Abel Gance
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Abel Gance (; born Abel Eugène Alexandre Péréthon; 25 October 188910 November 1981) was a French film director and producer, writer and actor. A pioneer in the theory and practice of montage, he is best known for three major silent films: ''
J'accuse "''J'Accuse...!''" (; "I Accuse...!") is an open letter that was published on 13 January 1898 in the newspaper ''L'Aurore'' by Émile Zola in response to the Dreyfus affair. Zola addressed President of France Félix Faure and accused his govern ...
'' (1919), '' La Roue'' (1923), and ''
Napoléon Napoleon Bonaparte ; it, Napoleone Bonaparte, ; co, Napulione Buonaparte. (born Napoleone Buonaparte; 15 August 1769 – 5 May 1821), later known by his regnal name Napoleon I, was a French military commander and political leader who ...
'' (1927).


Early life

Born in Paris in 1889, Abel Gance was the illegitimate son of a prosperous doctor, Abel Flamant, and a working-class mother, Françoise Péréthon (or Perthon). Initially taking his mother's name, he was brought up until the age of eight by his maternal grandparents in the coal-mining town of
Commentry Commentry (; Auvergnat: ''Comentriac'') is a commune in the department of Allier in central France. It lies southwest of Moulins in the valley of the Œil. It is within 8 km of one of the geographic centres of France. The film actress ...
in central France. He then returned to Paris to rejoin his mother, who had by then married Adolphe Gance, a chauffeur and mechanic, whose name Abel then adopted. Although he later fabricated the history of a brilliant school career and middle-class background, Gance left school at the age of 14, and the love of literature and art which sustained him throughout his life was in part the result of self-education. He started working as a clerk in a solicitor's office, but after a couple of years he turned to acting in the theatre. When he was 18, he was given a season's contract at the Théâtre Royal du Parc in Brussels, where he developed friendships with the actor Victor Francen and the writer Blaise Cendrars.


Silent films

While in Brussels, Gance wrote his first film scenarios, which he sold to Léonce Perret. Back in Paris in 1909, he acted in his first film, Perret's ''Molière''. At that stage, he regarded the cinema as "infantile and stupid" and was only drawn into film jobs by his poverty, but he nevertheless continued to write scenarios, and often sold them to Gaumont. During this period he was diagnosed with tuberculosis, often fatal at that time, but after a period of retreat in Vittel he recovered. With some friends, he established a production company, Le Film Français, and began directing his own films in 1911 with '' La Digue (ou Pour sauver la Hollande)'', a historical film which featured the first screen appearance of Pierre Renoir. Gance tried to maintain a connection with the theatre and he finished writing a monumental tragedy entitled ''Victoire de Samothrace'', in which he hoped that Sarah Bernhardt would star. Its five-hour length, and Gance's refusal to cut it, proved to be a stumbling block. With the outbreak of
World War I World War I (28 July 1914 11 November 1918), often abbreviated as WWI, was List of wars and anthropogenic disasters by death toll, one of the deadliest global conflicts in history. Belligerents included much of Europe, the Russian Empire, ...
, Gance was rejected by the army on medical grounds, and in 1915 he started writing and directing for a new film company, . He soon caused controversy with '' La Folie du docteur Tube'', a comic fantasy in which he and his cameraman
Léonce-Henri Burel Léonce-Henri Burel (23 November 1892 – 21 March 1977) was a French cinematographer whose career extended from the silent era until the early 1970s. He was the director of photography on more than 120 films, working almost exclusively in black-an ...
created some arresting visual effects with distorting mirrors. The producers were outraged and refused to show the film. Gance nevertheless continued working for Film d'Art until 1918, making over a dozen commercially successful films. His experiments included tracking shots, extreme close-ups, low-angle shots, and split-screen images. His subjects moved steadily away from simple action films towards psychological melodramas, such as '' Mater dolorosa'' (1917) starring Emmy Lynn as a neglected wife who has an affair with her husband's brother. The film was a great commercial success, and it was followed by '' La Dixième Symphonie'', another marital drama featuring Emmy Lynn. Here Gance's mastery of lighting, composition and editing was accompanied by a range of literary and artistic references which some critics found pretentious and alienating. In 1917, Gance was finally drafted into the army, in its Service Cinématographique, an episode which proved futile and short-lived, but it deepened his preoccupation with the impact of the war and the depression which was caused by the deaths of many of his friends. When he parted company with Film d'Art over a shortage of funds,
Charles Pathé Charles Morand Pathé (; 26 December 1863 – 25 December 1957) was a pioneer of the French film and recording industries. As the founder of Pathé Frères, its roots lie in 1896 Paris, France, when Pathé and his brothers pioneered the d ...
stepped in to underwrite his next film, ''
J'accuse "''J'Accuse...!''" (; "I Accuse...!") is an open letter that was published on 13 January 1898 in the newspaper ''L'Aurore'' by Émile Zola in response to the Dreyfus affair. Zola addressed President of France Félix Faure and accused his govern ...
'' (1919), in which Gance confronted the waste and suffering which the war had brought. He re-enlisted in the Service Cinématographique in order to be able to film some scenes on a real battlefield at the front. The film made a powerful impact and went on to have international distribution. In 1920, Gance developed his next project, '' La Roue'', while recuperating in Nice from Spanish flu, and its progress was deeply affected by the knowledge that his companion Ida Danis was dying of tuberculosis; furthermore, his leading man and friend Séverin-Mars was also seriously ill (and died soon after completion of the film). Nevertheless, Gance brought an unprecedented level of energy and imagination to the technical realisation of his story, set firstly against the dark and grimy background of locomotives and railway yards, and then among the snow-covered landscapes of the Alps. He employed elaborate editing techniques and innovative use of rapid cutting which made the film highly influential among other contemporary directors. The finished film was originally in 32 reels and ran for nearly nine hours, but it was subsequently edited down for distribution. A modern reconstruction from five different versions, available on DVD, is nearly four and a half hours long, and an almost seven hours long restored version was shown at the 2019
Lumière Film Festival The Lumière Film Festival is an annual film festival held each October in Lyon Metropolis, France, since 2009. The festival is named in honor of the Lumière Brothers, who invented the Cinematography in Lyon in 1895, and is organized by the I ...
. In 1921, Gance visited America to promote ''J'accuse''. During his five-month stay he met
D. W. Griffith David Wark Griffith (January 22, 1875 – July 23, 1948) was an American film director. Considered one of the most influential figures in the history of the motion picture, he pioneered many aspects of film editing and expanded the art of the n ...
, whom he had long admired. He was also offered a contract with MGM to work in Hollywood, but he turned it down. After a brief change of pace for '' Au Secours!'' (1924), a comic film with Max Linder, Gance embarked on his greatest project, a six-part life of ''
Napoléon Napoleon Bonaparte ; it, Napoleone Bonaparte, ; co, Napulione Buonaparte. (born Napoleone Buonaparte; 15 August 1769 – 5 May 1821), later known by his regnal name Napoleon I, was a French military commander and political leader who ...
''. Only the first part was completed, tracing Bonaparte's early life, through the Revolution, and up to the invasion of Italy, but even this occupied a vast canvas with meticulously recreated historical scenes and scores of characters. The film was full of experimental techniques, combining rapid cutting, hand-held cameras, superimposition of images, and, in wide-screen sequences, shot using a system he called Polyvision needing triple cameras (and projectors), achieved a spectacular panoramic effect, including a finale in which the outer two film panels were tinted blue and red, creating a widescreen image of a French flag. The original version of the film ran for around 6 hours. A shortened version received a triumphant première at the Paris Opéra in April 1927 before a distinguished audience that included the future General de Gaulle. The length was reduced still further for French and European distribution, and it became even shorter when it was shown in America. This was not the end of the film's career however. Gance re-used material from it in later films, and the restoration of the silent film at the beginning of the 1980s confirmed it as his best known work.


Sound films

Gance embraced the arrival of sound with enthusiasm, and his first production was '' La Fin du monde'' (1931), an expensive science-fiction film (first planned in 1913/14) about the imminent collision of a comet with the Earth. Gance himself played the leading role. The film was a critical and commercial disaster, and thereafter the creative independence which Gance had enjoyed in the previous decade was seriously curtailed. Gance continued to be a busy film-maker throughout the 1930s, but he characterised most of the films made during this period as ones that he did "not in order to live, but in order not to die". In 1932 he tried to demonstrate his credentials as a reliable and efficient director by filming a remake of ''Mater dolorosa'' which he completed within 18 days and within budget. Among the other 'commercial' works that followed were '' Lucrezia Borgia'' (1935), with
Edwige Feuillère Edwige Feuillère (born Edwige Louise Caroline Cunatti; October 29, 1907 – November 13, 1998) was a French stage and film actress. Biography She was born Edwige Louise Caroline Cunatti to an Italian architect father and an Alsace-born mo ...
, and '' Un Grand Amour de Beethoven'' (1937), with Harry Baur. One of the more personal projects that he was able to undertake was a new version of '' J'accuse!'' (1938), not so much a remake of his 1919 film as a continuation of it, and conceived as a warning against the new war that he saw impending. After the Fall of France in 1940, Gance filmed a popular melodrama called '' Vénus aveugle'', which he saw as an allegory of the current state of France and a message of hope directed to the ordinary French people in their time of misfortune. At this period Gance was among those who saw Philippe Pétain as the means of the country's salvation, and in September 1941 ''Vénus aveugle'' had its first screening in Vichy, preceded by a speech in which Gance paid tribute to Pétain. After completing one more film, '' Le Capitaine Fracasse'', Gance went to Spain in August 1943, citing growing hostility from the German authorities in France, and he remained there until October 1945. After the war, his difficulties in getting support for his projects increased, and thus he made few films. The historical melodrama ''La Tour de Nesle'' (1954) was his first film in colour, and it provoked some revival of interest in his work, with critics such as
François Truffaut François Roland Truffaut ( , ; ; 6 February 1932 – 21 October 1984) was a French film director, screenwriter, producer, actor, and film critic. He is widely regarded as one of the founders of the French New Wave. After a career of more th ...
making the case for Gance as a neglected ''auteur'' of genius. Gance returned to Napoleonic spectacle with '' Austerlitz'' (1960), and made a further historical pageant in '' Cyrano et d'Artagnan'' (1963), before moving into television for his final works, also on historical subjects. Throughout his life Gance kept returning to ''
Napoléon Napoleon Bonaparte ; it, Napoleone Bonaparte, ; co, Napulione Buonaparte. (born Napoleone Buonaparte; 15 August 1769 – 5 May 1821), later known by his regnal name Napoleon I, was a French military commander and political leader who ...
'', often editing his own footage into shorter versions, adding a soundtrack, sometimes filming new material, and as a result the original 1927 film was lost from view for decades. After various attempts at reconstruction, the dedicated work of the film historian
Kevin Brownlow Kevin Brownlow (born Robert Kevin Brownlow; 2 June 1938) is a British film historian, television documentary-maker, filmmaker, author, and film editor. He is best known for his work documenting the history of the silent era, having become inte ...
produced a five-hour version of the film, still incomplete but fuller than anyone had seen since the 1920s. This version was presented at the Telluride Film Festival in August 1979, with the frail 89-year-old director in attendance. The occasion brought a belated triumph to Gance's career, and subsequent performances and further restoration made his name known to a worldwide audience. Abel Gance married three times: in 1912 to Mathilde Thizeau; in 1922 to Marguerite Danis (sister of Ida); and in 1933 to Marie-Odette Vérité (Sylvie Grenade), who died in 1978. Gance died of tuberculosis in Paris in 1981 at the age of 92. Abel Gance was interred in the Cimetière d'Auteuil in Paris.


Reputation

Gance wanted himself to be seen as "the Victor Hugo of the screen", and many assessments have recognised the ambition, the ingenuity and the sweeping romanticism of his films. Some, such as
Léon Moussinac Léon Pierre Guillaume Moussinac (19 January 1890 – 10 March 1964) was a French writer, film and art critic, film historian and film theorist. Life and career Moussinac was born in the family of a railroad station master. He studied law and ha ...
in the 1920s, have pointed to the contradictions in his work between creativity and cliché, the "abundance of original treasures and of banal mediocrity and of poor taste". One thing that has always been acknowledged is Gance's innovations in the techniques of the cinema. As well as his multiscreen ventures with Polyvision, he explored the use of superimposition of images, extreme close-ups, and fast rhythmic editing, and he made the camera mobile in unorthodox ways – hand-held, mounted on wires or a pendulum, or even strapped to a horse. He also made early experiments with the addition of sound to film, and with filming in colour and in 3-D. There were few aspects of film technique that he did not seek to incorporate in his work, and his influence was acknowledged by contemporaries such as Jean Epstein and later by the French New Wave film-makers. In the assessment of Kevin Brownlow, "...with his silent productions, ''J'accuse'', ''La Roue'', and ''Napoléon'', bel Gancemade a fuller use of the medium than anyone before or since". Another aspect of Gance's work which has drawn comment from critics is the political stance and implication of his life and films, particularly his identification with strong military leaders. Whereas ''J'accuse'' in 1919 suggested Gance's pacifist and anti-establishment attitude, the reactions to ''Napoléon'' in 1927 saw greater ambivalence, and some commentators even judged it to be an apologia for dictatorship. This strand of criticism of Gance's reactionary politics has continued through later assessments of him; it has also noted his ardent support for Pétain in the early years of World War II, and subsequently for Charles de Gaulle in the 1960s. Others have regarded these political interpretations as secondary to Gance's mastery of exuberant spectacle, which frequently had a nationalistic focus. As one obituary concluded, "Abel Gance was perhaps the greatest Romantic of the screen".


Jury

Abel Gance was a member of the jury for Miss France 1938. Fabricio Cardenas
Vieux papiers des Pyrénées-Orientales, ''Miss Pyrénées-Orientales élue Miss France en 1938''
7 decembre 2014
He was also a member of the jury for the
1953 Cannes Film Festival The 6th Cannes Film Festival was held from 15 to 29 April 1953. The Grand Prix of the Festival went to ''The Wages of Fear'' by Henri-Georges Clouzot. The festival opened with ''Horizons sans fin'' by Jean Dréville. During the opening ceremony ...
, with
Jean Cocteau Jean Maurice Eugène Clément Cocteau (, , ; 5 July 1889 – 11 October 1963) was a French poet, playwright, novelist, designer, filmmaker, visual artist and critic. He was one of the foremost creatives of the s ...
as president.


Filmography


References


Further reading

* Joël Daire, introduction to the article: "The ''Napoleon'' comet" by Georges Mourier, ''Journal of Film Preservation'', 86, April 201

* Georges Mourier, "The ''Napoleon'' comet", ''Journal of Film Preservation'', 86, April 201


External links

* *
''1895'': no.31: ''Abel Gance, nouveaux regards''
(In French) {{DEFAULTSORT:Gance, Abel 1889 births 1981 deaths Male actors from Paris French film directors French male film actors French male silent film actors 20th-century deaths from tuberculosis Cinema pioneers French experimental filmmakers Tuberculosis deaths in France 20th-century French male actors BAFTA fellows