conservatoire National Supérieur d'Art Dramatique (CNSAD), for acting, theatre and drama. Today the conservatories operate under the auspices of the Ministry of Culture and Communication and are associate members of PSL University. The CNSMDP is also associated with the Conservatoire National Supérieur de Musique et de Danse de Lyon (CNSMDL). History École Royale de Chant On 3 December 1783 Papillon de la Ferté, ''intendant'' of the Menus-Plaisirs du Roi, pro ...
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Andrée Vaurabourg
Andrée Louise Vaurabourg-Honegger (8 September 1894 − 18 July 1980) was a French pianist and teacher. She was the wife of Swiss-French composer Arthur Honegger (1892–1955), whom she met at the Paris Conservatoire in 1916. Honegger married her in 1926 on the condition that they live in separate apartments because he required solitude for composing. They lived apart for the duration of their marriage, with two exceptions. In September 1934, while traveling in Spain, Honegger's car ran into a tree after a tire burst. He only broke an ankle, but Vaurabourg, in the front passenger seat, broke both knees and was unable to walk for almost a year. She never fully recovered from the accident. Honegger lived with and cared for her during her recuperation. They also lived together during the last year of Honegger's life, when he could no longer live alone. They had one daughter, Pascale, born in 1932. She studied piano at the Paris Conservatoire, receiving first prize in counterpoint. S ...
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Ballet (music)
Ballet as a music form progressed from simply a complement to dance, to a concrete compositional form that often had as much value as the dance that went along with it. The dance form, originating in France during the 17th century, began as a theatrical dance. It was not until the 19th century that ballet gained status as a “classical” form. In ballet, the terms ‘classical’ and ‘romantic’ are chronologically reversed from musical usage. Thus, the 19th century Classical period in ballet coincided with the 19th century Romantic era in music. Ballet music composers from the 17th–20th centuries, including the likes of Jean-Baptiste Lully, Pyotr Ilyich Tchaikovsky, Igor Stravinsky, and Sergei Prokofiev, were predominantly in France and Russia. Yet with the increased international notoriety seen in Tchaikovsky's and Stravinsky's lifetime, ballet music composition and ballet in general spread across the western world. History Until about the second half of the 19th century, ...
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