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Kkwaenggwari
The ''kkwaenggwari'' () is a small flat gong used primarily in the folk music of Korea. It is made of brass and is played with a hard stick. It produces a distinctively high-pitched, metallic tone that breaks into a cymbal-like crashing timbre when struck forcefully. It is particularly important in ''samul nori'' and ''pungmul'', although it is also used in other genres. The instrument's name is likely onomatopoetic for the sound the instrument produces, "kkwaeng-kkwaeng" (hangul: 꽹꽹). An alternate name is ''swe''. This gong is struck with a wooden mallet to produce a sharp, attention commanding sound. The instrument is commonly used in folk performing arts in Korea, including shamanic music, dance, and mask dance drama, and is the lead instrument in pungmul ''Pungmul'' (; ) is a Korean folk music tradition that includes drumming, dancing, and singing. Most performances are outside, with dozens of players all in constant motion. ''Pungmul'' is rooted in the ''du ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kkwaenggwari
The ''kkwaenggwari'' () is a small flat gong used primarily in the folk music of Korea. It is made of brass and is played with a hard stick. It produces a distinctively high-pitched, metallic tone that breaks into a cymbal-like crashing timbre when struck forcefully. It is particularly important in ''samul nori'' and ''pungmul'', although it is also used in other genres. The instrument's name is likely onomatopoetic for the sound the instrument produces, "kkwaeng-kkwaeng" (hangul: 꽹꽹). An alternate name is ''swe''. This gong is struck with a wooden mallet to produce a sharp, attention commanding sound. The instrument is commonly used in folk performing arts in Korea, including shamanic music, dance, and mask dance drama, and is the lead instrument in pungmul ''Pungmul'' (; ) is a Korean folk music tradition that includes drumming, dancing, and singing. Most performances are outside, with dozens of players all in constant motion. ''Pungmul'' is rooted in the ''du ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samul Nori
Samul nori (사물놀이) is a genre of percussion music that originated in Korea. The word ''samul'' means "four objects", while ''nori'' means "play". Samul nori is performed with four traditional Korean musical instruments. They are '' Kkwaenggwari'' (꽹과리), a small gong; '' Jing'' (징), a larger gong; ''Janggu'' (장구), an hourglass-shaped drum; and '' Buk'' (북), a barrel drum similar to the bass drum. Samul nori's roots are in '' Pungmul nori'' (풍물놀이), meaning "playing Korean traditional percussion instruments", which is a Korean folk genre comprising music, acrobatics, folk dance, and rituals. Samul nori was traditionally performed in rice-farming villages in order to ensure and to celebrate good harvests. Until modern times, nine-tenths of Korea's people were employed in agricultural work, and this genre defined Korean music. ''Samul nori'' is the formalized, more modern version of ''Pungmul nori''. ''Samul nori'' started by adapting music from ''Utdari pu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pungmul
''Pungmul'' (; ) is a Korean folk music tradition that includes drumming, dancing, and singing. Most performances are outside, with dozens of players all in constant motion. ''Pungmul'' is rooted in the ''dure'' (collective labor) farming culture. It was originally played as part of farm work, on rural holidays, at other village community-building events, and to accompany shamanistic rituals, mask dance dramas, and other types of performance. During the late 1960s and 1970s it expanded in meaning and was actively used in political protest during the pro-democracy movement, although today it is most often seen as a performing art. Older scholars often describe this tradition as ''nongak'' (), a term meaning "farmers' music" whose usage arose during the colonial era (1910–1945). The Cultural Heritage Administration of South Korea uses this term in designating the folk tradition as an Important Intangible Cultural Property. Opposition from performers and scholars toward it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pungmul
''Pungmul'' (; ) is a Korean folk music tradition that includes drumming, dancing, and singing. Most performances are outside, with dozens of players all in constant motion. ''Pungmul'' is rooted in the ''dure'' (collective labor) farming culture. It was originally played as part of farm work, on rural holidays, at other village community-building events, and to accompany shamanistic rituals, mask dance dramas, and other types of performance. During the late 1960s and 1970s it expanded in meaning and was actively used in political protest during the pro-democracy movement, although today it is most often seen as a performing art. Older scholars often describe this tradition as ''nongak'' (), a term meaning "farmers' music" whose usage arose during the colonial era (1910–1945). The Cultural Heritage Administration of South Korea uses this term in designating the folk tradition as an Important Intangible Cultural Property. Opposition from performers and scholars toward it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Korean Music
Korea refers to music from the Korean peninsula ranging from prehistoric times to the division of Korea into South and North in 1945. It includes court music, folk music, poetic songs, and religious music used in shamanistic and Buddhist traditions. Together, traditional Korean music is referred to as ''gugak'' (Hangul: 국악), which literally means "national music." History Proto-Three Kingdoms of Korea Not much is known about music from the Proto-Three Kingdoms of Korea period (before 57 BCE). It is believed that Korean people practiced shamanistic rituals involving music at agricultural festivals. Tomb murals and ceramics from this period depict string instruments with complex features that suggest the instruments were quite developed. Three Kingdoms of Korea The Three Kingdoms of Korea refers to the period from 57 BCE to 668 CE when the Korean peninsula was ruled by three kingdoms: Goguryeo, Baekje, and Silla. Each kingdom was known for favoring different musical inst ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Korean Language
Korean (South Korean: , ''hangugeo''; North Korean: , ''chosŏnmal'') is the native language for about 80 million people, mostly of Korean descent. It is the official and national language of both North Korea and South Korea (geographically Korea), but over the past years of political division, the two Koreas have developed some noticeable vocabulary differences. Beyond Korea, the language is recognised as a minority language in parts of China, namely Jilin Province, and specifically Yanbian Prefecture and Changbai County. It is also spoken by Sakhalin Koreans in parts of Sakhalin, the Russian island just north of Japan, and by the in parts of Central Asia. The language has a few extinct relatives which—along with the Jeju language (Jejuan) of Jeju Island and Korean itself—form the compact Koreanic language family. Even so, Jejuan and Korean are not mutually intelligible with each other. The linguistic homeland of Korean is suggested to be somewhere in c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Onomatopoeia
Onomatopoeia is the process of creating a word that phonetically imitates, resembles, or suggests the sound that it describes. Such a word itself is also called an onomatopoeia. Common onomatopoeias include animal noises such as ''oink'', ''meow'' (or ''miaow''), ''roar'', and ''chirp''. Onomatopoeia can differ between languages: it conforms to some extent to the broader linguistic system; hence the sound of a clock may be expressed as ''tick tock'' in English, in Spanish and Italian (shown in the picture), in Mandarin, in Japanese, or in Hindi. The English term comes from the Ancient Greek compound ''onomatopoeia'', 'name-making', composed of ''onomato''- 'name' and -''poeia'' 'making'. Thus, words that imitate sounds can be said to be onomatopoeic or onomatopoetic. Uses In the case of a frog croaking, the spelling may vary because different frog species around the world make different sounds: Ancient Greek (only in Aristophanes' comic play '' The Frogs'') ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gong
A gongFrom Indonesian and ms, gong; jv, ꦒꦺꦴꦁ ; zh, c=鑼, p=luó; ja, , dora; km, គង ; th, ฆ้อง ; vi, cồng chiêng; as, কাঁহ is a percussion instrument originating in East Asia and Southeast Asia. Gongs are a flat, circular metal disc that is typically struck with a mallet. They can be small or large in size, and tuned or can require tuning. The earliest mention of gongs can be found in sixth century Chinese records, which mentioned the instrument to have come from a country between Tibet and Burma. The term ''gong'' ( jv, ꦒꦺꦴꦁ) originated in the Indonesian island of Java. Scientific and archaeological research has established that Burma, China, Java and Annam were the four main gong manufacturing centres of the ancient world. The gong found its way into the Western World in the 18th century, when it was also used in the percussion section of a Western-style symphony orchestra. A form of bronze cauldron gong known as a restin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Timbre
In music, timbre ( ), also known as tone color or tone quality (from psychoacoustics), is the perceived sound quality of a musical note, sound or tone. Timbre distinguishes different types of sound production, such as choir voices and musical instruments. It also enables listeners to distinguish different instruments in the same category (e.g., an oboe and a clarinet, both woodwind instruments). In simple terms, timbre is what makes a particular musical instrument or human voice have a different sound from another, even when they play or sing the same note. For instance, it is the difference in sound between a guitar and a piano playing the same note at the same volume. Both instruments can sound equally tuned in relation to each other as they play the same note, and while playing at the same amplitude level each instrument will still sound distinctively with its own unique tone color. Experienced musicians are able to distinguish between different instruments of the same typ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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