The Bartered Bride
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''The Bartered Bride'' ( cz, Prodaná nevěsta, links=no, ''The Sold Bride'') is a
comic opera Comic opera, sometimes known as light opera, is a sung dramatic work of a light or comic nature, usually with a happy ending and often including spoken dialogue. Forms of comic opera first developed in late 17th-century Italy. By the 1730s, a ne ...
in three acts by the Czech composer
Bedřich Smetana Bedřich Smetana ( , ; 2 March 1824 – 12 May 1884) was a Czech composer who pioneered the development of a musical style that became closely identified with his people's aspirations to a cultural and political "revival." He has been regarded i ...
, to a
libretto A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or Musical theatre, musical. The term ''libretto'' is also sometimes used to refer to the t ...
by
Karel Sabina Karel Sabina (pen names include Arian Želinský and Leo Blass) (29 December 1813 – 8 November 1877) was a Czech writer and journalist. Life Karel Sabina grew up in poverty as an extramarital child of a daughter of a sugar producing factory' ...
. The work is generally regarded as a major contribution towards the development of
Czech music Music of the Czech Republic comprises the musical traditions of that state or the historical entities of which it is compound, i.e. the Czech lands (Bohemia, Moravia, Czech Silesia). Czech music also constitutes a substantial part of the music c ...
. It was composed during the period 1863 to 1866, and first performed at the
Provisional Theatre The Prague Provisional Theatre ( cz, Prozatímní divadlo, ) was erected in 1862 as a temporary home for Czech drama and opera until a permanent National Theatre could be built. It opened on 18 November 1862 and functioned for 20 years, during wh ...
, Prague, on 30 May 1866 in a two-act format with spoken dialogue. Set in a country village and with realistic characters, it tells the story of how, after a late surprise revelation, true love prevails over the combined efforts of ambitious parents and a scheming
marriage broker Matchmaking is the process of matching two or more people together, usually for the purpose of marriage, in which case the matchmaker is also known as a marriage broker. The word is also used in the context of sporting events such as boxing, in ...
. The opera was not immediately successful, and was revised and extended in the following four years. In its final version, premiered in 1870, it rapidly gained popularity and eventually became a worldwide success. Until this time, the Czech national opera had only been represented by minor, rarely performed works. This opera, Smetana's second, was part of his quest to create a truly Czech operatic genre. Smetana's musical treatment made considerable use of traditional Bohemian dance forms, such as the
polka Polka is a dance and genre of dance music originating in nineteenth-century Bohemia, now part of the Czech Republic. Though associated with Czech culture, polka is popular throughout Europe and the Americas. History Etymology The term ...
and
furiant A furiant is a rapid and fiery Bohemian dance in alternating 2/4 and 3/4 time, with frequently shifting accents; or, in "art music", in 3/4 time "with strong accents forming pairs of beats". The stylised form of the dance was often used by Czech ...
, and, although he largely avoided the direct quotation of
folksong Folk music is a music genre that includes traditional folk music and the contemporary genre that evolved from the former during the 20th-century folk revival. Some types of folk music may be called world music. Traditional folk music has b ...
, he nevertheless created music considered by Czechs to be quintessentially Czech in spirit. The overture, often played as a concert piece independently from the opera, was, unusually, composed before almost any of the other music had been written. After a performance at the Vienna Music and Theatre Exhibition of 1892, the opera achieved international recognition. It was performed in Chicago in 1893, London in 1895 and reached New York in 1909, subsequently becoming the first, and for many years the only, Czech opera in the general repertory. Many of these early international performances were in German, under the title ''Die verkaufte Braut'', and the German-language version continues to be played and recorded. A German film of the opera was made in 1932 by
Max Ophüls Maximillian Oppenheimer (; 6 May 1902 – 26 March 1957), known as Max Ophüls (; ), was a German-French film director who worked in Germany (1931–1933), France (1933–1940 and 1950–1957), and the United States (1947–1950). He made near ...
.


Context

Until the middle 1850s Bedřich Smetana was known in Prague principally as a teacher, pianist and composer of salon pieces. His failure to achieve wider recognition in the Bohemian capital led him to depart in 1856 for Sweden, where he spent the next five years. During this period he extended his compositional range to large-scale orchestral works in the descriptive style championed by
Franz Liszt Franz Liszt, in modern usage ''Liszt Ferenc'' . Liszt's Hungarian passport spelled his given name as "Ferencz". An orthographic reform of the Hungarian language in 1922 (which was 36 years after Liszt's death) changed the letter "cz" to simpl ...
and
Richard Wagner Wilhelm Richard Wagner ( ; ; 22 May 181313 February 1883) was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas"). Unlike most op ...
. Liszt was Smetana's long-time mentor; he had accepted a dedication of the latter's Opus 1: ''Six Characteristic Pieces for Piano'' in 1848, and had encouraged the younger composer's career since then. In September 1857 Smetana visited Liszt in
Weimar Weimar is a city in the state of Thuringia, Germany. It is located in Central Germany between Erfurt in the west and Jena in the east, approximately southwest of Leipzig, north of Nuremberg and west of Dresden. Together with the neighbouri ...
, where he met
Peter Cornelius Carl August Peter Cornelius (24 December 1824 – 26 October 1874) was a German composer, writer about music, poet and translator. Life He was born in Mainz to Carl Joseph Gerhard (1793–1843) and Friederike (1789–1867) Cornelius, actors i ...
, a follower of Liszt's who was working on a comic opera, ''
Der Barbier von Bagdad ''Der Barbier von Bagdad'' (''The Barber of Baghdad'') is a comic opera in two acts by Peter Cornelius to a German libretto by the composer, based on ''The Tale of the Tailor'' and ''The Barber’s Stories of his Six Brothers'' in ''One Thousand a ...
''. Their discussions centred on the need to create a modern style of comic opera, as a counterbalance to Wagner's new form of
music drama is a German word that means a unity of prose and music. Initially coined by Theodor Mundt in 1833, it was most notably used by Richard Wagner, along with Gesamtkunstwerk, to define his operas. Usage Mundt formulated his definition explicitly ...
. A comment was made by the Viennese conductor
Johann von Herbeck Johann Ritter von Herbeck (25 December 1831 – 28 October 1877) was an Austrian musician, conductor and composer, born in Vienna, best known for leading the premiere of Franz Schubert's "Unfinished" Symphony. He was practically a self-educ ...
to the effect that Czechs were incapable of making music of their own, a remark which Smetana took to heart: "I swore there and then that no other than I should beget a native Czech music." Smetana did not act immediately on this aspiration. The announcement that a Provisional Theatre was to be opened in Prague, as a home for Czech opera and drama pending the building of a permanent National Theatre, influenced his decision to return permanently to his homeland in 1861. He was then spurred to creative action by the announcement of a prize competition, sponsored by the Czech patriot Jan von Harrach, to provide suitable operas for the Provisional Theatre. By 1863 he had written ''
The Brandenburgers in Bohemia ''The Brandenburgers in Bohemia'' ( cz, Braniboři v Čechách) is a three-act opera, the first by Bedřich Smetana. The Czech libretto was written by Karel Sabina, and is based on events from Czech history. The work was composed in the years 1862 ...
'' to a libretto by the Czech nationalist poet
Karel Sabina Karel Sabina (pen names include Arian Želinský and Leo Blass) (29 December 1813 – 8 November 1877) was a Czech writer and journalist. Life Karel Sabina grew up in poverty as an extramarital child of a daughter of a sugar producing factory' ...
, whom Smetana had met briefly in 1848. ''The Brandenburgers'', which was awarded the opera prize, was a serious historical drama, but even before its completion Smetana was noting down themes for use in a future comic opera. By this time he had heard the music of Cornelius's ''Der Barbier'', and was ready to try his own hand at the comic genre.


Composition history


Libretto

For his libretto, Smetana again approached Sabina, who by 5 July 1863 had produced an untitled one-act sketch in German. Over the following months Sabina was encouraged to develop this into a full-length text, and to provide a Czech translation. According to Smetana's biographer
Brian Large Brian Large (born 16 February 1939 in London, England) is a television director and author. He is among the world's foremost TV directors specializing in opera and classical music. Biography Studies Large studied at the Royal Academy of Music ...
, this process was prolonged and untidy; the manuscript shows amendments and additions in Smetana's own hand, and some pages apparently written by Smetana's wife Bettina (who may have been receiving dictation). By the end of 1863 a two-act version, with around 20 musical numbers separated by spoken dialogue, had been assembled. Smetana's diary indicates that he, rather than Sabina, chose the work's title because "the poet did not know what to call it." The translation "Sold Bride" is strictly accurate, but the more euphonious "Bartered Bride" has been adopted throughout the English-speaking world. Sabina evidently did not fully appreciate Smetana's intention to write a full-length opera, later commenting: "If I had suspected what Smetana would make of my operetta, I should have taken more pains and written him a better and more solid libretto." The Czech music specialist John Tyrrell has observed that, despite the casual way in which ''The Bartered Bride's'' libretto was put together, it has an intrinsic "Czechness", being one of the few in Czech written in
trochee In English poetic metre and modern linguistics, a trochee () is a metrical foot consisting of a stressed syllable followed by an unstressed one. But in Latin and Ancient Greek poetic metre, a trochee is a heavy syllable followed by a light one ( ...
s (a stressed syllable followed by an unstressed one), matching the natural first-syllable emphasis in Czech.


Composition

By October 1862, well before the arrival of any libretto or plot sketch, Smetana had noted down 16 bars which later became the theme of ''The Bartered Bride's'' opening chorus. In May 1863 he sketched eight bars which he eventually used in the love duet "Faithful love can't be marred", and later that summer, while still awaiting Sabina's revised libretto, he wrote the theme of the comic number "We'll make a pretty little thing". He also produced a piano version of the entire overture, which was performed in a public concert on 18 November. In this, he departed from his normal practice of leaving the overture until last. The opera continued to be composed in a piecemeal fashion, as Sabina's libretto gradually took shape. Progress was slow, and was interrupted by other work. Smetana had become Chorus Master of the Hlahol Choral Society in 1862, and spent much time rehearsing and performing with the Society. He was deeply involved in the 1864 Shakespeare Festival in Prague, conducting Berlioz's ''Romeo et Juliette'' and composing a festival march. That same year he became music correspondent of the Czech-language newspaper ''Národní listy''. Smetana's diary for December 1864 records that he was continuing to work on ''The Bartered Bride''; the piano score was completed by October 1865. It was then put aside so that the composer could concentrate on his third opera ''Dalibor''. Smetana evidently did not begin the orchestral scoring of ''The Bartered Bride'' until, following the successful performance of ''The Brandenburgers'' in January 1866, the management of the Provisional Theatre decided to stage the new opera during the following summer. The scoring was completed rapidly, between 20 February and 16 March.


Roles


Synopsis


Act 1

A crowd of villagers is celebrating at the church fair ("Let's rejoice and be merry"). Among them are Mařenka and Jeník. Mařenka is unhappy because her parents want her to marry someone she has never met. They will try to force her into this, she says. Her desires are for Jeník even though, as she explains in her aria "If I should ever learn", she knows nothing of his background. The couple then declare their feelings for each other in a passionate love duet ("Faithful love can't be marred"). As the pair leave separately, Mařenka's parents, Ludmila and Krušina, enter with the marriage broker Kecal. After some discussion, Kecal announces that he has found a groom for Mařenka – Vašek, younger son of Tobiáš Mícha, a wealthy landowner; the older son, he explains, is a worthless good-for-nothing. Kecal extols the virtues of Vašek ("He's a nice boy, well brought up"), as Mařenka re-enters. In the subsequent quartet she responds by saying that she already has a chosen lover. Send him packing, orders Kecal. The four argue, but little is resolved. Kecal decides he must convince Jeník to give up Mařenka, as the villagers return, singing and dancing a festive polka.


Act 2

The men of the village join in a rousing drinking song ("To beer!"), while Jeník and Kecal argue the merits, respectively, of love and money over beer. The women enter, and the whole group joins in dancing a furiant. Away from the jollity the nervous Vašek muses over his forthcoming marriage in a stuttering song ("My-my-my mother said to me"). Mařenka appears, and guesses immediately who he is, but does not reveal her own identity. Pretending to be someone else, she paints a picture of "Mařenka" as a treacherous deceiver. Vašek is easily fooled, and when Mařenka, in her false guise, pretends to woo him ("I know of a maiden fair"), he falls for her charms and swears to give Mařenka up. Meanwhile, Kecal is attempting to buy Jeník off, and after some verbal fencing makes a straight cash offer: a hundred florins if Jeník will renounce Mařenka. Not enough, is the reply. When Kecal increases the offer to 300 florins, Jeník pretends to accept, but imposes a condition – no one but Mícha's son will be allowed to wed Mařenka. Kecal agrees, and rushes off to prepare the contract. Alone, Jeník ponders the deal he has apparently made to barter his beloved ("When you discover whom you've bought"), wondering how anyone could believe that he would really do this, and finally expressing his love for Mařenka. Kecal summons the villagers to witness the contract he has made ("Come inside and listen to me"). He reads the terms: Mařenka is to marry no one but Mícha's son. Krušina and the crowd marvel at Jeník's apparent self-denial, but the mood changes when they learn that he has been paid off. The act ends with Jenik being denounced by Krušina and the rest of the assembly as a rascal.


Act 3

Vašek expresses his confusions in a short, sad song ("I can't get it out of my head"), but is interrupted by the arrival of a travelling circus. The Ringmaster introduces the star attractions: Esmeralda, the Spanish dancer, a "real Indian" sword swallower, and a dancing bear. A rapid folk-dance, the skočná, follows. Vašek is entranced by Esmeralda, but his timid advances are interrupted when the "Indian" rushes in, announcing that the "bear" has collapsed in a drunken stupor. A replacement is required. Vašek is soon persuaded to take the job, egged on by Esmeralda's flattering words ("We'll make a pretty thing out of you"). The circus folk leave. Vasek's parents – Mícha and Háta – arrive, with Kecal. Vašek tells them that he no longer wants to marry Mařenka, having learned her true nature from a beautiful, strange girl. They are horrified ("He does not want her – what has happened?"). Vašek runs off, and moments later Mařenka arrives with her parents. She has just learned of Jeník's deal with Kecal, and a lively ensemble ("No, no, I don't believe it") ensues. Matters are further complicated when Vašek returns, recognises Mařenka as his "strange girl", and says that he will happily marry her. In the sextet which follows ("Make your mind up, Mařenka"), Mařenka is urged to think things over. They all depart, leaving her alone. In her aria ("Oh what grief"), Mařenka sings of her betrayal. When Jeník appears, she rebuffs him angrily, and declares that she will marry Vašek. Kecal arrives, and is amused by Jeník's attempts to pacify Mařenka, who orders her former lover to go. The villagers then enter, with both sets of parents, wanting to know Mařenka's decision ("What have you decided, Mařenka?"). As she confirms that she will marry Vašek, Jeník returns, and to great consternation addresses Mícha as "father". In a surprise identity revelation it emerges that Jeník is Mícha's elder son, by a former marriage – the "worthless good-for-nothing" earlier dismissed by Kecal – who had in fact been driven away by his jealous stepmother, Háta. As Mícha's son he is, by the terms of the contract, entitled to marry Mařenka; when this becomes clear, Mařenka understands his actions and embraces him. Offstage shouting interrupts the proceedings; it seems that a bear has escaped from the circus and is heading for the village. This creature appears, but is soon revealed to be Vašek in the bear's costume ("Don't be afraid!"). His antics convince his parents that he is unready for marriage, and he is marched away. Mícha then blesses the marriage between Mařenka and Jeník, and all ends in a celebratory chorus.


Reception and performance history


Premiere

The premiere of ''The Bartered Bride'' took place at the Provisional Theatre on 30 May 1866. Smetana conducted; the stage designs were by Josef Macourek and Josef Jiři Kolár produced the opera. The role of Mařenka was sung by the theatre's principal soprano, Eleonora von Ehrenberg – who had refused to appear in ''The Brandenburgers'' because she thought her proffered role was beneath her. The parts of Krušina, Jeník and Kecal were all taken by leading members of the ''Brandenburgers'' cast. A celebrated actor, Jindřich Mošna, was engaged to play the Ringmaster, a role which involves little singing skill. The choice of date proved unfortunate for several reasons. It clashed with a public holiday, and many people had left the city for the country. It was an intensely hot day, which further reduced the number of people prepared to suffer the discomfort of a stuffy theatre. Worse, the threat of an imminent war between Prussia and Austria caused unrest and anxiety in Prague, which dampened public enthusiasm for light romantic comedy. Thus on its opening night the opera, in its two-act version with spoken dialogue, was poorly attended and indifferently received. Receipts failed to cover costs, and the theatre director was forced to pay Smetana's fee from his own pocket. Smetana's friend Josef Srb-Debrnov, who was unable to attend the performance himself, canvassed opinion from members of the audience as they emerged. "One praised it, another shook his head, and one well-known musician ... said to me: 'That's no comic opera; it won't do. The opening chorus is fine but I don't care for the rest.'" Josef Krejčí, a member of the panel that had judged Harrach's opera competition, called the work a failure "that would never hold its own." Press comment was less critical; nevertheless, after one more performance the opera was withdrawn. Shortly afterwards the Provisional Theatre temporarily closed its doors, as the threat of war drew closer to Prague.


Restructure

Smetana began revising ''The Bartered Bride'' as soon as its first performances were complete. For its first revival, in October 1866, the only significant musical alteration was the addition of a gypsy dance near the start of act 2. For this, Smetana used the music of a dance from ''The Brandenburgers of Bohemia''. When ''The Bartered Bride'' returned to the Provisional Theatre in January 1869, this dance was removed, and replaced with a polka. A new scene, with a drinking song for the chorus, was added to act 1, and Mařenka's act 2 aria "Oh what grief!" was extended. So far, changes to the original had been of a minor nature, but when the opera reappeared in June 1869 it had been entirely restructured. Although the musical numbers were still linked by dialogue, the first act had been divided in two, to create a three-act opera. Various numbers, including the drinking song and the new polka, were repositioned, and the polka was now followed by a furiant. A "March of the Comedians" was added, to introduce the strolling players in what was now act 3. A short duet for Esmeralda and the Principal Comedian was dropped. In September 1870 ''The Bartered Bride'' reached its final form, when all the dialogue was replaced by
recitative Recitative (, also known by its Italian name "''recitativo''" ()) is a style of delivery (much used in operas, oratorios, and cantatas) in which a singer is allowed to adopt the rhythms and delivery of ordinary speech. Recitative does not repea ...
. Smetana's own opinion of the finished work, given much later, was largely dismissive: he described it as "a toy ... composing it was mere child's play". It was written, he said "to spite those who accused me of being Wagnerian and incapable of doing anything in a lighter vein."


Later performances

In February 1869 Smetana had the text translated into French, and sent the libretto and score to the
Paris Opera The Paris Opera (, ) is the primary opera and ballet company of France. It was founded in 1669 by Louis XIV as the , and shortly thereafter was placed under the leadership of Jean-Baptiste Lully and officially renamed the , but continued to be ...
with a business proposal for dividing the profits. The management of the Paris Opera did not respond. The opera was first performed outside its native land on 11 January 1871, when
Eduard Nápravník Eduard Francevič Nápravník (Russian: Эдуа́рд Фра́нцевич Напра́вник; 24 August 1839 – 10 November 1916) was a Czech conductor and composer. Nápravník settled in Russia and is best known for his leading role in Rus ...
, conductor of the Russian Imperial Opera, gave a performance at the
Mariinsky Theatre The Mariinsky Theatre ( rus, Мариинский театр, Mariinskiy teatr, also transcribed as Maryinsky or Mariyinsky) is a historic theatre of opera and ballet in Saint Petersburg, Russia. Opened in 1860, it became the preeminent music th ...
in St Petersburg. The work attracted mediocre notices from the critics, one of whom compared the work unfavourably to the Offenbach genre. Smetana was hurt by this remark, which he felt downgraded his opera to
operetta Operetta is a form of theatre and a genre of light opera. It includes spoken dialogue, songs, and dances. It is lighter than opera in terms of its music, orchestral size, length of the work, and at face value, subject matter. Apart from its s ...
status, and was convinced that press hostility had been generated by a former adversary, the Russian composer
Mily Balakirev Mily Alexeyevich Balakirev (russian: Милий Алексеевич Балакирев,BGN/PCGN transliteration of Russian: Miliy Alekseyevich Balakirev; ALA-LC system: ''Miliĭ Alekseevich Balakirev''; ISO 9 system: ''Milij Alekseevič Balakir ...
. The pair had clashed some years earlier, over the Provisional Theatre's stagings of Glinka's '' A Life for the Tsar'' and ''
Ruslan and Lyudmila Ruslan may refer to: * ''Ruslan'' (film), a 2009 film starring Steven Segal * Ruslan (given name), male name used mainly in Slavic countries, with list of people * Antonov An-124 ''Ruslan'', large Soviet cargo aircraft, later built in Ukraine and ...
''. Smetana believed that Balakirev had used the Russian premiere of ''The Bartered Bride'' as a means of exacting revenge. ''The Bartered Bride'' was not performed abroad again until after Smetana's death in 1884. It was staged by the
Prague National Theatre The National Theatre ( cs, Národní divadlo) in Prague is known as the alma mater of Czech opera, and as the national monument of Czech history and art. The National Theatre belongs to the most important Czech cultural institutions, with a ri ...
company in Vienna, as part of the Vienna Music and Theatre Exhibition of 1892, where its favourable reception was the beginning of its worldwide popularity among opera audiences. Since Czech was not widely spoken, international performances tended to be in German. The
United States The United States of America (U.S.A. or USA), commonly known as the United States (U.S. or US) or America, is a country primarily located in North America. It consists of 50 states, a federal district, five major unincorporated territorie ...
premiere took place at the Haymarket Theatre,
Chicago (''City in a Garden''); I Will , image_map = , map_caption = Interactive Map of Chicago , coordinates = , coordinates_footnotes = , subdivision_type = Country , subdivision_name ...
, on 20 August 1893. The opera was introduced to the
Hamburg State Opera The Hamburg State Opera (in German: Staatsoper Hamburg) is a German opera company based in Hamburg. Its theatre is near the square of Gänsemarkt. Since 2015, the current ''Intendant'' of the company is Georges Delnon, and the current ''General ...
in 1894 by
Gustav Mahler Gustav Mahler (; 7 July 1860 – 18 May 1911) was an Austro-Bohemian Romantic composer, and one of the leading conductors of his generation. As a composer he acted as a bridge between the 19th-century Austro-German tradition and the modernism ...
, then serving as its director; in 1895 the Coburg Company brought its production to the
Theatre Royal, Drury Lane The Theatre Royal, Drury Lane, commonly known as Drury Lane, is a West End theatre and Grade I listed building in Covent Garden, London, England. The building faces Catherine Street (earlier named Bridges or Brydges Street) and backs onto Dr ...
in London. In 1897, after his appointment as director of the
Vienna State Opera The Vienna State Opera (, ) is an opera house and opera company based in Vienna, Austria. The 1,709-seat Renaissance Revival venue was the first major building on the Vienna Ring Road. It was built from 1861 to 1869 following plans by August S ...
, Mahler brought ''The Bartered Bride'' into the Vienna repertory, and conducted regular performances of the work between 1899 and 1907. Mahler's enthusiasm for the work was such that he had incorporated a quote from the overture into the final movement of his First Symphony (1888). When he became Director of the
Metropolitan Opera The Metropolitan Opera (commonly known as the Met) is an American opera company based in New York City, resident at the Metropolitan Opera House at Lincoln Center, currently situated on the Upper West Side of Manhattan. The company is operat ...
in New York in 1907 he added the opera to its repertory. The New York premiere, again in German, took place on 19 February 1909, and was warmly received. ''
The New York Times ''The New York Times'' (''the Times'', ''NYT'', or the Gray Lady) is a daily newspaper based in New York City with a worldwide readership reported in 2020 to comprise a declining 840,000 paid print subscribers, and a growing 6 million paid ...
'' commented on the excellence of the staging and musical characterisations, and paid particular tribute to "Mr. Mahler", whose master hand was in evidence throughout. Mahler chose to play the overture between acts 1 and 2, so that latecomers might hear it.


Modern revivals

The opera was performed more than one hundred times during Smetana's lifetime (the first Czech opera to reach this landmark), subsequently becoming a permanent feature of the National Theatre's repertory. On 9 May 1945 a special performance in memory of the victims of World War II was given at the theatre, four days after the last significant fighting in Europe. In the years since its American premiere ''The Bartered Bride'' has entered the repertory of all major opera companies, and is regularly revived worldwide. After several unsuccessful attempts to stage it in France, it was premiered at the
Opéra-Comique The Opéra-Comique is a Paris opera company which was founded around 1714 by some of the popular theatres of the Parisian fairs. In 1762 the company was merged with – and for a time took the name of – its chief rival, the Comédie-Italienne ...
in Paris in 1928, sung in French as ''La Fiancée vendue''. In 2008 the opera was added to the repertoire of the Paris Opera, in a new production staged at the
Palais Garnier The Palais Garnier (, Garnier Palace), also known as Opéra Garnier (, Garnier Opera), is a 1,979-seatBeauvert 1996, p. 102. opera house at the Place de l'Opéra in the 9th arrondissement of Paris, France. It was built for the Paris Opera from ...
. In the English-speaking world, recent productions of ''The Bartered Bride'' in London have included the
Royal Opera House The Royal Opera House (ROH) is an opera house and major performing arts venue in Covent Garden, central London. The large building is often referred to as simply Covent Garden, after a previous use of the site. It is the home of The Royal Op ...
(ROH) presentation in 1998, staged at
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during the restoration of the ROH's headquarters at
Covent Garden Covent Garden is a district in London, on the eastern fringes of the West End, between St Martin's Lane and Drury Lane. It is associated with the former fruit-and-vegetable market in the central square, now a popular shopping and tourist si ...
. This production in English was directed by
Francesca Zambello Francesca Zambello (born August 24, 1956) is an American opera and theatre director. She serves as director of Glimmerglass Festival and the Washington National Opera. Early life and education Born in New York City, Zambello lived in Europe whe ...
and conducted by
Bernard Haitink Bernard Johan Herman Haitink (; 4 March 1929 – 21 October 2021) was a Dutch conductor and violinist. He was the principal conductor of several international orchestras, beginning with the Royal Concertgebouw Orchestra in 1961. He moved to Lon ...
; it was criticised both for its stark settings and for ruining the act 2 entrance of Vašek. It was nevertheless twice revived by the ROH – in 2001 and 2006, under
Charles Mackerras Mackerras in 2005 Sir Alan Charles MacLaurin Mackerras (; 1925 2010) was an Australian conductor. He was an authority on the operas of Janáček and Mozart, and the comic operas of Gilbert and Sullivan. He was long associated with the Eng ...
. A New York Metropolitan staging was in 1996 under
James Levine James Lawrence Levine (; June 23, 1943 – March 9, 2021) was an American conductor and pianist. He was music director of the Metropolitan Opera from 1976 to 2016. He was terminated from all his positions and affiliations with the Met on March 1 ...
, a revival of
John Dexter John Dexter (2 August 1925 – 23 March 1990) was an English theatre, opera and film director. Theatre Born in Derby, Derbyshire, England, Dexter left school at the age of fourteen to serve in the British Army during the Second World War. F ...
's 1978 production with stage designs by
Josef Svoboda Josef Svoboda (10 May 1920 – 8 April 2002) was a Czech artist and scenic designer. He was a production designer and director, known for Amadey (1984), Laterna Magika: Puzzles (1996) and Laterna Magika: Trap (1999). Education Svoboda was ...
. In 2005 ''The Bartered Bride'' returned to New York, at the
Juilliard School The Juilliard School ( ) is a private performing arts conservatory in New York City. Established in 1905, the school trains about 850 undergraduate and graduate students in dance, drama, and music. It is widely regarded as one of the most el ...
theatre, in a new production by Eve Shapiro, conducted by Mark Stringer. In its May 2009 production at the
Cutler Majestic Theatre The Cutler Majestic Theatre at Emerson College, in Boston, Massachusetts, is a 1903 Beaux Arts style theater, designed by the architect John Galen Howard. Originally built for theatre, it was one of three theaters commissioned in Boston by Ebe ...
,
Opera Boston Opera Boston was an opera company in Boston, Massachusetts. It specialized in less-frequently heard repertoire as well as modern works or opera premieres, along with opera education and outreach programs designed to bring opera education to childr ...
transplanted the action to 1934, in the small
Iowa Iowa () is a state in the Midwestern region of the United States, bordered by the Mississippi River to the east and the Missouri River and Big Sioux River to the west. It is bordered by six states: Wisconsin to the northeast, Illinois to the ...
n town of Spillville, once the home of a large Czech settlement.


Music

Although much of the music of ''The Bartered Bride'' is folk-like, the only significant use of authentic folk material is in the act 2 furiant, with a few other occasional glimpses of basic Czech folk melodies. The "Czechness" of the music is further illustrated by the closeness to Czech dance rhythms of many individual numbers. Smetana's diary indicates that he was trying to give the music "a popular character, because the plot ..is taken from village life and demands a national treatment." According to his biographer John Clapham, Smetana "certainly felt the pulse of the peasantry and knew how to express this in music, yet inevitably he added something of himself." Historian
Harold Schonberg Harold Charles Schonberg (29 November 1915 – 26 July 2003) was an American music critic and author. He is best known for his contributions in ''The New York Times'', where he was chief music critic from 1960 to 1980. In 1971, he became the fi ...
argues that "the exoticisms of the Bohemian musical language were not in the Western musical consciousness until Smetana appeared." Smetana's musical language is, on the whole, one of happiness, expressing joy, dancing and festivals. The mood of the entire opera is set by the overture, a concert piece in its own right, which Tyrrell describes as "a tour de force of the genre, wonderfully spirited & wonderfully crafted." Tyrrell draws attention to several of its striking features – its extended string
fugato In music, a fugue () is a contrapuntal compositional technique in two or more voices, built on a subject (a musical theme) that is introduced at the beginning in imitation (repetition at different pitches) and which recurs frequently in the co ...
, climactic
tutti ''Tutti'' is an Italian word literally meaning ''all'' or ''together'' and is used as a musical term, for the whole orchestra as opposed to the soloist. It is applied similarly to choral music, where the whole section or choir is called to sing. M ...
and prominent
syncopation In music, syncopation is a variety of rhythms played together to make a piece of music, making part or all of a tune or piece of music off-beat. More simply, syncopation is "a disturbance or interruption of the regular flow of rhythm": a "place ...
s. The overture does not contain many of the opera's later themes: biographer Brian Large compares it to
Mozart Wolfgang Amadeus Mozart (27 January 17565 December 1791), baptised as Joannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical period (music), Classical period. Despite his short life, his ra ...
's overtures to ''
The Marriage of Figaro ''The Marriage of Figaro'' ( it, Le nozze di Figaro, links=no, ), K. 492, is a ''commedia per musica'' (opera buffa) in four acts composed in 1786 by Wolfgang Amadeus Mozart, with an Italian libretto written by Lorenzo Da Ponte. It premie ...
'' and ''
The Magic Flute ''The Magic Flute'' (German: , ), K. 620, is an opera in two acts by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder. The work is in the form of a ''Singspiel'', a popular form during the time it was written that inclu ...
'', in establishing a general mood. It is followed immediately by an extended orchestral prelude, for which Smetana adapted part of his 1849 piano work ''Wedding Scenes'', adding special effects such as bagpipe imitations. Schonberg has suggested that Bohemian composers express melancholy in a delicate, elegiac manner "without the crushing world-weariness and pessimism of the Russians." Thus, Mařenka's unhappiness is illustrated in the opening chorus by a brief switch to the minor key; likewise, the inherent pathos of Vašek's character is demonstrated by the dark minor key music of his act 3 solo. Smetana also uses the technique of musical reminiscence, where particular themes are used as reminders of other parts of the action; the lilting clarinet theme of "faithful love" is an example, though it and other instances fall short of being full-blown
Wagnerian Wilhelm Richard Wagner ( ; ; 22 May 181313 February 1883) was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas"). Unlike most op ...
leading themes or ''
Leitmotif A leitmotif or leitmotiv () is a "short, recurring musical phrase" associated with a particular person, place, or idea. It is closely related to the musical concepts of ''idée fixe'' or ''motto-theme''. The spelling ''leitmotif'' is an anglici ...
s''. Large has commented that despite the colour and vigour of the music, there is little by way of characterisation, except in the cases of Kecal and, to a lesser extent, the loving pair and the unfortunate Vašek. The two sets of parents and the various circus folk are all conventional and "penny-plain" figures. In contrast, Kecal's character – that of a self-important, pig-headed, loquacious bungler – is instantly established by his rapid-patter music. Large suggests that the character may have been modelled on that of the boastful Baron in Cimarosa's opera ''
Il matrimonio segreto ' (''The Secret Marriage'') is a dramma giocoso in two acts, music by Domenico Cimarosa, on a libretto by Giovanni Bertati, based on the 1766 play ''The Clandestine Marriage'' by George Colman the Elder and David Garrick. It was first performed o ...
''. Mařenka's temperament is shown in vocal flourishes which include
coloratura Coloratura is an elaborate melody with runs, trills, wide leaps, or similar virtuoso-like material,''Oxford American Dictionaries''.Apel (1969), p. 184. or a passage of such music. Operatic roles in which such music plays a prominent part, an ...
passages and sustained high notes, while Jeník's good nature is reflected in the warmth of his music, generally in the G minor key. For Vašek's dual image, comic and pathetic, Smetana uses the major key to depict comedy, the minor for sorrow. Large suggests that Vašek's musical stammer, portrayed especially in his opening act 2 song, was taken from Mozart's character Don Curzio in ''The Marriage of Figaro''.


Film and other adaptations

A silent film of ''The Bartered Bride'' was made in 1913 by the Czech film production studio Kinofa. It was produced by Max Urban and starred his wife Andula Sedláčková. A German-language version of the opera, '' Die verkaufte Braut'', was filmed in 1932 by
Max Ophüls Maximillian Oppenheimer (; 6 May 1902 – 26 March 1957), known as Max Ophüls (; ), was a German-French film director who worked in Germany (1931–1933), France (1933–1940 and 1950–1957), and the United States (1947–1950). He made near ...
, the celebrated German director then at the beginning of his film-making career. The screenplay was drawn from Sabina's libretto by Curt Alexander, and Smetana's music was adapted by the German composer of film music,
Theo Mackeben Relief from Mackeben's tombstone Theo Mackeben, born 5 January 1897 in Preußisch Stargard, Westpreußen, died 10 January 1953 in Berlin, was a German pianist, conductor and composer, particularly of film music.Lamb A. Theo Mackeben. In: ''The Ne ...
. The film starred the leading Czech opera singer
Jarmila Novotná Jarmila Novotná (September 23, 1907, in Prague, Austria-Hungary – February 9, 1994, in New York City) was a celebrated Bohemian soprano and actress and, from 1940 to 1956, a star of the Metropolitan Opera. Early career A student of Emmy De ...
in the role of Mařenka ("Marie" in the film), and the German baritone
Willi Domgraf-Fassbaender Willi Domgraf-Fassbaender (19 February 1897, Aachen – 13 February 1978, Nuremberg) was a German operatic baritone, particularly associated with Mozart and Verdi roles. He is considered to have been one of the best lyric baritones of the int ...
as Jeník ("Hans"). Ophuls constructed an entire Czech village in the studio to provide an authentic background. Following the film's US release in 1934, ''The New York Times'' commented that it "carr edmost of the comedy of the original" but was "rather weak on the musical side", despite the presence of stars such as Novotná. Opera-lovers, the review suggested, should not expect too much, but the work nevertheless gave an attractive portrait of Bohemian village life in the mid-19th century. The reviewer found most of the acting first-rate, but commented that "the photography and sound reproduction are none too clear at times." Other film adaptations of the opera were made in 1922 directed by Oldrich Kminek (Atropos), in 1933, directed by Jaroslav Kvapil,
Svatopluk Innemann Svatopluk Innemann (18 February 1896 – 30 October 1945) was a Czech film director, cinematographer, screenwriter, film editor and actor. He was one of the pioneers of Czech cinema. Biography and works Innemann, was a son of the Czech director R ...
and
Emil Pollert Emil Pollert, born Emil Popper (20 January 1877, Liblice at Mělník – 23 October 1935, Prague) was a Czech opera singer at the National Theatre in Prague, in his time the main representative of bass roles. Life Pollert's talent was discove ...
(Espofilm), and in 1976, directed by
Václav Kašlík Václav Kašlík (28 September 1917 – 4 June 1989) was a Czech composer, opera director and conductor, known for his operas, both on the stage and on television. Biography Kašlík was born in Poličná in Moravia, Austria-Hungary (now part of ...
(Barrandov). A version was produced for Australian television in 1960.Listed at 8:00PM on ABV Channel 2
at Google News Archive, a clip also appears on YouTube with poor sound quality


List of musical numbers

The list relates to the final (1870) version of the opera.


Recordings

See '' The Bartered Bride discography''.


References

Notes Sources * * * * * * * * * * * * * * * * *


Further reading

* * *


External links

* *
''Die verkaufte Braut''
Public Domain copy of Max Ophüls 1932 film at Internet Archive {{DEFAULTSORT:Bartered Bride, The Operas by Bedřich Smetana Czech-language operas Operas 1866 operas 1870 operas Operas set in Bohemia Operas adapted into films