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BWV 1006.2
The Partita No. 3 in E major for solo violin, BWV 1006.1 (formerly 1006), is the last work in Johann Sebastian Bach's set of Sonatas and Partitas. It consists of the following movements: # Preludio # Loure # Gavotte en Rondeau # Menuets (I and II) # Bourrée # Gigue It takes about 15–18 minutes to perform. Bach transcribed the Partita as a suite, cataloged as BWV 1006.2 (formerly 1006a). The music critic Wilhelm Tappert claimed in 1900 that this arrangement was for lute solo, but present research indicates that it was for an unspecified instrument. The Preludio consists almost entirely of semiquavers (i.e. sixteenth notes). The Preludio was also transcribed by Bach for use in two cantatas: * the sinfonia which opens the second part of the 1729 cantata . * the opening sinfonia, scored for obbligato organ, oboes, trumpets and strings, of the 1731 cantata , in D major The "Gavotte en Rondeau" is included on the Voyager Golden Record and often heard in TV ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wilhelm Tappert
Wilhelm Tappert (19 February 1830 – 27 October 1907) was a German composer and music writer. Life Born in Ober-Thomaswaldau in the Province of Silesia, Tappert trained as a school teacher and made musical studies under Siegfried Wilhelm Dehn and Adolph Kullak in Berlin from 1856-1858. He settled there in 1866 and worked as a music critic and teacher. From 1876 until 1880, Tappert edited the '' Allgemeine deutsche Musikzeitung.'' He worked mainly as a teacher and music critic. At the beginning of 1897, he was accused of being corrupt. After the unfavourable settlement in court, he handed in his resignation to his newspaper, the ''Kleinen Journal,'' which the newspaper did not accept. Tappert published music theoretical writings as well as piano pieces, songs, arrangements of old German songs with piano accompaniment and a selection of old lute pieces. Tappert died in Berlin at the age of 77. Publications * ''Hurenaquarium und andere Unhöflichkeiten : Richard Wagner i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacques Loussier
Jacques Loussier (26 October 1934 – 5 March 2019) was a French pianist and composer. He arranged jazz interpretations of many of the works of Johann Sebastian Bach, such as the ''Goldberg Variations''. The Jacques Loussier Trio, founded in 1959, played more than 3,000 concerts and sold more than 7 million recordings—mostly in the Bach series. Loussier composed film scores and a number of classical pieces, including a Mass, a ballet, and violin concertos. His style is described as third stream, a synthesis of jazz and classical music, with an emphasis on improvisation. Early life and education Loussier was born on 26 October 1934 in Angers, France. He started piano lessons there at age ten. When he was eleven, he heard a piece from the ''Notebook for Anna Magdalena Bach.'' In a 2003 interview, he said, "I was studying this piece and I just fell in love with it. Then I found I loved to play the music, but add my own notes, expanding the harmonies and playing around with that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz Trio
A jazz trio is a group of three jazz musicians, often a piano trio comprising a pianist, a double bass player and a drummer. Jazz trios are commonly named after their leader, such as the Bill Evans Trio. Variants and examples Famous examples include the Bill Evans Trio with Scott LaFaro on bass and Paul Motian on drums; and the Vince Guaraldi trio, featuring Fred Marshall and Jerry Granelli. Nat King Cole formed a piano/guitar/bass trio in 1937. This format was also used by Art Tatum, Lennie Tristano, Ahmad Jamal, Vince Guaraldi, and Oscar Peterson. Tristano, Jamal, Guaraldi, and Peterson all later led trios with the traditional format of piano, bass, and drums. Another variant is the organ trio, comprising electric organ (typically a Hammond B-3), drums, and usually electric guitar. The bassist is excluded, and the organist instead plays the bassline with their left hand (on a keyboard) or their feet (on the bass pedalboard). Organists Jimmy Smith and Jack McDuff and guita ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sergei Rachmaninoff
Sergei Vasilyevich Rachmaninoff; in Russian pre-revolutionary script. (28 March 1943) was a Russian composer, virtuoso pianist, and conductor. Rachmaninoff is widely considered one of the finest pianists of his day and, as a composer, one of the last great representatives of Romanticism in Russian classical music. Early influences of Tchaikovsky, Rimsky-Korsakov, and other Russian composers gave way to a thoroughly personal idiom notable for its song-like melodicism, expressiveness and rich orchestral colours. The piano is featured prominently in Rachmaninoff's compositional output and he made a point of using his skills as a performer to fully explore the expressive and technical possibilities of the instrument. Born into a musical family, Rachmaninoff took up the piano at the age of four. He studied with Anton Arensky and Sergei Taneyev at the Moscow Conservatory and graduated in 1892, having already composed several piano and orchestral pieces. In 1897, following the d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Voyager Golden Record
The Voyager Golden Records are two phonograph records that were included aboard both Voyager spacecraft launched in 1977. The records contain sounds and images selected to portray the diversity of life and culture on Earth, and are intended for any intelligent extraterrestrial life form who may find them. The records are a time capsule. Although neither Voyager spacecraft is heading toward any particular star, ''Voyager 1'' will pass within 1.6 light-years' distance of the star Gliese 445, currently in the constellation Camelopardalis, in about 40,000 years. Carl Sagan noted that "The spacecraft will be encountered and the record played only if there are advanced space-faring civilizations in interstellar space, but the launching of this 'bottle' into the cosmic 'ocean' says something very hopeful about life on this planet." Background The ''Voyager 1'' probe is currently the farthest human-made object from Earth. Both ''Voyager 1'' and ''Voyager 2'' have reached interste ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bach Gavotte From Partita 3 For Violin
Johann Sebastian Bach (28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the ''Brandenburg Concertos''; instrumental compositions such as the Cello Suites; keyboard works such as the ''Goldberg Variations'' and ''The Well-Tempered Clavier''; organ works such as the '' Schubler Chorales'' and the Toccata and Fugue in D minor; and vocal music such as the ''St Matthew Passion'' and the Mass in B minor. Since the 19th-century Bach revival he has been generally regarded as one of the greatest composers in the history of Western music. The Bach family already counted several composers when Johann Sebastian was born as the last child of a city musician in Eisenach. After being orphaned at the age of 10, he lived for five years with his eldest brother Johann Christoph, after which he continued his musical education in Lüneburg. From 1703 he was back in Thuringia, working as a musician for Protestant ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wir Danken Dir, Gott, Wir Danken Dir, BWV 29
(We thank you, God, we thank you), 29, is a sacred cantata by Johann Sebastian Bach. He composed it in Leipzig in 1731 for , the annual inauguration of a new town council, and first performed it on 27 August of that year. The cantata was part of a festive service in the . The cantata text by an unknown author includes in movement 2 the beginning of Psalm 75, and as the closing chorale the fifth stanza of Johann Gramann's "". Bach scored the work in eight movements for four vocal parts and a festive Baroque orchestra of three trumpets, timpani, two oboes, strings, an obbligato organ and basso continuo. The organ dominates the first movement ''Sinfonia'' which Bach derived from a ''Partita'' for violin. The full orchestra accompanies the first choral movement and plays with the voices in the closing chorale, while a sequence of three arias alternating with two recitatives is scored intimately. Bach used the music from the choral movement for both the and of his Mass in B minor. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Obbligato
In Western classical music, ''obbligato'' (, also spelled ''obligato'') usually describes a musical line that is in some way indispensable in performance. Its opposite is the marking ''ad libitum''. It can also be used, more specifically, to indicate that a passage of music was to be played exactly as written, or only by the specified instrument, without changes or omissions. The word is borrowed from Italian (an adjective meaning ''mandatory''; from Latin ''obligatus'' p.p. of ''obligare'', to oblige); the spelling ''obligato'' is not acceptable in British English, but it is often used as an alternative spelling in the US. The word can stand on its own, in English, as a noun, or appear as a modifier in a noun phrase (e.g. ''organ obbligato''). Independence ''Obbligato'' includes the idea of independence, as in C.P.E. Bach's 1780 Symphonies "''mit zwölf obligaten Stimmen''" ("with twelve ''obbligato'' parts") by which Bach was referring to the independent woodwind parts he was usi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Herr Gott, Beherrscher Aller Dinge, BWV 120a
(Lord God, ruler of all things), BWV 120.2 (previously ), is a wedding cantata by Johann Sebastian Bach. He composed and first performed it in Leipzig, most likely in 1729. History and text Bach composed the cantata for a wedding in Leipzig probably in 1729, "in great haste", according to Klaus Hofmann, looking at Bach's handwriting and mistakes made by the copiers. The music is generally agreed to be of high quality. Bach adapted the opening chorus for the '' Et expecto resurrectionem mortuorum'' section of the Mass in B minor, a composition which is widely hailed as one of the greatest in musical history. The music survives in an incomplete state. There is a fragmentary autograph score and some parts written by various scribes: only the vocal parts, a viola part and three continuo parts are extant. As the cantata shares music with other compositions, particularly BWV 120.1, but also BWV 1006 and BWV 137 (two earlier works), it can be reconstructed. On this basis, the in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sinfonia
Sinfonia (; plural ''sinfonie'') is the Italian word for symphony, from the Latin ''symphonia'', in turn derived from Ancient Greek συμφωνία ''symphōnia'' (agreement or concord of sound), from the prefix σύν (together) and ϕωνή (sound). In English it most commonly refers to a 17th- or 18th-century orchestral piece used as an introduction, interlude, or postlude to an opera, oratorio, cantata, or suite (, who gives the origin of the word as Italian) . The word is also found in other Romance languages such as Spanish or Portuguese. In the Middle Ages down to as late as 1588, it was also the Italian name for the hurdy-gurdy . Johann Sebastian Bach used the term for his keyboard compositions also known as '' Three-part Inventions'', and after about 1800, the term, when in reference to opera, meant "Overture" . In George Frideric Handel's oratorio Messiah (HWV 56), "Overture to the Messiah" ( French Overture in E minor) was originally titled "Sinfony". In the 20th and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cantata
A cantata (; ; literally "sung", past participle feminine singular of the Italian verb ''cantare'', "to sing") is a vocal composition with an instrumental accompaniment, typically in several movements, often involving a choir. The meaning of the term changed over time, from the simple single-voice madrigal of the early 17th century, to the multi-voice "cantata da camera" and the "cantata da chiesa" of the later part of that century, from the more substantial dramatic forms of the 18th century to the usually sacred-texted 19th-century cantata, which was effectively a type of short oratorio. Cantatas for use in the liturgy of church services are called church cantata or sacred cantata; other cantatas can be indicated as secular cantatas. Several cantatas were, and still are, written for special occasions, such as Christmas cantatas. Christoph Graupner, Georg Philipp Telemann and Johann Sebastian Bach composed cycles of church cantatas for the occasions of the liturgical year. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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