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Saltarello
The ''saltarello'' is a musical dance originally from Italy. The first mention of it is in Add MS 29987, a late-fourteenth- or early fifteenth-century manuscript of Tuscan origin, now in the British Library. It was usually played in a fast triple meter and is named for its peculiar leaping step, after the Italian verb ''saltare'' ("to jump"). This characteristic is also the basis of the German name ''Hoppertanz'' or ''Hupfertanz'' ("hopping dance"); other names include the French ''pas de Brabant'' and the Spanish ''alta'' or ''alta danza''. History The saltarello enjoyed great popularity in the courts of medieval Europe. During the 14th century, the word saltarello became the name of a particular dance step (a double with a hop on the final or initial upbeat), and the name of a meter of music (a fast triple), both of which appear in many choreographed dances. Entire dances consisting of only the saltarello step and meter are described as being improvised dances in 15th-cen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saltarello Dance Pattern
The ''saltarello'' is a musical dance originally from Italy. The first mention of it is in Add MS 29987, a late-fourteenth- or early fifteenth-century manuscript of Tuscan origin, now in the British Library. It was usually played in a fast triple meter and is named for its peculiar leaping step, after the Italian verb ''saltare'' ("to jump"). This characteristic is also the basis of the German name ''Hoppertanz'' or ''Hupfertanz'' ("hopping dance"); other names include the French ''pas de Brabant'' and the Spanish ''alta'' or ''alta danza''. History The saltarello enjoyed great popularity in the courts of medieval Europe. During the 14th century, the word saltarello became the name of a particular dance step (a double with a hop on the final or initial upbeat), and the name of a meter of music (a fast triple), both of which appear in many choreographed dances. Entire dances consisting of only the saltarello step and meter are described as being improvised dances in 15th-ce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Add MS 29987
Add MS 29987 is a mediaeval Tuscan musical manuscript dating from the late fourteenth or early fifteenth century, held in the British Library in London. It contains a number of polyphonic Italian Trecento madrigals, ballate, sacred mass movements, and motets, and 15 untexted monophonic instrumental dances, which are among the earliest purely instrumental pieces in the Western musical tradition. The manuscript apparently belonged to the de' Medici family in the fifteenth century, and by 1670 was in the possession of Carlo di Tommaso Strozzi; it was in the British Museum from 1876, where it was catalogued as item 29987 of the Additional manuscripts series. It is now in the British Library. The manuscript The manuscript appears to have belonged to the de' Medici family of the Republic of Florence in the fifteenth century – the first folio has the de' Medici arms in red, gold, blue and green; these are in the "augmented" form granted by Louis XI in 1465, with the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Folk Dance
Italian folk dance has been an integral part of Italian culture for centuries. Dance has been a continuous thread in Italian life from Dante through the Renaissance, the advent of the '' tarantella'' in Southern Italy, and the modern revivals of folk music and dance. History Middle Ages The carol or carole (''carola'' in Italian), a circle or chain dance which incorporates singing, was the dominant Medieval dance form in Europe from at least the 12th through the 14th centuries. This form of dance was found in Italy as well and although Dante has a few fleeting references to dance, it is Dante's contemporary Giovanni del Virgilio (floruit 1319-1327) who gives us the earliest mention of Italian folk dance. He describes a group of women leaving a church in Bologna at the festa of San Giovanni; they form a circle with the leader singing the first stanza at the end of which the dancers stop and, dropping hands, sing the refrain. The circle then reforms and the leader goes on to the n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pinelli Saltarello
Pinelli is an Italian surname, and may refer to: * Giuseppe Pinelli (1928–1969), anarchist * Antonia Bertucci-Pinelli (died c. 1640), Italian painter of the Baroque *Babe Pinelli (1895–1984), American baseball umpire * Bartolomeo Pinelli (1771–1835), illustrator and engraver * Dario Pinelli (born 1982), jazz guitarist * German Pinelli (1907–1996), Cuban journalist and actor * Gian Vincenzo Pinelli, 16th-century Italian humanist and botanist *Tullio Pinelli (1908–2009), screenwriter * Luca Pinelli (1980), Italian Painter It could also be a reference to: * the Pinelli–Walckenaer Atlas, a 14th-century atlas. See also *Prince of Belmonte Prince of Belmonte ( it, Principe di Belmonte; es, Príncipe de Belmonte) is a noble title created in 1619 by the Spanish crown for the Barons of Badolato and Belmonte. The name of the title is taken from the fortress town of Belmonte in Calabria, ... {{surname Surnames ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hans Neusidler
Hans Neusidler (also Neusiedler, Newsidler) (c.1508 – 2 February 1563), was a German composer and lutenist of the Renaissance. Life Neusidler was born in Pressburg (today Bratislava, Slovakia) and first enters the historical record in 1530, when he settled in Nuremberg, Germany. He was issued a residence permit by the city council in February and married there in September. In April 1531, he became a citizen and soon after bought a house on the Zotenberg. He taught lute there in the 1530s, publishing eight books of lute music between 1536 and 1549, and also went into business as a lute maker by 1550. He fathered thirteen children with his first wife, which resulted in his having enormous financial troubles; he eventually sold his house to pay his debts. In January 1556, his wife died, and he remarried five months later; his second wife bore him four more children before her death in August 1562. Neusidler died in Nuremberg. Hans's sons, Melchior Neusidler (1531–1590) a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abruzzo
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Romagna
Romagna ( rgn, Rumâgna) is an Italian historical region that approximately corresponds to the south-eastern portion of present-day Emilia-Romagna, North Italy. Traditionally, it is limited by the Apennines to the south-west, the Adriatic to the east, and the rivers Reno and Sillaro to the north and west. The region's major cities include Cesena, Faenza, Forlì, Imola, Ravenna, Rimini and City of San Marino (San Marino is a landlocked state inside the Romagna historical region). The region has been recently formally expanded with the transfer from the Marche region of nine comuni where the Romagnol language is spoken (Casteldelci, Maiolo, Novafeltria, Pennabilli, San Leo, Sant'Agata Feltria, Talamello, Montecopiolo, Sassofeltrio). Etymology The name ''Romagna'' originates from the Latin name ''Romania'', which originally was the generic name for "land inhabited by Romans", and first appeared on Latin documents in the 5th century. It later took on the more specific meanin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Northern Italy
Northern Italy ( it, Italia settentrionale, it, Nord Italia, label=none, it, Alta Italia, label=none or just it, Nord, label=none) is a geographical and cultural region in the northern part of Italy. It consists of eight administrative regions: Aosta Valley, Piedmont, Liguria, Lombardy, Emilia-Romagna, Veneto, Friuli-Venezia Giulia and Trentino-Alto Adige. As of 2014, its population was 27,801,460. Rhaeto-Romance and Gallo-Italic languages are spoken in the region, as opposed to the Italo-Dalmatian languages spoken in the rest of Italy. The Venetian language is sometimes considered to be part of the Italo-Dalmatian languages, but some major publications such as '' Ethnologue'' (to which UNESCO refers on its page about endangered languages) and '' Glottolog'' define it as Gallo-Italic. For statistic purposes, the Istituto Nazionale di Statistica (ISTAT) uses the terms Northwest Italy and Northeast Italy for two of Italy's five statistical regions in its reporting. Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symphony No
A symphony is an extended musical composition in Western classical music, most often for orchestra. Although the term has had many meanings from its origins in the ancient Greek era, by the late 18th century the word had taken on the meaning common today: a work usually consisting of multiple distinct sections or movements, often four, with the first movement in sonata form. Symphonies are almost always scored for an orchestra consisting of a string section ( violin, viola, cello, and double bass), brass, woodwind, and percussion instruments which altogether number about 30 to 100 musicians. Symphonies are notated in a musical score, which contains all the instrument parts. Orchestral musicians play from parts which contain just the notated music for their own instrument. Some symphonies also contain vocal parts (e.g., Beethoven's Ninth Symphony). Etymology and origins The word ''symphony'' is derived from the Greek word (), meaning "agreement or concord of sound ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Felix Mendelssohn
Jakob Ludwig Felix Mendelssohn Bartholdy (3 February 18094 November 1847), born and widely known as Felix Mendelssohn, was a German composer, pianist, organist and conductor of the early Romantic period. Mendelssohn's compositions include symphonies, concertos, piano music, organ music and chamber music. His best-known works include the overture and incidental music for ''A Midsummer Night's Dream'' (which includes his " Wedding March"), the '' Italian Symphony'', the '' Scottish Symphony'', the oratorio '' St. Paul'', the oratorio '' Elijah'', the overture ''The Hebrides'', the mature Violin Concerto and the String Octet. The melody for the Christmas carol " Hark! The Herald Angels Sing" is also his. Mendelssohn's ''Songs Without Words'' are his most famous solo piano compositions. Mendelssohn's grandfather was the renowned Jewish philosopher Moses Mendelssohn, but Felix was initially raised without religion. He was baptised at the age of seven, becoming a Reformed Chris ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Composer
A composer is a person who writes music. The term is especially used to indicate composers of Western classical music, or those who are composers by occupation. Many composers are, or were, also skilled performers of music. Etymology and Definition The term is descended from Latin, ''compōnō''; literally "one who puts together". The earliest use of the term in a musical context given by the ''Oxford English Dictionary'' is from Thomas Morley's 1597 ''A Plain and Easy Introduction to Practical Music'', where he says "Some wil be good descanters ..and yet wil be but bad composers". 'Composer' is a loose term that generally refers to any person who writes music. More specifically, it is often used to denote people who are composers by occupation, or those who in the tradition of Western classical music. Writers of exclusively or primarily songs may be called composers, but since the 20th century the terms 'songwriter' or ' singer-songwriter' are more often used, particul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monte Testaccio
Monte Testaccio (; alternatively spelled Monte Testaceo; also known as Monte dei cocci) is an artificial mound in Rome composed almost entirely of ''testae'' ( it, cocci), fragments of broken ancient Roman pottery, nearly all discarded amphorae dating from the time of the Roman Empire, some of which were labelled with '' tituli picti''. It is one of the largest spoil heaps found anywhere in the ancient world, covering an area of at its base and with a volume of approximately , containing the remains of an estimated 53 million amphorae. It has a circumference of nearly a kilometre (0.6 mi) and stands 35 metres (115 ft) high, though it was probably considerably higher in ancient times.Claridge, Amanda (1998). ''Rome: An Oxford Archaeological Guide'', First, Oxford, UK: Oxford University Press, 1998, p. 367–368. J. Theodore Peña, ''Roman pottery in the archaeological record'', p. 300–306. Cambridge University Press, 2007. It stands a short distance away from the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
