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Tanpura
The tanpura (), also referred to as tambura and tanpuri, is a long-necked plucked string instrument, originating in India, found in various forms in Indian music. It does not play melody, but rather supports and sustains the melody of another instrument or singer by providing a continuous harmonic bourdon or drone. A tanpura is not played in rhythm with the soloist or percussionist: as the precise timing of plucking a cycle of four strings in a continuous loop is a determinant factor in the resultant sound, it is played unchangingly during the complete performance. The repeated cycle of plucking all strings creates the sonic canvas on which the melody of the raga is drawn. The combined sound of all strings–each string a fundamental tone with its own spectrum of overtones–supports and blends with the external tones sung or played by the soloist. Hindustani musicians favour the term ''tanpura'' whereas Carnatic musicians say ''tambura''; ''tanpuri'' is a smaller varian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electronic Tanpura
An electronic tanpura is an electronic instrument that replicates the sound of an Indian string instrument known as the tanpura (tambura), used to provide a constant drone to accompany another's vocal or instrumental melody. Terminology It may also be called an electronic tambura, electronic shruti box, or simply shruti box. Now days it is available in mobile phones. Function In Indian music, the drone is a basic function of the music. The development of a raga, any composition or song within raga presupposes and requires the continuous sounding of the key-note, its octave and another tone, usually the fifth or fourth. Traditionally drone is often provided by one or more tanpura player(s), especially for vocal performances. The electronic tanpura was created as a marketable, practical solution for instrumentalists, having their hands otherwise engaged, who cannot readily avail themselves of able tanpura players for their long hours of private practice. Generally, the electronic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drone (music)
In music, a drone is a harmonic or monophonic effect or accompaniment where a note or chord is continuously sounded throughout most or all of a piece. A drone may also be any part of a musical instrument used to produce this effect; an archaic term for this is ''burden'' (''bourdon'' or ''burdon'') such as a "drone ipeof a bagpipe", the pedal point in an organ, or the lowest course of a lute. Α ''burden'' is also part of a song that is repeated at the end of each stanza, such as the chorus or refrain.Brabner, John H F., ed. (1884). The national encyclopædia', Vol. V, p.99. Libr. ed. William McKenzie. . Musical effect "Of all harmonic devices, it droneis not only the simplest, but probably also the most fertile." A drone effect can be achieved through a sustained sound or through repetition of a note. It most often establishes a tonality upon which the rest of the piece is built. A drone can be instrumental, vocal or both. Drone (both instrumental and vocal) can be place ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carnatic Music
Carnatic music, known as or in the Dravidian languages, South Indian languages, is a system of music commonly associated with South India, including the modern Indian states of Karnataka, Andhra Pradesh, Telangana, Kerala and Tamil Nadu, and Sri Lanka. It is one of two main subgenres of Indian classical music that evolved from ancient Hindu Texts and traditions, particularly the Samaveda. The other subgenre being Hindustani music, which emerged as a distinct form because of Persian or Islamic influences from Northern India. The main emphasis in Carnatic music is on vocal music; most compositions are written to be sung, and even when played on instruments, they are meant to be performed in ''gāyaki'' (singing) style. Although there are stylistic differences, the basic elements of (the relative musical pitch), (the musical sound of a single note), (the mode or melodic formulæ), and (the rhythmic cycles) form the foundation of improvisation and composition in both Carnati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jivari
''Javārī'', (also: 'joārī', 'juvārī', 'jvārī' (alternately transcribed 'jawārī', 'jowārī', 'joyārī', 'juwārī', and 'jwārī')) in Indian classical music refers to the overtone-rich "buzzing" sound characteristic of classical Indian string instruments such as the tanpura, sitar, surbahar, rudra veena and Sarasvati veena. ''Javari'' can refer to the acoustic phenomenon itself and to the meticulously carved bone, ivory or wooden bridges that support the strings on the sounding board and produce this particular effect. A similar sort of bridge is used on traditional Ethiopian lyres, as well as on the ancient Greek kithara, and the "bray pins" of some early European harps operated on the same principle. A similar sound effect, called in Japanese sawari, is used on some traditional Japanese instruments as well. Under the strings of tanpuras, which are unfretted (unstopped), and occasionally under those bass drone strings of sitars and surbahars which are seldom fret ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sitar
The sitar ( or ; ) is a plucked stringed instrument, originating from the Indian subcontinent, used in Hindustani classical music. The instrument was invented in medieval India, flourished in the 18th century, and arrived at its present form in 19th-century India. Khusrau Khan, an 18th century figure of Mughal Empire has been identified by modern scholarship as the originator of Sitar. According to most historians he developed sitar from setar, an Iranian instrument of Abbasid or Safavid origin. Another view supported by a minority of scholars is that Khusrau Khan developed it from ''Veena''. Used widely throughout the Indian subcontinent, the sitar became popularly known in the wider world through the works of Ravi Shankar, beginning in the late 1950s and early 1960s. In the 1960s, a short-lived trend arose for the use of the sitar in Western popular music, with the instrument appearing on tracks by bands such as the Beatles, the Doors, the Rolling Stones and others. Etymol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miraj
Miraj (Pronunciation: iɾəd͡z ) is a city in Sangli District and also in Maharashtra, India, that was founded in the early 10th century. It was an important jagir of the Adil Shahi court of Bijapur. Shivaji Maharaj stayed in Miraj for two months during his South India Campaign. Because of its location, Miraj has been held as a strategic bastion. It was the capital of Miraj Senior and is an important junction on the central railway network. The Pathwardhan family were the hereditary rulers of Miraj until independence. The city is part of the Sangli-Miraj-Kupwad Municipal Corporation formed in 1999. The city is recognised for Hindustani classical music and medical services. Miraj is an emerging medical hub in India. The town has an unbelievable doctor patient ratio. Some of the doctors and institutions are well known all over India. Many medical tourists visit from the adjoining districts of North Karnataka and Goa, as well as all over India and from Arab countries. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hindustani Music
Hindustani classical music is the classical music of northern regions of the Indian subcontinent. It may also be called North Indian classical music or, in Hindustani, ''shastriya sangeet'' (). It is played in instruments like the violin, sitar and sarod. Its origins from the 12th century CE, when it diverged from Carnatic music, the classical tradition in South India. Hindustani classical music arose in the Ganga-Jamuni Tehzeeb, a period of great influence of Perso-Arabic arts in the subcontinent, especially the Northern parts. This music combines the Indian classical music tradition with Perso-Arab musical knowledge, resulting in a unique tradition of gharana system of music education. History Around the 12th century, Hindustani classical music diverged from what eventually came to be identified as Carnatic classical music.The central notion in both systems is that of a melodic musical mode or '' raga'', sung to a rhythmic cycle or '' tala''. It is melodic music, with no ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frets
A fret is any of the thin strips of material, usually metal wire, inserted laterally at specific positions along the neck or fretboard of a stringed instrument. Frets usually extend across the full width of the neck. On some historical instruments and non-European instruments, frets are made of pieces of string tied around the neck. Frets divide the neck into fixed segments at intervals related to a musical framework. On instruments such as guitars, each fret represents one semitone in the standard western system, in which one octave is divided into twelve semitones. ''Fret'' is often used as a verb, meaning simply "to press down the string behind a fret". ''Fretting'' often refers to the frets and/or their system of placement. Explanation Pressing the string against the fret reduces the vibrating length of the string to that between the bridge and the next fret between the fretting finger and the bridge. This is damped if the string were stopped with the soft fingertip on a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Key (music)
In music theory, the key of a piece is the group of pitches, or scale, that forms the basis of a musical composition in classical, Western art, and Western pop music. The group features a '' tonic note'' and its corresponding ''chords'', also called a ''tonic'' or ''tonic chord'', which provides a subjective sense of arrival and rest, and also has a unique relationship to the other pitches of the same group, their corresponding chords, and pitches and chords outside the group. Notes and chords other than the tonic in a piece create varying degrees of tension, resolved when the tonic note or chord returns. The key may be in the major or minor mode, though musicians assume major when this is not specified, e.g., "This piece is in C" implies that the key of the song is C major. Popular songs are usually in a key, and so is classical music during the common practice period, around 1650–1900. Longer pieces in the classical repertoire may have sections in contrasting keys. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Male Vocal Tanpura, Miraj 1963
Male (Mars symbol, symbol: ♂) is the sex of an organism that produces the gamete (sex cell) known as sperm, which fuses with the larger female gamete, or ovum, in the process of fertilization. A male organism cannot sexual reproduction, reproduce sexually without access to at least one ovum from a female, but some organisms can reproduce both sexually and Asexual reproduction, asexually. Most male mammals, including male humans, have a Y chromosome, which codes for the production of larger amounts of testosterone to develop male reproductive organs. Not all species share a common sex-determination system. In most animals, including Homo sapiens, humans, sex is determined genetics, genetically; however, species such as ''Cymothoa exigua'' change sex depending on the number of females present in the vicinity. In humans, the word ''male'' can also be used to refer to gender in the social sense of gender role or gender identity. Overview The existence of separate sexes has evol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fine Tuning
In theoretical physics, fine-tuning is the process in which parameters of a model must be adjusted very precisely in order to fit with certain observations. This had led to the discovery that the fundamental constants and quantities fall into such an extraordinarily precise range that if it did not, the origin and evolution of conscious agents in the universe would not be permitted. Theories requiring fine-tuning are regarded as problematic in the absence of a known mechanism to explain why the parameters happen to have precisely the observed values that they return. The heuristic rule that parameters in a fundamental physical theory should not be too fine-tuned is called naturalness. Background The idea that naturalness will explain fine tuning was brought into question by Nima Arkani-Hamed, a theoretical physicist, in his talk "Why is there a Macroscopic Universe?", a lecture from the mini-series "Multiverse & Fine Tuning" from the "Philosophy of Cosmology" project, a Unive ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sarod
The sarod is a stringed instrument, used in Hindustani music on the Indian subcontinent. Along with the sitar, it is among the most popular and prominent instruments. It is known for a deep, weighty, introspective sound, in contrast with the sweet, overtone-rich texture of the sitar, with sympathetic strings that give it a resonant, reverberant quality. A fretless instrument, it can produce the continuous slides between notes known as meend (glissandi), which are important in Indian music. Origins The word sarod, which comes from the Persian, is much older than the Indian musical instrument. It can be traced back to ''sorūd'' meaning "song", "melody", "hymn" and further to the Persian verb ''sorūdan'', which correspondingly means "to sing", "to play a musical instrument", but also means "to compose". Alternatively, the shahrud may have given its name to the sarod. The Persian word šāh-rūd is made up of ''šāh'' (shah or king) and ''rūd'' (string). Many scholars of Indi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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