Thumri
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Thumri () is a vocal
genre Genre () is any form or type of communication in any mode (written, spoken, digital, artistic, etc.) with socially-agreed-upon conventions developed over time. In popular usage, it normally describes a category of literature, music, or other for ...
or style of
Indian music Owing to India's vastness and diversity, Indian music encompasses numerous genres in multiple varieties and forms which include classical music, folk (Bollywood), rock, and pop. It has a history spanning several millennia and developed ove ...
. The term "thumri" is derived from the Hindi verb ''thumuknaa'', which means "to walk with a dancing gait in such a way that the ankle-bells tinkle." The form is, thus, connected with dance, dramatic gestures, mild eroticism, evocative love poetry and folk songs, especially from
Uttar Pradesh Uttar Pradesh (; , 'Northern Province') is a state in northern India. With over 200 million inhabitants, it is the most populated state in India as well as the most populous country subdivision in the world. It was established in 1950 ...
, though there are regional variations. The text is romantic or devotional in nature, the lyrics are usually in
Uttar Pradesh Uttar Pradesh (; , 'Northern Province') is a state in northern India. With over 200 million inhabitants, it is the most populated state in India as well as the most populous country subdivision in the world. It was established in 1950 ...
dialect The term dialect (from Latin , , from the Ancient Greek word , 'discourse', from , 'through' and , 'I speak') can refer to either of two distinctly different types of Linguistics, linguistic phenomena: One usage refers to a variety (linguisti ...
s of
Hindi Hindi (Devanāgarī: or , ), or more precisely Modern Standard Hindi (Devanagari: ), is an Indo-Aryan language spoken chiefly in the Hindi Belt region encompassing parts of northern, central, eastern, and western India. Hindi has been de ...
called
Awadhi Awadhi (; ), also known as Audhi (), is an Indo-Aryan language spoken in northern India and Nepal. It is primarily spoken in the Awadh region of present-day Uttar Pradesh, India. The name ''Awadh'' is connected to Ayodhya, the ancient city, w ...
and
Brij Bhasha The Braj language, ''Braj Bhasha'', also known as Vraj Bhasha or Vrij Bhasha or Braj Bhāṣā or Braji or Brij Bhasha or Braj Boli, is a Western Hindi language. Along with Awadhi (a variety of Eastern Hindi), it was one of the two predominant ...
. Thumree is characterized by its sensuality, and by a greater flexibility with the ''
raga A ''raga'' or ''raag'' (; also ''raaga'' or ''ragam''; ) is a melodic framework for improvisation in Indian classical music akin to a musical mode, melodic mode. The ''rāga'' is a unique and central feature of the classical Indian music tradit ...
''. ''Thumri'' is also used as a generic name for some other, even lighter, forms such as
Dadra Dadra is associated with the Hindustani classical music of the Indian subcontinent. Dadra tala This is a Hindustani classical '' tala'' (rhythmic cycle), consisting of six beats in two equal divisions of three. The most commonly accepted theka ...
, Hori, Kajari, Sawani, Jhoola, and
Chaiti Chaiti are semi-classical songs, originating from the Indian subcontinent, sung in the Hindu calendar month of Chait. These songs are rendered during the Holy month of Sri Rama Navami in March/April. It falls under light classical form of Hindustan ...
, even though each of them have their own structure and content — either lyrical or musical or both—and so the exposition of these forms vary. Like Indian classical music itself, some of these forms have their origin in folk literature and music.


Structure

As in khayal, thumri has two parts, the ''sthayi'' and the ''antara.'' It favours ''tala-s'' such as ''Deepchandi'', ''Roopak'', ''Addha,'' and ''Punjabi.'' These ''tala-s'' are characterized by a special lilt, nearly absent in the ''tala-s'' used in ''khayal''. ''Thumri'' compositions are mostly in ''
raga A ''raga'' or ''raag'' (; also ''raaga'' or ''ragam''; ) is a melodic framework for improvisation in Indian classical music akin to a musical mode, melodic mode. The ''rāga'' is a unique and central feature of the classical Indian music tradit ...
-s'' such as ''Kafi'', ''Khamaj'', ''Jogiya'', ''Bhairavi'', ''Pilu'' and ''Pahadi.'' A common feature of these and other such ''raga-s'' is the free movement they allow the artist, since they do not depend for their identity on rigidly formulated tonal sequences, irrespective of the compositions involved. In fact, one may say that they have a built-in provision for mixing ''raga-s'' or for moving out of the ''raga'' actually presented in order to add colour to the proceedings.


Origins

The exact origins of thumri are not very clear, given that there are no historical references to such a form until the 15th century. The first mention of Thumri goes back to the 19th century, with a link to the classical dance form
Kathak Kathak ( hi, कथक; ur, کتھک) is one of the eight major forms of Indian classical dance. It is the classical dance from of Uttar Pradesh. The origin of Kathak is traditionally attributed to the traveling bards in ancient northern Ind ...
. This was the ''bandish ki thumri'' or ''bol-baant'' and it evolved mostly in
Lucknow Lucknow (, ) is the capital and the largest city of the Indian state of Uttar Pradesh and it is also the second largest urban agglomeration in Uttar Pradesh. Lucknow is the administrative headquarters of the eponymous district and division ...
in the court of nawab
Wajid Ali Shah Mirza Wajid Ali Shah ( ur, ) (30 July 1822 – 1 September 1887) was the eleventh and last King of Awadh, holding the position for 9 years, from 13 February 1847 to 11 February 1856. Wajid Ali Shah's first wife was Alam Ara who was better k ...
. At that time, it was a song sung by
tawaif A ''tawaif'' was a highly successful entertainer who catered to the nobility of the Indian subcontinent, particularly during the Mughal era. The tawaifs excelled in and contributed to music, dance ( mujra), theatre, and the Urdu literary tradi ...
s or courtesans. According to historical records, a new version of thumri arose in the late 19th century, which was independent of dance, and much more slow-paced. This form was called ''bol-banav'' and it evolved in
Varanasi Varanasi (; ; also Banaras or Benares (; ), and Kashi.) is a city on the Ganges river in northern India that has a central place in the traditions of pilgrimage, death, and mourning in the Hindu world. * * * * The city has a syncretic t ...
.


Thumri and khayal

Unlike the khayal, which pays meticulous attention to unfolding a raga, thumri restricts itself to expressing the countless hues of shringar by combining melody and words. The contours of a khayal are most definitely broader and fluid. Thus, a khayal singer is capable of encompassing and expressing a wide range of complex emotions. A thumri singer goes straight to the emotional core of a composition and evokes each yarn of amorous feeling, each strand of sensuous sentiment, with great discretion. Khayal aims at achieving poise and splendour; thumri is quicksilver in tone and ardently romantic in spirit. It needs a delicate heart, and a supple and soulful voice capable of expressing several shadings and colours of tones to bring out its beauty. To draw an analogy from the world of painting, khayal is closer, in form and spirit, to the unrestrained and energetic world of Renaissance masters like Michelangelo, Raphael and Titian – forcefully executed brush strokes are seen on a broad canvas; whereas thumri, with its affinity for finer points and shades of feeling, emotion and mood, is closer to the finely-detailed still-life paintings of the Dutch masters of the 17th century.


Noted thumri artists


Purab ang

Well-known artists of the 'purab ang' thumri' of the
Benaras gharana Benares gharānā (Hindi: बनारस घराना) is one of the six most common styles of playing of the Indian tabla. History The Benares tabla gharana was developed a little over 200 years ago by Pandit Ram Sahai (1780–1826). At ...
or Banaras gayaki include
Rasoolan Bai Rasoolan hussain (1902 – 15 December 1974) was a leading Indian Hindustani classical music vocal musician. Belonging to the Benaras gharana, she specialized in the romantic Purab Ang of the Thumri musical genre and tappa. Early life an ...
(1902–1974),
Siddheshwari Devi Siddheswari Devi (1908 – 18 March 1977) was a legendary Hindustani singer from Varanasi, India, known as ''Maa'' (mother). Born in 1908, she lost her parents early and was brought up by her aunt, the noted singer Rajeshwari Devi. Initiation ...
(1908–1977),
Girija Devi Girija Devi (8 May 1929 – 24 October 2017) was an Indian classical singer of the Seniya and Banaras gharanas. She performed classical and light classical music and helped elevate the profile of thumri. She was dubbed as the 'Queen of Thumri ...
(1929–2017),
Mahadev Prasad Mishra Mahadev Prasad Mishra (1906 – 13 December 1995) was an Indian thumri singer from Benares (Varanasi). Career He was accompanied many times by Baccha Lal Mishra on sarangi and Ishwar Lal Mishra on tabla A tabla, bn, তবলা, prs, ...
(1906–1995) and
Chhannulal Mishra Pandit Chhannulal Mishra (born 3 August 1936) is a celebrated Hindustani classical singer from Banaras, a noted exponent of the Kirana gharana (school) of the Hindustani classical music and especially the Khayal and the 'Purab Ang' – Thumri. ...
(b. 1936). Some other singers of thumri are
Gauhar Jan Gauhar Jaan (born Angelina Yeoward; 26 June 1873 – 17 January 1930) was an Indian singer and dancer from Kolkata. She was one of the first performers to record music on 78 rpm records in India, which was later released by the Gramophone Compa ...
(1873–1930),
Begum Akhtar Akhtari Bai Faizabadi (7 October 1914 – 30 October 1974), also known as Begum Akhtar, was an Indian singer and actress. Dubbed "Mallika-e-Ghazal" (Queen of Ghazals), she is regarded as one of the greatest singers of ghazal, dadra, and thumr ...
(1914–1974),
Shobha Gurtu Shobha Gurtu (1925–2004) was an Indian singer in the light Hindustani classical style. Though she had equal command over pure classical style, it was with light classical music that she received her fame, and in time came to be known as the ''T ...
(1925–2004),
Noor Jehan Noor Jehan ( Punjabi: ) (born () Allah Rakhi Wasai ; 23 September 1926 – 23 December 2000; sometimes spelled Noorjehan),Ashish Rajadhyaksha and Paul Willemen, ''Encyclopaedia of Indian Cinema,'' British Film Institute, Oxford University Pres ...
(1926–2000) and
Nirmala Devi Nirmala Devi, also known as Nirmala Arun (7 June 1927 15 June 1996), was an Indian actress in the 1940s and a Hindustani classical vocalist of the Patiala Gharana. She is the mother of Bollywood actor Govinda. Nirmala Devi was the wife of ...
(1927-1996). The ''bol banao'' style has a slow tempo and is concluded by a ''laggi'', a faster phase where the
tabla A tabla, bn, তবলা, prs, طبلا, gu, તબલા, hi, तबला, kn, ತಬಲಾ, ml, തബല, mr, तबला, ne, तबला, or, ତବଲା, ps, طبله, pa, ਤਬਲਾ, ta, தபலா, te, తబల ...
player has some freedom of improvisation. Another stalwart in the genre of thumri was Naina Devi (1917–1993), who was married to a royal family but later devoted her life to the singing of the song of Tawaifs. For a member of the royal family to take such a step in those days meant fighting countless social stigmas that had enough power to totally alienate someone from the society, but she had the support of her husband.


Classical thumri

Some
khyal Khyal or Khayal (ख़याल / خیال) is a major form of Hindustani classical music in the Indian subcontinent. Its name comes from a Persian/Arabic word meaning "imagination". Khyal is associated with romantic poetry, and allows the perfo ...
singers took an interest in thumrī and sang it their own way, as in the case of Abdul Karim Khan,
Faiyaz Khan Ustad Faiyaz Khan (8 February 1886 5 November 1950) was an Indian classical vocalist, an exponent of the Agra gharana of Hindustani classical music. According to SwarGanga Music Foundation website, "By the time he died at Baroda, he had earne ...
,
Bade Ghulam Ali Khan Ustad Bade Ghulam Ali Khan (2 April 1902 – 23 April 1968) was an Indian Hindustani classical vocalist, from the Patiala gharana.Bhimsen Joshi Pandit Bhimsen Gururaj Joshi BR (; ; 4 February 1922 – 24 January 2011), also known by the honorific prefix Pandit, was one of the greatest Indian vocalists from Karnataka, in the Hindustani classical tradition. He is known for the '' khaya ...
,
Madhav Gudi Pandit Madhav Gudi (Kannada:ಮಾಧವ ಗುಡಿ, Devanagari:माधव गुडि) (23 December 1941 – 22 April 2011) was a Hindustani classical vocalist, who specialised in Khayal and renditions of devotional music, particularly of ...
,
Rajan and Sajan Mishra Rajan and Sajan Mishra ( hi, राजन और साजन मिश्रा) are brothers, singers of the khyal style of Indian classical music. They were awarded the Padma Bhushan in 2007, Sangeet Natak Akademi Award, jointly in 1998, the ...
,
Barkat Ali Khan Ustad Barkat Ali Khan (1908 – 19 June 1963) was a Pakistani classical singer, younger brother of Bade Ghulam Ali Khan and elder brother of Mubarak Ali Khan, and belonged to the Patiala gharana of music. Early life and career Barkat Ali Khan ...
, Jagdish Prasad and
Prabha Atre Prabha Atre (born 13 September 1932) is an Indian classical vocalist from the Kirana gharana. She has been awarded all three of the Padma Awards by the Government of India. Early life and education Atre was born to Abasaheb and Indirabai At ...
. Today thumrī is sometimes sung at the end of
khyal Khyal or Khayal (ख़याल / خیال) is a major form of Hindustani classical music in the Indian subcontinent. Its name comes from a Persian/Arabic word meaning "imagination". Khyal is associated with romantic poetry, and allows the perfo ...
concerts as a concluding item. Besides the tabla and the
tanpura The tanpura (), also referred to as tambura and tanpuri, is a long-necked plucked string instrument, originating in India, found in various forms in Indian music. It does not play melody, but rather supports and sustains the melody of an ...
, other typical instruments in thumri are
sarangi The sārangī is a bowed, short-necked string instrument played in traditional music from South Asia – Punjabi folk music, Rajasthani folk music, and Boro folk music (there known as the ''serja'') – in Pakistan, India and Bangladesh. It is ...
,
harmonium The pump organ is a type of free-reed organ that generates sound as air flows past a vibrating piece of thin metal in a frame. The piece of metal is called a reed. Specific types of pump organ include the reed organ, harmonium, and melodeon. T ...
and
swarmandal The ''swarmandal'' ( hi, स्वरमण्डल ), ''surmandal,'' or Indian harp is a plucked box zither, originating from India, similar to the qanun that is today most commonly used as an accompanying instrument for vocal Indian classi ...
.


Lyrics

Thumrī singers pay considerable attention to the lyrics, though they may be difficult to follow in the ornamented enunciation. This is especially where the focus is on love, and many lyrics deal with separation or ''viraha''. Krishna's ''ras leela'' or love play with
Radha Radha ( sa, राधा, ), also called Radhika, is a Hindu goddess and the chief consort of the god Krishna. She is worshiped as the goddess of love, tenderness, compassion, and devotion. She is the avatar of goddess Lakshmi and is also de ...
and other gopis of
Vrindavan Vrindavan (; ), also spelt Vrindaban and Brindaban, is a historical city in the Mathura district of Uttar Pradesh, India. It is located in the Braj Bhoomi region and holds religious importance in Hinduism as Krishna spent most of his childho ...
appear frequently. As an example, here are the lyrics of a thumrī composed by the medieval poet Lalan, celebrating Krishna's flute – how its tunes are driving Radha mad.
Braj Braj, also known as Vraj, Vraja, Brij or Brijbhoomi, is a region in India on both sides of the Yamuna river with its centre at Mathura-Vrindavan in Uttar Pradesh state encompassing the area which also includes Palwal and Ballabhgarh in Haryana ...
or Vrindavan is where Krishna is indulging in this love play; Radha is the "Girl of Braj".


References


Further reading

* ''Dance in Thumri'', by Projesh Banerji. Published by Abhinav Publications, 1986. . * ''Thumri in Historical and Stylistic Perspectives'', by Peter Lamarche Manuel. Published by Motilal Banarsidass Publ., 1989. .. * ''Thumri, Tradition & Trends'', by Ramanlal Chhotalal Mehta, Published by Indian Musicological Society, 1990. * ''Hindi Poetry in a Musical Genre: Thumri Lyrics'', by Lalita Du Perron. Published by Routledge, 2007. .


External links


Article: Semi-classical song
{{Hindustani Classical Music page end Indian classical music Hindustani music genres Hindustani music terminology