Lute
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Lute
A lute ( or ) is any plucked string instrument with a neck and a deep round back enclosing a hollow cavity, usually with a sound hole or opening in the body. It may be either fretted or unfretted. More specifically, the term "lute" can refer to an instrument from the family of European lutes. The term also refers generally to any string instrument having the strings running in a plane parallel to the sound table (in the Hornbostel–Sachs system). The strings are attached to pegs or posts at the end of the neck, which have some type of turning mechanism to enable the player to tighten the tension on the string or loosen the tension before playing (which respectively raise or lower the pitch of a string), so that each string is tuned to a specific pitch (or note). The lute is plucked or strummed with one hand while the other hand "frets" (presses down) the strings on the neck's fingerboard. By pressing the strings on different places of the fingerboard, the player can sho ...
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Barbat (lute)
The ''barbat'' ( fa, بربت) or ''barbud'' was a lute of Central Asian or Greater Iranian or Persian origin. Barbat is characterized as carved from a single piece of wood, including the neck and a wooden sound board. Possibly a skin-topped instrument for part of its history, it is ancestral to the wood-topped oud and biwa and the skin-topped Yemeni qanbus. Although the original barbat disappeared, modern Iranian luthiers have re-created the instrument, looking at historical images for details. The modern re-created instrument (Iranian Barbat) resembles the oud, although differences include a smaller body, longer neck, a slightly raised fingerboard, and a sound that is distinct from that of the oud. History The ''barbat'' probably originated in Central Asia. The earliest image of the ''barbat'' dates back to the 1st century BC from ancient northern Bactria. While in his book (''Les instruments de musique de l’Inde ancienne'') musicologist Claudie Marcel-Dubois pointed o ...
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String Instrument
String instruments, stringed instruments, or chordophones are musical instruments that produce sound from vibrating strings when a performer plays or sounds the strings in some manner. Musicians play some string instruments by plucking the strings with their fingers or a plectrum—and others by hitting the strings with a light wooden hammer or by rubbing the strings with a bow. In some keyboard instruments, such as the harpsichord, the musician presses a key that plucks the string. Other musical instruments generate sound by striking the string. With bowed instruments, the player pulls a rosined horsehair bow across the strings, causing them to vibrate. With a hurdy-gurdy, the musician cranks a wheel whose rosined edge touches the strings. Bowed instruments include the string section instruments of the orchestra in Western classical music (violin, viola, cello and double bass) and a number of other instruments (e.g., viols and gambas used in early music from the Baro ...
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Theorbo
The theorbo is a plucked string instrument of the lute family, with an extended neck and a second pegbox. Like a lute, a theorbo has a curved-back sound box (a hollow box) with a wooden top, typically with a sound hole, and a neck extending out from the soundbox. As with the lute, the player plucks or strums the strings with one hand while "fretting" (pressing down) the strings with the other hand; pressing the strings in different places on the neck produces different pitches (notes), thus enabling the performer to play chords, basslines and melodies. It is related to the ''liuto attiorbato'', the French ', the archlute, the German baroque lute, and the '' angélique'' or ''angelica''. A theorbo differs from a regular lute in that the theorbo has a much longer neck which extends beyond the regular fingerboard/neck and a second pegbox at the end of the extended neck. (The pegboxes enable the lute to be tuned by turning the pegs to make the strings sound at higher or lower pitch ...
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Jozef Van Wissem
Jozef van Wissem (born 22 November 1962) is a Dutch minimalist composer and lute player based in Brooklyn. In 2013 Van Wissem won the Cannes Soundtrack Award for the score of ''Only Lovers Left Alive'' at the Cannes Film Festival. Career Jozef van Wissem was born in Maastricht. An incessantly touring musician, Van Wissem studied lute in New York with Patrick O'Brien in 1990s. Jozef van Wissem's solo albums, ''It Is All That Is Made'' (2009) and ''Ex Patris'' (2010), were released on Important Records. He released ''The Joy That Never Ends'', an album with Jim Jarmusch on the label in 2011. He wrote a score for the video game ''The Sims Medieval''. Van Wissem has earned much critical acclaim for his work, the ‘liberation of the lute’ as he calls it. According to Steve Dollar for the Washington Post,For him the lute is utterly contemporary. “I want to update it and also make it sexy again. It’s not interesting to a lot of people because it comes with all this baggage, t ...
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String Instrument
String instruments, stringed instruments, or chordophones are musical instruments that produce sound from vibrating strings when a performer plays or sounds the strings in some manner. Musicians play some string instruments by plucking the strings with their fingers or a plectrum—and others by hitting the strings with a light wooden hammer or by rubbing the strings with a bow. In some keyboard instruments, such as the harpsichord, the musician presses a key that plucks the string. Other musical instruments generate sound by striking the string. With bowed instruments, the player pulls a rosined horsehair bow across the strings, causing them to vibrate. With a hurdy-gurdy, the musician cranks a wheel whose rosined edge touches the strings. Bowed instruments include the string section instruments of the orchestra in Western classical music (violin, viola, cello and double bass) and a number of other instruments (e.g., viols and gambas used in early music from the Baro ...
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Chordophone
String instruments, stringed instruments, or chordophones are musical instruments that produce sound from vibrating strings when a performer plays or sounds the strings in some manner. Musicians play some string instruments by plucking the strings with their fingers or a plectrum—and others by hitting the strings with a light wooden hammer or by rubbing the strings with a bow. In some keyboard instruments, such as the harpsichord, the musician presses a key that plucks the string. Other musical instruments generate sound by striking the string. With bowed instruments, the player pulls a rosined horsehair bow across the strings, causing them to vibrate. With a hurdy-gurdy, the musician cranks a wheel whose rosined edge touches the strings. Bowed instruments include the string section instruments of the orchestra in Western classical music (violin, viola, cello and double bass) and a number of other instruments (e.g., viols and gambas used in early music from the Baroque ...
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Archlute
The archlute ( es, archilaúd, it, arciliuto, german: Erzlaute) is a European plucked string instrument developed around 1600 as a compromise between the very large theorbo, the size and re-entrant tuning of which made for difficulties in the performance of solo music, and the Renaissance tenor lute, which lacked the bass range of the theorbo. Essentially a tenor lute with the theorbo's neck-extension, the archlute lacks the power in the tenor and the bass that the theorbo's large body and typically greater string length provide. Overview The main differences between the archlute and the "baroque" lute of northern Europe are that the baroque lute has 11 to 13 courses, while the archlute typically has 14, and the tuning of the first six courses of the baroque lute outlines a d-minor chord, while the archlute preserves the tuning of the Renaissance lute, with perfect fourths surrounding a third in the middle for the first six. The archlute was often used as a solo instrument ...
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Pipa
The pipa, pípá, or p'i-p'a () is a traditional Chinese musical instrument, belonging to the plucked category of instruments. Sometimes called the "Chinese lute", the instrument has a pear-shaped wooden body with a varying number of frets ranging from 12 to 31. Another Chinese four-string plucked lute is the liuqin, which looks like a smaller version of the pipa. The pear-shaped instrument may have existed in China as early as the Han dynasty, and although historically the term ''pipa'' was once used to refer to a variety of plucked chordophones, its usage since the Song dynasty refers exclusively to the pear-shaped instrument. The pipa is one of the most popular Chinese instruments and has been played for almost two thousand years in China. Several related instruments are derived from the pipa, including the Japanese biwa and Korean bipa in East Asia, and the Vietnamese đàn tỳ bà in Southeast Asia. The Korean instrument is the only one of the three that is no longer wide ...
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Angélique (instrument)
The ''angélique'' (French, from Italian ''angelica'') is a plucked string instrument of the lute family of the baroque era. It combines features of the lute, the harp, and the theorbo. It shares the form of its pear-shaped body as well as its vibrating string length of 54 to 70 cm with the lute. Differing from the lute, the 16 string angelica was single-strung like a theorbo, with which it shares its extended neck with a second peg box, bearing six bass strings. Overview The angelica was tuned diatonically, like a harp: C – E – F – G – A – B – c – d – e – f – g – a – b – c’ – d’ – e’. That range is the same as that of the French or lesser theorbo, but the latter differs in that its tuning is reentrant: C – D – E – F – G – A – B – c – d – g – c' – e'– a – d'. The diatonic tuning limited its compass, but produced a full and clear tone by the increased use of open strings. Little surviving music for the ange ...
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Chitarra Italiana
Chitarra Italiana (; 'Italian guitar') is a lute-shaped plucked instrument with four or five single (sometimes double) strings, in a tuning similar to that of the guitar. It was common in Italy during the Renaissance era. According to Renato Meucci, the designation of 'Italiana' followed the introduction to Italy of the flat-backed development of the instrument – referred to as ''chitarra alla spagnola '' (literally 'Spanish guitar'); to distinguish between the two versions. It is believed to have descended from panduras, the Mediterranean lutes of Antiquity, and to be related to North African quitra (or kwitra). Its bass variety was known as chitarrone. Musicologist Laurence Wright talked about the chitarrone in a letter to the ''Early Music'' journal (October 1976), saying it implied "large guitar", that it had a rounded back and was likely to be taken for a smaller lute, and that it was found from the 13th century to the 18th century, but was much rarer in the later centu ...
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Christopher Wilke
Christopher Wilke (born 1973) is an American composer, lutenist, guitarist, recording artist, and teacher. Biography Born in Cincinnati, Wilke studied guitar and composition at the College of Mount St. Joseph, and took his master's degree in guitar from the University of Cincinnati's College Conservatory. He completed his doctorate in Early Music Performance with an Emphasis on Historical Plucked Strings (lute, theorbo and guitar) at the Eastman School of Music, under the tutelage of Paul O'Dette. Composer Several of his compositions, including "Emperor Romulus Augustus, His Serious Funk" and "Diatribe," have been published by Les Productions d'Oz in Montreal, Canada. Performer Wilke has given solo recitals in Italy and Germany as well as the United States. He has taught at the Guitar Foundation of America's Convention and the American Musicological Society's Annual Meeting. His recordings have been featured on Concertzender radio in the Netherlands, on Canadian Television, ...
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Lutz Kirchhof
Lutz Kirchhof (born 1953, Frankfurt am Main) is a German lutenist. He often performs with his wife Marina as the Kirchhof duo. In 1996 he founded the Deutsche Lautengesellschaft (German Association for Lute). He performs in festivals all over the world, giving about a hundred concerts a year since 2002. He performs regularly with vocalists such as Max van Egmond and Derek Lee Ragin Derek Lee Ragin (born June 17, 1958) is an American countertenor. _Biography.html" ;"title="Derek Lee Ragin > Biography">Derek Lee Ragin > Biographyallmusic Early life Derek Ragin was born in West Point, New York and grew up in Newark, New Jerse ..., and numerous instrumentalists. Numerous recordings have appeared and he has recorded for Sony Classical, but now publishes his recordings independently. References External links HomepageDeutsche Lautengesellschaft
(Germ ...
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