HOME

TheInfoList



OR:

Special effects (often abbreviated as SFX, F/X or simply FX) are illusions or visual tricks used in the
theatre Theatre or theater is a collaborative form of performing art that uses live performers, usually actors or actresses, to present the experience of a real or imagined event before a live audience in a specific place, often a stage. The perfor ...
,
film A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmospher ...
,
television Television, sometimes shortened to TV, is a telecommunication medium for transmitting moving images and sound. The term can refer to a television set, or the medium of television transmission. Television is a mass medium for advertising, ...
,
video game Video games, also known as computer games, are electronic games that involves interaction with a user interface or input device such as a joystick, controller, keyboard, or motion sensing device to generate visual feedback. This feedba ...
,
amusement park An amusement park is a park that features various attractions, such as rides and games, as well as other events for entertainment purposes. A theme park is a type of amusement park that bases its structures and attractions around a central ...
and simulator industries to simulate the imagined events in a story or virtual world. Special effects are traditionally divided into the categories of mechanical effects and optical effects. With the emergence of digital film-making a distinction between special effects and
visual effects Visual effects (sometimes abbreviated VFX) is the process by which imagery is created or manipulated outside the context of a live-action shot in filmmaking and video production. The integration of live-action footage and other live-action foota ...
has grown, with the latter referring to digital
post-production Post-production is part of the process of filmmaking, video production, audio production, and photography. Post-production includes all stages of production occurring after principal photography or recording individual program segments. Th ...
and optical effects, while "special effects" refers to mechanical effects. Mechanical effects (also called
practical Pragmatism is a philosophical tradition that considers words and thought as tools and instruments for prediction, problem solving, and action (philosophy), action, and rejects the idea that the function of thought is to describe, represent, ...
or
physical effects A practical effect is a special effect produced physically, without computer-generated imagery or other post-production techniques. In some contexts, "special effect" is used as a synonym of "practical effect", in contrast to "visual effects" ...
) are usually accomplished during the live-action shooting. This includes the use of mechanized
props A prop, formally known as (theatrical) property, is an object used on stage or screen by actors during a performance or screen production. In practical terms, a prop is considered to be anything movable or portable on a stage or a set, distinc ...
, scenery,
scale model A scale model is a physical model which is geometrically similar to an object (known as the prototype). Scale models are generally smaller than large prototypes such as vehicles, buildings, or people; but may be larger than small prototypes ...
s,
animatronics Animatronics refers to mechatronic puppets. They are a modern variant of the automaton and are often used for the portrayal of characters in films and in theme park attractions. It is a multidisciplinary field integrating puppetry, anatomy ...
,
pyrotechnics Pyrotechnics is the science and craft of creating such things as fireworks, safety matches, oxygen candles, explosive bolts and other fasteners, parts of automotive airbags, as well as gas-pressure blasting in mining, quarrying, and demolition ...
and atmospheric effects: creating physical wind, rain, fog, snow, clouds, making a car appear to drive by itself and blowing up a building, etc. Mechanical effects are also often incorporated into set design and makeup. For example, prosthetic makeup can be used to make an actor look like a non-human creature. Optical effects (also called photographic effects) are the techniques in which images or film frames are created photographically, either "in-camera" using multiple exposure, mattes or the Schüfftan process or in post-production using an
optical printer An optical printer is a device consisting of one or more film projectors mechanically linked to a movie camera. It allows filmmakers to re- photograph one or more strips of film. The optical printer is used for making special effects for mot ...
. An optical effect might be used to place actors or sets against a different background. Since the 1990s,
computer-generated imagery Computer-generated imagery (CGI) is the use of computer graphics to create or contribute to images in art, printed media, video games, simulators, and visual effects in films, television programs, shorts, commercials, and videos. The image ...
(CGI) has come to the forefront of special effects technologies. It gives filmmakers greater control, and allows many effects to be accomplished more safely and convincingly and—as technology improves—at lower costs. As a result, many optical and mechanical effects techniques have been superseded by CGI.


Developmental history


Early development

In 1857,
Oscar Rejlander Oscar Gustave Rejlander (Stockholm, 19 October 1813 – Clapham, London, 18 January 1875) was a pioneering Victorian art photographer and an expert in photomontage. His collaboration with Charles Darwin on ''The Expression of the Emotions in ...
created the world's first "special effects" image by combining different sections of 32 negatives into a single image, making a montaged combination print. In 1895, Alfred Clark created what is commonly accepted as the first-ever motion picture special effect. While filming a reenactment of the beheading of
Mary, Queen of Scots Mary, Queen of Scots (8 December 1542 – 8 February 1587), also known as Mary Stuart or Mary I of Scotland, was Queen of Scotland from 14 December 1542 until her forced abdication in 1567. The only surviving legitimate child of James V of S ...
, Clark instructed an actor to step up to the block in Mary's costume. As the executioner brought the axe above his head, Clark stopped the camera, had all of the actors freeze, and had the person playing Mary step off the set. He placed a Mary dummy in the actor's place, restarted filming, and allowed the executioner to bring the axe down, severing the dummy's head. Techniques like these would dominate the production of special effects for a century. It wasn't only the first use of trickery in cinema, it was also the first type of photographic trickery that was only possible in a motion picture, and referred to as the "stop trick".
Georges Méliès Marie-Georges-Jean Méliès (; ; 8 December 1861 – 21 January 1938) was a French illusionist, actor, and film director. He led many technical and narrative developments in the earliest days of cinema. Méliès was well known for the use of ...
, an early motion picture pioneer, accidentally discovered the same "stop trick." According to Méliès, his camera jammed while filming a street scene in Paris. When he screened the film, he found that the "stop trick" had caused a truck to turn into a hearse, pedestrians to change direction, and men to turn into women. Méliès, the stage manager at the Theatre Robert-Houdin, was inspired to develop a series of more than 500 short films between 1896 and 1914, in the process developing or inventing such techniques as multiple exposures, time-lapse photography, dissolves, and hand painted color. Because of his ability to seemingly manipulate and transform reality with the cinematograph, the prolific Méliès is sometimes referred to as the "Cinemagician." His most famous film, '' Le Voyage dans la lune'' (1902), a whimsical parody of
Jules Verne Jules Gabriel Verne (;''Longman Pronunciation Dictionary''. ; 8 February 1828 – 24 March 1905) was a French novelist, poet, and playwright. His collaboration with the publisher Pierre-Jules Hetzel led to the creation of the '' Voyages extra ...
's '' From the Earth to the Moon'', featured a combination of live action and
animation Animation is a method by which still figures are manipulated to appear as moving images. In traditional animation, images are drawn or painted by hand on transparent celluloid sheets to be photographed and exhibited on film. Today, most ani ...
, and also incorporated extensive
miniature A miniature is a small-scale reproduction, or a small version. It may refer to: * Portrait miniature, a miniature portrait painting * Miniature art, miniature painting, engraving and sculpture * Miniature (chess), a masterful chess game or proble ...
and matte painting work. From 1910 to 1920, the main innovations in special effects were the improvements on the matte shot by Norman Dawn. With the original matte shot, pieces of cardboard were placed to block the exposure of the film, which would be exposed later. Dawn combined this technique with the "glass shot." Rather than using cardboard to block certain areas of the film exposure, Dawn simply painted certain areas black to prevent any light from exposing the film. From the partially exposed film, a single frame is then projected onto an easel, where the matte is then drawn. By creating the matte from an image directly from the film, it became incredibly easy to paint an image with proper respect to scale and perspective (the main flaw of the glass shot). Dawn's technique became the textbook for matte shots due to the natural images it created. During the 1920s and 1930s, special effects techniques were improved and refined by the motion picture industry. Many techniques—such as the Schüfftan process—were modifications of illusions from the theater (such as pepper's ghost) and still photography (such as double exposure and
matte Matte may refer to: Art * paint with a non-glossy finish. See diffuse reflection. * a framing element surrounding a painting or watercolor within the outer frame Film * Matte (filmmaking), filmmaking and video production technology * Matte pa ...
compositing).
Rear projection Rear projection (background projection, process photography, etc.) is one of many in-camera effects cinematic techniques in film production for combining foreground performances with pre-filmed backgrounds. It was widely used for many years in ...
was a refinement of the use of painted backgrounds in the theater, substituting moving pictures to create moving backgrounds. Lifecasting of faces was imported from traditional maskmaking. Along with makeup advances, fantastic masks could be created which fit the actor perfectly. As material science advanced, horror film maskmaking followed closely. Many studios established in-house "special effects" departments, which were responsible for nearly all optical and mechanical aspects of motion-picture trickery. Also, the challenge of simulating spectacle in motion encouraged the development of the use of miniatures.
Animation Animation is a method by which still figures are manipulated to appear as moving images. In traditional animation, images are drawn or painted by hand on transparent celluloid sheets to be photographed and exhibited on film. Today, most ani ...
, creating the illusion of motion, was accomplished with drawings (most notably by
Winsor McCay Zenas Winsor McCay ( – July 26, 1934) was an American cartoonist and animator. He is best known for the comic strip '' Little Nemo'' (1905–14; 1924–26) and the animated film '' Gertie the Dinosaur'' (1914). For contractual reasons, he w ...
in '' Gertie the Dinosaur'') and with three-dimensional models (most notably by Willis O'Brien in '' The Lost World'' and '' King Kong''). Naval battles could be depicted with models in studio. Tanks and airplanes could be flown (and crashed) without risk of life and limb. Most impressively, miniatures and
matte paintings Mattes are used in photography and special effects filmmaking to combine two or more image elements into a single, final image. Usually, mattes are used to combine a foreground image (e.g. actors on a set) with a background image (e.g. a scenic ...
could be used to depict worlds that never existed.
Fritz Lang Friedrich Christian Anton Lang (; December 5, 1890 – August 2, 1976), known as Fritz Lang, was an Austrian film director, screenwriter, and producer who worked in Germany and later the United States.Obituary '' Variety'', August 4, 1976, p. ...
's film ''
Metropolis A metropolis () is a large city or conurbation which is a significant economic, political, and cultural center for a country or region, and an important hub for regional or international connections, commerce, and communications. A big c ...
'' was an early special effects spectacular, with innovative use of miniatures, matte paintings, the Schüfftan process, and complex compositing. An important innovation in special-effects photography was the development of the
optical printer An optical printer is a device consisting of one or more film projectors mechanically linked to a movie camera. It allows filmmakers to re- photograph one or more strips of film. The optical printer is used for making special effects for mot ...
. Essentially, an optical printer is a projector aiming into a camera lens, and it was developed to make copies of films for distribution. Until Linwood G. Dunn refined the design and use of the optical printer, effects shots were accomplished as in-camera effects. Dunn demonstrating that it could be used to combine images in novel ways and create new illusions. One early showcase for Dunn was
Orson Welles George Orson Welles (May 6, 1915 – October 10, 1985) was an American actor, director, producer, and screenwriter, known for his innovative work in film, radio and theatre. He is considered to be among the greatest and most influential f ...
' ''
Citizen Kane ''Citizen Kane'' is a 1941 American drama film produced by, directed by, and starring Orson Welles. He also co-wrote the screenplay with Herman J. Mankiewicz. The picture was Welles' first feature film. ''Citizen Kane'' is frequently cited ...
'', where such locations as Xanadu (and some of
Gregg Toland Gregg Wesley Toland, A.S.C. (May 29, 1904 – September 28, 1948) was an American cinematographer known for his innovative use of techniques such as deep focus, examples of which can be found in his work on Orson Welles' ''Citizen Kane'' ...
's famous '
deep focus Deep focus is a photographic and cinematographic technique using a large depth of field. Depth of field is the front-to-back range of focus in an image, or how much of it appears sharp and clear. In deep focus, the foreground, middle ground, and b ...
' shots) were essentially created by Dunn's optical printer.


Color era

The development of color photography required greater refinement of effects techniques. Color enabled the development of such ''travelling matte'' techniques as bluescreen and the sodium vapour process. Many films became landmarks in special-effects accomplishments: '' Forbidden Planet'' used matte paintings, animation, and miniature work to create spectacular alien environments. In ''
The Ten Commandments The Ten Commandments (Biblical Hebrew עשרת הדברים \ עֲשֶׂרֶת הַדְּבָרִים, ''aséret ha-dvarím'', lit. The Decalogue, The Ten Words, cf. Mishnaic Hebrew עשרת הדיברות \ עֲשֶׂרֶת הַדִּבְ� ...
'', Paramount's John P. Fulton, A.S.C., multiplied the crowds of extras in the Exodus scenes with careful compositing, depicted the massive constructions of Rameses with models, and split the
Red Sea The Red Sea ( ar, البحر الأحمر - بحر القلزم, translit=Modern: al-Baḥr al-ʾAḥmar, Medieval: Baḥr al-Qulzum; or ; Coptic: ⲫⲓⲟⲙ ⲛ̀ϩⲁϩ ''Phiom Enhah'' or ⲫⲓⲟⲙ ⲛ̀ϣⲁⲣⲓ ''Phiom ǹšari''; ...
in a still-impressive combination of travelling mattes and water tanks. Ray Harryhausen extended the art of stop-motion animation with his special techniques of compositing to create spectacular fantasy adventures such as ''Jason and the Argonauts'' (whose climax, a sword battle with seven animated skeletons, is considered a landmark in special effects).


The science fiction boom

During the 1950s and 1960s numerous new special effects were developed which would dramatically increase the level of realism achievable in
science fiction film Science fiction (or sci-fi) is a film genre that uses speculative, fictional science-based depictions of phenomena that are not fully accepted by mainstream science, such as extraterrestrial lifeforms, spacecraft, robots, cyborgs, interstel ...
s. Sci-fi special effects milestones in the 1950s included the ''Godzilla'' films, ''
The Day the Earth Stood Still ''The Day the Earth Stood Still'' (a.k.a. ''Farewell to the Master'' and ''Journey to the World'') is a 1951 American science fiction film from 20th Century Fox, produced by Julian Blaustein and directed by Robert Wise. It stars Michael Re ...
'' (featuring Klaatu), and
3-D films 3D films are motion pictures made to give an illusion of three-dimensional solidity, usually with the help of special glasses worn by viewers. They have existed in some form since 1915, but had been largely relegated to a niche in the motion pict ...
. The
tokusatsu is a Japanese term for live action film or television drama that makes heavy use of practical special effects. ''Tokusatsu'' entertainment mainly refers to science fiction, war, fantasy, or horror media featuring such technology but is som ...
genre of Japanese science fiction film and television, which include the '' kaiju'' sub-genre of monster films, rose to prominence in the 1950s. The special-effects artist Eiji Tsuburaya and the director Ishirō Honda became the driving forces behind the original ''Godzilla'' (1954). Taking inspiration from '' King Kong'' (1933), Tsuburaya formulated many of the techniques that would become staples of the tokusatsu genre, such as so-called suitmation—the use of a human actor in a costume to play a giant monster—combined with the use of miniatures and scaled-down city sets. ''Godzilla'' changed the landscape of Japanese cinema, science fiction and fantasy, and kickstarted the ''kaiju'' genre in Japan called the "Monster Boom", which remained extremely popular for several decades, with characters such as the aforementioned
Godzilla is a fictional monster, or '' kaiju'', originating from a series of Japanese films. The character first appeared in the 1954 film '' Godzilla'' and became a worldwide pop culture icon, appearing in various media, including 32 films produ ...
,
Gamera is a fictional monster, or ''kaiju'', originating from a series of Japanese films. Debuting in the 1965 film ''Gamera, the Giant Monster'', the character and the first film were intended to compete with the success of Toho's ''Godzilla'' film ...
and
King Ghidorah is a fictional monster, or ''kaiju'', which first appeared in Ishirō Honda's 1964 film ''Ghidorah, the Three-Headed Monster''. Although the name of the character is officially trademarked by Toho as "King Ghidorah", the character was originally ...
leading the market. Tokusatsu films, notably ''
Warning from Space is a Japanese ''tokusatsu'' science fiction film released in January 1956 by Daiei, and was the first Japanese science fiction film to be produced in color. In the film's plot, starfish-like aliens disguised as humans travel to Earth to warn ...
'' (1956), sparked
Stanley Kubrick Stanley Kubrick (; July 26, 1928 – March 7, 1999) was an American film director, producer, screenwriter, and photographer. Widely considered one of the greatest filmmakers of all time, his films, almost all of which are adaptations of nove ...
's interest in science fiction films; according to his biographer John Baxter, despite their "clumsy model sequences, the films were often well-photographed in colour ... and their dismal dialogue was delivered in well-designed and well-lit sets." In 1968, Stanley Kubrick assembled his own effects team ( Douglas Trumbull, Tom Howard, Con Pederson and Wally Veevers) rather than use an in-house effects unit for '' 2001: A Space Odyssey''. In this film, the spaceship miniatures were highly detailed and carefully photographed for a realistic depth of field. The shots of spaceships were combined through hand-drawn
rotoscoping Rotoscoping is an animation technique that animators use to trace over motion picture footage, frame by frame, to produce realistic action. Originally, animators projected photographed live-action movie images onto a glass panel and traced o ...
and careful motion-control work, ensuring that the elements were precisely combined in the camera—a surprising throwback to the silent era, but with spectacular results. Backgrounds of the African vistas in the "Dawn of Man" sequence were combined with soundstage photography via the then-new front projection technique. Scenes set in zero-gravity environments were staged with hidden wires, mirror shots, and large-scale rotating sets. The finale, a voyage through hallucinogenic scenery, was created by Douglas Trumbull using a new technique termed
slit-scan The slit-scan photography technique is a photographic and cinematographic process where a moveable slide, into which a slit has been cut, is inserted between the camera and the subject to be photographed. More generally, "slit-scan photography ...
. The 1970s provided two profound changes in the special effects trade. The first was economic: during the industry's recession in the late 1960s and early 1970s, many studios closed down their in-house effects houses. Technicians became freelancers or founded their own effects companies, sometimes specializing on particular techniques (opticals, animation, etc.). The second was precipitated by the blockbuster success of two science-fiction and fantasy films in 1977.
George Lucas George Walton Lucas Jr. (born May 14, 1944) is an American filmmaker. Lucas is best known for creating the '' Star Wars'' and '' Indiana Jones'' franchises and founding Lucasfilm, LucasArts, Industrial Light & Magic and THX. He served as c ...
's ''
Star Wars ''Star Wars'' is an American epic space opera multimedia franchise created by George Lucas, which began with the eponymous 1977 film and quickly became a worldwide pop-culture phenomenon. The franchise has been expanded into various film ...
'' ushered in an era of science-fiction films with expensive and impressive special effects. Effects supervisor
John Dykstra John Charles Dykstra, A.S.C. (; born June 3, 1947) is an American special effects artist, pioneer in the development of the use of computers in filmmaking and recipient of three Academy Awards, among many other awards and prizes. He was one o ...
, A.S.C. and crew developed many improvements in existing effects technology. They created a computer-controlled camera rig called the "Dykstraflex" that allowed precise repetition of camera motion, greatly facilitating travelling-matte compositing. Degradation of film images during compositing was minimized by other innovations: the Dykstraflex used VistaVision cameras that photographed widescreen images horizontally along stock, using far more of the film per frame, and thinner-emulsion filmstocks were used in the compositing process. The effects crew assembled by Lucas and Dykstra was dubbed Industrial Light & Magic, and since 1977 has spearheaded many effects innovations. That same year,
Steven Spielberg Steven Allan Spielberg (; born December 18, 1946) is an American director, writer, and producer. A major figure of the New Hollywood era and pioneer of the modern blockbuster, he is the most commercially successful director of all time. Sp ...
's film '' Close Encounters of the Third Kind'' boasted a finale with impressive special effects by '' 2001'' veteran Douglas Trumbull. In addition to developing his own motion-control system, Trumbull also developed techniques for creating intentional " lens flare" (the shapes created by light reflecting in camera lenses) to provide the film's undefinable shapes of flying saucers. The success of these films, and others since, has prompted massive studio investment in effects-heavy science-fiction films. This has fueled the establishment of many independent effects houses, a tremendous degree of refinement of existing techniques, and the development of new techniques such as
computer-generated imagery Computer-generated imagery (CGI) is the use of computer graphics to create or contribute to images in art, printed media, video games, simulators, and visual effects in films, television programs, shorts, commercials, and videos. The image ...
(CGI). It has also encouraged within the industry a greater distinction between special effects and
visual effects Visual effects (sometimes abbreviated VFX) is the process by which imagery is created or manipulated outside the context of a live-action shot in filmmaking and video production. The integration of live-action footage and other live-action foota ...
; the latter is used to characterize post-production and optical work, while "special effects" refers more often to on-set and mechanical effects.


Introduction of computer generated imagery (CGI)

The use of computer animation in film dates back to the early 1980s, with the films '' Tron'' (1982) and '' Golgo 13: The Professional'' (1983). Since the 1990s, a profound innovation in special effects has been the development of computer generated imagery (CGI), which has changed nearly every aspect of motion picture special effects. Digital compositing allows far more control and creative freedom than optical compositing, and does not degrade the image as with analog (optical) processes. Digital imagery has enabled technicians to create detailed models, matte "paintings," and even fully realized characters with the malleability of computer software. Arguably the biggest and most "spectacular" use of CGI is in the creation of photo-realistic images of science-fiction/fantasy characters, settings and objects. Images can be created in a computer using the techniques of animated cartoons and model animation. '' The Last Starfighter'' (1984) used computer generated spaceships instead of physical
scale model A scale model is a physical model which is geometrically similar to an object (known as the prototype). Scale models are generally smaller than large prototypes such as vehicles, buildings, or people; but may be larger than small prototypes ...
s. In 1993, stop-motion animators working on the realistic dinosaurs of
Steven Spielberg Steven Allan Spielberg (; born December 18, 1946) is an American director, writer, and producer. A major figure of the New Hollywood era and pioneer of the modern blockbuster, he is the most commercially successful director of all time. Sp ...
's ''
Jurassic Park ''Jurassic Park'', later also referred to as ''Jurassic World'', is an American science fiction media franchise created by Michael Crichton and centered on a disastrous attempt to create a theme park of cloned dinosaurs. It began in 1990 when ...
'' were retrained in the use of computer input devices. By 1995, films such as '' Toy Story'' underscored the fact that the distinction between live-action films and animated films was no longer clear. Other landmark examples include a character made up of broken pieces of a stained-glass window in '' Young Sherlock Holmes'', a shape-shifting character in '' Willow'', a tentacle formed from water in '' The Abyss'', the T-1000 Terminator in '' Terminator 2: Judgment Day'', hordes and armies of robots and fantastic creatures in the '' Star Wars (prequel)'' and ''
The Lord of the Rings ''The Lord of the Rings'' is an epic high-fantasy novel by English author and scholar J. R. R. Tolkien. Set in Middle-earth, intended to be Earth at some time in the distant past, the story began as a sequel to Tolkien's 1937 children's bo ...
'' trilogies, and the planet, Pandora, in ''
Avatar Avatar (, ; ), is a concept within Hinduism that in Sanskrit literally means "descent". It signifies the material appearance or incarnation of a powerful deity, goddess or spirit on Earth. The relative verb to "alight, to make one's appear ...
''.


Planning and use

Although most visual effects work is completed during
post-production Post-production is part of the process of filmmaking, video production, audio production, and photography. Post-production includes all stages of production occurring after principal photography or recording individual program segments. Th ...
, it must be carefully planned and choreographed in pre-production and production. A visual effects supervisor is usually involved with the production from an early stage to work closely with the Director and all related personnel to achieve the desired effects. Practical effects also require significant pre-planning and co-ordination with performers and production teams. The live nature of the effects can result in situations where resetting due to an error, mistake, or safety concern incurs significant expense, or is impossible due to the destructive nature of the effect.


Live special effects

Live special effects are effects that are used in front of a live audience, such as in theatre, sporting events, concerts and corporate shows. Types of effects that are commonly used include: flying effects, laser lighting, theatrical smoke and fog, CO2 effects, and
pyrotechnics Pyrotechnics is the science and craft of creating such things as fireworks, safety matches, oxygen candles, explosive bolts and other fasteners, parts of automotive airbags, as well as gas-pressure blasting in mining, quarrying, and demolition ...
. Other atmospheric effects can include flame, confetti, bubbles, and snow. One notable example of live special effects in theatre production is in the Bregenz Festival with its use of a large, intricate stage that moves to supplement what's being acted on stage.


Mechanical effects

Mechanical effects encompass the use of
mechanical engineering Mechanical engineering is the study of physical machines that may involve force and movement. It is an engineering branch that combines engineering physics and mathematics principles with materials science, to design, analyze, manufacture, ...
to a greater degree. Cars being flipped and hauled over buildings are usually an effect built on specialized rigs and gimbals. Usually a team of engineers or freelance film companies provide these effects to producers. Camera workers, stunt artists or doubles, directors and engineers collaborate to produce the proper effect as the action is recorded against a green screen. It is then edited and reviewed before final release to the public.


Visual special effects techniques

* Bullet hit squibs *
Bullet time Bullet time (also known as frozen moment, dead time, flow motion or time slice) is a visual effect or visual impression of detaching the time and space of a camera (or viewer) from those of its visible subject. It is a depth enhanced simulation of ...
*
Computer-generated imagery Computer-generated imagery (CGI) is the use of computer graphics to create or contribute to images in art, printed media, video games, simulators, and visual effects in films, television programs, shorts, commercials, and videos. The image ...
(often using Shaders) *
Digital compositing Digital compositing is the process of digitally assembling multiple images to make a final image, typically for print, motion pictures or screen display. It is the digital analogue of optical film compositing. Mathematics The basic operation us ...
* Dolly zoom * In-camera effects *
Match moving In visual effects, match moving is a technique that allows the insertion of computer graphics into live-action footage with correct position, scale, orientation, and motion relative to the photographed objects in the shot. The term is used loos ...
*
Matte (filmmaking) Mattes are used in photography and special effects filmmaking to combine two or more image elements into a single, final image. Usually, mattes are used to combine a foreground image (e.g. actors on a set) with a background image (e.g. a scenic ...
and Matte painting * Video matting * Miniature effects * Morphing *
Motion control photography Motion control photography is a technique used in still and motion photography that enables precise control of, and optionally also allows repetition of, camera movements. It can be used to facilitate special effects photography. The process ...
* Optical effects * Optical printing *
Practical effect A practical effect is a special effect produced physically, without computer-generated imagery or other post-production techniques. In some contexts, "special effect" is used as a synonym of "practical effect", in contrast to "visual effects" ...
s * Prosthetic makeup effects *
Rotoscoping Rotoscoping is an animation technique that animators use to trace over motion picture footage, frame by frame, to produce realistic action. Originally, animators projected photographed live-action movie images onto a glass panel and traced o ...
* Reverse motion * Stop motion * Go motion * Schüfftan process * Traveling matte * Virtual cinematography * Wire removal


Noted special effects companies

* Adobe Systems Incorporated (San Jose, USA) * Animal Logic (Sydney, Australia; Venice, USA) * Bird Studios (London, UK) * BUF Compagnie (Paris, France) * CA Scanline (Munich, Germany) *
Cinema Research Corporation Cinema Research Corporation (CRC) was an American special effects company in Hollywood, California, and one of the first to produce effects, trailers, opticals, and titles under one roof. The company was the special effects industry leader for de ...
, defunct (Hollywood, USA) * Cinesite (London, UK; Hollywood, USA) * Creature Effects, Inc. (Los Angeles, USA) * Digital Domain (Playa Vista, USA) * Double Negative (VFX) (London, UK) * DreamWorks (Los Angeles, USA) *
Flash Film Works Flash Film Works is a computer graphics company that provides visual effects for films, television shows and commercials. It is owned by director William Mesa and is located in Los Angeles, California. History In 1993, Visual Effects Superviso ...
(Los Angeles, USA) * Fireark Special Effects (Brisbane, Australia) *
Framestore Framestore is a British animation, visual effects company and creative studio based on Chancery Lane in London. Formed in 1986, it acquired (and subsequently merged with) the Computer Film Company in 1997. It works on feature films and telev ...
(London, UK) *
Hydraulx hy*drau"lx, alternatively spelled HYDRAULX and Hydraulx, is a visual effects (VFX) company based in Santa Monica, California. History Hydraulx was founded in 2002 by Greg and Colin Strause, directors of '' Aliens vs. Predator: Requiem''. In 2005, ...
(Santa Monica, USA) * Image Engine (Vancouver, Canada) * Industrial Light & Magic (San Francisco, USA), founded by
George Lucas George Walton Lucas Jr. (born May 14, 1944) is an American filmmaker. Lucas is best known for creating the '' Star Wars'' and '' Indiana Jones'' franchises and founding Lucasfilm, LucasArts, Industrial Light & Magic and THX. He served as c ...
*
Intelligent Creatures Intelligent Creatures (IC) is a motion picture visual effects company located in Toronto, Ontario, Canada. History IC was founded on March 30, 2001 by current CEO Lon Molnar, a graduate of the Vancouver Film School, Michael Hatton, Raymond Gierin ...
(Toronto, Canada) *
Jim Henson's Creature Shop Jim Henson's Creature Shop is a special/visual effects company founded in 1979 by puppeteer Jim Henson, creator of The Muppets. The company is based out of Burbank, California, United States. History Jim Henson's Creature Shop was originally ...
, (Los Angeles; Hollywood; Camden Town, London) * Legacy Effects, (Los Angeles, USA) *
Look Effects Look Effects was a visual effects company based in Culver City, California. It was founded in 1998, and in 2014 ceased operations, with the staff acquired by Mass Market. They specialized in visual effects for feature films, episodic televisio ...
, (Culver City, USA) * M5 Industries (San Francisco, USA) home of '' MythBusters'' * Mac Guff (Los Angeles, USA; Paris, France) * Machine Shop (London, UK) * Makuta VFX (Universal City, USA; Hyderabad, India) * Matte World Digital (Novato, USA) * Method Studios (Los Angeles, USA; New York, USA; Vancouver, Canada) * The Mill (London, UK; New York, USA; Los Angeles, USA) * Modus FX (Montreal, Canada) *
Moving Picture Company The Moving Picture Company (MPC) is a multinational company providing visual effects, CGI, animation, motion design and other services for the film, TV, brand experience and advertising industries. Their artists have produced Academy Award ...
(Soho, London, UK) *
Pixomondo Pixomondo (PXO) is an Academy and Emmy award-winning international visual effects and virtual production company with studios in Los Angeles, Frankfurt, Stuttgart, Vancouver, Toronto, Montreal, and London. The company provides virtual production ...
(Frankfurt; Munich; Stuttgart; Los Angeles; Beijing; Toronto; Baton Rouge, LA) *
Rainmaker Digital Effects Rainmaker was a visual effects and post-production company headquartered in Vancouver, Canada, with an office in Los Angeles, California, United States, which contributed to the final works for feature films, television shows, commercials and ...
(Vancouver, Canada) * Rhythm and Hues Studios (Los Angeles, USA) * Rise FX (Berlin, Germany) * Rising Sun Pictures (Adelaide, Australia) * Rodeo FX (Montreal; Munich; Los Angeles) * Snowmasters (Lexington, AL, USA) * Sony Pictures Imageworks (Culver City, USA) * Strictly FX, live special effects company * Surreal World (Melbourne, Australia) * Super FX, Special Effects Company (Italy) * Tippett Studio (Berkeley, USA) * Tsuburaya Productions (Hachimanyama, Setagaya, Tokyo) * Vision Crew Unlimited, defunct (Los Angeles, USA) *
Wētā FX Wētā FX, formerly known as Weta Digital, is a New Zealand digital visual effects company based in Miramar, Wellington. It was founded by Peter Jackson, Richard Taylor, and Jamie Selkirk in 1993 to produce the digital special effects for ' ...
, (Wellington, New Zealand) * Zoic Studios (Culver City, USA) * ZFX Inc a flying effects company (Louisville, USA; Utrecht, the Netherlands)


Noted special effects directors

* Eiji Tsuburaya, the "Father of
Tokusatsu is a Japanese term for live action film or television drama that makes heavy use of practical special effects. ''Tokusatsu'' entertainment mainly refers to science fiction, war, fantasy, or horror media featuring such technology but is som ...
" * Tom Howard * John P. Fulton * Douglas Trumbull * Ken Pepiot *
Stan Winston Stanley Winston (April 7, 1946 – June 15, 2008) was an American television and film special make-up effects creator, best known for his work in the ''Terminator'' series, the first three '' Jurassic Park'' films, ''Aliens'', '' The Thing'', t ...
*
John Dykstra John Charles Dykstra, A.S.C. (; born June 3, 1947) is an American special effects artist, pioneer in the development of the use of computers in filmmaking and recipient of three Academy Awards, among many other awards and prizes. He was one o ...
* Koichi Kawakita *
Teruyoshi Nakano was a Japanese special effects director. Early life Nakano was born on in Andong, Manchukuo (now Dandong Dandong (), formerly known as Andong, is a coastal prefecture-level city in southeastern Liaoning province, in the northeastern ...
*
Yonesaburo Tsukiji was a Japanese special effects director who worked on eleven films in a career spanning twenty-one years. Tsukiji co-designed Gamera with Masao Yagi, Noriaki Yuasa (28 September 1933 – 14 June 2004) was a Japanese director. Yuasa is the mai ...
* Yoshiyuki Kuroda * Yoshihiro Nishimura * Akira Watanabe


Notes


References


''Cinefex''
magazine
''American Cinematographer''
magazine * Richard Rickitt: ''Special Effects: The History and Technique'',
Billboard Books ''Billboard'' (stylized as ''billboard'') is an American music and entertainment magazine published weekly by Penske Media Corporation. The magazine provides music charts, news, video, opinion, reviews, events, and style related to the mus ...
; 2nd edition, 2007; * ''Movie Magic: The History of Special Effects in the Cinema'' by John Brosnan (1974) *''Techniques of Special Effects Cinematography'' by Raymond Fielding (For many years, the standard technical reference. Current edition 1985)
Special Effects: Titanic and Beyond
The online companion site to the NOVA documentary (See especially th

an

* T. Porter and T. Duff, "Compositing Digital Images", Proceedings of SIGGRAPH '84, 18 (1984). * The Art and Science of Digital Compositing () * *
Mark Cotta Vaz Mark Cotta Vaz (born September 16, 1954, in San Francisco, California) is an American author, editor and film historian. He has authored over thirty books, including four ''New York Times'' bestsellers. He has focused on documenting film specia ...
;
Craig Barron Craig Barron (born April 6, 1961)According to the State of California. ''California Birth Index, 1905–1995''. Center for Health Statistics, California Department of Health Services, Sacramento, California. Searchable aMyHeritage/ref> is an Ameri ...
: ''The Invisible Art: The Legends of Movie Matte Painting'', Chronicle Books, 2004; * Larry Nile Baker, A History of Special Effects Cinematography in the United States, 1895–1914'', Larry Nile Baker, 1969.


External links


Video (03:04) – Evolution of Special Effects since 1878.

How to Add Special Effects to Your Videos.

Chinese Film Classics: Special effects in early Chinese cinema
clips and discussion of special effects in Chinese films from before 1949, on scholarly website chinesefilmclassics.org {{DEFAULTSORT:Special Effect Audiovisual introductions in 1857 * Animation techniques Stagecraft Articles containing video clips