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Keyboard works () by
Johann Sebastian Bach Johann Sebastian Bach (28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the '' Brandenburg Concertos''; instrumental compositions such as the Cello Suites; keyboard w ...
traditionally refers to Chapter 8 in the
BWV catalogue The (BWV; ; ) is a Catalogues of classical compositions, catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version o ...
or the fifth series of the
New Bach Edition The New Bach Edition (NBE) (german: Neue Bach-Ausgabe; NBA), is the second complete edition of the music of Johann Sebastian Bach, published by Bärenreiter. The name is short for Johann Sebastian Bach (1685–1750): New Edition of the Complete W ...
, both of which list compositions for a solo
keyboard instrument A keyboard instrument is a musical instrument played using a keyboard, a row of levers which are pressed by the fingers. The most common of these are the piano, organ, and various electronic keyboards, including synthesizers and digital piano ...
like the
harpsichord A harpsichord ( it, clavicembalo; french: clavecin; german: Cembalo; es, clavecín; pt, cravo; nl, klavecimbel; pl, klawesyn) is a musical instrument played by means of a keyboard. This activates a row of levers that turn a trigger mechanism ...
or the
clavichord The clavichord is a stringed rectangular keyboard instrument that was used largely in the Late Middle Ages, through the Renaissance, Baroque and Classical eras. Historically, it was mostly used as a practice instrument and as an aid to compositi ...
. Despite the fact that the
organ Organ may refer to: Biology * Organ (biology), a part of an organism Musical instruments * Organ (music), a family of keyboard musical instruments characterized by sustained tone ** Electronic organ, an electronic keyboard instrument ** Hammond ...
is also a keyboard instrument, and that in Bach's time the distinction wasn't always made whether a keyboard composition was for organ or another keyboard instrument,
Wolfgang Schmieder Wolfgang Schmieder (May 29, 1901 – November 8, 1990) was a German music librarian and musicologist. Schmieder was born in Bromberg (now Bydgoszcz, Poland).Eggebrecht, Hans. "Wolfgang Schmieder". ''Oxford Music Online''. 2001, https://doi.o ...
ranged organ compositions in a separate section of the
Bach-Werke-Verzeichnis The (BWV; ; ) is a catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version of that second edition, known as BWV2a ...
( Nos. 525-771). Also other compositions for keyboard, like compositions for
lute-harpsichord The lautenwerck (also spelled lautenwerk), alternatively called lute-harpsichord (lute-clavier) or keyboard lute, is a European keyboard instrument of the Baroque period. It is similar to a harpsichord, but with gut (sometimes Nylon) rather tha ...
and
fortepiano A fortepiano , sometimes referred to as a pianoforte, is an early piano. In principle, the word "fortepiano" can designate any piano dating from the invention of the instrument by Bartolomeo Cristofori in 1698 up to the early 19th century. Mo ...
were listed outside the "Klavierwerke" range by Schmieder. Lute works are in the range 995–1000, Chapter 9 in the BWV catalogue.


Works for keyboard (BWV 772–994)


Inventions and Sinfonias The Inventions and Sinfonias, BWV 772–801, also known as the Two- and Three-Part Inventions, are a collection of thirty short keyboard compositions by Johann Sebastian Bach (1685–1750): 15 ''inventions'', which are two-part contrapuntal pieces, ...
(772–801)

* BWV 772 –
Invention An invention is a unique or novel device, method, composition, idea or process. An invention may be an improvement upon a machine, product, or process for increasing efficiency or lowering cost. It may also be an entirely new concept. If an i ...
No. 1 in C major * BWV 772a – Invention No. 1 in C major (alternative version of BWV 772) * BWV 773 – Invention No. 2 in C minor * BWV 774 – Invention No. 3 in D major * BWV 775 – Invention No. 4 in D minor * BWV 776 – Invention No. 5 in E-flat major * BWV 777 – Invention No. 6 in E major * BWV 778 – Invention No. 7 in E minor * BWV 779 – Invention No. 8 in F major * BWV 780 – Invention No. 9 in F minor * BWV 781 – Invention No. 10 in G major * BWV 782 – Invention No. 11 in G minor * BWV 783 – Invention No. 12 in A major * BWV 784 – Invention No. 13 in A minor * BWV 785 – Invention No. 14 in B-flat major * BWV 786 – Invention No. 15 in B minor * BWV 787 –
Sinfonia Sinfonia (; plural ''sinfonie'') is the Italian word for symphony, from the Latin ''symphonia'', in turn derived from Ancient Greek συμφωνία ''symphōnia'' (agreement or concord of sound), from the prefix σύν (together) and ϕωνή (sou ...
No. 1 in C major * BWV 788 – Sinfonia No. 2 in C minor * BWV 789 – Sinfonia No. 3 in D major * BWV 790 – Sinfonia No. 4 in D minor * BWV 791 – Sinfonia No. 5 in E-flat major * BWV 792 – Sinfonia No. 6 in E major * BWV 793 – Sinfonia No. 7 in E minor * BWV 794 – Sinfonia No. 8 in F major * BWV 795 – Sinfonia No. 9 in F minor * BWV 796 – Sinfonia No. 10 in G major * BWV 797 – Sinfonia No. 11 in G minor * BWV 798 – Sinfonia No. 12 in A major * BWV 799 – Sinfonia No. 13 in A minor * BWV 800 – Sinfonia No. 14 in B-flat major * BWV 801 – Sinfonia No. 15 in B minor


Four Duets from

Clavier-Übung III The ''Clavier-Übung III'', sometimes referred to as the ''German Organ Mass'', is a collection of compositions for organ by Johann Sebastian Bach, started in 1735–36 and published in 1739. It is considered Bach's most significant and extensiv ...
(802–805)

*
BWV 802 The (BWV; ; ) is a catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version of that second edition, known as BWV2a ...
– Duet in E minor * BWV 803 – Duet in F major * BWV 804 – Duet in G major * BWV 805 – Duet in A minor


English Suites (806–811)

* BWV 806 – English Suite No. 1 in A major * BWV 807 – English Suite No. 2 in A minor * BWV 808 – English Suite No. 3 in G minor * BWV 809 – English Suite No. 4 in F major * BWV 810 – English Suite No. 5 in E minor * BWV 811 – English Suite No. 6 in D minor


French Suites The ''French Suites'', BWV 812–817, are six suites which Johann Sebastian Bach wrote for the clavier (harpsichord or clavichord) between the years of 1722 and 1725.Bach. ''The French Suites: Embellished version''. Bärenreiter Urtext Althoug ...
(812–817)

* BWV 812 – French Suite No. 1 in D minor * BWV 813 – French Suite No. 2 in C minor * BWV 813a – French Suite No. 2 in C minor (alternative version of movement 5: Menuet) * BWV 814 – French Suite No. 3 in B minor * BWV 815 – French Suite No. 4 in E-flat major * BWV 815a – French Suite No. 4 in E-flat major (alternative versions of several movements) * BWV 816 – French Suite No. 5 in G major * BWV 817 – French Suite No. 6 in E major


Miscellaneous suites (818–824)

* BWV 818 – Suite in A minor * BWV 818a – Suite in A minor (alternative version of BWV 818) * BWV 819 – Suite in E-flat major * BWV 819a – Suite in E-flat major (alternative version of movement 1: Allemande from BWV 819) * BWV 820 – Overture (Suite) in F major * BWV 821 – Suite in B-flat major (doubtful) * BWV 822 – Suite in G minor, * BWV 823 – Suite in F minor * BWV 824 – Suite in A major (spurious, composed by
Georg Philipp Telemann Georg Philipp Telemann (; – 25 June 1767) was a German Baroque composer and multi-instrumentalist. Almost completely self-taught in music, he became a composer against his family's wishes. After studying in Magdeburg, Zellerfeld, and Hildesh ...
, TWV 32:14)


''Clavier-Übung I'': Partitas for keyboard (825–830)

''
Clavier-Übung I The Partitas, BWV 825–830, are a set of six keyboard suites written by Johann Sebastian Bach, published individually beginning in 1726, then together as ''Clavier-Übung I'' in 1731, the first of his works to be published under his own directi ...
'', six
Partita Partita (also ''partie'', ''partia'', ''parthia'', or ''parthie'') was originally the name for a single-instrumental piece of music (16th and 17th centuries), but Johann Kuhnau (Thomaskantor until 1722), his student Christoph Graupner, and Johann ...
s for keyboard: # BWV 825 – Partita in B-flat major #
BWV 826 The Partita for keyboard No. 2 in C minor, BWV 826, is a suite of six movements written for the harpsichord by Johann Sebastian Bach. It was announced in 1727, issued individually, and then published as Bach's ''Clavier-Übung'' I in 1731. Mus ...
– Partita in C minor # BWV 827 – Partita in A minor #
BWV 828 Partita for keyboard No. 4 in D Major, BWV 828, is a keyboard suite by Johann Sebastian Bach Johann Sebastian Bach (28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as t ...
– Partita in D major # BWV 829 – Partita in G major #
BWV 830 The Partita for keyboard No. 6 in E minor, BWV 830, is a suite of seven movements written for the harpsichord by Johann Sebastian Bach. It was published in 1731 both as a separate work and as part of Bach's ''Clavier-Übung'' I. History Prior ...
– Partita in E minor


French Overture, from

Clavier-Übung II Johann Sebastian Bach's ''Clavier-Übung II'' was published in 1735, containing two works written for performance on a two- manual harpsichord. In the publication, Bach contrasted a work in Italian style – a '' Concerto nach Italienischem Gu ...
(831)

* BWV 831 –
Overture in the French Style The ''Overture in the French style'', BWV 831, original title ''Ouvertüre nach Französischer Art'', also known as the ''French Overture'' and published as the second half of the ''Clavier-Übung II'' in 1735 (paired with the ''Italian Concerto' ...
, in B minor * BWV 831a – Earlier version in C minor


Suites and suite movements (832–845)

* BWV 832 – Suite in A major * BWV 833 – Prelude and Partita in F major * BWV 834 –
Allemande An ''allemande'' (''allemanda'', ''almain(e)'', or ''alman(d)'', French: "German (dance)") is a Renaissance and Baroque dance, and one of the most common instrumental dance styles in Baroque music, with examples by Couperin, Purcell, Bach a ...
in C minor (doubtful) * BWV 835 – Allemande in A minor (spurious, possibly by
Johann Philipp Kirnberger Johann Philipp Kirnberger (also ''Kernberg''; 24 April 1721, Saalfeld – 27 July 1783, Berlin) was a musician, composer (primarily of fugues), and music theorist. He was a student of Johann Sebastian Bach. According to Ingeborg Allihn, Kirnberg ...
) * BWV 836 – Allemande in G minor * BWV 837 – Allemande in G minor * BWV 838 – Allemande and
Courante The ''courante'', ''corrente'', ''coranto'' and ''corant'' are some of the names given to a family of triple metre dances from the late Renaissance and the Baroque era. In a Baroque dance suite an Italian or French courante is typically paired ...
in A major (spurious, possibly by
Christoph Graupner Christoph Graupner (13 January 1683 – 10 May 1760) was a German composer and harpsichordist of late Baroque music who was a contemporary of Johann Sebastian Bach, Georg Philipp Telemann and George Frideric Handel. Life Born in Hartmannsdorf ...
, GWV 849) * BWV 839 –
Sarabande The sarabande (from es, zarabanda) is a dance in triple metre, or the music written for such a dance. History The Sarabande evolved from a Spanish dance with Arab influences, danced by a lively double line of couples with castanets. A dance cal ...
in G minor (doubtful) * BWV 840 – Courante in G major (spurious, after the 2nd movement of Telemann's Ouverture in G major, TWV 32:13) * BWV 841 – Minuet in G major (from the 1722 Notebook for Anna Magdalena Bach) * BWV 842 – Minuet in G minor * BWV 843 – Minuet in G major * BWV 844 –
Scherzo A scherzo (, , ; plural scherzos or scherzi), in western classical music, is a short composition – sometimes a movement from a larger work such as a symphony or a sonata. The precise definition has varied over the years, but scherzo often ref ...
in D minor (doubtful) * BWV 844a – Scherzo in D minor (alternative version of BWV 844, doubtful) * BWV 845 –
Gigue The gigue (; ) or giga () is a lively baroque dance originating from the English jig. It was imported into France in the mid-17th centuryBellingham, Jane"gigue."''The Oxford Companion to Music''. Ed. Alison Latham. Oxford Music Online. 6 July 200 ...
in F minor (doubtful)


The Well-Tempered Clavier (846–893)

''
The Well-Tempered Clavier ''The Well-Tempered Clavier'', BWV 846–893, consists of two sets of preludes and fugues in all 24 major and minor keys for keyboard by Johann Sebastian Bach. In the composer's time, ''clavier'', meaning keyboard, referred to a variety of in ...
'', Book I: # BWV 846 – Prelude and Fugue in C major #* BWV 846a – Prelude in C major (alternative version of BWV 846, only Prelude) # BWV 847 – Prelude and Fugue in C minor #* BWV 847a – Prelude in C minor (alternative version of BWV 847, only Prelude) # BWV 848 – Prelude and Fugue in C-sharp major # BWV 849 – Prelude and Fugue in C-sharp minor # BWV 850 – Prelude and Fugue in D major #* BWV 850a – Prelude in D major (alternative version of BWV 850, only Prelude) # BWV 851 – Prelude and Fugue in D minor #* BWV 851a – Prelude in D minor (alternative version of BWV 851, only Prelude) # BWV 852 – Prelude and Fugue in E-flat major # BWV 853 – Prelude and Fugue in E-flat minor (The fugue of this work is in D-sharp minor, the
enharmonic In modern musical notation and tuning, an enharmonic equivalent is a note, interval, or key signature that is equivalent to some other note, interval, or key signature but "spelled", or named differently. The enharmonic spelling of a written n ...
key of E-flat minor) # BWV 854 – Prelude and Fugue in E major # BWV 855 – Prelude and Fugue in E minor #* BWV 855a – Prelude in E minor (early version of the prelude of BWV 855), and Fughetta # BWV 856 – Prelude and Fugue in F major # BWV 857 – Prelude and Fugue in F minor # BWV 858 – Prelude and Fugue in F-sharp major # BWV 859 – Prelude and Fugue in F-sharp minor # BWV 860 – Prelude and Fugue in G major # BWV 861 – Prelude and Fugue in G minor # BWV 862 – Prelude and Fugue in A-flat major # BWV 863 – Prelude and Fugue in G-sharp minor # BWV 864 – Prelude and Fugue in A major # BWV 865 – Prelude and Fugue in A minor # BWV 866 – Prelude and Fugue in B-flat major # BWV 867 – Prelude and Fugue in B-flat minor # BWV 868 – Prelude and Fugue in B major # BWV 869 – Prelude and Fugue in B minor ''The Well-Tempered Clavier'', Book II: #
BWV 870 Prelude and Fugue in C major, BWV 870, is a keyboard composition written by Johann Sebastian Bach. It is the first prelude and fugue in the second book of '' The Well-Tempered Clavier'', a series of 48 preludes and fugues in every major and ...
– Prelude and Fugue in C major #* BWV 870a – Prelude and Fugue in C major (alternative version of BWV 870) #* BWV 870b – Prelude in C major (alternative version of BWV 870) # BWV 871 – Prelude and Fugue in C minor # BWV 872 – Prelude and Fugue in C-sharp major #* BWV 872a – Prelude and Fugue in C-sharp major (alternative version of BWV 872) # BWV 873 – Prelude and Fugue in C-sharp minor # BWV 874 – Prelude and Fugue in D major # BWV 875 – Prelude and Fugue in D minor #* BWV 875a – Prelude in D minor (alternative version of BWV 875) # BWV 876 – Prelude and Fugue in E-flat major # BWV 877 – Prelude and Fugue in D-sharp minor # BWV 878 – Prelude and Fugue in E major # BWV 879 – Prelude and Fugue in E minor # BWV 880 – Prelude and Fugue in F major # BWV 881 – Prelude and Fugue in F minor # BWV 882 – Prelude and Fugue in F-sharp major # BWV 883 – Prelude and Fugue in F-sharp minor # BWV 884 – Prelude and Fugue in G major # BWV 885 – Prelude and Fugue in G minor # BWV 886 – Prelude and Fugue in A-flat major # BWV 887 – Prelude and Fugue in G-sharp minor # BWV 888 – Prelude and Fugue in A major # BWV 889 – Prelude and Fugue in A minor # BWV 890 – Prelude and Fugue in B-flat major #
BWV 891 The Prelude and Fugue in B-flat minor, BWV 891, is a keyboard composition by Johann Sebastian Bach. It is the 22nd prelude and fugue in the second book of '' The Well-Tempered Clavier'' (WTC), a series of 48 preludes and fugues by the composer. I ...
– Prelude and Fugue in B-flat minor # BWV 892 – Prelude and Fugue in B major # BWV 893 – Prelude and Fugue in B minor


Preludes and

fugue In music, a fugue () is a contrapuntal compositional technique in two or more voices, built on a subject (a musical theme) that is introduced at the beginning in imitation (repetition at different pitches) and which recurs frequently in the c ...
s,
toccata Toccata (from Italian ''toccare'', literally, "to touch", with "toccata" being the action of touching) is a virtuoso piece of music typically for a keyboard or plucked string instrument featuring fast-moving, lightly fingered or otherwise virtuo ...
s and fantasias (894–923)

* BWV 894 – Prelude and Fugue in A minor * BWV 895 – Prelude and Fugue in A minor * BWV 896 – Prelude and Fugue in A major * BWV 897 – Prelude and Fugue in A minor (doubtful; prelude possibly by Cornelius Heinrich Dretzel, fugue possibly by
Wilhelm Friedemann Bach Wilhelm Friedemann Bach (22 November 17101 July 1784), the second child and eldest son of Johann Sebastian Bach and Maria Barbara Bach, was a German composer and performer. Despite his acknowledged genius as an organist, improviser and composer ...
) * BWV 898 – Prelude and Fugue in B-flat major on the name B-A-C-H (doubtful) * BWV 899 – Prelude and Fughetta in D minor * BWV 900 – Prelude and Fughetta in E minor * BWV 901 – Prelude and Fughetta in F major * BWV 902 – Prelude and Fughetta in G major * BWV 902a – Prelude in G major (alternative version of BWV 902) * BWV 903 –
Chromatic Fantasia and Fugue The ''Chromatic Fantasia and Fugue'' in D minor, , is a work for harpsichord by Johann Sebastian Bach. Bach probably composed it during his time in Köthen from 1717 to 1723. The piece was already regarded as a unique masterpiece during his li ...
in D minor * BWV 903a – Chromatic Fantasia in D minor (alternative version of BWV 903) * BWV 904 – Fantasia and Fugue in A minor * BWV 905 – Fantasia and Fugue in D minor (doubtful) * BWV 906 – Fantasia and Fugue in C minor (fugue unfinished) * BWV 907 – Fantasia and Fughetta in B-flat major (doubtful) * BWV 908 – Fantasia and Fughetta in D major (doubtful) * BWV 909 – Concerto and Fugue in C minor (doubtful) * BWV 910 – Toccata in F-sharp minor * BWV 911 – Toccata in C minor * BWV 912 – Toccata in D major * BWV 913 – Toccata in D minor * BWV 914 – Toccata in E minor * BWV 915 – Toccata in G minor * BWV 916 – Toccata in G major * BWV 917 – Fantasia in G minor * BWV 918 – Fantasia in C minor * BWV 919 – Fantasia in C minor (doubtful, possibly by
Johann Bernhard Bach Johann Bernhard Bach (23 May 1676 – 11 June 1749) was a German composer, and second cousin of J. S. Bach.Smith, Timothy A"Johann Bernhard Bach 1676-1749" Northern Arizona University. Retrieved 3 August 2012. Life Johann Bernhard Bach was bo ...
) * BWV 920 – Fantasia in G minor (doubtful) * BWV 921 – Prelude in C minor * BWV 922 – Prelude (Fantasia) in A minor * BWV 923 – Prelude in B minor (possibly by Wilhelm Hieronymus Pachelbel) * BWV 923a – Prelude (''
Toccatina Toccata (from Italian ''toccare'', literally, "to touch", with "toccata" being the action of touching) is a virtuoso piece of music typically for a keyboard or plucked string instrument Plucked string instruments are a subcategory of strin ...
'' No. 3; variant of BWV 923; doubtful)


Nine Little Preludes from Wilhelm Friedemann Bach's Klavierbüchlein (924–932)

Indicated as "Neun kleine Präludien aus dem
Klavierbüchlein für Wilhelm Friedemann Bach ''Klavierbüchlein für Wilhelm Friedemann Bach'' (Bach's original spelling: ''Clavier-Büchlein vor Wilhelm Friedemann Bach'') is a collection of keyboard music compiled by the German Baroque composer Johann Sebastian Bach for his eldest son Wil ...
" (nine little preludes from the keyboard-booklet for
Wilhelm Friedemann Bach Wilhelm Friedemann Bach (22 November 17101 July 1784), the second child and eldest son of Johann Sebastian Bach and Maria Barbara Bach, was a German composer and performer. Despite his acknowledged genius as an organist, improviser and composer ...
) in the Bach-Werke Verzeichnis: BWV2a (1998)br>P. 391
/ref>
Alfred Dörffel Alfred Dörffel (24 January 1821 – 22 January 1905) was a German pianist, music publisher and librarian. Career Dörffel was born in Waldenburg, Saxony, the son of August Friedrich Dörffel and his wife Christiane Charlotte, née Kröhne. He ...
, editor. BGA Vol. 451 (1897)
pp. 213–231
/ref>
Wolfgang Plath Wolfgang Plath (27 December 1930 – 19 March 1995) was a German musicologist specialising in research on Wolfgang Amadeus Mozart. Life Born in Riga, Plath studied musicology under Walter Gerstenberg, first at the Free University of Berlin, then ...
, editor.
New Bach Edition The New Bach Edition (NBE) (german: Neue Bach-Ausgabe; NBA), is the second complete edition of the music of Johann Sebastian Bach, published by Bärenreiter. The name is short for Johann Sebastian Bach (1685–1750): New Edition of the Complete W ...
, Series V
Keyboard and Lute Works
Volume 5
''Klavierbüchlein für Wilhelm Friedemann''.
Bärenreiter Bärenreiter (Bärenreiter-Verlag) is a German classical music publishing house based in Kassel. The firm was founded by Karl Vötterle (1903–1975) in Augsburg in 1923, and moved to Kassel in 1927, where it still has its headquarters; it also ...
(1962, 21973, 31981).
# BWV 924 – Prelude in C major (Klavierbüchlein No. 2: "Praeambulum")
BWV 924a – Prelude in C major (Klavierbüchlein No. 26: "Preludium ex c♮"; variant version of BWV 924 probably by W. F. Bach, ) # BWV 925 – Prelude in D major (Klavierbüchlein No. 27: "Praeludium ex d♮"; possibly by W. F. Bach, ) # BWV 926 – Prelude in D minor (Klavierbüchlein No. 4: "Praeludium") # BWV 927 – Prelude in F major (Klavierbüchlein No. 8: "Praeambulum") # BWV 928 – Prelude in F major (Klavierbüchlein No. 10: "Praeludium") # BWV 929 – Prelude in G minor (Klavierbüchlein No. 48e: Trio for a
Minuet A minuet (; also spelled menuet) is a social dance of French origin for two people, usually in time. The English word was adapted from the Italian ''minuetto'' and the French ''menuet''. The term also describes the musical form that accompa ...
by
Gottfried Heinrich Stölzel Gottfried Heinrich Stölzel (13 January 1690 in – 27 November 1749 in Gotha) was a prolific German composer of the Baroque era. Stölzel was an accomplished German stylist who wrote a good many of the poetic texts for his vocal works. Biogra ...
) # BWV 930 – Prelude in G minor (Klavierbüchlein No. 9: "Praeambulum") # BWV 931 – Prelude in A minor (Klavierbüchlein No. 29: "Praeludium"; possibly by W. F. Bach, ) # BWV 932 – Prelude in E minor (incomplete; Klavierbüchlein No. 28: "Praeludium ex e♭"; possibly by W. F. Bach, )


Six Little Preludes (933–938)

An 18th-century set of short preludes by Johann Sebastian Bach: # BWV 933 – Little Prelude in C major # BWV 934 – Little Prelude in C minor # BWV 935 – Little Prelude in D minor # BWV 936 – Little Prelude in D major # BWV 937 – Little Prelude in E major # BWV 938 – Little Prelude in E minor


Five Little Preludes (939–943)

Five short preludes found in the manuscript ''P 804'' (collection of
Johann Peter Kellner Johann Peter Kellner (variants: Keller, Kelner) (28 September 1705 – 19 April 1772) was a German organist and composer. He was the father of Johann Christoph Kellner. Biography He was born in Gräfenroda, Thuringia, and was intended by his par ...
):
Ernst Naumann Carl Ernst Naumann (15 August 183215 December 1910) was a German organist, composer, conductor, editor, arranger and musicologist. He is best known now as an arranger and editor of the music of Johann Sebastian Bach, J.S. Bach, Wolfgang Amadeus ...

"Vorwort" (Preface)
in BGA Vol. 36 (1890), p. LX
# BWV 939 – Prelude in C major # BWV 940 – Prelude in D minor # BWV 941 – Prelude in E minor # BWV 942 – Prelude in A minor # BWV 943 – Prelude in C major


Fugues and fughettas (944–962)

* BWV 944Fantasia and Fugue in A minor * BWV 945 – Fugue in E minor (doubtful, possibly by
Christoph Graupner Christoph Graupner (13 January 1683 – 10 May 1760) was a German composer and harpsichordist of late Baroque music who was a contemporary of Johann Sebastian Bach, Georg Philipp Telemann and George Frideric Handel. Life Born in Hartmannsdorf ...
) * BWV 946 – Fugue in C major * BWV 947 – Fugue in A minor * BWV 948 – Fugue in D minor * BWV 949 – Fugue in A major * BWV 950 – Fugue in A major on a theme by
Tomaso Albinoni Tomaso Giovanni Albinoni (8 June 1671 – 17 January 1751) was an Italian composer of the Baroque era. His output includes operas, concertos, sonatas for one to six instruments, sinfonias, and solo cantatas. While famous in his day as an opera comp ...
* BWV 951 – Fugue in B minor on a theme by Tomaso Albinoni * BWV 951a – Fugue in B minor (alternative version of BWV 951) * BWV 952 – Fugue in C major * BWV 953 – Fugue in C major * BWV 954 – Fugue in B-flat major on a theme by
Johann Adam Reincken Johann Adam Reincken (also ''Jan Adams, Jean Adam'', ''Reinken, Reinkinck, Reincke, Reinicke, Reinike''; Baptism, baptized 10 December 1643 – 24 November 1722) was a Dutch/German organist and composer. He was one of the most important composers ...
* BWV 955 – Fugue in B-flat major * BWV 956 – Fugue in E minor (doubtful) * BWV 957 – Machs mit mir, Gott, nach deiner Güt (chorale prelude for organ in the Neumeister Collection, previously listed as Fugue in G major) * BWV 958 – Fugue in A minor (doubtful) * BWV 959 – Fugue in A minor * BWV 960 – Fugue in E minor (incomplete and doubtful) * BWV 961 – Fughetta in C minor * BWV 962 – Fughetta in E minor (spurious, composed by
Johann Georg Albrechtsberger Johann Georg Albrechtsberger (3 February 1736 – 7 March 1809) was an Austrian composer, organist, and music theorist, and one of the teachers of Ludwig van Beethoven. He was a friend of Haydn and Mozart. Biography Albrechtsberger was born at Kl ...
)


Sonata Sonata (; Italian: , pl. ''sonate''; from Latin and Italian: ''sonare'' rchaic Italian; replaced in the modern language by ''suonare'' "to sound"), in music, literally means a piece ''played'' as opposed to a cantata (Latin and Italian ''cant ...
s and sonata movements (963–970)

* BWV 963 – Sonata in D major * BWV 964 – Sonata in D minor (arrangement of Sonata No. 2 for solo violin, BWV 1003 – doubtful) * BWV 965 – Sonata in A minor (after
Johann Adam Reincken Johann Adam Reincken (also ''Jan Adams, Jean Adam'', ''Reinken, Reinkinck, Reincke, Reinicke, Reinike''; Baptism, baptized 10 December 1643 – 24 November 1722) was a Dutch/German organist and composer. He was one of the most important composers ...
's ''Hortus Musicus'', Nos. 1–5) * BWV 966 – Sonata in C major (after Johann Adam Reincken's ''Hortus Musicus'', Nos. 11–15) * BWV 967 – Sonata in A minor (one movement only, arrangement of a chamber sonata by unknown composer) * BWV 968 – Adagio in G major (after movement 1 of Sonata No. 3 for solo violin, BWV 1005 – doubtful) * BWV 969 – Andante in G minor (doubtful) * BWV 970 – Presto in D minor (spurious, composed by
Wilhelm Friedemann Bach Wilhelm Friedemann Bach (22 November 17101 July 1784), the second child and eldest son of Johann Sebastian Bach and Maria Barbara Bach, was a German composer and performer. Despite his acknowledged genius as an organist, improviser and composer ...
)


Italian Concerto, from

Clavier-Übung II Johann Sebastian Bach's ''Clavier-Übung II'' was published in 1735, containing two works written for performance on a two- manual harpsichord. In the publication, Bach contrasted a work in Italian style – a '' Concerto nach Italienischem Gu ...
(971)

* BWV 971 – Italian Concerto, in F major


Keyboard arrangements of concerti by other composers (972–987)

* BWV 972 – Concerto in D major (arrangement of
Antonio Vivaldi Antonio Lucio Vivaldi (4 March 1678 – 28 July 1741) was an Italian composer, virtuoso violinist and impresario of Baroque music. Regarded as one of the greatest Baroque composers, Vivaldi's influence during his lifetime was widespread a ...
's Concerto Op. 3/9, RV230) * BWV 973 – Concerto in G major (arrangement of Antonio Vivaldi's Concerto Op. 7/8, RV299) * BWV 974 – Concerto in D minor (arrangement of
Alessandro Marcello Alessandro Ignazio Marcello (; 1 February 1673 – 19 June 1747) was an Italian nobleman and composer. Biography Born in Venice, Marcello was the son of a senator, and as a nobleman, enjoyed a comfortable life that gave him the freedom to ...
's Oboe Concerto in D minor) * BWV 975 – Concerto in G minor (arrangement of Antonio Vivaldi's Concerto Op. 4/6, RV316a) * BWV 976 – Concerto in C major (arrangement of Antonio Vivaldi's Concerto Op. 3/12, RV265) * BWV 977 – Concerto in C major (source unknown, possibly a concerto by
Benedetto Marcello Benedetto Giacomo Marcello (; 31 July or 1 August 1686 – 24 July 1739) was an Italian composer, writer, advocate, magistrate, and teacher. Life Born in Venice, Benedetto Marcello was a member of a noble family and in his compositions he is f ...
) * BWV 978 – Concerto in F major (arrangement of Antonio Vivaldi's Concerto Op. 3/3, RV310) * BWV 979 – Concerto in B minor (recently identified as Vivaldi's Concerto RV Anh. 10, now RV 813) * BWV 980 – Concerto in G major (arrangement of Antonio Vivaldi's ''Violin Concerto in B-flat Major, RV 381) * BWV 981 – Concerto in C minor (possibly an arrangement of Benedetto Marcello's concerto Op. 1/2) * BWV 982 – Concerto in B-flat major (arrangement of
Prince Johann Ernst of Saxe-Weimar Johann Ernst of Saxe-Weimar (german: Johann Ernst von Sachsen-Weimar) (25 December 1696 – 1 August 1715) was a German prince, son by his second marriage of Johann Ernst III, Duke of Saxe-Weimar. Despite his early death he is remembered as a col ...
's concerto Op. 1/1) * BWV 983 – Concerto in G minor (source unknown) * BWV 984 – Concerto in C major (arrangement of a Prince Johann Ernst concerto) (see BWV 595 for organ version) * BWV 985 – Concerto in G minor (arrangement of a
Georg Philipp Telemann Georg Philipp Telemann (; – 25 June 1767) was a German Baroque composer and multi-instrumentalist. Almost completely self-taught in music, he became a composer against his family's wishes. After studying in Magdeburg, Zellerfeld, and Hildesh ...
violin concerto) * BWV 986 – Concerto in G major (arrangement of a concerto attributed to Georg Philipp Telemann) * BWV 987 – Concerto in D minor (arrangement of Prince Johann Ernst's concerto Op. 1/4)


Variations Variation or Variations may refer to: Science and mathematics * Variation (astronomy), any perturbation of the mean motion or orbit of a planet or satellite, particularly of the moon * Genetic variation, the difference in DNA among individuals ...
and miscellaneous pieces for keyboard (988–994)

* BWV 988 –
Goldberg Variations The ''Goldberg Variations'', BWV 988, is a musical composition for keyboard by Johann Sebastian Bach, consisting of an aria and a set of 30 variations. First published in 1741, it is named after Johann Gottlieb Goldberg, who may also have ...
(published as Fourth Clavier-Übung) * BWV 989 –
Aria variata alla maniera italiana ''Aria variata alla maniera italiana'' in A minor, BWV 989 is a keyboard work by Johann Sebastian Bach from around 1709, recorded in the ''Andreas Bach Book Andreas ( el, Ἀνδρέας) is a name usually given to males in Austria, Greece, Cy ...
, in A minor * BWV 990 – Sarabande con Partite in C major (loosely adapted from the overture for "Bellérophon" (1679) by
Jean-Baptiste Lully Jean-Baptiste Lully ( , , ; born Giovanni Battista Lulli, ; – 22 March 1687) was an Italian-born French composer, guitarist, violinist, and dancer who is considered a master of the French Baroque music style. Best known for his operas, he ...
– doubtful) * BWV 991 –
Air The atmosphere of Earth is the layer of gases, known collectively as air, retained by Earth's gravity that surrounds the planet and forms its planetary atmosphere. The atmosphere of Earth protects life on Earth by creating pressure allowing for ...
with variations in C minor (unfinished, from the 1722 Notebook for Anna Magdalena Bach) * BWV 992 –
Capriccio sopra la lontananza del suo fratello dilettissimo The ''Capriccio on the departure of a beloved brother'' (Italian: ''Capriccio sopra la lontananza del suo fratello dilettissimo''), BWV 992, is an early work by Johann Sebastian Bach, possibly modeled on the Biblical Sonatas of Johann Kuhnau. The s ...
(" Capriccio on the departure of the Beloved Brother"), in B-flat major * BWV 993 – Capriccio in E major * BWV 994 – Applicatio in C major (from the Clavier-Büchlein for Wilhelm Friedemann Bach)


Works for solo lute (BWV 995–1000)

* BWV 995 – Suite in G minor (transcription of Cello Suite No. 5, BWV 1011) * BWV 996 – Suite in E minor (most probably intended for
lute-harpsichord The lautenwerck (also spelled lautenwerk), alternatively called lute-harpsichord (lute-clavier) or keyboard lute, is a European keyboard instrument of the Baroque period. It is similar to a harpsichord, but with gut (sometimes Nylon) rather tha ...
) * BWV 997 – Suite in C minor * BWV 998 – Prelude, Fugue and Allegro in E-flat major * BWV 999 – Prelude in C minor * BWV 1000 – Fugue in G minor (transcription of Fuga (Allegro) from Violin Sonata No. 1 in G minor, BWV 1001)


Works for keyboard and lute in the eighth and ninth chapters of the ''Bach-Werke-Verzeichnis'' (1998)

, - id="BWV Chapter 8" style="background: #D8D8D8;" , data-sort-value="0771.z99" , 8. , data-sort-value="356.001" colspan="8" , Keyboard compositions (see also:
List of solo keyboard compositions by Johann Sebastian Bach Keyboard works () by Johann Sebastian Bach traditionally refers to Chapter 8 in the BWV catalogue or the fifth series of the New Bach Edition, both of which list compositions for a solo keyboard instrument like the harpsichord or the clavichor ...
) , data-sort-value="0901a" , Up ↑ , - id="Inventions BWV 772–786" style="background: #E3F6CE;" , data-sort-value="0772.000" , 772 , data-sort-value="356.002" , 8. , data-sort-value="1722-12-31" , 1720-01-22
1725-01-22 , data-sort-value="Inventions and Sinfonias No. 01" ,
Inventions and Sinfonias The Inventions and Sinfonias, BWV 772–801, also known as the Two- and Three-Part Inventions, are a collection of thirty short keyboard compositions by Johann Sebastian Bach (1685–1750): 15 ''inventions'', which are two-part contrapuntal pieces, ...
No. 1 – Invention No. 1 = WFB No. 32: Preamb. 1 , C maj. , Keyboard , data-sort-value="000.03: 001" , 3: 1
451: 221 , data-sort-value="V/05: 048 V/03: 002" , V/5: 48
V/3: 2 , data-sort-value="→ BWV 0772a" , → BWV 772a , , - style="background: #E3F6CE;" , data-sort-value="0772.A00" , 772a , data-sort-value="356.003" , 8. , data-sort-value="1722-12-31" , 1720-01-22
1725-01-22 , data-sort-value="Inventions and Sinfonias No. 01a" ,
Inventions and Sinfonias The Inventions and Sinfonias, BWV 772–801, also known as the Two- and Three-Part Inventions, are a collection of thirty short keyboard compositions by Johann Sebastian Bach (1685–1750): 15 ''inventions'', which are two-part contrapuntal pieces, ...
No. 1a – Invention No. 1a , C maj. , Keyboard , data-sort-value="000.03: 342" , 3: 342 , data-sort-value="V/03: 004" , V/3: 4 , data-sort-value="after BWV 0772" , after BWV 772 , , - style="background: #E3F6CE;" , data-sort-value="0773.000" , 773 , data-sort-value="356.004" , 8. , data-sort-value="1722-12-31" , 1720-01-22
1725-01-22 , data-sort-value="Inventions and Sinfonias No. 02" ,
Inventions and Sinfonias The Inventions and Sinfonias, BWV 772–801, also known as the Two- and Three-Part Inventions, are a collection of thirty short keyboard compositions by Johann Sebastian Bach (1685–1750): 15 ''inventions'', which are two-part contrapuntal pieces, ...
No. 2 – Invention No. 2 = WFB No. 46: Preamb. 15 , C min. , Keyboard , data-sort-value="000.03: 002" , 3: 2
451: 223 , data-sort-value="V/05: 076 V/03: 006" , V/5: 76
V/3: 6 , , , - style="background: #E3F6CE;" , data-sort-value="0774.000" , 774 , data-sort-value="356.005" , 8. , data-sort-value="1722-12-31" , 1720-01-22
1725-01-22 , data-sort-value="Inventions and Sinfonias No. 03" ,
Inventions and Sinfonias The Inventions and Sinfonias, BWV 772–801, also known as the Two- and Three-Part Inventions, are a collection of thirty short keyboard compositions by Johann Sebastian Bach (1685–1750): 15 ''inventions'', which are two-part contrapuntal pieces, ...
No. 3 – Invention No. 3 = WFB No. 45: Preamb. 14 , D maj. , Keyboard , data-sort-value="000.03: 003" , 3: 3
451: 223 , data-sort-value="V/05: 074 V/03: 008" , V/5: 74
V/3: 8 , , , - style="background: #E3F6CE;" , data-sort-value="0775.000" , 775 , data-sort-value="356.006" , 8. , data-sort-value="1722-12-31" , 1720-01-22
1725-01-22 , data-sort-value="Inventions and Sinfonias No. 04" ,
Inventions and Sinfonias The Inventions and Sinfonias, BWV 772–801, also known as the Two- and Three-Part Inventions, are a collection of thirty short keyboard compositions by Johann Sebastian Bach (1685–1750): 15 ''inventions'', which are two-part contrapuntal pieces, ...
No. 4 – Invention No. 4 = WFB No. 33: Preamb. 2 , D min. , Keyboard , data-sort-value="000.03: 004" , 3: 4
451: 221 , data-sort-value="V/05: 050 V/03: 010" , V/5: 50
V/3: 10 , , , - style="background: #E3F6CE;" , data-sort-value="0776.000" , 776 , data-sort-value="356.007" , 8. , data-sort-value="1722-12-31" , 1720-01-22
1725-01-22 , data-sort-value="Inventions and Sinfonias No. 05" ,
Inventions and Sinfonias The Inventions and Sinfonias, BWV 772–801, also known as the Two- and Three-Part Inventions, are a collection of thirty short keyboard compositions by Johann Sebastian Bach (1685–1750): 15 ''inventions'', which are two-part contrapuntal pieces, ...
No. 5 – Invention No. 5 = WFB No. 44: Preamb. 13 , E♭ maj. , Keyboard , data-sort-value="000.03: 006" , 3: 6
451: 222 , data-sort-value="V/05: 072 V/03: 012" , V/5: 72
V/3: 12 , , , - style="background: #E3F6CE;" , data-sort-value="0777.000" , 777 , data-sort-value="356.008" , 8. , data-sort-value="1722-12-31" , 1720-01-22
1725-01-22 , data-sort-value="Inventions and Sinfonias No. 06" ,
Inventions and Sinfonias The Inventions and Sinfonias, BWV 772–801, also known as the Two- and Three-Part Inventions, are a collection of thirty short keyboard compositions by Johann Sebastian Bach (1685–1750): 15 ''inventions'', which are two-part contrapuntal pieces, ...
No. 6 – Invention No. 6 = WFB No. 43: Preamb. 12 , E maj. , Keyboard , data-sort-value="000.03: 007" , 3: 7
451: 222 , data-sort-value="V/05: 070 V/03: 014" , V/5: 70
V/3: 14 , , , - style="background: #E3F6CE;" , data-sort-value="0778.000" , 778 , data-sort-value="356.009" , 8. , data-sort-value="1722-12-31" , 1720-01-22
1725-01-22 , data-sort-value="Inventions and Sinfonias No. 07" ,
Inventions and Sinfonias The Inventions and Sinfonias, BWV 772–801, also known as the Two- and Three-Part Inventions, are a collection of thirty short keyboard compositions by Johann Sebastian Bach (1685–1750): 15 ''inventions'', which are two-part contrapuntal pieces, ...
No. 7 – Invention No. 7 = WFB No. 34: Preamb. 3 , E min. , Keyboard , data-sort-value="000.03: 009" , 3: 9
451: 221 , data-sort-value="V/05: 052 V/03: 016" , V/5: 52
V/3: 16 , , , - style="background: #E3F6CE;" , data-sort-value="0779.000" , 779 , data-sort-value="356.010" , 8. , data-sort-value="1722-12-31" , 1720-01-22
1725-01-22 , data-sort-value="Inventions and Sinfonias No. 08" ,
Inventions and Sinfonias The Inventions and Sinfonias, BWV 772–801, also known as the Two- and Three-Part Inventions, are a collection of thirty short keyboard compositions by Johann Sebastian Bach (1685–1750): 15 ''inventions'', which are two-part contrapuntal pieces, ...
No. 8 – Invention No. 8 = WFB No. 35: Preamb. 4 , F maj. , Keyboard , data-sort-value="000.03: 010" , 3: 10
451: 221 , data-sort-value="V/05: 054 V/03: 018" , V/5: 54
V/3: 18 , , , - style="background: #E3F6CE;" , data-sort-value="0780.000" , 780 , data-sort-value="356.011" , 8. , data-sort-value="1722-12-31" , 1720-01-22
1725-01-22 , data-sort-value="Inventions and Sinfonias No. 09" ,
Inventions and Sinfonias The Inventions and Sinfonias, BWV 772–801, also known as the Two- and Three-Part Inventions, are a collection of thirty short keyboard compositions by Johann Sebastian Bach (1685–1750): 15 ''inventions'', which are two-part contrapuntal pieces, ...
No. 9 – Invention No. 9 = WFB No. 42: Preamb. 11 , F min. , Keyboard , data-sort-value="000.03: 011" , 3: 11
451: 222 , data-sort-value="V/05: 068 V/03: 020" , V/5: 68
V/3: 20 , , , - style="background: #E3F6CE;" , data-sort-value="0781.000" , 781 , data-sort-value="356.012" , 8. , data-sort-value="1722-12-31" , 1720-01-22
1725-01-22 , data-sort-value="Inventions and Sinfonias No. 10" ,
Inventions and Sinfonias The Inventions and Sinfonias, BWV 772–801, also known as the Two- and Three-Part Inventions, are a collection of thirty short keyboard compositions by Johann Sebastian Bach (1685–1750): 15 ''inventions'', which are two-part contrapuntal pieces, ...
No. 10 – Invention No. 10 = WFB No. 36: Preamb. 5 , G maj. , Keyboard , data-sort-value="000.03: 012" , 3: 12
451: 221 , data-sort-value="V/05: 056 V/03: 022" , V/5: 56
V/3: 22 , , , - style="background: #E3F6CE;" , data-sort-value="0782.000" , 782 , data-sort-value="356.013" , 8. , data-sort-value="1722-12-31" , 1720-01-22
1725-01-22 , data-sort-value="Inventions and Sinfonias No. 11" ,
Inventions and Sinfonias The Inventions and Sinfonias, BWV 772–801, also known as the Two- and Three-Part Inventions, are a collection of thirty short keyboard compositions by Johann Sebastian Bach (1685–1750): 15 ''inventions'', which are two-part contrapuntal pieces, ...
No. 11 – Invention No. 11 = WFB No. 41: Preamb. 10 , G min. , Keyboard , data-sort-value="000.03: 013" , 3: 13
451: 222 , data-sort-value="V/05: 066 V/03: 024" , V/5: 66
V/3: 24 , , , - style="background: #E3F6CE;" , data-sort-value="0783.000" , 783 , data-sort-value="356.014" , 8. , data-sort-value="1722-12-31" , 1720-01-22
1725-01-22 , data-sort-value="Inventions and Sinfonias No. 12" ,
Inventions and Sinfonias The Inventions and Sinfonias, BWV 772–801, also known as the Two- and Three-Part Inventions, are a collection of thirty short keyboard compositions by Johann Sebastian Bach (1685–1750): 15 ''inventions'', which are two-part contrapuntal pieces, ...
No. 12 – Invention No. 12 = WFB No. 40: Preamb. 9 , A maj. , Keyboard , data-sort-value="000.03: 014" , 3: 14
451: 222 , data-sort-value="V/05: 064 V/03: 026" , V/5: 64
V/3: 26 , , , - style="background: #E3F6CE;" , data-sort-value="0784.000" , 784 , data-sort-value="356.015" , 8. , data-sort-value="1722-12-31" , 1720-01-22
1725-01-22 , data-sort-value="Inventions and Sinfonias No. 13" ,
Inventions and Sinfonias The Inventions and Sinfonias, BWV 772–801, also known as the Two- and Three-Part Inventions, are a collection of thirty short keyboard compositions by Johann Sebastian Bach (1685–1750): 15 ''inventions'', which are two-part contrapuntal pieces, ...
No. 13 – Invention No. 13 = WFB No. 37: Preamb. 6 , A min. , Keyboard , data-sort-value="000.03: 015" , 3: 15
451: 221 , data-sort-value="V/05: 058 V/03: 028" , V/5: 58
V/3: 28 , , , - style="background: #E3F6CE;" , data-sort-value="0785.000" , 785 , data-sort-value="356.016" , 8. , data-sort-value="1722-12-31" , 1720-01-22
1725-01-22 , data-sort-value="Inventions and Sinfonias No. 14" ,
Inventions and Sinfonias The Inventions and Sinfonias, BWV 772–801, also known as the Two- and Three-Part Inventions, are a collection of thirty short keyboard compositions by Johann Sebastian Bach (1685–1750): 15 ''inventions'', which are two-part contrapuntal pieces, ...
No. 14 – Invention No. 14 = WFB No. 39: Preamb. 8 , B♭ maj. , Keyboard , data-sort-value="000.03: 016" , 3: 16
451: 222 , data-sort-value="V/05: 062 V/03: 030" , V/5: 62
V/3: 30 , , , - style="background: #E3F6CE;" , data-sort-value="0786.000" , 786 , data-sort-value="356.017" , 8. , data-sort-value="1722-12-31" , 1720-01-22
1725-01-22 , data-sort-value="Inventions and Sinfonias No. 15" ,
Inventions and Sinfonias The Inventions and Sinfonias, BWV 772–801, also known as the Two- and Three-Part Inventions, are a collection of thirty short keyboard compositions by Johann Sebastian Bach (1685–1750): 15 ''inventions'', which are two-part contrapuntal pieces, ...
No. 15 – Invention No. 15 = WFB No. 38: Preamb. 7 , B min. , Keyboard , data-sort-value="000.03: 018" , 3: 18
451: 222 , data-sort-value="V/05: 060 V/03: 032" , V/5: 60
V/3: 32 , , , - id="Sinfonias BWV 787–801" style="background: #E3F6CE;" , data-sort-value="0787.000" , 787 , data-sort-value="356.018" , 8. , data-sort-value="1722-12-31" , 1720-01-22
1725-01-22 , data-sort-value="Sinfonias and Inventions No. 16" , Sinfonias and Inventions No. 16 – Sinfonia No. 1 = WFB No. 49: Fantasia 1 , C maj. , Keyboard , data-sort-value="000.03: 019" , 3: 19
451: 227 , data-sort-value="V/05: 090 V/03: 034" , V/5: 90
V/3: 34 , , , - style="background: #E3F6CE;" , data-sort-value="0788.000" , 788 , data-sort-value="356.019" , 8. , data-sort-value="1722-12-31" , 1720-01-22
1725-01-22 , data-sort-value="Sinfonias and Inventions No. 17" , Sinfonias and Inventions No. 17 – Sinfonia No. 2 = WFB No. 63: Fantasia 15 , C min. , Keyboard , data-sort-value="000.03: 020" , 3: 20
451: 231 , data-sort-value="V/05: 118 V/03: 036" , V/5: 118
V/3: 36 , , , - style="background: #E3F6CE;" , data-sort-value="0789.000" , 789 , data-sort-value="356.020" , 8. , data-sort-value="1722-12-31" , 1720-01-22
1725-01-22 , data-sort-value="Sinfonias and Inventions No. 18" , Sinfonias and Inventions No. 18 – Sinfonia No. 3 = WFB No. 62: Fantasia 14 , D maj. , Keyboard , data-sort-value="000.03: 022" , 3: 22
451: 230 , data-sort-value="V/05: 116 V/03: 038" , V/5: 116
V/3: 38 , , , - style="background: #E3F6CE;" , data-sort-value="0790.000" , 790 , data-sort-value="356.021" , 8. , data-sort-value="1722-12-31" , 1720-01-22
1725-01-22 , data-sort-value="Sinfonias and Inventions No. 19" , Sinfonias and Inventions No. 19 – Sinfonia No. 4 = WFB No. 50: Fantasia 2 , D min. , Keyboard , data-sort-value="000.03: 023" , 3: 23
451: 227 , data-sort-value="V/05: 092 V/03: 040" , V/5: 92
V/3: 40 , , , - style="background: #E3F6CE;" , data-sort-value="0791.000" , 791 , data-sort-value="356.022" , 8. , data-sort-value="1722-12-31" , 1720-01-22
1725-01-22 , data-sort-value="Sinfonias and Inventions No. 20" , Sinfonias and Inventions No. 20 – Sinfonia No. 5 = WFB No. 61: Fantasia 13 , E♭ maj. , Keyboard , data-sort-value="000.03: 024" , 3: 24
451: 230 , data-sort-value="V/05: 114 V/03: 042" , V/5: 114
V/3: 42 , data-sort-value="→ BWV 0791a" , → BWV 791a , , - style="background: #E3F6CE;" , data-sort-value="0791.A00" , 791a , data-sort-value="356.023" , 8. , data-sort-value="1723-07-01" , 1723 , data-sort-value="Sinfonias and Inventions No. 20a" , Sinfonias and Inventions No. 20a – Sinfonia No. 5a , E♭ maj. , Keyboard , , data-sort-value="V/03: 044, 080" , V/3: 44, 80 , data-sort-value="after BWV 0791" , after BWV 791 , , - style="background: #E3F6CE;" , data-sort-value="0792.000" , 792 , data-sort-value="356.024" , 8. , data-sort-value="1722-12-31" , 1720-01-22
1725-01-22 , data-sort-value="Sinfonias and Inventions No. 21" , Sinfonias and Inventions No. 21 – Sinfonia No. 6 = WFB No. 60: Fantasia 12 , E maj. , Keyboard , data-sort-value="000.03: 026" , 3: 26
451: 229 , data-sort-value="V/05: 112 V/03: 046" , V/5: 112
V/3: 46 , , , - style="background: #E3F6CE;" , data-sort-value="0793.000" , 793 , data-sort-value="356.025" , 8. , data-sort-value="1722-12-31" , 1720-01-22
1725-01-22 , data-sort-value="Sinfonias and Inventions No. 22" , Sinfonias and Inventions No. 22 – Sinfonia No. 7 = WFB No. 51: Fantasia 3 , E min. , Keyboard , data-sort-value="000.03: 028" , 3: 28
451: 227 , data-sort-value="V/05: 094 V/03: 048" , V/5: 94
V/3: 48 , , , - style="background: #E3F6CE;" , data-sort-value="0794.000" , 794 , data-sort-value="356.026" , 8. , data-sort-value="1722-12-31" , 1720-01-22
1725-01-22 , data-sort-value="Sinfonias and Inventions No. 23" , Sinfonias and Inventions No. 23 – Sinfonia No. 8 = WFB No. 52: Fantasia 4 , F maj. , Keyboard , data-sort-value="000.03: 029" , 3: 29
451: 227 , data-sort-value="V/05: 096 V/03: 050" , V/5: 96
V/3: 50 , , , - style="background: #E3F6CE;" , data-sort-value="0795.000" , 795 , data-sort-value="356.027" , 8. , data-sort-value="1722-12-31" , 1720-01-22
1725-01-22 , data-sort-value="Sinfonias and Inventions No. 24" , Sinfonias and Inventions No. 24 – Sinfonia No. 9 = WFB No. 59: Fantasia 11 , F min. , Keyboard , data-sort-value="000.03: 030" , 3: 30
451: 229 , data-sort-value="V/05: 110 V/03: 052" , V/5: 110
V/3: 52 , , , - style="background: #E3F6CE;" , data-sort-value="0796.000" , 796 , data-sort-value="356.028" , 8. , data-sort-value="1722-12-31" , 1720-01-22
1725-01-22 , data-sort-value="Sinfonias and Inventions No. 25" , Sinfonias and Inventions No. 25 – Sinfonia No. 10 = WFB No. 53: Fantasia 5 , G maj. , Keyboard , data-sort-value="000.03: 032" , 3: 32
451: 228 , data-sort-value="V/05: 098 V/03: 054" , V/5: 98
V/3: 54 , , , - style="background: #E3F6CE;" , data-sort-value="0797.000" , 797 , data-sort-value="356.029" , 8. , data-sort-value="1722-12-31" , 1720-01-22
1725-01-22 , data-sort-value="Sinfonias and Inventions No. 26" , Sinfonias and Inventions No. 26 – Sinfonia No. 11 = WFB No. 58: Fantasia 10 , G min. , Keyboard , data-sort-value="000.03: 034" , 3: 34
451: 229 , data-sort-value="V/05: 108 V/03: 056" , V/5: 108
V/3: 56 , , , - style="background: #E3F6CE;" , data-sort-value="0798.000" , 798 , data-sort-value="356.030" , 8. , data-sort-value="1722-12-31" , 1720-01-22
1725-01-22 , data-sort-value="Sinfonias and Inventions No. 27" , Sinfonias and Inventions No. 27 – Sinfonia No. 12 = WFB No. 57: Fantasia 9 , A maj. , Keyboard , data-sort-value="000.03: 036" , 3: 36
451: 229 , data-sort-value="V/05: 106 V/03: 058" , V/5: 106
V/3: 58 , , , - style="background: #E3F6CE;" , data-sort-value="0799.000" , 799 , data-sort-value="356.031" , 8. , data-sort-value="1722-12-31" , 1720-01-22
1725-01-22 , data-sort-value="Sinfonias and Inventions No. 28" , Sinfonias and Inventions No. 28 – Sinfonia No. 13 = WFB No. 54: Fantasia 6 , A min. , Keyboard , data-sort-value="000.03: 038" , 3: 38
451: 228 , data-sort-value="V/05: 100 V/03: 060" , V/5: 100
V/3: 60 , , , - style="background: #E3F6CE;" , data-sort-value="0800.000" , 800 , data-sort-value="356.032" , 8. , data-sort-value="1722-12-31" , 1720-01-22
1725-01-22 , data-sort-value="Sinfonias and Inventions No. 29" , Sinfonias and Inventions No. 29 – Sinfonia No. 14 = WFB No. 56: Fantasia 8 , B♭ maj. , Keyboard , data-sort-value="000.03: 040" , 3: 40
451: 228 , data-sort-value="V/05: 104 V/03: 062" , V/5: 104
V/3: 62 , , , - style="background: #E3F6CE;" , data-sort-value="0801.000" , 801 , data-sort-value="356.033" , 8. , data-sort-value="1722-12-31" , 1720-01-22
1725-01-22 , data-sort-value="Sinfonias and Inventions No. 30" , Sinfonias and Inventions No. 30 – Sinfonia No. 15 = WFB No. 55: Fantasia 7 , B min. , Keyboard , data-sort-value="000.03: 041" , 3: 41
451: 228 , data-sort-value="V/05: 102 V/03: 064" , V/5: 102
V/3: 64 , , , - style="background: #E3F6CE;" , data-sort-value="0802.000" , 802 , data-sort-value="358.003" , 8. , data-sort-value="1739-07-01" , 1739 , Duet No. 1 from '' Clavier-Übung III'' , E min. , Organ , data-sort-value="000.03: 242" , 3: 242 , data-sort-value="IV/04: 092" , IV/4: 92 , , , - style="background: #E3F6CE;" , data-sort-value="0803.000" , 803 , data-sort-value="358.004" , 8. , data-sort-value="1739-07-01" , 1739 , Duet No. 2 from '' Clavier-Übung III'' , F maj. , Organ , data-sort-value="000.03: 243" , 3: 245 , data-sort-value="IV/04: 096" , IV/4: 96 , , , - style="background: #E3F6CE;" , data-sort-value="0804.000" , 804 , data-sort-value="358.005" , 8. , data-sort-value="1739-07-01" , 1739 , Duet No. 3 from '' Clavier-Übung III'' , G maj. , Organ , data-sort-value="000.03: 244" , 3: 248 , data-sort-value="IV/04: 099" , IV/4: 99 , , , - style="background: #E3F6CE;" , data-sort-value="0805.000" , 805 , data-sort-value="358.006" , 8. , data-sort-value="1739-07-01" , 1739 , Duet No. 4 from '' Clavier-Übung III'' , A min. , Organ , data-sort-value="000.03: 245" , 3: 251 , data-sort-value="IV/04: 102" , IV/4: 102 , , , - style="background: #F6E3CE;" , data-sort-value="0806.000" , 806 , data-sort-value="358.007" , 8. , data-sort-value="1718-12-31" , 1714–1723 , '' English Suites'', No. 1 , A maj. , Keyboard , data-sort-value="000.45 1: 003" , 451: 3
132: 3 , data-sort-value="V/07: 002" , V/7: 2 , , , - style="background: #F6E3CE;" , data-sort-value="0806a.000" , 806a , data-sort-value="358.008" , 8. , data-sort-value="1715-12-31" , 1714–1717 , '' English Suites'', No. 1a , A maj. , Keyboard , , data-sort-value="V/07: 116" , V/7: 116 , , , - style="background: #F6E3CE;" , data-sort-value="0807.000" , 807 , data-sort-value="358.009" , 8. , data-sort-value="1720-12-31" , 1725 or earlier , '' English Suites'', No. 2 , A min. , Keyboard , data-sort-value="000.45 1: 004" , 451: 16
132: 16 , data-sort-value="V/07: 020" , V/7: 20 , , , - style="background: #F6E3CE;" , data-sort-value="0808.000" , 808 , data-sort-value="358.010" , 8. , data-sort-value="1720-12-31" , 1725 or earlier , '' English Suites'', No. 3 , G min. , Keyboard , data-sort-value="000.45 1: 005" , 451: 30
132: 30 , data-sort-value="V/07: 038" , V/7: 38 , , , - style="background: #F6E3CE;" , data-sort-value="0809.000" , 809 , data-sort-value="358.011" , 8. , data-sort-value="1720-12-31" , 1725 or earlier , '' English Suites'', No. 4 , F maj. , Keyboard , data-sort-value="000.45 1: 006" , 451: 41
132: 41 , data-sort-value="V/07: 054" , V/7: 54 , , , - style="background: #F6E3CE;" , data-sort-value="0810.000" , 810 , data-sort-value="358.012" , 8. , data-sort-value="1720-12-31" , 1725 or earlier , '' English Suites'', No. 5 , E min. , Keyboard , data-sort-value="000.45 1: 007" , 451: 53
132: 53 , data-sort-value="V/07: 070" , V/7: 70 , , , - style="background: #F6E3CE;" , data-sort-value="0811.000" , 811 , data-sort-value="358.013" , 8. , data-sort-value="1720-12-31" , 1725 or earlier , '' English Suites'', No. 6 , D min. , Keyboard , data-sort-value="000.45 1: 008" , 451: 68
132: 68 , data-sort-value="V/07: 090" , V/7: 90 , , , - id="AMB1722" style="background: #E3F6CE;" , data-sort-value="0812.000" rowspan="4" , 812 , data-sort-value="362.003" rowspan="4" , 8. , data-sort-value="1722-07-01" rowspan="4" , 1722 or earlier , data-sort-value="Notebook A. M. Bach (1722) No. 01" , ''Notebook A. M. Bach'' (1722) No. 1 – ''
French Suites The ''French Suites'', BWV 812–817, are six suites which Johann Sebastian Bach wrote for the clavier (harpsichord or clavichord) between the years of 1722 and 1725.Bach. ''The French Suites: Embellished version''. Bärenreiter Urtext Althoug ...
'', No. 1 , rowspan="4" , D min. , rowspan="4" , Keyboard , data-sort-value="000.43 2: 000VIa" , 432: VI , data-sort-value="V/04: 003" , V/4: 3 , rowspan="4" , , rowspan="4" , , - style="background: #E3F6CE;" , data-sort-value="Notebook A. M. Bach (1725) No. 30" , ''Notebook A. M. Bach'' (1725) No. 30 – ''
French Suites The ''French Suites'', BWV 812–817, are six suites which Johann Sebastian Bach wrote for the clavier (harpsichord or clavichord) between the years of 1722 and 1725.Bach. ''The French Suites: Embellished version''. Bärenreiter Urtext Althoug ...
'', No. 1 , data-sort-value="000.43 2: 040" , 432: 40 , data-sort-value="V/04: 109" , V/4: 109 , - style="background: #E3F6CE;" , ''
French Suites The ''French Suites'', BWV 812–817, are six suites which Johann Sebastian Bach wrote for the clavier (harpsichord or clavichord) between the years of 1722 and 1725.Bach. ''The French Suites: Embellished version''. Bärenreiter Urtext Althoug ...
'', No. 1 – Version A (
Altnickol Johann Christoph Altnickol, or Altnikol, (baptised 1 January 1720, buried 25 July 1759) was a German organist, bass singer, and composer. He was a student, copyist and son-in-law of Johann Sebastian Bach. Biography Altnikol was born in Berna bei ...
) , data-sort-value="000.45 1: 089" rowspan="2" , 451: 89
132: 89 , data-sort-value="V/08: 002" , V/8: 2 , - style="background: #E3F6CE;" , ''
French Suites The ''French Suites'', BWV 812–817, are six suites which Johann Sebastian Bach wrote for the clavier (harpsichord or clavichord) between the years of 1722 and 1725.Bach. ''The French Suites: Embellished version''. Bärenreiter Urtext Althoug ...
'', No. 1 – Version B (early version) , data-sort-value="V/08: 064" , V/8: 64 , - style="background: #E3F6CE;" , data-sort-value="0813.000" rowspan="5" , 813 , data-sort-value="362.007" rowspan="5" , 8. , data-sort-value="1723-12-31" rowspan="5" , , data-sort-value="Notebook A. M. Bach (1722) No. 02" , ''Notebook A. M. Bach'' (1722) No. 2 – ''
French Suites The ''French Suites'', BWV 812–817, are six suites which Johann Sebastian Bach wrote for the clavier (harpsichord or clavichord) between the years of 1722 and 1725.Bach. ''The French Suites: Embellished version''. Bärenreiter Urtext Althoug ...
'', No. 2 , rowspan="5" , C min. , rowspan="5" , Keyboard , data-sort-value="000.43 2: 000VIb" , 432: VI , data-sort-value="V/04: 010" , V/4: 10, 42 , rowspan="5" , , rowspan="5" , , - style="background: #E3F6CE;" , data-sort-value="Notebook A. M. Bach (1725) No. 31" , ''Notebook A. M. Bach'' (1725) No. 31 – ''
French Suites The ''French Suites'', BWV 812–817, are six suites which Johann Sebastian Bach wrote for the clavier (harpsichord or clavichord) between the years of 1722 and 1725.Bach. ''The French Suites: Embellished version''. Bärenreiter Urtext Althoug ...
'', No. 2 , data-sort-value="000.43 2: 044" , 432: 44 , data-sort-value="V/04: 116" , V/4: 116 , - style="background: #E3F6CE;" , ''
French Suites The ''French Suites'', BWV 812–817, are six suites which Johann Sebastian Bach wrote for the clavier (harpsichord or clavichord) between the years of 1722 and 1725.Bach. ''The French Suites: Embellished version''. Bärenreiter Urtext Althoug ...
'', No. 2 – Version A (
Altnickol Johann Christoph Altnickol, or Altnikol, (baptised 1 January 1720, buried 25 July 1759) was a German organist, bass singer, and composer. He was a student, copyist and son-in-law of Johann Sebastian Bach. Biography Altnikol was born in Berna bei ...
) , data-sort-value="000.45 1: 094" rowspan="2" , 451: 94
132: 94 , data-sort-value="V/08: 010" , V/8: 10 , - style="background: #E3F6CE;" , rowspan="2" , ''
French Suites The ''French Suites'', BWV 812–817, are six suites which Johann Sebastian Bach wrote for the clavier (harpsichord or clavichord) between the years of 1722 and 1725.Bach. ''The French Suites: Embellished version''. Bärenreiter Urtext Althoug ...
'', No. 2 – Version B (early version) , rowspan="2" data-sort-value="V/08: 072" , V/8: 72 , - style="background: #E3F6CE;" , data-sort-value="000.36: 236" , 36: 236 , - style="background: #E3F6CE;" , data-sort-value="0814.000" rowspan="3" , 814 , data-sort-value="362.011" rowspan="3" , 8. , data-sort-value="1723-12-31" rowspan="3" , , data-sort-value="Notebook A. M. Bach (1722) No. 03" , ''Notebook A. M. Bach'' (1722) No. 3 – ''
French Suites The ''French Suites'', BWV 812–817, are six suites which Johann Sebastian Bach wrote for the clavier (harpsichord or clavichord) between the years of 1722 and 1725.Bach. ''The French Suites: Embellished version''. Bärenreiter Urtext Althoug ...
'', No. 3 , rowspan="3" , B min. , rowspan="3" , Keyboard , data-sort-value="000.43 2: 000VIIa" , 432: VII , data-sort-value="V/04: 016" , V/4: 16, 43 , rowspan="3" , → BWV 814a , rowspan="3" , , - style="background: #E3F6CE;" , ''
French Suites The ''French Suites'', BWV 812–817, are six suites which Johann Sebastian Bach wrote for the clavier (harpsichord or clavichord) between the years of 1722 and 1725.Bach. ''The French Suites: Embellished version''. Bärenreiter Urtext Althoug ...
'', No. 3 – Version A (
Altnickol Johann Christoph Altnickol, or Altnikol, (baptised 1 January 1720, buried 25 July 1759) was a German organist, bass singer, and composer. He was a student, copyist and son-in-law of Johann Sebastian Bach. Biography Altnikol was born in Berna bei ...
) , data-sort-value="000.45 1: 100" rowspan="2" , 451: 100
132: 100 , data-sort-value="V/08: 020" , V/8: 20 , - style="background: #E3F6CE;" , ''
French Suites The ''French Suites'', BWV 812–817, are six suites which Johann Sebastian Bach wrote for the clavier (harpsichord or clavichord) between the years of 1722 and 1725.Bach. ''The French Suites: Embellished version''. Bärenreiter Urtext Althoug ...
'', No. 3 – Version B (early version) , data-sort-value="V/08: 082" , V/8: 82 , - , data-sort-value="0814.A00" , 814a , data-sort-value="362.014" , 8. , data-sort-value="1729-12-31" , , ''
French Suites The ''French Suites'', BWV 812–817, are six suites which Johann Sebastian Bach wrote for the clavier (harpsichord or clavichord) between the years of 1722 and 1725.Bach. ''The French Suites: Embellished version''. Bärenreiter Urtext Althoug ...
'', No. 3 – Variant , B min. , Keyboard , data-sort-value="000.45 1: 100" , 451: 100
36: 237
132: 100 , data-sort-value="V/08: 166" , V/8: 166 , data-sort-value="after BWV 0814/1" , after BWV 814/1–/5,
929 Year 929 ( CMXXIX) was a common year starting on Thursday (link will display the full calendar) of the Julian calendar. Events By place Europe * January 16 – Emir Abd-al-Rahman III of Córdoba proclaims himself caliph and create ...
, 814/7 , , - style="background: #E3F6CE;" , data-sort-value="0815.000" rowspan="4" , 815 , data-sort-value="362.015" rowspan="4" , 8. , data-sort-value="1723-12-31" rowspan="4" , , data-sort-value="Notebook A. M. Bach (1722) No. 04" , ''Notebook A. M. Bach'' (1722) No. 4 ''
French Suites The ''French Suites'', BWV 812–817, are six suites which Johann Sebastian Bach wrote for the clavier (harpsichord or clavichord) between the years of 1722 and 1725.Bach. ''The French Suites: Embellished version''. Bärenreiter Urtext Althoug ...
'', No. 4 , rowspan="4" , E♭ maj. , rowspan="4" , Keyboard , data-sort-value="000.43 2: 000VIIb" , 432: VII , data-sort-value="V/04: 023" , V/4: 23 , rowspan="4" , → BWV 815a , rowspan="4" , , - style="background: #E3F6CE;" , ''
French Suites The ''French Suites'', BWV 812–817, are six suites which Johann Sebastian Bach wrote for the clavier (harpsichord or clavichord) between the years of 1722 and 1725.Bach. ''The French Suites: Embellished version''. Bärenreiter Urtext Althoug ...
'', No. 4 – Version A (
Altnickol Johann Christoph Altnickol, or Altnikol, (baptised 1 January 1720, buried 25 July 1759) was a German organist, bass singer, and composer. He was a student, copyist and son-in-law of Johann Sebastian Bach. Biography Altnikol was born in Berna bei ...
) , data-sort-value="000.45 1: 106" rowspan="2" , 451: 106
132: 106 , data-sort-value="V/08: 030" , V/8: 30 , - style="background: #E3F6CE;" , rowspan="2" , ''
French Suites The ''French Suites'', BWV 812–817, are six suites which Johann Sebastian Bach wrote for the clavier (harpsichord or clavichord) between the years of 1722 and 1725.Bach. ''The French Suites: Embellished version''. Bärenreiter Urtext Althoug ...
'', No. 4 – Version B (early version) , data-sort-value="V/08: 092" rowspan="2" , V/8: 92 , - style="background: #E3F6CE;" , data-sort-value="000.36: 236" , 36: 236 , - , data-sort-value="0815.A00" , 815a , data-sort-value="362.018" , 8. , data-sort-value="1725-12-31" , or later , ''
French Suites The ''French Suites'', BWV 812–817, are six suites which Johann Sebastian Bach wrote for the clavier (harpsichord or clavichord) between the years of 1722 and 1725.Bach. ''The French Suites: Embellished version''. Bärenreiter Urtext Althoug ...
'', No. 4 – Variant , E♭ maj. , Keyboard , data-sort-value="000.36: 234" , 36: 234
451: 106
132: 108 , data-sort-value="V/08: 176" , V/8: 176 , after BWV 815/1–/5 , , - style="background: #E3F6CE;" , data-sort-value="0816.000" rowspan="3" , 816 , data-sort-value="362.019" rowspan="3" , 8. , data-sort-value="1724-12-31" rowspan="3" , , data-sort-value="Notebook A. M. Bach (1722) No. 05" , ''Notebook A. M. Bach'' (1722) No. 5 ''
French Suites The ''French Suites'', BWV 812–817, are six suites which Johann Sebastian Bach wrote for the clavier (harpsichord or clavichord) between the years of 1722 and 1725.Bach. ''The French Suites: Embellished version''. Bärenreiter Urtext Althoug ...
'', No. 5 , rowspan="3" , G maj. , rowspan="3" , Keyboard , data-sort-value="000.43 2: 000VIIc" , 432: VII , data-sort-value="V/04: 030" , V/4: 30 , rowspan="3" , , rowspan="3" , , - style="background: #E3F6CE;" , ''
French Suites The ''French Suites'', BWV 812–817, are six suites which Johann Sebastian Bach wrote for the clavier (harpsichord or clavichord) between the years of 1722 and 1725.Bach. ''The French Suites: Embellished version''. Bärenreiter Urtext Althoug ...
'', No. 5 – Version A (
Altnickol Johann Christoph Altnickol, or Altnikol, (baptised 1 January 1720, buried 25 July 1759) was a German organist, bass singer, and composer. He was a student, copyist and son-in-law of Johann Sebastian Bach. Biography Altnikol was born in Berna bei ...
) , data-sort-value="000.45 1: 112" rowspan="2" , 451: 112
132: 112 , data-sort-value="V/08: 040" , V/8: 40 , - style="background: #E3F6CE;" , ''
French Suites The ''French Suites'', BWV 812–817, are six suites which Johann Sebastian Bach wrote for the clavier (harpsichord or clavichord) between the years of 1722 and 1725.Bach. ''The French Suites: Embellished version''. Bärenreiter Urtext Althoug ...
'', No. 5 – Version B (early version) , data-sort-value="V/08: 102" , V/8: 102 , - style="background: #F5F6CE;" , data-sort-value="0817.000" rowspan="2" , 817 , data-sort-value="362.022" rowspan="2" , 8. , data-sort-value="1725-07-01" rowspan="2" , 1725 or later , ''
French Suites The ''French Suites'', BWV 812–817, are six suites which Johann Sebastian Bach wrote for the clavier (harpsichord or clavichord) between the years of 1722 and 1725.Bach. ''The French Suites: Embellished version''. Bärenreiter Urtext Althoug ...
'', No. 6 – Version A (
Altnickol Johann Christoph Altnickol, or Altnikol, (baptised 1 January 1720, buried 25 July 1759) was a German organist, bass singer, and composer. He was a student, copyist and son-in-law of Johann Sebastian Bach. Biography Altnikol was born in Berna bei ...
) , rowspan="2" , E maj. , rowspan="2" , Keyboard , data-sort-value="000.45 1: 120" rowspan="2" , 451: 120
132: 120 , data-sort-value="V/08: 052" , V/8: 52 , rowspan="2" , , rowspan="2" , , - style="background: #F5F6CE;" , ''
French Suites The ''French Suites'', BWV 812–817, are six suites which Johann Sebastian Bach wrote for the clavier (harpsichord or clavichord) between the years of 1722 and 1725.Bach. ''The French Suites: Embellished version''. Bärenreiter Urtext Althoug ...
'', No. 6 – Version B (early version) , data-sort-value="V/08: 114" , V/8: 114 , - , data-sort-value="0818.000" , 818 , data-sort-value="366.003" , 8. , data-sort-value="1721-07-01" , 1720–1722 , Suite for keyboard (early version) , A min. , Keyboard , data-sort-value="000.36: 003" , 36: 3 , data-sort-value="V/08: 129" , V/8: 129 , , , - , data-sort-value="0818.A00" , 818a , data-sort-value="366.004" , 8. , data-sort-value="1723-07-01" , after 1721 , Suite for keyboard (later version) , A min. , Keyboard , data-sort-value="000.36: 213" , 36: 213 , data-sort-value="V/08: 146" , V/8: 146 , , , - , data-sort-value="0819.000" , 819 , data-sort-value="367.002" , 8. , data-sort-value="1725-07-01" , before 1726 , Suite for keyboard (early version) , E♭ maj. , Keyboard , data-sort-value="000.36: 008" , 36: 8 , data-sort-value="V/08: 136" , V/8: 136 , , , - , data-sort-value="0819.A00" , 819a , data-sort-value="367.003" , 8. , data-sort-value="1726-12-31" , 1725–1728 , Suite for keyboard (later version) , E♭ maj. , Keyboard , data-sort-value="000.36: 217" , 36: 217 , data-sort-value="V/08: 156" , V/8: 156 , , , - , data-sort-value="0820.000" , 820 , data-sort-value="367.004" , 8. , data-sort-value="1708-07-01" , 1705–1713 , Suite (Ouverture) for keyboard , F maj. , Keyboard , data-sort-value="000.36: 014" , 36: 14 , data-sort-value="V/10: 043" , V/10: 43 , , , - , data-sort-value="0822.000" , 822 , data-sort-value="368.003" , 8. , , Suite for keyboard , G min. , Keyboard , , data-sort-value="V/10: 068" , V/10: 68 , after unknown model? , , - , data-sort-value="0823.000" , 823 , data-sort-value="368.004" , 8. , data-sort-value="1716-07-01" , before 1727 , Suite for keyboard , F min. , Keyboard , data-sort-value="000.36: 229" , 36: 229 , data-sort-value="V/10: 050" , V/10: 50 , , , - id="NBA V-1" style="background: #E3F6CE;" , data-sort-value="0825.000" , 825 , data-sort-value="369.004" , 8. , data-sort-value="1725-12-31" , 1725–1726 , Partita No. 1 from ''
Clavier-Übung I The Partitas, BWV 825–830, are a set of six keyboard suites written by Johann Sebastian Bach, published individually beginning in 1726, then together as ''Clavier-Übung I'' in 1731, the first of his works to be published under his own directi ...
'' , B♭ maj. , Keyboard , data-sort-value="000.03: 046" , 3: 46 , data-sort-value="V/01: 002" , V/1: 2 , , , - style="background: #E3F6CE;" , data-sort-value="0826.000" , 826 , data-sort-value="369.005" , 8. , data-sort-value="1726-07-01" , 1725–1727 , Partita No. 2 from ''
Clavier-Übung I The Partitas, BWV 825–830, are a set of six keyboard suites written by Johann Sebastian Bach, published individually beginning in 1726, then together as ''Clavier-Übung I'' in 1731, the first of his works to be published under his own directi ...
'' , C min. , Keyboard , data-sort-value="000.03: 056" , 3: 56 , data-sort-value="V/01: 015" , V/1: 15 , , , - id="AMB1725" style="background: #E3F6CE;" , data-sort-value="0827.000" , 827 , data-sort-value="369.006" , 8. , data-sort-value="1726-07-01" , 1725–1727 , data-sort-value="Notebook A. M. Bach (1725) No. 01" , ''Notebook A. M. Bach'' (1725) No. 1 = Partita No. 3 from ''
Clavier-Übung I The Partitas, BWV 825–830, are a set of six keyboard suites written by Johann Sebastian Bach, published individually beginning in 1726, then together as ''Clavier-Übung I'' in 1731, the first of his works to be published under his own directi ...
'' , A min. , Keyboard , data-sort-value="000.03: 070" , 3: 70 , data-sort-value="V/01: 035" , V/1: 35
V/4: 47 , , , - style="background: #E3F6CE;" , data-sort-value="0828.000" , 828 , data-sort-value="369.007" , 8. , data-sort-value="1726-12-31" , 1725–1728 , Partita No. 4 from ''
Clavier-Übung I The Partitas, BWV 825–830, are a set of six keyboard suites written by Johann Sebastian Bach, published individually beginning in 1726, then together as ''Clavier-Übung I'' in 1731, the first of his works to be published under his own directi ...
'' , D maj. , Keyboard , data-sort-value="000.03: 082" , 3: 82 , data-sort-value="V/01: 050" , V/1: 50 , , , - style="background: #E3F6CE;" , data-sort-value="0829.000" , 829 , data-sort-value="369.008" , 8. , data-sort-value="1727-12-31" , 1725–1730 , Partita No. 5 from ''
Clavier-Übung I The Partitas, BWV 825–830, are a set of six keyboard suites written by Johann Sebastian Bach, published individually beginning in 1726, then together as ''Clavier-Übung I'' in 1731, the first of his works to be published under his own directi ...
'' , G maj. , Keyboard , data-sort-value="000.03: 102" , 3: 102 , data-sort-value="V/01: 072" , V/1: 72 , , , - style="background: #E3F6CE;" , data-sort-value="0830.000" , 830 , data-sort-value="369.009" , 8. , data-sort-value="1727-12-31" , 1725–1730 , data-sort-value="Notebook A. M. Bach (1725) No. 02" , ''Notebook A. M. Bach'' (1725) No. 2 = Partita No. 6 from ''
Clavier-Übung I The Partitas, BWV 825–830, are a set of six keyboard suites written by Johann Sebastian Bach, published individually beginning in 1726, then together as ''Clavier-Übung I'' in 1731, the first of his works to be published under his own directi ...
'' , E min. , Keyboard , data-sort-value="000.03: 116" , 3: 116 , data-sort-value="V/01: 090" , V/1: 90
V/4: 60 , after
BWV 1019a The (BWV; ; ) is a catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version of that second edition, known as BWV ...
/3 /5 , , - style="background: #E3F6CE;" , data-sort-value="0831.000" , 831 , data-sort-value="372.002" , 8. , data-sort-value="1734-07-01" , 1733–1735 , ''
Overture in the French style The ''Overture in the French style'', BWV 831, original title ''Ouvertüre nach Französischer Art'', also known as the ''French Overture'' and published as the second half of the ''Clavier-Übung II'' in 1735 (paired with the ''Italian Concerto' ...
'' (''
Clavier-Übung II Johann Sebastian Bach's ''Clavier-Übung II'' was published in 1735, containing two works written for performance on a two- manual harpsichord. In the publication, Bach contrasted a work in Italian style – a '' Concerto nach Italienischem Gu ...
'' No. 2) , B min. , Harpsichord , data-sort-value="000.03: 154" , 3: 154 , data-sort-value="V/02: 020" , V/2: 20 , data-sort-value="after BWV 0831a" , after BWV 831a , , - style="background: #E3F6CE;" , data-sort-value="0831.A00" , 831a , data-sort-value="372.003" , 8. , data-sort-value="1730-07-01" , 1727–1733 , ''
Overture in the French style The ''Overture in the French style'', BWV 831, original title ''Ouvertüre nach Französischer Art'', also known as the ''French Overture'' and published as the second half of the ''Clavier-Übung II'' in 1735 (paired with the ''Italian Concerto' ...
'' (early version) , C min. , Keyboard , , data-sort-value="V/02: 043" , V/2: 43 , data-sort-value="→ BWV 0831" , → BWV 831 , , - style="background: #F5F6CE;" , data-sort-value="0832.000" , 832 , data-sort-value="373.001" , 8. , data-sort-value="1706-07-01" , before 1707 , Suite for keyboard , A maj. , Keyboard , data-sort-value="000.42: 255" , 42: 255 , data-sort-value="V/10: 054" , V/10: 54 , in ''Möllersche Handschrift'' , , - style="background: #F5F6CE;" , data-sort-value="0832.000" , 833 , data-sort-value="373.002" , 8. , data-sort-value="1706-07-01" , before 1707 , Prelude and partita for keyboard , F maj. , Keyboard , , data-sort-value="V/10: 060" , V/10: 60 , in ''Möllersche Handschrift'' , , - style="background: #E3F6CE;" , data-sort-value="0836.000" , 836 , data-sort-value="374.004" , 8. , data-sort-value="1720-12-31" , 1720–1721 ,
Allemande An ''allemande'' (''allemanda'', ''almain(e)'', or ''alman(d)'', French: "German (dance)") is a Renaissance and Baroque dance, and one of the most common instrumental dance styles in Baroque music, with examples by Couperin, Purcell, Bach a ...
, Klavierbüchlein WFB No. 6 , G min. , Keyboard , data-sort-value="000.45 1: 214" , 451: 214 , data-sort-value="V/05: 008" , V/5: 8 , by Bach, W. F. & J. S.? , , - style="background: #E3F6CE;" , data-sort-value="0837.000" , 837 , data-sort-value="374.005" , 8. , data-sort-value="1720-12-31" , 1720–1721 ,
Allemande An ''allemande'' (''allemanda'', ''almain(e)'', or ''alman(d)'', French: "German (dance)") is a Renaissance and Baroque dance, and one of the most common instrumental dance styles in Baroque music, with examples by Couperin, Purcell, Bach a ...
, Klavierbüchlein WFB No. 7 (incomplete) , G min. , Keyboard , data-sort-value="000.45 1: 215" , 451: 215 , data-sort-value="V/05: 010" , V/5: 10 , by Bach, W. F. & J. S.? , , - style="background: #F5F6CE;" , data-sort-value="0841.000" , 841 , data-sort-value="374.009" , 8. , data-sort-value="1720-12-31" , 1720–1721 , data-sort-value="Notebook A. M. Bach (1722) No. 11" , ''Notebook A. M. Bach'' (1722) No. 11 Menuet = WFB No. 11: Menuet 1 , G maj. , Keyboard , data-sort-value="000.36: 209 45 1: 215" , 36: 209
451: 215 , data-sort-value="V/05: 016 V/04: 044" , V/5: 16 V/4: 44 , by Bach, W. F. & J. S.? , , - style="background: #F5F6CE;" , data-sort-value="0842.000" , 842 , data-sort-value="374.010" , 8. , data-sort-value="1720-12-31" , 1720–1721 , Klavierbüchlein WFB No. 12: Menuet 2 , G min. , Keyboard , data-sort-value="000.36: 209 45 1: 216" , 36: 209
451: 216 , data-sort-value="V/05: 017" , V/5: 17 , by Bach, W. F. ( BR A43) & J. S.? , , - style="background: #F5F6CE;" , data-sort-value="0843.000" , 843 , data-sort-value="374.011" , 8. , data-sort-value="1720-12-31" , 1720–1721 , Klavierbüchlein WFB No. 13: Menuet 3 , G maj. , Keyboard , data-sort-value="000.36: 210 45 1: 216" , 36: 210
451: 216 , data-sort-value="V/05: 018" , V/5: 18 , , , - id="BGA14" style="background: #E3F6CE;" , data-sort-value="0846.000" , 846 , data-sort-value="375.006" , 8. , data-sort-value="1722-07-01" , 1722 , data-sort-value="Well-Tempered Clavier I No. 01" , ''
Well-Tempered Clavier ''The Well-Tempered Clavier'', BWV 846–893, consists of two sets of preludes and fugues in all 24 major and minor keys for keyboard by Johann Sebastian Bach. In the composer's time, ''clavier'', meaning keyboard, referred to a variety of in ...
'' I, P. & F. No. 1 , C maj. , Keyboard , data-sort-value="000.14: 003" , 14: 3 , data-sort-value="V/06 1: 002" , V/6.1: 2 , data-sort-value="after BWV 0846a" , after
BWV 846a The (BWV; ; ) is a catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version of that second edition, known as BWV2a ...
, , - style="background: #F5F6CE;" , data-sort-value="0846.001" , 846/1 , data-sort-value="375.007" , 8. , data-sort-value="1725-07-01" , 1725 (AMB) , ''Notebook A. M. Bach'' (1725) No. 29 Prelude (short version of '' WTC'' I No. 1/1) , C maj. , Keyboard , , data-sort-value="V/04: 107" , V/4: 107 , , , - style="background: #E3F6CE;" , data-sort-value="0846.A00" , 846a , data-sort-value="375.008" , 8. , data-sort-value="1720-07-01" , 1720 , Klavierbüchlein WFB No. 14: Praeludium 1 (early '' WTC'' I No. 1/1) , C maj. , Keyboard , data-sort-value="000.45 1: 216" , 451: 216 , data-sort-value="V/05: 019 V/06 1: 127" , V/5: 19
V/6.1: 127 , data-sort-value="→ BWV 0846/1" , → BWV 846/1 , , - style="background: #E3F6CE;" , data-sort-value="0847.000" , 847 , data-sort-value="375.009" , 8. , data-sort-value="1722-07-01" , 1722 , data-sort-value="Well-Tempered Clavier I No. 02" , ''
Well-Tempered Clavier ''The Well-Tempered Clavier'', BWV 846–893, consists of two sets of preludes and fugues in all 24 major and minor keys for keyboard by Johann Sebastian Bach. In the composer's time, ''clavier'', meaning keyboard, referred to a variety of in ...
'' I, P. & F. No. 2 (/1 = WFB No. 15: Praeludium 2) , C min. , Keyboard , data-sort-value="000.14: 006" , 14: 6
451: 216 , data-sort-value="V/05: 020 V/06 1: 002" , V/5: 20
V/6.1: 2 , data-sort-value="after BWV 0847a" , after BWV 847a , , - , data-sort-value="0847.A00" , 847a , data-sort-value="375.010" , 8. , , data-sort-value="Prelude and Fughetta (early WTC I No. 02)" , Prelude and Fughetta (early '' WTC'' I No. 2) , C min. , Keyboard , , data-sort-value="V/06 1: 130" , V/6.1: 130 , data-sort-value="→ BWV 0847" , → BWV 847 , , - style="background: #E3F6CE;" , data-sort-value="0848.000" , 848 , data-sort-value="375.011" , 8. , data-sort-value="1722-07-01" , 1722 , data-sort-value="Well-Tempered Clavier I No. 03" , ''
Well-Tempered Clavier ''The Well-Tempered Clavier'', BWV 846–893, consists of two sets of preludes and fugues in all 24 major and minor keys for keyboard by Johann Sebastian Bach. In the composer's time, ''clavier'', meaning keyboard, referred to a variety of in ...
'' I, P. & F. No. 3 (/1 = WFB No. 21: Praeludium , C♯ maj. , Keyboard , data-sort-value="000.14: 010" , 14: 10
451: 218 , data-sort-value="V/05: 030 V/06 1: 002" , V/5: 30
V/6.1: 2 , data-sort-value="after BWV 0848a" , after BWV 848a , , - , data-sort-value="0848.A00" , 848a , data-sort-value="375.012" , 8. , , data-sort-value="Prelude and Fughetta (early WTC I No. 03)" , Prelude and Fughetta (early '' WTC'' I No. 3) , C♯ maj. , Keyboard , , data-sort-value="V/06 1: 134" , V/6.1: 134 , data-sort-value="→ BWV 0848" , → BWV 848 , , - style="background: #E3F6CE;" , data-sort-value="0849.000" , 849 , data-sort-value="375.013" , 8. , data-sort-value="1722-07-01" , 1722 , data-sort-value="Well-Tempered Clavier I No. 04" , ''
Well-Tempered Clavier ''The Well-Tempered Clavier'', BWV 846–893, consists of two sets of preludes and fugues in all 24 major and minor keys for keyboard by Johann Sebastian Bach. In the composer's time, ''clavier'', meaning keyboard, referred to a variety of in ...
'' I, P. & F. No. 4 (/1 = WFB No. 22: Praeludium , C♯ min. , Keyboard , data-sort-value="000.14: 014" , 14: 14
451: 218 , data-sort-value="V/05: 032 V/06 1: 002" , V/5: 32
V/6.1: 2 , data-sort-value="after BWV 0849a" , after BWV 849a , , - , data-sort-value="0849.A00" , 849a , data-sort-value="375.014" , 8. , , data-sort-value="Prelude and Fughetta (early WTC I No. 04)" , Prelude and Fughetta (early '' WTC'' I No. 4) , C♯ min. , Keyboard , , data-sort-value="V/06 1: 140" , V/6.1: 140 , data-sort-value="→ BWV 0849" , → BWV 849 , , - style="background: #E3F6CE;" , data-sort-value="0850.000" , 850 , data-sort-value="375.015" , 8. , data-sort-value="1722-07-01" , 1722 , data-sort-value="Well-Tempered Clavier I No. 05" , ''
Well-Tempered Clavier ''The Well-Tempered Clavier'', BWV 846–893, consists of two sets of preludes and fugues in all 24 major and minor keys for keyboard by Johann Sebastian Bach. In the composer's time, ''clavier'', meaning keyboard, referred to a variety of in ...
'' I, P. & F. No. 5 (/1 = WFB No. 17: Praeludium 4) , D maj. , Keyboard , data-sort-value="000.14: 018" , 14: 18
451: 217 , data-sort-value="V/05: 023 V/06 1: 002" , V/5: 23
V/6.1: 2 , data-sort-value="after BWV 0850a" , after BWV 850a , , - , data-sort-value="0850.A00" , 850a , data-sort-value="375.016" , 8. , , data-sort-value="Prelude and Fughetta (early WTC I No. 05)" , Prelude and Fughetta (early '' WTC'' I No. 5) , D maj. , Keyboard , , data-sort-value="V/06 1: 146" , V/6.1: 146 , data-sort-value="→ BWV 0850" , → BWV 850 , , - style="background: #E3F6CE;" , data-sort-value="0851.000" , 851 , data-sort-value="375.017" , 8. , data-sort-value="1722-07-01" , 1722 , data-sort-value="Well-Tempered Clavier I No. 06" , ''
Well-Tempered Clavier ''The Well-Tempered Clavier'', BWV 846–893, consists of two sets of preludes and fugues in all 24 major and minor keys for keyboard by Johann Sebastian Bach. In the composer's time, ''clavier'', meaning keyboard, referred to a variety of in ...
'' I, P. & F. No. 6 (/1 = WFB No. 16: Praeludium 3) , D min. , Keyboard , data-sort-value="000.14: 022" , 14: 22
451: 217 , data-sort-value="V/05: 022 V/06 1: 002" , V/5: 22
V/6.1: 2 , data-sort-value="after BWV 0851a" , after BWV 851a , , - , data-sort-value="0851.A00" , 851a , data-sort-value="375.018" , 8. , , data-sort-value="Prelude and Fughetta (early WTC I No. 06)" , Prelude and Fughetta (early '' WTC'' I No. 6) , D min. , Keyboard , , data-sort-value="V/06 1: 150" , V/6.1: 150 , data-sort-value="→ BWV 0851" , → BWV 851 , , - style="background: #E3F6CE;" , data-sort-value="0852.000" , 852 , data-sort-value="375.019" , 8. , data-sort-value="1722-07-01" , 1722 , data-sort-value="Well-Tempered Clavier I No. 07" , ''
Well-Tempered Clavier ''The Well-Tempered Clavier'', BWV 846–893, consists of two sets of preludes and fugues in all 24 major and minor keys for keyboard by Johann Sebastian Bach. In the composer's time, ''clavier'', meaning keyboard, referred to a variety of in ...
'' I, P. & F. No. 7 , E♭ maj. , Keyboard , data-sort-value="000.14: 026" , 14: 26 , data-sort-value="V/06 1: 032" , V/6.1: 32 , data-sort-value="after BWV 0852a" , after BWV 852a , , - , data-sort-value="0852.A00" , 852a , data-sort-value="375.020" , 8. , , data-sort-value="Prelude and Fughetta (early WTC I No. 07)" , Prelude and Fughetta (early '' WTC'' I No. 7) , E♭ maj. , Keyboard , , data-sort-value="V/06 1: 154" , V/6.1: 154 , data-sort-value="→ BWV 0852" , →
BWV 852 The (BWV; ; ) is a catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version of that second edition, known as BWV2a ...
, , - style="background: #E3F6CE;" , data-sort-value="0853.000" , 853 , data-sort-value="375.021" , 8. , data-sort-value="1722-07-01" , 1722 , data-sort-value="Well-Tempered Clavier I No. 08" , ''
Well-Tempered Clavier ''The Well-Tempered Clavier'', BWV 846–893, consists of two sets of preludes and fugues in all 24 major and minor keys for keyboard by Johann Sebastian Bach. In the composer's time, ''clavier'', meaning keyboard, referred to a variety of in ...
'' I, P. & F. No. 8 (/1 = WFB No. 23: Praeludium 0 , E♭ min.
D♯ min. , Keyboard , data-sort-value="000.14: 032" , 14: 32
451: 218 , data-sort-value="V/05: 034 V/06 1: 038" , V/5: 34
V/6.1: 38 , data-sort-value="after BWV 0853a;" , after BWV 853a; →
K. 404a K is the eleventh letter of the Latin alphabet. K may also refer to: General uses * K (programming language), an array processing language developed by Arthur Whitney and commercialized by Kx Systems * K (cider), a British draft cider manufact ...
/1 , , - , data-sort-value="0853.A00" , 853a , data-sort-value="375.022" , 8. , , data-sort-value="Prelude and Fughetta (early WTC I No. 08)" , Prelude and Fughetta (early '' WTC'' I No. 8) , E♭ min.
D♯ min. , Keyboard , , data-sort-value="V/06 1: 160" , V/6.1: 160 , data-sort-value="→ BWV 0853" , → BWV 853 , , - style="background: #E3F6CE;" , data-sort-value="0854.000" , 854 , data-sort-value="375.023" , 8. , data-sort-value="1722-07-01" , 1722 , data-sort-value="Well-Tempered Clavier I No. 09" , ''
Well-Tempered Clavier ''The Well-Tempered Clavier'', BWV 846–893, consists of two sets of preludes and fugues in all 24 major and minor keys for keyboard by Johann Sebastian Bach. In the composer's time, ''clavier'', meaning keyboard, referred to a variety of in ...
'' I, P. & F. No. 9 (/1 = WFB No. 19: Praeludium 6) , E maj. , Keyboard , data-sort-value="000.14: 036" , 14: 36
451: 218 , data-sort-value="V/05: 026 V/06 1: 044" , V/5: 26
V/6.1: 44 , data-sort-value="after BWV 0854a" , after BWV 854a , , - , data-sort-value="0854.A00" , 854a , data-sort-value="375.024" , 8. , , data-sort-value="Prelude and Fughetta (early WTC I No. 09)" , Prelude and Fughetta (early '' WTC'' I No. 9) , E maj. , Keyboard , , data-sort-value="V/06 1: 166" , V/6.1: 166 , data-sort-value="→ BWV 0854" , → BWV 854 , , - style="background: #E3F6CE;" , data-sort-value="0855.000" , 855 , data-sort-value="375.025" , 8. , data-sort-value="1722-07-01" , 1722 , data-sort-value="Well-Tempered Clavier I No. 10" , ''
Well-Tempered Clavier ''The Well-Tempered Clavier'', BWV 846–893, consists of two sets of preludes and fugues in all 24 major and minor keys for keyboard by Johann Sebastian Bach. In the composer's time, ''clavier'', meaning keyboard, referred to a variety of in ...
'' I, P. & F. No. 10 , E min. , Keyboard , data-sort-value="000.14: 038" , 14: 38 , data-sort-value="V/06 1: 048" , V/6.1: 48 , data-sort-value="after BWV 0855a" , after BWV 855a , , - style="background: #F5F6CE;" , data-sort-value="0855.A00" , 855a , data-sort-value="375.026" , 8. , data-sort-value="1720-07-01" , 1720 , Prelude and Fughetta (early '' WTC'' I No. 10) (/1 = WFB No. 18: Praeludium 5) , E min. , Keyboard , data-sort-value="000.45 1: 217" , 451: 217 , data-sort-value="V/05: 024 V/06 1: 170" , V/5: 24
V/6.1: 170 , data-sort-value="→ BWV 0855" , → BWV 855 , , - style="background: #E3F6CE;" , data-sort-value="0856.000" , 856 , data-sort-value="375.027" , 8. , data-sort-value="1722-07-01" , 1722 , data-sort-value="Well-Tempered Clavier I No. 11" , ''
Well-Tempered Clavier ''The Well-Tempered Clavier'', BWV 846–893, consists of two sets of preludes and fugues in all 24 major and minor keys for keyboard by Johann Sebastian Bach. In the composer's time, ''clavier'', meaning keyboard, referred to a variety of in ...
'' I, P. & F. No. 11 (/1 = WFB No. 20: Praeludium 7) , F maj. , Keyboard , data-sort-value="000.14: 042" , 14: 42
451: 218 , data-sort-value="V/05: 028 V/06 1: 054" , V/5: 28
V/6.1: 54 , data-sort-value="after BWV 0856a" , after BWV 856a , , - , data-sort-value="0856.A00" , 856a , data-sort-value="375.028" , 8. , , Prelude and Fughetta (early '' WTC'' I No. 11) , F maj. , Keyboard , , data-sort-value="V/06 1: 174" , V/6.1: 174 , data-sort-value="→ BWV 0856" , → BWV 856 , , - style="background: #E3F6CE;" , data-sort-value="0857.000" , 857 , data-sort-value="375.029" , 8. , data-sort-value="1722-07-01" , 1722 , data-sort-value="Well-Tempered Clavier I No. 12" , ''
Well-Tempered Clavier ''The Well-Tempered Clavier'', BWV 846–893, consists of two sets of preludes and fugues in all 24 major and minor keys for keyboard by Johann Sebastian Bach. In the composer's time, ''clavier'', meaning keyboard, referred to a variety of in ...
'' I, P. & F. No. 12 (/1 = WFB No. 24: Praeludium 1 , F min. , Keyboard , data-sort-value="000.14: 044" , 14: 44
451: 218 , data-sort-value="V/05: 036 V/06 1: 058" , V/5: 36
V/6.1: 58 , data-sort-value="after BWV 0857a" , after BWV 857a , , - , data-sort-value="0857.A00" , 857a , data-sort-value="375.030" , 8. , , Prelude and Fughetta (early '' WTC'' I No. 12) , F min. , Keyboard , , data-sort-value="V/06 1: 178" , V/6.1: 178 , data-sort-value="→ BWV 0857" , → BWV 857 , , - style="background: #E3F6CE;" , data-sort-value="0858.000" , 858 , data-sort-value="375.031" , 8. , data-sort-value="1722-07-01" , 1722 , data-sort-value="Well-Tempered Clavier I No. 13" , ''
Well-Tempered Clavier ''The Well-Tempered Clavier'', BWV 846–893, consists of two sets of preludes and fugues in all 24 major and minor keys for keyboard by Johann Sebastian Bach. In the composer's time, ''clavier'', meaning keyboard, referred to a variety of in ...
'' I, P. & F. No. 13 , F♯ maj. , Keyboard , data-sort-value="000.14: 048" , 14: 48 , data-sort-value="V/06 1: 064" , V/6.1: 64 , data-sort-value="after BWV 0858a" , after BWV 858a , , - , data-sort-value="0858.A00" , 858a , data-sort-value="375.032" , 8. , , Prelude and Fughetta (early '' WTC'' I No. 13) , F♯ maj. , Keyboard , , data-sort-value="V/06 1: 184" , V/6.1: 184 , data-sort-value="→ BWV 0858" , → BWV 858 , , - style="background: #E3F6CE;" , data-sort-value="0859.000" , 859 , data-sort-value="375.033" , 8. , data-sort-value="1722-07-01" , 1722 , data-sort-value="Well-Tempered Clavier I No. 14" , ''
Well-Tempered Clavier ''The Well-Tempered Clavier'', BWV 846–893, consists of two sets of preludes and fugues in all 24 major and minor keys for keyboard by Johann Sebastian Bach. In the composer's time, ''clavier'', meaning keyboard, referred to a variety of in ...
'' I, P. & F. No. 14 , F♯ min. , Keyboard , data-sort-value="000.14: 050" , 14: 50 , data-sort-value="V/06 1: 064" , V/6.1: 64 , data-sort-value="after BWV 0859a" , after BWV 859a , , - , data-sort-value="0859.A00" , 859a , data-sort-value="375.034" , 8. , , Prelude and Fughetta (early '' WTC'' I No. 14) , F♯ min. , Keyboard , , data-sort-value="V/06 1: 188" , V/6.1: 188 , data-sort-value="→ BWV 0859" , → BWV 859 , , - style="background: #E3F6CE;" , data-sort-value="0860.000" , 860 , data-sort-value="375.035" , 8. , data-sort-value="1722-07-01" , 1722 , data-sort-value="Well-Tempered Clavier I No. 15" , ''
Well-Tempered Clavier ''The Well-Tempered Clavier'', BWV 846–893, consists of two sets of preludes and fugues in all 24 major and minor keys for keyboard by Johann Sebastian Bach. In the composer's time, ''clavier'', meaning keyboard, referred to a variety of in ...
'' I, P. & F. No. 15 , G maj. , Keyboard , data-sort-value="000.14: 052" , 14: 52 , data-sort-value="V/06 1: 072" , V/6.1: 72 , data-sort-value="after BWV 0860a" , after BWV 860a , , - , data-sort-value="0860.A00" , 860a , data-sort-value="375.036" , 8. , , Prelude and Fughetta (early '' WTC'' I No. 15) , G maj. , Keyboard , , data-sort-value="V/06 1: 192" , V/6.1: 192 , data-sort-value="→ BWV 0860" , → BWV 860 , , - style="background: #E3F6CE;" , data-sort-value="0861.000" , 861 , data-sort-value="375.037" , 8. , data-sort-value="1722-07-01" , 1722 , data-sort-value="Well-Tempered Clavier I No. 16" , ''
Well-Tempered Clavier ''The Well-Tempered Clavier'', BWV 846–893, consists of two sets of preludes and fugues in all 24 major and minor keys for keyboard by Johann Sebastian Bach. In the composer's time, ''clavier'', meaning keyboard, referred to a variety of in ...
'' I, P. & F. No. 16 , G min. , Keyboard , data-sort-value="000.14: 057" , 14: 57 , data-sort-value="V/06 1: 078" , V/6.1: 78 , data-sort-value="after BWV 0861a" , after BWV 861a , , - , data-sort-value="0861.A00" , 861a , data-sort-value="375.038" , 8. , , Prelude and Fughetta (early '' WTC'' I No. 16) , G min. , Keyboard , , data-sort-value="V/06 1: 198" , V/6.1: 198 , data-sort-value="→ BWV 0861" , → BWV 861 , , - style="background: #E3F6CE;" , data-sort-value="0862.000" , 862 , data-sort-value="375.039" , 8. , data-sort-value="1722-07-01" , 1722 , data-sort-value="Well-Tempered Clavier I No. 17" , ''
Well-Tempered Clavier ''The Well-Tempered Clavier'', BWV 846–893, consists of two sets of preludes and fugues in all 24 major and minor keys for keyboard by Johann Sebastian Bach. In the composer's time, ''clavier'', meaning keyboard, referred to a variety of in ...
'' I, P. & F. No. 17 , A♭ maj. , Keyboard , data-sort-value="000.14: 060" , 14: 60 , data-sort-value="V/06 1: 082" , V/6.1: 82 , data-sort-value="after BWV 0862a" , after BWV 862a , , - , data-sort-value="0862.A00" , 862a , data-sort-value="375.040" , 8. , , Prelude and Fughetta (early '' WTC'' I No. 17) , A♭ maj. , Keyboard , , data-sort-value="V/06 1: 202" , V/6.1: 202 , data-sort-value="→ BWV 0862" , → BWV 862 , , - style="background: #E3F6CE;" , data-sort-value="0863.000" , 863 , data-sort-value="375.041" , 8. , data-sort-value="1722-07-01" , 1722 , data-sort-value="Well-Tempered Clavier I No. 18" , ''
Well-Tempered Clavier ''The Well-Tempered Clavier'', BWV 846–893, consists of two sets of preludes and fugues in all 24 major and minor keys for keyboard by Johann Sebastian Bach. In the composer's time, ''clavier'', meaning keyboard, referred to a variety of in ...
'' I, P. & F. No. 18 , G♯ min. , Keyboard , data-sort-value="000.14: 064" , 14: 64 , data-sort-value="V/06 1: 086" , V/6.1: 86 , data-sort-value="after BWV 0863a" , after BWV 863a , , - , data-sort-value="0863.A00" , 863a , data-sort-value="375.042" , 8. , , Prelude and Fughetta (early '' WTC'' I No. 18) , G♯ min. , Keyboard , , data-sort-value="V/06 1: 206" , V/6.1: 206 , data-sort-value="→ BWV 0863" , → BWV 863 , , - style="background: #E3F6CE;" , data-sort-value="0864.000" , 864 , data-sort-value="375.043" , 8. , data-sort-value="1722-07-01" , 1722 , data-sort-value="Well-Tempered Clavier I No. 19" , ''
Well-Tempered Clavier ''The Well-Tempered Clavier'', BWV 846–893, consists of two sets of preludes and fugues in all 24 major and minor keys for keyboard by Johann Sebastian Bach. In the composer's time, ''clavier'', meaning keyboard, referred to a variety of in ...
'' I, P. & F. No. 19 , A maj. , Keyboard , data-sort-value="000.14: 066" , 14: 66 , data-sort-value="V/06 1: 090" , V/6.1: 90 , data-sort-value="after BWV 0864a" , after BWV 864a , , - , data-sort-value="0864.A00" , 864a , data-sort-value="375.044" , 8. , , Prelude and Fughetta (early '' WTC'' I No. 19) , A maj. , Keyboard , , data-sort-value="V/06 1: 210" , V/6.1: 210 , data-sort-value="→ BWV 0864" , → BWV 864 , , - style="background: #E3F6CE;" , data-sort-value="0865.000" , 865 , data-sort-value="375.045" , 8. , data-sort-value="1722-07-01" , 1722 , data-sort-value="Well-Tempered Clavier I No. 20" , ''
Well-Tempered Clavier ''The Well-Tempered Clavier'', BWV 846–893, consists of two sets of preludes and fugues in all 24 major and minor keys for keyboard by Johann Sebastian Bach. In the composer's time, ''clavier'', meaning keyboard, referred to a variety of in ...
'' I, P. & F. No. 20 , A min. , Keyboard , data-sort-value="000.14: 070" , 14: 70 , data-sort-value="V/06 1: 096" , V/6.1: 96 , data-sort-value="after BWV 0865a" , after BWV 865a , , - , data-sort-value="0865.A00" , 865a , data-sort-value="375.046" , 8. , , Prelude and Fughetta (early '' WTC'' I No. 20) , A min. , Keyboard , , data-sort-value="V/06 1: 216" , V/6.1: 216 , data-sort-value="→ BWV 0865" , → BWV 865 , , - style="background: #E3F6CE;" , data-sort-value="0866.000" , 866 , data-sort-value="375.047" , 8. , data-sort-value="1722-07-01" , 1722 , data-sort-value="Well-Tempered Clavier I No. 21" , ''
Well-Tempered Clavier ''The Well-Tempered Clavier'', BWV 846–893, consists of two sets of preludes and fugues in all 24 major and minor keys for keyboard by Johann Sebastian Bach. In the composer's time, ''clavier'', meaning keyboard, referred to a variety of in ...
'' I, P. & F. No. 21 , B♭ maj. , Keyboard , data-sort-value="000.14: 074" , 14: 74 , data-sort-value="V/06 1: 104" , V/6.1: 104 , data-sort-value="after BWV 0866a" , after BWV 866a , , - , data-sort-value="0866.A00" , 866a , data-sort-value="375.048" , 8. , , Prelude and Fughetta (early '' WTC'' I No. 21) , B♭ maj. , Keyboard , , data-sort-value="V/06 1: 224" , V/6.1: 224 , data-sort-value="→ BWV 0866" , → BWV 866 , , - style="background: #E3F6CE;" , data-sort-value="0867.000" , 867 , data-sort-value="375.049" , 8. , data-sort-value="1722-07-01" , 1722 , data-sort-value="Well-Tempered Clavier I No. 22" , ''
Well-Tempered Clavier ''The Well-Tempered Clavier'', BWV 846–893, consists of two sets of preludes and fugues in all 24 major and minor keys for keyboard by Johann Sebastian Bach. In the composer's time, ''clavier'', meaning keyboard, referred to a variety of in ...
'' I, P. & F. No. 22 , B♭ min. , Keyboard , data-sort-value="000.14: 078" , 14: 78 , data-sort-value="V/06 1: 108" , V/6.1: 108 , data-sort-value="after BWV 0867a;" , after BWV 867a; → , , - , data-sort-value="0867.A00" , 867a , data-sort-value="375.050" , 8. , , Prelude and Fughetta (early '' WTC'' I No. 22) , B♭ min. , Keyboard , , data-sort-value="V/06 1: 228" , V/6.1: 228 , data-sort-value="→ BWV 0867" , → BWV 867 , , - style="background: #E3F6CE;" , data-sort-value="0868.000" , 868 , data-sort-value="375.051" , 8. , data-sort-value="1722-07-01" , 1722 , data-sort-value="Well-Tempered Clavier I No. 23" , ''
Well-Tempered Clavier ''The Well-Tempered Clavier'', BWV 846–893, consists of two sets of preludes and fugues in all 24 major and minor keys for keyboard by Johann Sebastian Bach. In the composer's time, ''clavier'', meaning keyboard, referred to a variety of in ...
'' I, P. & F. No. 23 , B maj. , Keyboard , data-sort-value="000.14: 082" , 14: 82 , data-sort-value="V/06 1: 112" , V/6.1: 112 , data-sort-value="after BWV 0868a" , after BWV 868a , , - , data-sort-value="0868.A00" , 868a , data-sort-value="375.052" , 8. , , Prelude and Fughetta (early '' WTC'' I No. 23) , B maj. , Keyboard , , data-sort-value="V/06 1: 232" , V/6.1: 232 , data-sort-value="→ BWV 0868" , → BWV 868 , , - style="background: #E3F6CE;" , data-sort-value="0869.000" , 869 , data-sort-value="375.053" , 8. , data-sort-value="1722-07-01" , 1722 , data-sort-value="Well-Tempered Clavier I No. 24" , ''
Well-Tempered Clavier ''The Well-Tempered Clavier'', BWV 846–893, consists of two sets of preludes and fugues in all 24 major and minor keys for keyboard by Johann Sebastian Bach. In the composer's time, ''clavier'', meaning keyboard, referred to a variety of in ...
'' I, P. & F. No. 24 , B min. , Keyboard , data-sort-value="000.14: 084" , 14: 84 , data-sort-value="V/06 1: 116" , V/6.1: 116 , data-sort-value="after BWV 0869a" , after BWV 869a , , - , data-sort-value="0869.A00" , 869a , data-sort-value="375.054" , 8. , , Prelude and Fughetta (early '' WTC'' I No. 24) , B min. , Keyboard , , data-sort-value="V/06 1: 236" , V/6.1: 236 , data-sort-value="→ BWV 0869" , →
BWV 869 The (BWV; ; ) is a catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version of that second edition, known as BWV2a ...
, , - id="NBAV-6-2" style="background: #E3F6CE;" , data-sort-value="0870.b00" , 870b
870/2 , data-sort-value="379.005" , 8. , data-sort-value="1740-12-31" , 1739–1742 , data-sort-value="Well-Tempered Clavier II No. 01 A" , ''
Well-Tempered Clavier ''The Well-Tempered Clavier'', BWV 846–893, consists of two sets of preludes and fugues in all 24 major and minor keys for keyboard by Johann Sebastian Bach. In the composer's time, ''clavier'', meaning keyboard, referred to a variety of in ...
'' II, P. & F. No. 1 (version A) , C maj. , Keyboard , data-sort-value="000.45 1: 243" , 451: 243
14: 94 , data-sort-value="V/06 2: 002" , V/6.2: 2,
6, 342 , , , - style="background: #E3F6CE;" , data-sort-value="0871.000" , 871 , data-sort-value="379.006" , 8. , data-sort-value="1740-12-31" , 1739–1742
1744 , data-sort-value="Well-Tempered Clavier II No. 02" , ''
Well-Tempered Clavier ''The Well-Tempered Clavier'', BWV 846–893, consists of two sets of preludes and fugues in all 24 major and minor keys for keyboard by Johann Sebastian Bach. In the composer's time, ''clavier'', meaning keyboard, referred to a variety of in ...
'' II, P. & F. No. 2 , C min. , Keyboard , data-sort-value="000.14: 096" , 14: 96 , data-sort-value="V/06 2: 008" , V/6.2: 8,
160 , → K. 405/1 , , - style="background: #E3F6CE;" , data-sort-value="0872.000" , 872 , data-sort-value="379.007" , 8. , data-sort-value="1740-12-31" , 1739–1742
1744 , data-sort-value="Well-Tempered Clavier II No. 03" , ''
Well-Tempered Clavier ''The Well-Tempered Clavier'', BWV 846–893, consists of two sets of preludes and fugues in all 24 major and minor keys for keyboard by Johann Sebastian Bach. In the composer's time, ''clavier'', meaning keyboard, referred to a variety of in ...
'' II, P. & F. No. 3 , C♯ maj. , Keyboard , data-sort-value="000.14: 100" , 14: 100 , data-sort-value="V/06 2: 012" , V/6.2: 12,
164, 352 , data-sort-value="after BWV 0872a" , after BWV 872a , , - style="background: #F5F6CE;" , data-sort-value="0872.A01" , 872a/1 , data-sort-value="379.008" , 8. , data-sort-value="1739-12-31" , 1739–1740 , Prelude (early '' WTC'' II, P. & F. No. 3/1) , C maj. , Keyboard , data-sort-value="000.14: 243" , 14: 243 , data-sort-value="V/06 2: 344" , V/6.2: 344 , data-sort-value="→ BWV 0872/1" , → BWV 872/1 , , - style="background: #F6E3CE;" , data-sort-value="0872.A02" , 872a/2 , data-sort-value="379.009" , 8. , data-sort-value="1738-07-01" , 1738 , Fughetta (early '' WTC'' II, P. & F. No. 3/2) , C maj. , Keyboard , data-sort-value="000.36: 224" , 36: 224 , data-sort-value="V/06 2: 358" , V/6.2: 358 , data-sort-value="→ BWV 0872/2" , → BWV 872/2 , , - style="background: #E3F6CE;" , data-sort-value="0873.000" , 873 , data-sort-value="379.010" , 8. , data-sort-value="1740-12-31" , 1739–1742
1744 , data-sort-value="Well-Tempered Clavier II No. 04" , ''
Well-Tempered Clavier ''The Well-Tempered Clavier'', BWV 846–893, consists of two sets of preludes and fugues in all 24 major and minor keys for keyboard by Johann Sebastian Bach. In the composer's time, ''clavier'', meaning keyboard, referred to a variety of in ...
'' II, P. & F. No. 4 , C♯ maj. , Keyboard , data-sort-value="000.14: 104" , 14: 104 , data-sort-value="V/06 2: 016" , V/6.2: 16,
168 , , , - style="background: #E3F6CE;" , data-sort-value="0874.000" , 874 , data-sort-value="379.011" , 8. , data-sort-value="1740-12-31" , 1739–1742
1744 , data-sort-value="Well-Tempered Clavier II No. 05" , ''
Well-Tempered Clavier ''The Well-Tempered Clavier'', BWV 846–893, consists of two sets of preludes and fugues in all 24 major and minor keys for keyboard by Johann Sebastian Bach. In the composer's time, ''clavier'', meaning keyboard, referred to a variety of in ...
'' II, P. & F. No. 5 , D maj. , Keyboard , data-sort-value="000.14: 108" , 14: 108 , data-sort-value="V/06 2: 024" , V/6.2: 24,
176 , → K. 405/5 , , - style="background: #E3F6CE;" , data-sort-value="0875.000" , 875 , data-sort-value="379.012" , 8. , data-sort-value="1740-12-31" , 1739–1742
1744 , data-sort-value="Well-Tempered Clavier II No. 06" , ''
Well-Tempered Clavier ''The Well-Tempered Clavier'', BWV 846–893, consists of two sets of preludes and fugues in all 24 major and minor keys for keyboard by Johann Sebastian Bach. In the composer's time, ''clavier'', meaning keyboard, referred to a variety of in ...
'' II, P. & F. No. 6 , D min. , Keyboard , data-sort-value="000.14: 112" , 14: 112 , data-sort-value="V/06 2: 030" , V/6.2: 30
182, 348,
356 , data-sort-value="after BWV 0875a" , after BWV 875a , , - style="background: #F5F6CE;" , data-sort-value="0875.A00" , 875a , data-sort-value="379.013" , 8. , data-sort-value="1739-12-31" , 1739–1740 , Preambulum (early '' WTC'' II, P. & F. No. 6/1) , D min. , Keyboard , data-sort-value="000.36: 224" , 36: 224 , data-sort-value="V/06 2: 346" , V/6.2: 346 , data-sort-value="→ BWV 0875/1" , → BWV 875/1 , , - style="background: #E3F6CE;" , data-sort-value="0876.000" , 876 , data-sort-value="379.014" , 8. , data-sort-value="1740-12-31" , 1739–1742
1744 , data-sort-value="Well-Tempered Clavier II No. 07" , ''
Well-Tempered Clavier ''The Well-Tempered Clavier'', BWV 846–893, consists of two sets of preludes and fugues in all 24 major and minor keys for keyboard by Johann Sebastian Bach. In the composer's time, ''clavier'', meaning keyboard, referred to a variety of in ...
'' II, P. & F. No. 7 , E♭ maj. , Keyboard , data-sort-value="000.14: 116" , 14: 116 , data-sort-value="V/06 2: 036" , V/6.2: 36,
188, 354 , → K. 405/2 , , - style="background: #E3F6CE;" , data-sort-value="0877.000" , 877 , data-sort-value="379.015" , 8. , data-sort-value="1740-12-31" , 1739–1742
1744 , data-sort-value="Well-Tempered Clavier II No. 08" , ''
Well-Tempered Clavier ''The Well-Tempered Clavier'', BWV 846–893, consists of two sets of preludes and fugues in all 24 major and minor keys for keyboard by Johann Sebastian Bach. In the composer's time, ''clavier'', meaning keyboard, referred to a variety of in ...
'' II, P. & F. No. 8 , D♯ min. , Keyboard , data-sort-value="000.14: 120" , 14: 120 , data-sort-value="V/06 2: 042" , V/6.2: 42,
194 , → K. 405/4 , , - style="background: #E3F6CE;" , data-sort-value="0878.000" , 878 , data-sort-value="379.016" , 8. , data-sort-value="1740-12-31" , 1739–1742
1744 , data-sort-value="Well-Tempered Clavier II No. 09" , ''
Well-Tempered Clavier ''The Well-Tempered Clavier'', BWV 846–893, consists of two sets of preludes and fugues in all 24 major and minor keys for keyboard by Johann Sebastian Bach. In the composer's time, ''clavier'', meaning keyboard, referred to a variety of in ...
'' II, P. & F. No. 9 , E maj. , Keyboard , data-sort-value="000.14: 124" , 14: 124 , data-sort-value="V/06 2: 048" , V/6.2: 48,
200 , → K. 405/3 , , - style="background: #E3F6CE;" , data-sort-value="0879.000" , 879 , data-sort-value="379.017" , 8. , data-sort-value="1740-12-31" , 1739–1742
1744 , data-sort-value="Well-Tempered Clavier II No. 10" , ''
Well-Tempered Clavier ''The Well-Tempered Clavier'', BWV 846–893, consists of two sets of preludes and fugues in all 24 major and minor keys for keyboard by Johann Sebastian Bach. In the composer's time, ''clavier'', meaning keyboard, referred to a variety of in ...
'' II, P. & F. No. 10 , E min. , Keyboard , data-sort-value="000.14: 128" , 14: 128 , data-sort-value="V/06 2: 054" , V/6.2: 54,
206 , , , - style="background: #E3F6CE;" , data-sort-value="0880.000" , 880 , data-sort-value="379.018" , 8. , data-sort-value="1740-12-31" , 1739–1742
1744 , data-sort-value="Well-Tempered Clavier II No. 11" , ''
Well-Tempered Clavier ''The Well-Tempered Clavier'', BWV 846–893, consists of two sets of preludes and fugues in all 24 major and minor keys for keyboard by Johann Sebastian Bach. In the composer's time, ''clavier'', meaning keyboard, referred to a variety of in ...
'' II, P. & F. No. 11 , F maj. , Keyboard , data-sort-value="000.14: 134" , 14: 134 , data-sort-value="V/06 2: 062" , V/6.2: 62,
215 , , , - style="background: #E3F6CE;" , data-sort-value="0881.000" , 881 , data-sort-value="379.019" , 8. , data-sort-value="1740-12-31" , 1739–1742
1744 , data-sort-value="Well-Tempered Clavier II No. 12" , ''
Well-Tempered Clavier ''The Well-Tempered Clavier'', BWV 846–893, consists of two sets of preludes and fugues in all 24 major and minor keys for keyboard by Johann Sebastian Bach. In the composer's time, ''clavier'', meaning keyboard, referred to a variety of in ...
'' II, P. & F. No. 12 , F min. , Keyboard , data-sort-value="000.14: 138" , 14: 138 , data-sort-value="V/06 2: 069" , V/6.2: 69,
221 , , , - style="background: #E3F6CE;" , data-sort-value="0882.000" , 882 , data-sort-value="379.020" , 8. , data-sort-value="1740-12-31" , 1739–1742
1744 , data-sort-value="Well-Tempered Clavier II No. 13" , ''
Well-Tempered Clavier ''The Well-Tempered Clavier'', BWV 846–893, consists of two sets of preludes and fugues in all 24 major and minor keys for keyboard by Johann Sebastian Bach. In the composer's time, ''clavier'', meaning keyboard, referred to a variety of in ...
'' II, P. & F. No. 13 , F♯ maj. , Keyboard , data-sort-value="000.14: 142" , 14: 142 , data-sort-value="V/06 2: 076" , V/6.2: 76,
228 , →
K. 404a K is the eleventh letter of the Latin alphabet. K may also refer to: General uses * K (programming language), an array processing language developed by Arthur Whitney and commercialized by Kx Systems * K (cider), a British draft cider manufact ...
/3 , , - style="background: #E3F6CE;" , data-sort-value="0883.000" , 883 , data-sort-value="379.021" , 8. , data-sort-value="1740-12-31" , 1739–1742
1744 , data-sort-value="Well-Tempered Clavier II No. 14" , ''
Well-Tempered Clavier ''The Well-Tempered Clavier'', BWV 846–893, consists of two sets of preludes and fugues in all 24 major and minor keys for keyboard by Johann Sebastian Bach. In the composer's time, ''clavier'', meaning keyboard, referred to a variety of in ...
'' II, P. & F. No. 14 , F♯ min. , Keyboard , data-sort-value="000.14: 146" , 14: 146 , data-sort-value="V/06 2: 084" , V/6.2: 84,
236 , →
K. 404a K is the eleventh letter of the Latin alphabet. K may also refer to: General uses * K (programming language), an array processing language developed by Arthur Whitney and commercialized by Kx Systems * K (cider), a British draft cider manufact ...
/2 , , - style="background: #E3F6CE;" , data-sort-value="0884.000" , 884 , data-sort-value="379.022" , 8. , data-sort-value="1740-12-31" , 1739–1742
1744 , data-sort-value="Well-Tempered Clavier II No. 15" , ''
Well-Tempered Clavier ''The Well-Tempered Clavier'', BWV 846–893, consists of two sets of preludes and fugues in all 24 major and minor keys for keyboard by Johann Sebastian Bach. In the composer's time, ''clavier'', meaning keyboard, referred to a variety of in ...
'' II, P. & F. No. 15 , G maj. , Keyboard , data-sort-value="000.14: 150" , 14: 150 , data-sort-value="V/06 2: 090" , V/6.2: 90,
242, 350 , data-sort-value="after BWV 0902/2" , after
BWV 902 The (BWV; ; ) is a catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version of that second edition, known as BWV2a ...
/2 , , - style="background: #E3F6CE;" , data-sort-value="0885.000" , 885 , data-sort-value="379.023" , 8. , data-sort-value="1740-12-31" , 1739–1742
1744 , data-sort-value="Well-Tempered Clavier II No. 16" , ''
Well-Tempered Clavier ''The Well-Tempered Clavier'', BWV 846–893, consists of two sets of preludes and fugues in all 24 major and minor keys for keyboard by Johann Sebastian Bach. In the composer's time, ''clavier'', meaning keyboard, referred to a variety of in ...
'' II, P. & F. No. 16 , G min. , Keyboard , data-sort-value="000.14: 154" , 14: 154 , data-sort-value="V/06 2: 094" , V/6.2: 94,
246 , , , - style="background: #E3F6CE;" , data-sort-value="0886.000" , 886 , data-sort-value="379.024" , 8. , data-sort-value="1740-12-31" , 1739–1742
1744 , data-sort-value="Well-Tempered Clavier II No. 17" , ''
Well-Tempered Clavier ''The Well-Tempered Clavier'', BWV 846–893, consists of two sets of preludes and fugues in all 24 major and minor keys for keyboard by Johann Sebastian Bach. In the composer's time, ''clavier'', meaning keyboard, referred to a variety of in ...
'' II, P. & F. No. 17 , A♭ maj. , Keyboard , data-sort-value="000.14: 160" , 14: 160 , data-sort-value="V/06 2: 100" , V/6.2: 100,
108, 252 , data-sort-value="after BWV 0901/2" , after BWV 901/2 , , - style="background: #E3F6CE;" , data-sort-value="0887.000" , 887 , data-sort-value="379.025" , 8. , data-sort-value="1740-12-31" , 1739–1742
1744 , data-sort-value="Well-Tempered Clavier II No. 18" , ''
Well-Tempered Clavier ''The Well-Tempered Clavier'', BWV 846–893, consists of two sets of preludes and fugues in all 24 major and minor keys for keyboard by Johann Sebastian Bach. In the composer's time, ''clavier'', meaning keyboard, referred to a variety of in ...
'' II, P. & F. No. 18 , G♯ min. , Keyboard , data-sort-value="000.14: 166" , 14: 166 , data-sort-value="V/06 2: 112" , V/6.2: 112,
260 , , , - style="background: #E3F6CE;" , data-sort-value="0888.000" , 888 , data-sort-value="379.026" , 8. , data-sort-value="1740-12-31" , 1739–1742
1744 , data-sort-value="Well-Tempered Clavier II No. 19" , ''
Well-Tempered Clavier ''The Well-Tempered Clavier'', BWV 846–893, consists of two sets of preludes and fugues in all 24 major and minor keys for keyboard by Johann Sebastian Bach. In the composer's time, ''clavier'', meaning keyboard, referred to a variety of in ...
'' II, P. & F. No. 19 , A maj. , Keyboard , data-sort-value="000.14: 172" , 14: 172 , data-sort-value="V/06 2: 120" , V/6.2: 120,
268 , , , - style="background: #E3F6CE;" , data-sort-value="0889.000" , 889 , data-sort-value="379.027" , 8. , data-sort-value="1740-12-31" , 1739–1742
1744 , data-sort-value="Well-Tempered Clavier II No. 20" , ''
Well-Tempered Clavier ''The Well-Tempered Clavier'', BWV 846–893, consists of two sets of preludes and fugues in all 24 major and minor keys for keyboard by Johann Sebastian Bach. In the composer's time, ''clavier'', meaning keyboard, referred to a variety of in ...
'' II, P. & F. No. 20 , A min. , Keyboard , data-sort-value="000.14: 176" , 14: 176 , data-sort-value="V/06 2: 124" , V/6.2: 124,
272 , , , - style="background: #E3F6CE;" , data-sort-value="0890.000" , 890 , data-sort-value="379.028" , 8. , data-sort-value="1740-12-31" , 1739–1742
1744 , data-sort-value="Well-Tempered Clavier II No. 21" , ''
Well-Tempered Clavier ''The Well-Tempered Clavier'', BWV 846–893, consists of two sets of preludes and fugues in all 24 major and minor keys for keyboard by Johann Sebastian Bach. In the composer's time, ''clavier'', meaning keyboard, referred to a variety of in ...
'' II, P. & F. No. 21 , B♭ maj. , Keyboard , data-sort-value="000.14: 180" , 14: 180 , data-sort-value="V/06 2: 128" , V/6.2: 128,
276 , , , - style="background: #E3F6CE;" , data-sort-value="0891.000" , 891 , data-sort-value="379.029" , 8. , data-sort-value="1740-12-31" , 1739–1742
1744 , data-sort-value="Well-Tempered Clavier II No. 22" , ''
Well-Tempered Clavier ''The Well-Tempered Clavier'', BWV 846–893, consists of two sets of preludes and fugues in all 24 major and minor keys for keyboard by Johann Sebastian Bach. In the composer's time, ''clavier'', meaning keyboard, referred to a variety of in ...
'' II, P. & F. No. 22 , B♭ min. , Keyboard , data-sort-value="000.14: 186" , 14: 186 , data-sort-value="V/06 2: 134" , V/6.2: 134,
282 , , , - style="background: #E3F6CE;" , data-sort-value="0892.000" , 892 , data-sort-value="379.030" , 8. , data-sort-value="1740-12-31" , 1739–1742
1744 , data-sort-value="Well-Tempered Clavier II No. 23" , ''
Well-Tempered Clavier ''The Well-Tempered Clavier'', BWV 846–893, consists of two sets of preludes and fugues in all 24 major and minor keys for keyboard by Johann Sebastian Bach. In the composer's time, ''clavier'', meaning keyboard, referred to a variety of in ...
'' II, P. & F. No. 23 , B maj. , Keyboard , data-sort-value="000.14: 192" , 14: 192 , data-sort-value="V/06 2: 142" , V/6.2: 142,
290 , , , - style="background: #E3F6CE;" , data-sort-value="0893.000" , 893 , data-sort-value="379.031" , 8. , data-sort-value="1740-12-31" , 1739–1742
1744 , data-sort-value="Well-Tempered Clavier II No. 24" , ''
Well-Tempered Clavier ''The Well-Tempered Clavier'', BWV 846–893, consists of two sets of preludes and fugues in all 24 major and minor keys for keyboard by Johann Sebastian Bach. In the composer's time, ''clavier'', meaning keyboard, referred to a variety of in ...
'' II, P. & F. No. 24 , B min. , Keyboard , data-sort-value="000.14: 198" , 14: 198 , data-sort-value="V/06 2: 150" , V/6.2: 150,
298 , , , - id="BG14-91" style="background: #E3F6CE;" , data-sort-value="0870.000" , 870 , data-sort-value="379.032" , 8. , data-sort-value="1744-07-01" , 1744 , data-sort-value="Well-Tempered Clavier II No. 01 B" , ''
Well-Tempered Clavier ''The Well-Tempered Clavier'', BWV 846–893, consists of two sets of preludes and fugues in all 24 major and minor keys for keyboard by Johann Sebastian Bach. In the composer's time, ''clavier'', meaning keyboard, referred to a variety of in ...
'' II, P. & F. No. 1 (version B) , C maj. , Keyboard , data-sort-value="000.14: 091" , 14: 91 , data-sort-value="V/06 2: 156" , V/6.2: 156 , data-sort-value="after BWV 0870a" , after BWV 870a , , - style="background: #F6E3CE;" , data-sort-value="0894.000" , 894 , data-sort-value="383.002" , 8. , data-sort-value="1713-12-31" , 1710–1717 ( JTK) , Prelude and Fugue , A min. , Keyboard , data-sort-value="000.36: 091" , 36: 91 , data-sort-value="V/09 2: 040" , V/9.2: 40 , →
BWV 1044 The keyboard concertos, BWV 1052–1065, are concertos for harpsichord (or organ), strings and continuo by Johann Sebastian Bach. There are seven complete concertos for a single harpsichord (BWV 1052–1058), three concertos for two harpsicho ...
/1, /3; in SBB ''P 801'', ''P 804'' , , - style="background: #F6E3CE;" , data-sort-value="0895.000" , 895 , data-sort-value="383.003" , 8. , data-sort-value="1709-04-03" , 1709 ( JCB) , Prelude and Fugue , A min. , Keyboard , data-sort-value="000.36: 104" , 36: 104 , data-sort-value="V/09 2: 069" , V/9.2: 69 , in Yale ''LM 4982'' , , - style="background: #F5F6CE;" , data-sort-value="0896.000" , 896 , data-sort-value="384.001" , 8. , data-sort-value="1705-12-31" , 1704–1707 , Prelude and Fugue , A maj. , Keyboard , data-sort-value="000.36: 157" , 36: 157 , data-sort-value="V/09 2: 072" , V/9.2: 72 , in ''Möllersche Handschrift'' , , - style="background: #F6E3CE;" , data-sort-value="0870.A00" , 870a , data-sort-value="384.003" , 8. , data-sort-value="1726-07-01" , before 1727 , Prelude and Fughetta , C maj. , Keyboard , data-sort-value="000.36: 224" , 36: 224 , data-sort-value="V/06 2: 307" , V/6.2: 307,
310 , data-sort-value="→ BWV 0870" , →
BWV 870 Prelude and Fugue in C major, BWV 870, is a keyboard composition written by Johann Sebastian Bach. It is the first prelude and fugue in the second book of '' The Well-Tempered Clavier'', a series of 48 preludes and fugues in every major and ...
; in SBB ''P 804'', ''P 1089'' , , - style="background: #F6E3CE;" , data-sort-value="0899.000" , 899 , data-sort-value="384.004" , 8. , data-sort-value="1726-07-01" , before 1727 , Prelude and Fughetta , D min. , Keyboard , data-sort-value="000.36: 106" , 36: 106 , data-sort-value="V/06 2: 314" , V/6.2: 314
V/12: 24 , in SBB ''P 804'', ''P 1089'' , , - style="background: #F6E3CE;" , data-sort-value="0900.000" , 900 , data-sort-value="384.005" , 8. , data-sort-value="1726-07-01" , before 1727 , Prelude and Fughetta , E min. , Keyboard , data-sort-value="000.36: 108" , 36: 108 , data-sort-value="V/06 2: 318" , V/6.2
V/12 , in SBB ''P 804'', ''P 1089'' , , - style="background: #F6E3CE;" , data-sort-value="0901.000" , 901 , data-sort-value="384.006" , 8. , data-sort-value="1726-07-01" , before 1727 , Prelude and Fughetta , F maj. , Keyboard , data-sort-value="000.36: 112" , 36: 112 , data-sort-value="V/06 2: 324" , V/6.2: 324 , data-sort-value="→ BWV 0886/2" , → BWV 886/2; in SBB ''P 1089'' , , - style="background: #F6E3CE;" , data-sort-value="0902.000" , 902 , data-sort-value="384.007" , 8. , data-sort-value="1729-07-01" , 1729 , Prelude and Fughetta , G maj. , Keyboard , data-sort-value="000.36: 114" , 36: 114 , data-sort-value="V/06 2: 328" , V/6.2: 328 , data-sort-value="→ BWV 0884/2" , →
BWV 884 The (BWV; ; ) is a catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version of that second edition, known as BWV2a ...
/2; in SBB ''P 804'', ''P 1089'' , , - style="background: #F6E3CE;" , data-sort-value="0902.A01" , 902/1a , data-sort-value="384.008" , 8. , data-sort-value="1726-07-01" , before 1727 , Prelude (previous Prelude to BWV 902/2) , G maj. , Keyboard , data-sort-value="000.36: 220" , 36: 220 , data-sort-value="V/06 2: 334" , V/6.2: 334,
338 , data-sort-value="→ BWV 0884/2" , →
BWV 884 The (BWV; ; ) is a catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version of that second edition, known as BWV2a ...
/2; in SBB ''P 804'' , , - style="background: #F5F6CE;" , data-sort-value="0903.000" , 903 , data-sort-value="385.005" , 8. , , data-sort-value="Chromatic Fantasia and Fugue" , ''
Chromatic Fantasia and Fugue The ''Chromatic Fantasia and Fugue'' in D minor, , is a work for harpsichord by Johann Sebastian Bach. Bach probably composed it during his time in Köthen from 1717 to 1723. The piece was already regarded as a unique masterpiece during his li ...
'' , D min. , Keyboard , data-sort-value="000.36: 071" , 36: 71 , data-sort-value="V/09 2: 076" , V/9.2: 76 , data-sort-value="after BWV 0903a;" , after BWV 903a; in SBB ''P 803'', ''P 651'' , , - , data-sort-value="0903.A00" , 903a , data-sort-value="386.001" , 8. , ,
Fantasia Fantasia International Film Festival (also known as Fantasia-fest, FanTasia, and Fant-Asia) is a film festival that has been based mainly in Montreal since its founding in 1996. Regularly held in July of each year, it is valued by both hardcore ...
(early BWV 903/1) , D min. , Keyboard , data-sort-value="000.36: 219" , 36: 219 , data-sort-value="V/09 2: 090" , V/9.2: 90 , data-sort-value="→ BWV 0903/1" , → BWV 903/1; in D-DS ''Mus. ms. 69'' , , - style="background: #F6E3CE;" , data-sort-value="0904.000" , 904 , data-sort-value="386.002" , 8. , data-sort-value="1726-07-01" , before 1727 , Fantasia and Fugue , A min. , Keyboard , data-sort-value="000.36: 081" , 36: 81 , data-sort-value="V/09 2: 095" , V/9.2 , in SBB ''P 804'' , , - style="background: #E3F6CE;" , data-sort-value="0906.000" , 906 , data-sort-value="386.004" , 8. , data-sort-value="1738-07-01" , before 1729
1738 , Fantasia and Fugue (Fugue incomplete) , C min. , Keyboard , data-sort-value="000.36: 145" , 36: 145, 238 , data-sort-value="V/09 2: 110" , V/9.2: 110 , in US-BETbc, D-Dl ''Mus.2405-T-52'' , , - style="background: #E3F6CE;" , data-sort-value="0910.000" , 910 , data-sort-value="387.004" , 8. , data-sort-value="1710-07-01" , 1707–1713 , Toccata , F♯ min. , Kb (or) Org , data-sort-value="000.03: 311" , 3: 311 , data-sort-value="V/09 1: 001" , V/9.1: 1 , in ''Andreas-Bach-Buch'' , , - style="background: #F5F6CE;" , data-sort-value="0911.000" , 911 , data-sort-value="387.005" , 8. , data-sort-value="1710-07-01" , 1707–1713 , Toccata , C min. , Kb (or) Org , data-sort-value="000.03: 322" , 3: 322 , data-sort-value="V/09 1: 013" , V/9.1: 13 , in ''Andreas-Bach-Buch'' , , - style="background: #F6E3CE;" , data-sort-value="0912.000" , 912 , data-sort-value="388.001" , 8. , data-sort-value="1710-07-01" , 1707–1713 , Toccata , D maj. , Kb (or) Org , data-sort-value="000.36: 026" , 36: 26 , data-sort-value="V/09 1: 038" , V/9.1: 38 , data-sort-value="after BWV 0912a" , after BWV 912a; ↔
BWV 532 Johann Sebastian Bach's Prelude and Fugue in D major, BWV 532.2 (previously 532), is a prelude and fugue written for the organ , and has an approximate duration of minutes. BWV 532.1 (previously 532/2a) is an earlier version of the Fug ...
/1 , , - style="background: #F5F6CE;" , data-sort-value="0912.A00" , 912a , data-sort-value="388.002" , 8. , data-sort-value="1710-07-01" , 1704–1707 , Toccata , D maj. , Kb (or) Org , data-sort-value="000.36: 218" , 36: 218 , data-sort-value="V/09 1: 026" , V/9.1: 26 , data-sort-value="→ BWV 0912" , → BWV 912; in ''Möllersche Handschrift'' , , - style="background: #E3F6CE;" , data-sort-value="0913.000" , 913 , data-sort-value="388.003" , 8. , data-sort-value="1708-07-01" , 1707–1709 , Toccata , D min. , Kb (or) Org , data-sort-value="000.36: 036" , 36: 36 , data-sort-value="V/09 1: 050" , V/9.1: 50, 63 , data-sort-value="after BWV 0913a" , after BWV 913a , , - , data-sort-value="0913.A00" , 913a , data-sort-value="388.004" , 8. , , Toccata , D min. , Kb (or) Org , , data-sort-value="V/09 1: 052" , V/9.1: 52 , data-sort-value="→ BWV 0913" , → BWV 913; publ. 1801 , , - style="background: #E3F6CE;" , data-sort-value="0914.000" , 914 , data-sort-value="389.001" , 8. , data-sort-value="1708-07-01" , 1707–1709 , Toccata , E min. , Kb (or) Org , data-sort-value="000.36: 047" , 36: 47 , data-sort-value="V/09 1: 078" , V/9.1: 78 , , , - , data-sort-value="0915.000" , 915 , data-sort-value="389.002" , 8. , data-sort-value="1708-07-01" , 1707–1709 , Toccata , G min. , Kb (or) Org , data-sort-value="000.36: 054" , 36: 54 , data-sort-value="V/09 1: 087" , V/9.1: 87 , , , - style="background: #F5F6CE;" , data-sort-value="0916.000" , 916 , data-sort-value="390.001" , 8. , data-sort-value="1710-07-01" , 1707–1713 , Toccata , G maj. , Kb (or) Org , data-sort-value="000.36: 063" , 36: 63 , data-sort-value="V/09 1: 100" , V/9.1: 100 , in ''Andreas-Bach-Buch'' , , - style="background: #F5F6CE;" , data-sort-value="0917.000" , 917 , data-sort-value="390.002" , 8. , data-sort-value="1705-12-31" , 1704–1707 , Fantasia , G min. , Keyboard , data-sort-value="000.36: 143" , 36: 143 , data-sort-value="V/09 2: 014" , V/9.1: 14, 16 , in ''Möllersche Handschrift'' , , - style="background: #F6E3CE;" , data-sort-value="0918.000" , 918 , data-sort-value="390.003" , 8. , , Fantasia on a Rondo , C min. , Keyboard , data-sort-value="000.36: 148" , 36: 148 , data-sort-value="V/09 2: 018" , V/9.1: 14, 18 , , , - style="background: #E3F6CE;" , data-sort-value="0921.000" , 921 , data-sort-value="390.006" , 8. , data-sort-value="1710-07-01" , 1707–1713 , Prelude , C min. , Keyboard , data-sort-value="000.36: 136" , 36: 136 , data-sort-value="V/09 2: 024" , V/9.1: 24 , in ''Andreas-Bach-Buch'' , , - style="background: #F6E3CE;" , data-sort-value="0922.000" , 922 , data-sort-value="391.002" , 8. , data-sort-value="1712-07-01" , 1710–1714 ( JTK) , Prelude (Fantasia) , A min. , Keyboard , data-sort-value="000.36: 138" , 36: 138 , data-sort-value="V/09 2: 027" , V/9.2: 27, 34 , in SBB ''P 803'' , , - , data-sort-value="0923.000" , 923 , data-sort-value="391.003" , 8. , data-sort-value="1723-07-01" , 1723? , Prelude , B min. , Keyboard , data-sort-value="000.42: 211" , 42: 211 , data-sort-value="V/09 2: 116" , V/9.2: 116 , by Pachelbel, W. H.?; → BWV 923a; in SBB ''P 401'' , , - id="12LP" style="background: #E3F6CE;" , data-sort-value="0924.000" , 924 , data-sort-value="391.006" , 8. , data-sort-value="1720-07-01" , 1720 , data-sort-value="Little Preludex12 No. 01" , ''
Twelve Little Preludes ''Twelve Little Preludes'' ( French: ''Douze petits Préludes''; German: '), BWV 924–930, 939–942 and 999, is a 19th-century compilation of short pieces, collected from various 18th-century manuscripts written by Johann Sebastian Bach an ...
'' No. 1: Preambulum ( WFB No. 2) , C maj. , Keyboard , data-sort-value="000.36: 118" , 36: 118
451: 214 , data-sort-value="V/05: 004u" , V/5: 4 , data-sort-value="→ BWV 0924a" , → BWV 924a , , - style="background: #F5F6CE;" , data-sort-value="0924.A00" , 924a , data-sort-value="391.007" , 8. , data-sort-value="1723-07-01" , 1720–1726 , data-sort-value="Little Preludex12 No. 01a" , ''
Twelve Little Preludes ''Twelve Little Preludes'' ( French: ''Douze petits Préludes''; German: '), BWV 924–930, 939–942 and 999, is a 19th-century compilation of short pieces, collected from various 18th-century manuscripts written by Johann Sebastian Bach an ...
'' No. 1a: Preludium ex c ( WFB No. 26) , C maj. , Keyboard , data-sort-value="000.36: 221" , 36: 221
451: 220 , data-sort-value="V/05: 041" , V/5: 41 , data-sort-value="after BWV 0924;" , after BWV 924; BR A44 F(add) 206 , , - style="background: #F5F6CE;" , data-sort-value="0925.000" , 925 , data-sort-value="391.008" , 8. , data-sort-value="1723-07-01" , 1720–1726 , data-sort-value="Little Preludex12 No. 04" , ''
Twelve Little Preludes ''Twelve Little Preludes'' ( French: ''Douze petits Préludes''; German: '), BWV 924–930, 939–942 and 999, is a 19th-century compilation of short pieces, collected from various 18th-century manuscripts written by Johann Sebastian Bach an ...
'' No. 4: Preludium ex d ( WFB No. 27) , D maj. , Keyboard , data-sort-value="000.36: 121" , 36: 121
451: 220 , data-sort-value="V/05: 042" , V/5: 42 , BR A45 F(add) 206 , , - style="background: #E3F6CE;" , data-sort-value="0926.000" , 926 , data-sort-value="391.009" , 8. , data-sort-value="1720-07-01" , 1720 , data-sort-value="Little Preludex12 No. 05" , ''
Twelve Little Preludes ''Twelve Little Preludes'' ( French: ''Douze petits Préludes''; German: '), BWV 924–930, 939–942 and 999, is a 19th-century compilation of short pieces, collected from various 18th-century manuscripts written by Johann Sebastian Bach an ...
'' No. 5: Preludium ( WFB No. 4) , D min. , Keyboard , data-sort-value="000.36: 122" , 36: 122
451: 214 , data-sort-value="V/05: 006" , V/5: 6 , , , - style="background: #F5F6CE;" , data-sort-value="0927.000" , 927 , data-sort-value="391.010" , 8. , data-sort-value="1723-07-01" , 1720–1726 , data-sort-value="Little Preludex12 No. 08" , ''
Twelve Little Preludes ''Twelve Little Preludes'' ( French: ''Douze petits Préludes''; German: '), BWV 924–930, 939–942 and 999, is a 19th-century compilation of short pieces, collected from various 18th-century manuscripts written by Johann Sebastian Bach an ...
'' No. 8: Preambulum ( WFB No. 8) , F maj. , Keyboard , data-sort-value="000.36: 124" , 36: 124
451: 215 , data-sort-value="V/05: 010u" , V/5: 10 , , , - style="background: #E3F6CE;" , data-sort-value="0928.000" , 928 , data-sort-value="391.011" , 8. , data-sort-value="1723-07-01" , 1720–1726 , data-sort-value="Little Preludex12 No. 09" , ''
Twelve Little Preludes ''Twelve Little Preludes'' ( French: ''Douze petits Préludes''; German: '), BWV 924–930, 939–942 and 999, is a 19th-century compilation of short pieces, collected from various 18th-century manuscripts written by Johann Sebastian Bach an ...
'' No. 9: Preludium ( WFB No. 10) , F maj. , Keyboard , data-sort-value="000.36: 125" , 36: 124
451: 215 , data-sort-value="V/05: 014" , V/5: 14 , , , - style="background: #E3F6CE;" , data-sort-value="0929.000" , 929 , data-sort-value="391.012" , 8. , data-sort-value="1723-07-01" , 1720–1726 , data-sort-value="Little Preludex12 No. 10" , ''
Twelve Little Preludes ''Twelve Little Preludes'' ( French: ''Douze petits Préludes''; German: '), BWV 924–930, 939–942 and 999, is a 19th-century compilation of short pieces, collected from various 18th-century manuscripts written by Johann Sebastian Bach an ...
'' No. 10: Trio for a Minuet by Stölzel ( WFB No. 48e) , G min. , Keyboard , data-sort-value="000.36: 126" , 36: 126
451: 226 , data-sort-value="V/05: 089" , V/5: 89 , → BWV 814a , , - style="background: #E3F6CE;" , data-sort-value="0930.000" , 930 , data-sort-value="391.013" , 8. , data-sort-value="1723-07-01" , 1720–1726 , data-sort-value="Little Preludex12 No. 11" , ''
Twelve Little Preludes ''Twelve Little Preludes'' ( French: ''Douze petits Préludes''; German: '), BWV 924–930, 939–942 and 999, is a 19th-century compilation of short pieces, collected from various 18th-century manuscripts written by Johann Sebastian Bach an ...
'' No. 11: Preambulum ( WFB No. 9) , G min. , Keyboard , data-sort-value="000.36: 126" , 36: 126
451: 215 , data-sort-value="V/05: 012" , V/5: 12 , , , - style="background: #F5F6CE;" , data-sort-value="0931.000" , 931 , data-sort-value="391.014" , 8. , data-sort-value="1723-07-01" , 1720–1726 , Preludium, Klavierbüchlein WFB No. 29 , A min. , Keyboard , data-sort-value="000.36: 237" , 36: 237
451: 220 , data-sort-value="V/05: 045" , V/5: 45 , BR A47 F(add) 206 , , - style="background: #F5F6CE;" , data-sort-value="0932.000" , 932 , data-sort-value="391.015" , 8. , data-sort-value="1723-07-01" , 1720–1726 , Preludium ex e, Klavierbüchlein WFB No. 28 (incomplete) , E min. , Keyboard , data-sort-value="000.36: 237u" , 36: 237
451: 220 , data-sort-value="V/05: 044" , V/5: 44 , BR A46 F(add) 206 , , - , data-sort-value="0933.000" , 933 , data-sort-value="392.012" , 8. , data-sort-value="1720-07-01" , 1717–1723? , data-sort-value="Little Preludex06 No. 1" , Six Little Preludes No. 1 , C maj. , Keyboard , data-sort-value="000.36: 128" , 36: 128 , data-sort-value="V/09 2: 003" , V/9.2: 3 , data-sort-value="in SBB P 542" , in SBB ''P 542'', ''P 885'' , , - , data-sort-value="0934.000" , 934 , data-sort-value="392.013" , 8. , data-sort-value="1720-07-01" , 1717–1723? , data-sort-value="Little Preludex06 No. 2" , Six Little Preludes No. 2 , C min. , Keyboard , data-sort-value="000.36: 129" , 36: 128 , data-sort-value="V/09 2: 004" , V/9.2: 4 , data-sort-value="in SBB P 542" , in SBB ''P 542'', ''P 885'' , , - , data-sort-value="0935.000" , 935 , data-sort-value="392.014" , 8. , data-sort-value="1720-07-01" , 1717–1723? , data-sort-value="Little Preludex06 No. 3" , Six Little Preludes No. 3 , D min. , Keyboard , data-sort-value="000.36: 130" , 36: 130 , data-sort-value="V/09 2: 005" , V/9.2: 5 , data-sort-value="in SBB P 542" , in SBB ''P 542'', ''P 885'' , , - , data-sort-value="0936.000" , 936 , data-sort-value="392.015" , 8. , data-sort-value="1720-07-01" , 1717–1723? , data-sort-value="Little Preludex06 No. 4" , Six Little Preludes No. 4 , D maj. , Keyboard , data-sort-value="000.36: 131" , 36: 131 , data-sort-value="V/09 2: 006" , V/9.2: 6 , data-sort-value="in SBB P 542" , in SBB ''P 542'', ''P 885'' , , - , data-sort-value="0937.000" , 937 , data-sort-value="392.016" , 8. , data-sort-value="1720-07-01" , 1717–1723? , data-sort-value="Little Preludex06 No. 5" , Six Little Preludes No. 5 , E maj. , Keyboard , data-sort-value="000.36: 132" , 36: 132 , data-sort-value="V/09 2: 008" , V/9.2: 8 , data-sort-value="in SBB P 542" , in SBB ''P 542'', ''P 885'' , , - , data-sort-value="0938.000" , 938 , data-sort-value="392.017" , 8. , data-sort-value="1720-07-01" , 1717–1723? , data-sort-value="Little Preludex06 No. 6" , Six Little Preludes No. 6 , E min. , Keyboard , data-sort-value="000.36: 133" , 36: 133 , data-sort-value="V/09 2: 010" , V/9.2: 10 , data-sort-value="in SBB P 542" , in SBB ''P 542'', ''P 885'' , , - , data-sort-value="0939.000" , 939 , data-sort-value="393.002" , 8. , data-sort-value="1726-12-31" , 1726–1727 , data-sort-value="Little Preludex05 No. 1" , Five Little Preludes No. 1 (='' 12 L. P.'' No. 2) , C maj. , Keyboard , data-sort-value="000.36: 119" , 36: 119 , data-sort-value="V/12: 050" , V/12: 50 , by Bach?; in SBB ''P 804'' , , - , data-sort-value="0940.000" , 940 , data-sort-value="393.003" , 8. , data-sort-value="1726-12-31" , 1726–1727 , data-sort-value="Little Preludex05 No. 2" , Five Little Preludes No. 2 (='' 12 L. P.'' No. 6) , D min. , Keyboard , data-sort-value="000.36: 123" , 36: 123 , data-sort-value="V/12: 050u" , V/12: 50 , by Bach?; in SBB ''P 804'' , , - , data-sort-value="0941.000" , 941 , data-sort-value="393.004" , 8. , data-sort-value="1726-12-31" , 1726–1727 , data-sort-value="Little Preludex05 No. 3" , Five Little Preludes No. 3 (='' 12 L. P.'' No. 7) , E min. , Keyboard , data-sort-value="000.36: 123u" , 36: 123 , data-sort-value="V/12: 051" , V/12: 51 , by Bach?; in SBB ''P 804'' , , - , data-sort-value="0942.000" , 942 , data-sort-value="393.005" , 8. , data-sort-value="1726-12-31" , 1726–1727 , data-sort-value="Little Preludex05 No. 4" , Five Little Preludes No. 4 (='' 12 L. P.'' No. 12) , A min. , Keyboard , data-sort-value="000.36: 127" , 36: 127 , data-sort-value="V/12: 052" , V/12: 52 , by Bach?; in SBB ''P 804'' , , - style="background: #F6E3CE;" , data-sort-value="0943.000" , 943 , data-sort-value="393.006" , 8. , data-sort-value="1726-07-01" , 1725–1727 , data-sort-value="Little Preludex05 No. 5" , Five Little Preludes No. 5 , C maj. , Org (Kb?) , data-sort-value="000.36: 134" , 36: 134 , data-sort-value="V/12: 053" , V/12: 53 , in SBB ''P 804'' , , - style="background: #F5F6CE;" , data-sort-value="0944.000" , 944 , data-sort-value="393.007" , 8. , data-sort-value="1710-07-01" , 1707–1713 , Fantasia and Fugue , A min. , Keyboard , data-sort-value="000.03: 334" , 3: 334 , data-sort-value="V/09 2: 133" , V/9.2: 133 , in ''Andreas-Bach-Buch'' , , - , data-sort-value="0946.000" , 946 , data-sort-value="393.009" , 8. , data-sort-value="1709-12-31" , early work? , Fugue on a theme by Albinoni , C maj. , Keyboard , data-sort-value="000.36: 159" , 36: 159 , data-sort-value="V/09 2: 153" , V/9.2: 153 , after
Albinoni Tomaso Giovanni Albinoni (8 June 1671 – 17 January 1751) was an Italian composer of the Baroque era. His output includes operas, concertos, sonatas for one to six instruments, sinfonias, and solo cantatas. While famous in his day as an opera comp ...
, Op. 1, No. 12/4 (theme) , , - style="background: #F6E3CE;" , data-sort-value="0947.000" , 947 , data-sort-value="394.002" , 8. , data-sort-value="1709-12-31" , early work? , Fugue , A min. , Keyboard , data-sort-value="000.36: 161" , 36: 161 , data-sort-value="V/12: 055" , V/12: 55 , by Bach? , , - , data-sort-value="0948.000" , 948 , data-sort-value="394.003" , 8. , data-sort-value="1709-12-31" , early work? , Fugue , D min. , Keyboard , data-sort-value="000.36: 164" , 36: 164 , data-sort-value="V/09 2: 156" , V/9.2: 156 , in D-B N. ''Mus. ms. 10580'' , , - style="background: #F5F6CE;" , data-sort-value="0949.000" , 949 , data-sort-value="394.004" , 8. , data-sort-value="1710-07-01" , 1707–1713 , Fugue , A maj. , Keyboard , data-sort-value="000.36: 169" , 36: 169 , data-sort-value="V/09 2: 163" , V/9.2: 163 , after
Albinoni Tomaso Giovanni Albinoni (8 June 1671 – 17 January 1751) was an Italian composer of the Baroque era. His output includes operas, concertos, sonatas for one to six instruments, sinfonias, and solo cantatas. While famous in his day as an opera comp ...
(theme)?; in ''Andreas-Bach-Buch'' , , - style="background: #F6E3CE;" , data-sort-value="0950.000" , 950 , data-sort-value="394.005" , 8. , data-sort-value="1724-07-01" , before 1725 , Fugue on a theme by Albinoni , A maj.
G maj. , Keyboard , data-sort-value="000.36: 173" , 36: 173 , data-sort-value="V/09 2: 168" , V/9.2: 168 , after
Albinoni Tomaso Giovanni Albinoni (8 June 1671 – 17 January 1751) was an Italian composer of the Baroque era. His output includes operas, concertos, sonatas for one to six instruments, sinfonias, and solo cantatas. While famous in his day as an opera comp ...
(theme); in SBB ''P 804'' , , - style="background: #F6E3CE;" , data-sort-value="0951.000" , 951 , data-sort-value="395.001" , 8. , data-sort-value="1715-12-31" , 1714–1717 , Fugue on a theme by Albinoni , B min. , Keyboard , data-sort-value="000.36: 178" , 36: 178 , data-sort-value="V/09 2: 118" , V/9.2: 118 , data-sort-value="after BWV 0951a;" , after
BWV 951a The (BWV; ; ) is a Catalogues of classical compositions, catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version o ...
; in SBB ''P 801'' , , - style="background: #F5F6CE;" , data-sort-value="0951.A00" , 951a , data-sort-value="395.002" , 8. , data-sort-value="1715-12-31" , 1714–1717 , Fugue on a theme by Albinoni (early version) , B min. , Keyboard , data-sort-value="000.36: 221" , 36: 221 , data-sort-value="V/09 2: 127" , V/9.2: 127 , after
Albinoni Tomaso Giovanni Albinoni (8 June 1671 – 17 January 1751) was an Italian composer of the Baroque era. His output includes operas, concertos, sonatas for one to six instruments, sinfonias, and solo cantatas. While famous in his day as an opera comp ...
(theme); → BWV 951; in D-LEm ''Poel. mus. Ms. 9'' , , - , data-sort-value="0952.000" , 952 , data-sort-value="395.003" , 8. , , Fugue , C maj. , Keyboard , data-sort-value="000.36: 184" , 36: 184 , data-sort-value="V/09 2: 176" , V/9.2: 176 , , , - style="background: #E3F6CE;" , data-sort-value="0953.000" , 953 , data-sort-value="395.004" , 8. , data-sort-value="1723-07-01" , 1720–1726 , Fugue a 3, Klavierbüchlein WFB No. 31 , C maj. , Keyboard , data-sort-value="000.36: 186" , 36: 186
451: 220 , data-sort-value="V/05: 046" , V/5: 46 , , , - , data-sort-value="0954.000" , 954 , data-sort-value="396.001" , 8. , data-sort-value="1709-12-31" , early work? , Fugue on a theme by Reincken , B♭ maj. , Keyboard , data-sort-value="000.42: 050" , 42: 50 , V/11: 200 , after Reincken, ''
Hortus Musicus Hortus Musicus is an Estonian ensemble that was established in 1972 by Andres Mustonen, a violin student of the Tallinn State Conservatory. Hortus Musicus specialises in performing early music, including 8th–15th-century European forms such ...
'' No. 2/2 (theme) , , - style="background: #F6E3CE;" , data-sort-value="0955.000" , 955 , data-sort-value="396.002" , 8. , data-sort-value="1709-12-31" , early work , Fugue , B♭ maj. , Keyboard , data-sort-value="000.42: 055" , 42: 55 , data-sort-value="V/12: 060" , V/12: 60 , data-sort-value="after BWV 0955a;" , after BWV 955a; in SBB ''P 425'', ''P 804'' , , - style="background: #F6E3CE;" , data-sort-value="0955.A00" , 955a , data-sort-value="396.003" , 8. , data-sort-value="1709-12-31" , early work , Fugue , B♭ maj. , Organ , data-sort-value="000.42: 298" , 42: 298 , data-sort-value="V/12: 065" , V/12: 65 , by Erselius?; → BWV 955; in SBB ''P 247'', ''P 595'' , , - , data-sort-value="0959.000" , 959 , data-sort-value="396.007" , 8. , , Fugue , A min. , Keyboard , data-sort-value="000.42: 208" , 42: 208 , data-sort-value="V/09 2: 178" , V/9.2: 178 , by Bach? , , - , data-sort-value="0961.000" , 961 , data-sort-value="397.003" , 8. , data-sort-value="1729-12-31" , ? , Fughetta , C min. , Keyboard , data-sort-value="000.36: 154" , 36: 154 , data-sort-value="V/09 2: 182" , V/9.2: 182 , in SBB ''P 823'' , , - style="background: #F6E3CE;" , data-sort-value="0963.000" , 963 , data-sort-value="397.005" , 8. , data-sort-value="1709-12-31" , early work , Sonata for keyboard , D maj. , Keyboard , data-sort-value="000.36: 019" , 36: 19 , data-sort-value="V/10: 032" , V/10: 32 , in SBB ''P 804'' , , - style="background: #F6E3CE;" , data-sort-value="0965.000" , 965 , data-sort-value="398.002" , 8. , data-sort-value="1715-12-31" , 1714–1717
or earlier , Sonata for keyboard after Reincken , A min. , Keyboard , data-sort-value="000.42: 029" , 42: 29 , V/11: 173 , after Reincken, ''
Hortus Musicus Hortus Musicus is an Estonian ensemble that was established in 1972 by Andres Mustonen, a violin student of the Tallinn State Conservatory. Hortus Musicus specialises in performing early music, including 8th–15th-century European forms such ...
'' No. 1/1–/5; in SBB ''P 803'' , , - style="background: #F6E3CE;" , data-sort-value="0966.000" , 966 , data-sort-value="398.003" , 8. , data-sort-value="1715-12-31" , 1714–1717
or earlier , Sonata for keyboard after Reincken , A min. , Keyboard , data-sort-value="000.42: 042" , 42: 42 , V/11: 188 , after Reincken, ''
Hortus Musicus Hortus Musicus is an Estonian ensemble that was established in 1972 by Andres Mustonen, a violin student of the Tallinn State Conservatory. Hortus Musicus specialises in performing early music, including 8th–15th-century European forms such ...
'' No. 3/1–/5; in SBB ''P 803'' , , - style="background: #F6E3CE;" , data-sort-value="0967.000" , 967 , data-sort-value="399.001" , 8. , data-sort-value="1705-12-31" , 1704–1707 , Sonata transcription, 1st movement , A min. , Keyboard , data-sort-value="000.45 1: 168" , 451: 168 , data-sort-value="V/09 2: 184" , V/9.2: 184 , in SBB ''P 804'' , , - id="NBA V-2" style="background: #E3F6CE;" , data-sort-value="0971.000" , 971 , data-sort-value="399.005" , 8. , data-sort-value="1734-07-01" , 1733–1735 , ''
Italian Concerto The ''Italian Concerto'', BWV 971, originally titled ''Concerto nach Italiænischen Gusto'' (''Concerto in the Italian taste''), is a three-movement concerto for two- manual harpsichord solo composed by Johann Sebastian Bach and published in 17 ...
'' (''
Clavier-Übung II Johann Sebastian Bach's ''Clavier-Übung II'' was published in 1735, containing two works written for performance on a two- manual harpsichord. In the publication, Bach contrasted a work in Italian style – a '' Concerto nach Italienischem Gu ...
'' No. 1) , F maj. , Harpsichord , data-sort-value="000.03: 139" , 3: 139 , data-sort-value="V/02: 002" , V/2: 2 , , , - style="background: #F6E3CE;" , data-sort-value="0972.000" , 972 , data-sort-value="400.001" , 8. , data-sort-value="1714-01-15" , July 1713–
July 1714 , data-sort-value="Concerto for solo keyboard 01" , Concerto for solo keyboard (1/16) , D maj. , Keyboard , data-sort-value="000.42: 059" , 42: 59 , data-sort-value="V/11: 003" , V/11: 3 , data-sort-value="after Vivaldi, Op. 3 No. 09" , after
Vivaldi Antonio Lucio Vivaldi (4 March 1678 – 28 July 1741) was an Italian composer, virtuoso violinist and impresario of Baroque music. Regarded as one of the greatest Baroque composers, Vivaldi's influence during his lifetime was widespread a ...
, Op. 3 No. 9 , , - , data-sort-value="0972.A00" , 972a , data-sort-value="400.002" , 8. , data-sort-value="1714-01-15" , July 1713–
July 1714 , data-sort-value="Concerto for solo keyboard 01a" , Concerto for solo keyboard (1/16), early version , D maj. , Keyboard , , V/11: 161 , data-sort-value="after Vivaldi, Op. 3 No. 09" , after
Vivaldi Antonio Lucio Vivaldi (4 March 1678 – 28 July 1741) was an Italian composer, virtuoso violinist and impresario of Baroque music. Regarded as one of the greatest Baroque composers, Vivaldi's influence during his lifetime was widespread a ...
, Op. 3 No. 9 , , - style="background: #F6E3CE;" , data-sort-value="0973.000" , 973 , data-sort-value="400.003" , 8. , data-sort-value="1714-01-15" , July 1713–
July 1714 , data-sort-value="Concerto for solo keyboard 02" , Concerto for solo keyboard (2/16) , G maj. , Keyboard , data-sort-value="000.42: 059" , 42: 59 , data-sort-value="V/11: 012" , V/11: 12 , data-sort-value="after Vivaldi, Op. 7 No. 08" , after
Vivaldi Antonio Lucio Vivaldi (4 March 1678 – 28 July 1741) was an Italian composer, virtuoso violinist and impresario of Baroque music. Regarded as one of the greatest Baroque composers, Vivaldi's influence during his lifetime was widespread a ...
, Op. 7 No. 8 , , - style="background: #F6E3CE;" , data-sort-value="0974.000" , 974 , data-sort-value="400.004" , 8. , data-sort-value="1714-01-15" , July 1713–
July 1714 , data-sort-value="Concerto for solo keyboard 03" , Concerto for solo keyboard (3/16) , D min. , Keyboard , data-sort-value="000.42: 059" , 42: 59 , data-sort-value="V/11: 020" , V/11: 20 , after Marcello, A.,
Oboe Concerto A number of concertos (as well as non-concerto works) have been written for the oboe, both as a solo instrument as well as in conjunction with other solo instrument(s), and accompanied by string orchestra, chamber orchestra, full orchestra, concert ...
, , - style="background: #F6E3CE;" , data-sort-value="0975.000" , 975 , data-sort-value="400.005" , 8. , data-sort-value="1714-01-15" , July 1713–
July 1714 , data-sort-value="Concerto for solo keyboard 04" , Concerto for solo keyboard (4/16) , G min. , Keyboard , data-sort-value="000.42: 059" , 42: 59 , data-sort-value="V/11: 030" , V/11: 30 , data-sort-value="after Vivaldi, Op. 4 No. 06" , after
Vivaldi Antonio Lucio Vivaldi (4 March 1678 – 28 July 1741) was an Italian composer, virtuoso violinist and impresario of Baroque music. Regarded as one of the greatest Baroque composers, Vivaldi's influence during his lifetime was widespread a ...
, Op. 4 No. 6 , , - style="background: #F6E3CE;" , data-sort-value="0976.000" , 976 , data-sort-value="400.006" , 8. , data-sort-value="1714-01-15" , July 1713–
July 1714 , data-sort-value="Concerto for solo keyboard 05" , Concerto for solo keyboard (5/16) , C maj. , Keyboard , data-sort-value="000.42: 059" , 42: 59 , data-sort-value="V/11: 039" , V/11: 39 , after
Vivaldi Antonio Lucio Vivaldi (4 March 1678 – 28 July 1741) was an Italian composer, virtuoso violinist and impresario of Baroque music. Regarded as one of the greatest Baroque composers, Vivaldi's influence during his lifetime was widespread a ...
, Op. 3 No. 12 , , - style="background: #F6E3CE;" , data-sort-value="0977.000" , 977 , data-sort-value="400.007" , 8. , data-sort-value="1714-01-15" , July 1713–
July 1714 , data-sort-value="Concerto for solo keyboard 06" , Concerto for solo keyboard (6/16) , C maj. , Keyboard , data-sort-value="000.42: 059" , 42: 59 , data-sort-value="V/11: 050" , V/11: 50 , after unknown model , , - id="after Vivaldi" style="background: #F6E3CE;" , data-sort-value="0978.000" , 978 , data-sort-value="400.008" , 8. , data-sort-value="1714-01-15" , July 1713–
July 1714 , data-sort-value="Concerto for solo keyboard 07" , Concerto for solo keyboard (7/16) , F maj. , Keyboard , data-sort-value="000.42: 059" , 42: 59 , data-sort-value="V/11: 056" , V/11: 56 , data-sort-value="after Vivaldi, Op. 3 No. 03" , after
Vivaldi Antonio Lucio Vivaldi (4 March 1678 – 28 July 1741) was an Italian composer, virtuoso violinist and impresario of Baroque music. Regarded as one of the greatest Baroque composers, Vivaldi's influence during his lifetime was widespread a ...
, Op. 3 No. 3 (RV 310) , , - style="background: #F6E3CE;" , data-sort-value="0979.000" , 979 , data-sort-value="400.009" , 8. , data-sort-value="1714-01-15" , July 1713–
July 1714 , data-sort-value="Concerto for solo keyboard 08" , Concerto for solo keyboard (8/16) , B min. , Keyboard , data-sort-value="000.42: 059" , 42: 59 , data-sort-value="V/11: 064" , V/11: 64 , after
Vivaldi Antonio Lucio Vivaldi (4 March 1678 – 28 July 1741) was an Italian composer, virtuoso violinist and impresario of Baroque music. Regarded as one of the greatest Baroque composers, Vivaldi's influence during his lifetime was widespread a ...
, RV 813 (previously:
Torelli Torelli may refer to: People * Achille Torelli (1841–1922), Italian playwright *Alec Torelli (born 1987), American professional poker player *Bernard Torelli (1955–2016), French guitarist and audio engineer *Cesare Torelli (died 1615), Italian ...
) , , - style="background: #F6E3CE;" , data-sort-value="0980.000" , 980 , data-sort-value="400.010" , 8. , data-sort-value="1714-01-15" , July 1713–
July 1714 , data-sort-value="Concerto for solo keyboard 09" , Concerto for solo keyboard (9/16) , G maj. , Keyboard , data-sort-value="000.42: 059" , 42: 59 , data-sort-value="V/11: 079" , V/11: 79 , data-sort-value="after Vivaldi, Op. 4 No. 01" , after
Vivaldi Antonio Lucio Vivaldi (4 March 1678 – 28 July 1741) was an Italian composer, virtuoso violinist and impresario of Baroque music. Regarded as one of the greatest Baroque composers, Vivaldi's influence during his lifetime was widespread a ...
, Op. 4 No. 1 (RV 381) , , - style="background: #F6E3CE;" , data-sort-value="0981.000" , 981 , data-sort-value="400.011" , 8. , data-sort-value="1714-01-15" , July 1713–
July 1714 , data-sort-value="Concerto for solo keyboard 10" , Concerto for solo keyboard (10/16) , C min. , Keyboard , data-sort-value="000.42: 059" , 42: 59 , data-sort-value="V/11: 090" , V/11: 90 , after Marcello, B., Op. 1 No. 2 , , - style="background: #F6E3CE;" , data-sort-value="0982.000" , 982 , data-sort-value="400.012" , 8. , data-sort-value="1714-01-15" , July 1713–
July 1714 , data-sort-value="Concerto for solo keyboard 11" , Concerto for solo keyboard (11/16) , B♭ maj. , Keyboard , data-sort-value="000.42: 059" , 42: 59 , V/11: 100 , after J. E. of Saxe-Weimar, Op. 1 No. 1 , , - style="background: #F6E3CE;" , data-sort-value="0983.000" , 983 , data-sort-value="400.013" , 8. , data-sort-value="1714-01-15" , July 1713–
July 1714 , data-sort-value="Concerto for solo keyboard 12" , Concerto for solo keyboard (12/16) , G min. , Keyboard , data-sort-value="000.42: 059" , 42: 59 , V/11: 110 , after unknown model , , - , data-sort-value="0984.000" , 984 , data-sort-value="400.014" , 8. , data-sort-value="1714-01-15" , July 1713–
July 1714 , data-sort-value="Concerto for solo keyboard 13" , Concerto for solo keyboard (13/16) , C maj. , Keyboard , data-sort-value="000.42: 059" , 42: 59 , V/11: 118 , after J. E. of Saxe-Weimar, lost Concerto; → BWV 595 , , - , data-sort-value="0985.000" , 985 , data-sort-value="400.015" , 8. , data-sort-value="1714-01-15" , July 1713–
July 1714 , data-sort-value="Concerto for solo keyboard 14" , Concerto for solo keyboard (14/16) , G min. , Keyboard , data-sort-value="000.42: 059" , 42: 59 , V/11: 128 , after
Telemann Georg Philipp Telemann (; – 25 June 1767) was a German Baroque composer and multi-instrumentalist. Almost completely self-taught in music, he became a composer against his family's wishes. After studying in Magdeburg, Zellerfeld, and Hildesh ...
,
TWV The Telemann-Werke-Verzeichnis (Telemann Works Catalogue), abbreviated TWV, is the numbering system identifying compositions by Georg Philipp Telemann, published by musicologist Martin Ruhnke. The prefix TWV is generally followed by a Music genre, ...
 51:g1 , , - , data-sort-value="0986.000" , 986 , data-sort-value="400.016" , 8. , data-sort-value="1714-01-15" , July 1713–
July 1714 , data-sort-value="Concerto for solo keyboard 15" , Concerto for solo keyboard (15/16) , G min. , Keyboard , data-sort-value="000.42: 059" , 42: 59 , V/11: 137 , after unknown model , , - style="background: #F6E3CE;" , data-sort-value="0987.000" , 987 , data-sort-value="400.017" , 8. , data-sort-value="1714-01-15" , July 1713–
July 1714 , data-sort-value="Concerto for solo keyboard 16" , Concerto for solo keyboard (16/16) , D min. , Keyboard , data-sort-value="000.42: 059" , 42: 59 , V/11: 142 , after J. E. of Saxe-Weimar, Op. 1 No. 4 , , - id="Goldberg Variations" style="background: #E3F6CE;" , data-sort-value="0988.000" , 988 , data-sort-value="402.003" , 8. , data-sort-value="1741-12-31" , 1741–1742 , ''
Goldberg Variations The ''Goldberg Variations'', BWV 988, is a musical composition for keyboard by Johann Sebastian Bach, consisting of an aria and a set of 30 variations. First published in 1741, it is named after Johann Gottlieb Goldberg, who may also have ...
'' ('' Clavier-Übung IV'') , G maj. , Harpsichord , data-sort-value="000.03: 263" , 3: 263 , data-sort-value="V/02: 069" , V/2: 69 , → BWV 1087 , , - style="background: #F5F6CE;" , data-sort-value="0988.001" , 988/1 , data-sort-value="402.003" , 8. , data-sort-value="1740-07-01" , 1740? (AMB) , data-sort-value="Notebook A. M. Bach (1725) No. 26" , ''Notebook A. M. Bach'' (1725) No. 26 Aria of the ''
Goldberg Variations The ''Goldberg Variations'', BWV 988, is a musical composition for keyboard by Johann Sebastian Bach, consisting of an aria and a set of 30 variations. First published in 1741, it is named after Johann Gottlieb Goldberg, who may also have ...
'' , G maj. , Harpsichord , data-sort-value="000.03: 263" , 3: 263 , data-sort-value="V/04: 103" , V/4: 103 , → BWV 1087 , , - style="background: #F5F6CE;" , data-sort-value="0989.000" , 989 , data-sort-value="404.002" , 8. , data-sort-value="1710-07-01" , 1707–1713 , Aria variata , A min. , Keyboard , data-sort-value="000.36: 203" , 36: 203 , data-sort-value="V/10: 021" , V/10: 21 , in ''Andreas-Bach-Buch'' , , - style="background: #E3F6CE;" , data-sort-value="0991.000" , 991 , data-sort-value="405.003" , 8. , data-sort-value="1722-07-01" , 1722 , data-sort-value="Notebook A. M. Bach (1722) No. 07" , ''Notebook A. M. Bach'' (1722) No. 7 Air with variations (incomplete) , C min. , Keyboard , data-sort-value="000.43 2: 004" , 432: 4 , data-sort-value="V/04: 040" , V/4: 40 , , , - style="background: #F5F6CE;" , data-sort-value="0992.000" , 992 , data-sort-value="405.004" , 8. , data-sort-value="1705-12-31" , 1704–1707 , ''
Capriccio on the departure of a beloved brother The ''Capriccio on the departure of a beloved brother'' (Italian: ''Capriccio sopra la lontananza del suo fratello dilettissimo''), BWV 992, is an early work by Johann Sebastian Bach, possibly modeled on the Biblical Sonatas of Johann Kuhnau. The s ...
'' , B♭ maj. , Keyboard , data-sort-value="000.36: 190" , 36: 190 , data-sort-value="V/10: 003" , V/10: 3 , in ''Möllersche Handschrift'' , , - style="background: #F6E3CE;" , data-sort-value="0993.000" , 993 , data-sort-value="406.002 , 8. , data-sort-value="1705-05-01" , 1705 , , E maj. , Keyboard , data-sort-value="000.36: 197" , 36: 197 , data-sort-value="V/10: 012" , V/10: 12 , in SBB ''P 804'' , , - style="background: #E3F6CE;" , data-sort-value="0994.000" , 994 , data-sort-value="406.003" , 8. , data-sort-value="1720-07-01" , 1720 , data-sort-value="Klavierbüchlein für Wilhelm Friedemann Bach No. 01" , Klavierbüchlein WFB No. 1: Applicatio , C maj. , Keyboard , data-sort-value="000.36: 237" , 36: 237
451:214 , data-sort-value="V/05: 004" , V/5: 4 , , , - id="BWV Chapter 9" style="background: #D8D8D8;" , data-sort-value="0994.z99" , 9. , data-sort-value="407.001" colspan="8" , Lute compositions (see also:
List of solo lute compositions by Johann Sebastian Bach Keyboard works () by Johann Sebastian Bach traditionally refers to Chapter 8 in the BWV catalogue or the fifth series of the New Bach Edition, both of which list compositions for a solo keyboard instrument like the harpsichord or the clavichor ...
) , data-sort-value="1172a" , Up ↑ , - style="background: #E3F6CE;" , data-sort-value="0995.000" , 995 , data-sort-value="407.002" , 9. , data-sort-value="1730-07-01" , Fall 1727 – Winter 1731 , Suite for lute , G min. , Lu , , data-sort-value="V/10: 081" , V/10: 81 , after
BWV 1011 The six Cello Suites, BWV 1007–1012, are suites for unaccompanied cello by Johann Sebastian Bach (1685–1750). They are some of the most frequently performed solo compositions ever written for cello. Bach most likely composed them during the p ...
Johann Sebastian Bach Johann Sebastian Bach (28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the '' Brandenburg Concertos''; instrumental compositions such as the Cello Suites; keyboard w ...
, edited by E. Capriani. "Documenti storici" in ''Opere per Liuto'', Vol. III. Rovereto (1977)

Johann Sebastian Bach Johann Sebastian Bach (28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the '' Brandenburg Concertos''; instrumental compositions such as the Cello Suites; keyboard w ...
, introduction by
Hans-Joachim Schulze Hans-Joachim Schulze (born 3 December 1934) is a German musicologist, a Bach scholar who served as the director of the Bach Archive in Leipzig from 1992 to 2000. With Christoph Wolff, he was editor of the ''Bach-Jahrbuch'' (Bach yearbook) from 19 ...
. ''Drei Lautenkompositionen in zeitgenössischer Tabulatur (BWV 995, 997, 1000)''. Leipzig (1975)
Junghänel. "Bach und die zeitgenössische Lautenpraxis" in ''Bericht Duisburg''Radke. Fs Engel, pp. 271ff
Schulze, Dok IIISchulze. "Wer intavolierte Johann Sebastian Bachs Lautentabulaturen?" in Mf 1966, pp. 32ffSiegele Diss , , - style="background: #F6E3CE;" , data-sort-value="0996.000" , 996 , data-sort-value="407.003" , 9. , data-sort-value="1713-07-01" , 1710–1717 ( JGW) , Suite for lute , E min. , Lu ( Lw?) , data-sort-value="000.45 1: 149" , 451: 149 , data-sort-value="V/10: 094" , V/10: 94 , data-sort-value="in SBB P 0801" , in SBB ''P 801'', pp. 385–395
Schulze StSpitt
I: 768II: 646
/ref> , , - style="background: #F5F6CE;" , data-sort-value="0997.100" , 997.1 , data-sort-value="408.002" , 9. , data-sort-value="1729-12-31" , 1720–1739 , Suite (1st version) , C min. , Lw , data-sort-value="000.45 1: 156" , 451: 156 , V/10: 102 , data-sort-value="in SBB P 0650" , in SBB ''P 650''; → BWV 997.2Dreyfus Cont Gr
, , - style="background: #F6E3CE;" , data-sort-value="0997.200" , 997.2 , data-sort-value="408.002" , 9. , data-sort-value="1729-12-31" , 1720–1739 , Suite (2nd version) , C min. , Lu , data-sort-value="000.45 1: 156" , 451: 156 , V/10: 102 , in D LEm III 11.5; after
BWV 997.1 The Suite in C minor, BWV 997, by Johann Sebastian Bach, exists in two versions: * BWV 997.1 – 1st version, composed before its earliest extant manuscript copy was written 1738–1741, for Lautenwerk (lute-harpsichord) * BWV 997.2 – 2nd v ...

, , - style="background: #E3F6CE;" , data-sort-value="0998.000" , 998 , data-sort-value="409.001" , 9. , data-sort-value="1740-07-01" , 1735–1745 , Prelude, Fugue and Allegro , E♭ maj. , Lu (or) Hc , data-sort-value="000.45 1: 141" , 451: 141 , V/10: 114 ,
, , - style="background: #F6E3CE;" , data-sort-value="0999.000" , 999 , data-sort-value="409.002" , 9. , data-sort-value="1720-07-01" , 1717–1723 , Prelude for lute (''
Twelve Little Preludes ''Twelve Little Preludes'' ( French: ''Douze petits Préludes''; German: '), BWV 924–930, 939–942 and 999, is a 19th-century compilation of short pieces, collected from various 18th-century manuscripts written by Johann Sebastian Bach an ...
'' No. 3) , C min. , Lu , data-sort-value="000.36: 120" , 36: 119 , V/10: 122 , data-sort-value="in SBB P 0804" , in SBB ''P 804'', pp. 101–103 , , - , data-sort-value="1000.000" , 1000 , data-sort-value="409.003" , 9. , data-sort-value="1750-01-01" , after 1720 ,
Fugue In music, a fugue () is a contrapuntal compositional technique in two or more voices, built on a subject (a musical theme) that is introduced at the beginning in imitation (repetition at different pitches) and which recurs frequently in the c ...
, G min. , Lu , , V/10: 124 , after
BWV 1001 The sonatas and partitas for solo violin (BWV 1001–1006) are a set of six works composed by Johann Sebastian Bach. They are sometimes referred to in English as the sonatas and for solo violin in accordance with Bach's headings in the autograph ...
/2; →
539 Year 539 ( DXXXIX) was a common year starting on Saturday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Strategius without colleague (or, less frequently, year 1292 ' ...
/2; in MB Lpz ''III.11.4''
, , - style="background: #E3F6CE;" , data-sort-value="1006.200" , 1006.2 , data-sort-value="410.002" , 9. , data-sort-value="1737-12-31" , 1736–1737 , Suite , E maj. , Lu? , data-sort-value="000.42: 016" , 42: 16 , V/10: 134 , after BWV 1006.1Dadelsen TBSt 4/5
Kobayashi ChrZingel. "Bach auf der Harfe" in ''Schweizerische Musikzeitung'' (1964), pp. 286ff ,


Other keyboard and lute compositions


Canons (BWV 1072–1078)


Late contrapuntal works (BWV 1079–1080)

* BWV 1079 –
The Musical Offering ''The Musical Offering'' (German: or ), BWV 1079, is a collection of keyboard canons and fugues and other pieces of music by Johann Sebastian Bach, all based on a single musical theme given to him by Frederick the Great (King Frederick II of Pru ...
(Musikalisches Opfer) – some pieces intended for
fortepiano A fortepiano , sometimes referred to as a pianoforte, is an early piano. In principle, the word "fortepiano" can designate any piano dating from the invention of the instrument by Bartolomeo Cristofori in 1698 up to the early 19th century. Mo ...
* BWV 1080 –
The Art of Fugue ''The Art of Fugue'', or ''The Art of the Fugue'' (german: Die Kunst der Fuge, links=no), BWV 1080, is an incomplete musical work of unspecified instrumentation by Johann Sebastian Bach. Written in the last decade of his life, ''The Art of Fug ...
(Die Kunst der Fuge) - some pieces indicated as being for a two-manual harpsichord


Spurious and doubtful works in Anna Magdalena's Notebooks (BWV Anh. 113–132)


Piano transcriptions


References


Sources

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External links

* {{DEFAULTSORT:Works For Keyboard And Lute By Bach, J. S. Bach, Johann Sebastian Keyboard and lute compositions by Johann Sebastian Bach, List of Articles containing video clips