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Special Effect
Special effects (often abbreviated as SFX, F/X or simply FX) are illusions or visual tricks used in the theatre, film, television, video game, amusement park and simulator industries to simulate the imagined events in a story or virtual world. Special effects are traditionally divided into the categories of mechanical effects and optical effects. With the emergence of digital film-making a distinction between special effects and visual effects has grown, with the latter referring to digital post-production and optical effects, while "special effects" refers to mechanical effects. Mechanical effects (also called practical or physical effects) are usually accomplished during the live-action shooting. This includes the use of mechanized props, scenery, scale models, animatronics, pyrotechnics and atmospheric effects: creating physical wind, rain, fog, snow, clouds, making a car appear to drive by itself and blowing up a building, etc. Mechanical effects are also often inco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Noël-Noël Pigrizia
Noël-Noël (born Lucien Noël, 9 August 1897 – 5 October 1989) was a French actor and screenwriter. Partial filmography * ''La prison en folie'' (1931) - Yves Larsac * '' When Do You Commit Suicide?'' (1931) - Léon Mirol * '' Mistigri'' (1931) - Zamore * ''La brigade du bruit'' (1931) * '' A Father Without Knowing It'' (1932) - Léon Jacquet * ''Monsieur Albert'' (1932) - Monsieur Albert * ''Mon coeur balance'' (1932) - Le comte Noel * ''A Star Disappears'' (1932) - Himself * ''Pour vivre heureux'' (1932) - Jean Mauclair * ''Les jeux sont faits'' (1932) * ''Mannequin'' (1933) - Alfred * ''Vive la compagnie'' (1934) - Jean-Jacques Bonneval * ''Une fois dans la vie'' (1934) - Léon Saval * ''Adémaï aviateur'' (1934) - Adémaï * ''Mam'zelle Spahi'' (1934) - Bréchu - l'ordonnance du colonel * ''Adémaï au moyen âge'' (1935) - Adémaï * ''Moutonnet'' (1936) - Moutonnet et Mérac * ''Tout va très bien madame la marquise'' (1936) - Yonnik Le Ploumanech * ''L'innocent'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pyrotechnics
Pyrotechnics is the science and craft of creating such things as fireworks, safety matches, oxygen candles, explosive bolts and other fasteners, parts of automotive airbags, as well as gas-pressure blasting in mining, quarrying, and demolition. This trade relies upon self-contained and self-sustained exothermic chemical reactions to make heat, light, gas, smoke and/or sound. The name comes from the Greek words ''pyr'' ("fire") and ''tekhnikos'' ("made by art"). People responsible for the safe storage, handling, and functioning of pyrotechnic devices are known as pyrotechnicians. Proximate pyrotechnics Explosions, flashes, smoke, flames, fireworks and other pyrotechnic-driven effects used in the entertainment industry are referred to as proximate pyrotechnics. Proximate refers to the pyrotechnic device's location relative to an audience. In the majority of jurisdictions, special training and licensing must be obtained from local authorities to legally prepare and use proximate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georges Méliès
Marie-Georges-Jean Méliès (; ; 8 December 1861 – 21 January 1938) was a French illusionist, actor, and film director. He led many technical and narrative developments in the earliest days of cinema. Méliès was well known for the use of special effects, popularizing such techniques as substitution splices, multiple exposures, time-lapse photography, dissolves, and hand-painted colour. He was also one of the first filmmakers to use storyboards. His films include '' A Trip to the Moon'' (1902) and ''The Impossible Voyage'' (1904), both involving strange, surreal journeys somewhat in the style of Jules Verne, and are considered among the most important early science fiction films, though their approach is closer to fantasy. The 2011 film ''Hugo'' was inspired by the life and work of Méliès. Early life and education Marie-Georges-Jean Méliès was born 8 December 1861 in Paris, son of Jean-Louis Méliès and his Dutch wife, Johannah-Catherine Schuering. His father h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mary, Queen Of Scots
Mary, Queen of Scots (8 December 1542 – 8 February 1587), also known as Mary Stuart or Mary I of Scotland, was Queen of Scotland from 14 December 1542 until her forced abdication in 1567. The only surviving legitimate child of James V of Scotland, Mary was six days old when her father died and she inherited the throne. During her childhood, Scotland was governed by regents, first by the heir to the throne, James Hamilton, Earl of Arran, and then by her mother, Mary of Guise. In 1548, she was betrothed to Francis, the Dauphin of France, and was sent to be brought up in France, where she would be safe from invading English forces during the Rough Wooing. Mary married Francis in 1558, becoming queen consort of France from his accession in 1559 until his death in December 1560. Widowed, Mary returned to Scotland in August 1561. Following the Scottish Reformation, the tense religious and political climate that Mary encountered on her return to Scotland was further agitated by pro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alfred Clark (director)
Alfred Clark (1873–1950) was a pioneer of music recording and cinema. As a cameraman and director of productions at Thomas Edison, Edison's Edison's Black Maria, first studio, he was the first to make moving pictures with innovations like continuity editing, continuity, plot (narrative), plot, trained actors and special effects. In 1896, he joined Emile Berliner's Gramophone Company and then went to Europe where he became an important manager of companies like HMV and EMI. He was naturalized as a British citizen in 1928 and he became a leading member of the Oriental Ceramic Society in London, establishing a valuable collection including rare pieces which had been made for the emperors of the Tang dynasty, Tang and Song dynasty. In 1921 he married Ivy Sanders, who survived him and died in 1973. Early life Alfred Clark was born in New York on 19 December 1876. He was educated at the Franklin School (Washington, D.C.), Franklin School in Washington and the City College of New Yor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Combination Print
Combination printing is the photographic technique of using the negatives of two or more images in conjunction with one another to create a single image. Similar to dual-negative landscape photography, combination printing was technically much more complex. The concept of combination printing stemmed from the desire to create more of a fine art within photography and often more idealized images. Combination printing was popular in the mid-19th century due to the limitations of the negative's light sensitivity and camera technology. For example, the long exposures required at the time to create an image would properly expose the main subject, such as a building, but would completely overexpose the sky. The sky would then lack detail, usually appearing as solid white. Hippolyte Bayard, a French photographer, was the first to suggest combining two separate negatives, one of the subject matter and one of a properly exposed negative of clouds, to create a balanced photograph. The tec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Photomontage
Photomontage is the process and the result of making a composite photograph by cutting, gluing, rearranging and overlapping two or more photographs into a new image. Sometimes the resulting composite image is photographed so that the final image may appear as a seamless physical print. A similar method, although one that does not use film, is realized today through image-editing software. This latter technique is referred to by professionals as "compositing", and in casual usage is often called "photoshopping" (from the name of the popular software system). A composite of related photographs to extend a view of a single scene or subject would not be labeled as a montage, but instead a stitched image or a digital image mosaic. History Author Oliver Grau in his book, ''Virtual Art: From Illusion to Immersion'', notes that the creation of an artificial immersive virtual reality, arising as a result of technical exploitation of new inventions, is a long-standing human practice throu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oscar Gustave Rejlander
Oscar Gustave Rejlander (Stockholm, 19 October 1813 – Clapham, London, 18 January 1875) was a pioneering Victorian art photographer and an expert in photomontage. His collaboration with Charles Darwin on ''The Expression of the Emotions in Man and Animals'' has assured him a position in the history of behavioural science and psychiatry. Biography According to his naturalisation papers, Rejlander was born in Stockholm on 19 October 1813. He was the son of Carl Gustaf Rejlander, a stonemason and Swedish Army Officer. During his youth, his family moved to the Swedish-speaking community in Rauma, Grand Duchy of Finland (then part of Russia). In the 1830s, he relocated to England, initially settling in Lincoln, England. In the 1850s he abandoned his original profession as a painter and portrait miniaturist, apparently after seeing how well a photograph captured the fold of a sleeve. He set up as a portraitist in the industrial Midlands town of Wolverhampton, probably around 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Execution Of Mary Stuart, 1895
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Computer-generated Imagery
Computer-generated imagery (CGI) is the use of computer graphics to create or contribute to images in art, printed media, video games, simulators, and visual effects in films, television programs, shorts, commercials, and videos. The images may be static (still images) or dynamic (moving images), in which case CGI is also called ''computer animation''. CGI may be two-dimensional (2D), although the term "CGI" is most commonly used to refer to the 3-D computer graphics used for creating characters, scenes and special effects in films and television, which is described as "CGI animation". The first feature film to make use of CGI was the 1973 film ''Westworld''. Other early films that incorporated CGI include ''Star Wars'' (1977), ''Tron'' (1982), '' Golgo 13: The Professional'' (1983), ''The Last Starfighter'' (1984), ''Young Sherlock Holmes'' (1985) and ''Flight of the Navigator'' (1986). The first music video to use CGI was Dire Straits' award-winning " Money for Nothing" (1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Optical Printer
An optical printer is a device consisting of one or more film projectors mechanically linked to a movie camera. It allows filmmakers to re-photograph one or more strips of film. The optical printer is used for making special effects for motion pictures, or for copying and restoring film material. Common optical effects include fade outs and fade ins, dissolves, slow motion, fast motion, and matte work. More complicated work can involve dozens of elements, all combined into a single scene. History The first commercially available, although not mass produced, optical printer appeared in 1927 and was called the Depue & Vance Daylight Optical Printer. It was mainly used to reduce standard prints to 16mm and allowed for operation without a darkroom except from loading the positive film magazine. In 1918, the cinematographer Carl Gregory came upon a printer made by G. J. Badgley of New York, designed to produce copies of a standard film using domestic size film stock. Realizing the p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Schüfftan Process
The Schüfftan process is a movie special effect named after its inventor, Eugen Schüfftan (1893–1977). The technique consists of covering part of the camera's view with a mirror, allowing filmmakers to assemble an image from multiple parts. It was widely used in the first half of the 20th century before being almost completely replaced by the travelling matte and bluescreen effects. Introduction The process was refined and popularized by the German cinematographer Eugen Schüfftan while he was working on the movie ''Metropolis'' (1927), although there is evidence that other film-makers were using similar techniques earlier than this. The movie's director, Fritz Lang, wanted to insert the actors into shots of miniatures of skyscrapers and other buildings, so Schüfftan used a specially made mirror to create the illusion of actors interacting with huge, realistic-looking sets. Schüfftan placed a plate of glass at a 45-degree angle between the camera and the miniature bui ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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