Tulsidas

Tulsidas (; born Rambola Dubey; also known as Goswami Tulsidas; c.1511pp. 23–34.–1623) was a Ramanandi Vaishnava Hindu saint and poet, renowned for his devotion to the deity Rama. He wrote several popular works in Sanskrit and Awadhi, but is best known as the author of the ''Hanuman Chalisa'' and of the epic '' Ramcharitmanas'', a retelling of the Sanskrit ''Ramayana'' based on Rama's life in the vernacular Awadhi.

Tulsidas spent most of his life in the city of Varanasi and Ayodhya. The Tulsi Ghat on the Ganges River in Varanasi is named after him. He founded the Sankatmochan Temple dedicated to Lord Hanuman in Varanasi, believed to stand at the place where he had the sight of the deity. Tulsidas started the Ramlila plays, a folk-theatre adaptation of the Ramayana.: ... this book ... is also a drama, because Goswami Tulasidasa started his ''Ram Lila'' on the basis of this book, which even now is performed in the same manner everywhere.

He has been acclaimed as one of the greatest poets in Hindi, Indian, and world literature. The impact of Tulsidas and his works on the art, culture and society in India is widespread and is seen to date in vernacular language, Ramlila plays, Hindustani classical music, popular music, and television series.

Transliteration and etymology

The Sanskrit name of Tulsidas can be transliterated in two ways. Using the original Sanskrit, the name is written as ''Tulasīdāsa''. Using the Hunterian transliteration system, it is written as ''Tulsidas'' or ''Tulsīdās'' reflecting the vernacular pronunciation (since the written Indian languages maintain the vestigial letters that are no longer pronounced). The lost vowels are an aspect of the Schwa deletion in Indo-Aryan languages and can vary between regions. The name is a compound of two Sanskrit words: Tulasī, which is an Indian variety of the basil plant considered auspicious by Vaishnavas (devotees of god Vishnu and his avatars like Rama), and Dāsa, which means ''slave'' or ''servant'' and by extension, ''devotee''.

Sources

Tulsidas himself has given only a few facts and hints about events of his life in various works. Till late nineteenth century, the two widely known ancient sources on Tulsidas' life were the ''Bhaktamal'' composed by Nabhadas between 1583 and 1639, and a commentary on ''Bhaktamal'' titled ''Bhaktirasbodhini'' composed by Priyadas in 1712. Nabhadas was a contemporary of Tulsidas and wrote a six-line stanza on Tulsidas describing him as an incarnation of Valmiki. Priyadas' work was composed around a hundred years after the death of Tulsidas and had eleven additional stanzas, describing seven miracles or spiritual experiences from the life of Tulsidas. During the 1920s, two more ancient biographies of Tulsidas were published based on old manuscripts – the ''Mula Gosain Charit'' composed by Veni Madhav Das in 1630 and the ''Gosain Charit'' composed by Dasanidas (also known as Bhavanidas) around 1770. Veni Madhav Das was a disciple and contemporary of Tulsidas and his work gave a new date for Tulsidas' birth. The work by Bhavanidas presented more narratives in greater detail as compared to the work by Priyadas. In the 1950s a fifth ancient account was published based on an old manuscript, the ''Gautam Chandrika'' composed by Krishnadatta Misra of Varanasi in 1624. Krishnadatta Misra's father was a close companion of Tulsidas. The accounts published later are not considered authentic by some modern scholars, whereas some other scholars have been unwilling to dismiss them. Together, these five works form a set of traditional biographies on which modern biographies of Tulsidas are based.

Incarnation of Valmiki

He is believed by many to be a rebirth of Valmiki. In the Hindu scripture '' Bhavishyottar Purana'', the god Shiva tells his wife Parvati how Valmiki, who got a boon from Hanuman to sing the glory of Rama in vernacular language, will incarnate in future in the Kali Yuga (the present and last Yuga or epoch within a cycle of four Yugas).Rambhadracharya 2008, p. xxv.

Nabhadas writes in his ''Bhaktamal'' (literally, ''the Garland of bhakt or devotee'') that Tulsidas was the re-incarnation of Valmiki in the Kali Yuga.Prasad 2008, p. xix.Lamb 2002, p. 38 The Ramanandi sect believes that it was Valmiki himself who incarnated as Tulsidas in the Kali Yuga.

According to a traditional account, Hanuman went to Valmiki numerous times to hear him sing the Ramayana, but Valmiki turned down the request saying that Hanuman being a monkey was unworthy of hearing the epic. After the victory of Rama over Ravana, Hanuman went to the Himalayas to continue his worship of Rama. There he scripted a play version of the Ramayana called ''Mahanataka'' or ''Hanuman Nataka'' engraved on the Himalayan rocks using his nails. When Valmiki saw the play written by Hanuman, he anticipated that the beauty of the ''Mahanataka'' would eclipse his own Ramayana. Hanuman was saddened at Valmiki's state of mind and, being a true bhakta without any desire for glory, Hanuman cast all the rocks into the ocean, some parts of which are believed to be available today as ''Hanuman Nataka''. After this, Valmiki was instructed by Hanuman to take birth as Tulsidas and compose the Ramayana in the vernacular.

Early life

Birth

Tulsidas was born on Saptami, the seventh day of Shukla Paksha, the bright half of the lunar Hindu calendar month Shraavana (July–August).Gita Press Publisher 2007, p. 25. This correlates with 1 August 1511 of the Gregorian calendar. Although as many as three places are mentioned as his birthplace, most scholars identify the place with Sookar Kshetra Soron, District Kasganj in Uttar Pradesh, a city on the banks of the river Ganga. In 2012 Sukarkhet Soron was declared officially by the government of Uttar Pradesh as the birthplace of Tulsi Das. His parents were Hulsi and Atmaram Dubey. Most sources identify him as a Sanadhya Brahmin of the Bharadwaj ''Gotra'' (lineage), although some sources claim he was a Kanyakubja or Saryupareen Brahmin.

There is difference of opinion among biographers regarding the year of birth of Tulsidas. Many sources rely on Veni Madhav Das' account in the ''Mula Gosain Charita'', which gives the year of Tulsidas' birth as Vikrami Samvat 1554 (1497 CE).Ralhan 1997 pp. 187–194. These sources include Shivlal Pathak, popular editions of Ramcharitmanas (Gita Press, Naval Kishore Press and Venkateshvar Press), Edwin Greaves, Hanuman Prasad Poddar, Ramanand Sarasvati, Ayodhyanath Sharma, Ramchandra Shukla, Narayandas, and Rambhadracharya. A second group of biographers led by Gosvami Tulsidas of Soron and Sir George Grierson give the year as Vikram 1568 (1511 CE). These biographers include Ramkrishna Gopal Bhandarkar, Ramghulam Dwivedi, James Lochtefeld, Swami Sivananda and others. The year 1497 appears in many current-day biographies in India and in popular culture. Biographers who disagree with this year argue that it makes the life span of Tulsidas equal 126 years, which in their opinion is ''unlikely if not impossible''. In contrast, Ramchandra Shukla says that an age of 126 is not impossible for a Mahatma (''great soul'') like Tulsidas. The Government of India and provincial governments celebrated the 500th birth anniversary of Tulsidas in the year 2011 CE, according to the year of Tulsidas' birth in popular culture.

Childhood

Legend goes that Tulsidas was born after staying in the womb for twelve months, he had all thirty two teeth in his mouth at birth, his health and looks were like that of a five-year-old boy, and he did not cry at the time of his birth but uttered ''Rama'' instead.Shukla 2002, pp. 27–30.Rambhadracharya 2008, pp. xxvi–xxix.Gita Press Publisher 2007, pp. 25–27.Tripathi 2004, pp. 47–50. He was therefore named ''Rambola'' (literally, ''he who uttered Rama''), as Tulsidas himself states in ''Vinaya Patrika''.Poddar 1997, pp. 112–113 (Stanza 76). As per the ''Mula Gosain Charita'', he was born under the ''Abhuktamūla'' constellation, which according to Jyotisha (Hindu astrology) causes immediate danger to the life of the father.Pandey 2008, pp. 34–44. Due to the inauspicious events at the time of his birth, he was abandoned by his parents on the fourth night, sent away with Chuniya (some sources call her Muniya), a female servant of Hulsi. In his works ''Kavitavali'' and ''Vinayapatrika'', Tulsidas attests to his parents abandoning him after birth due to an inauspicious astrological configuration.Lamb 2002, p. 38

Chuniya took the child to her village of Haripur and looked after him for five and a half years after which she died. Rambola was left to fend for himself as an impoverished orphan, and wandered from door to door begging for alms. It is believed that the goddess Parvati assumed the form of a Brahmin woman and fed Rambola every day.

Initiation from guru and learning

At the age of six, Rambola was adopted by Narharidas, a Vaishnava ascetic of Ramananda's monastic order who is believed to be the fourth disciple of Ramananda, or alternately, the disciple of Anantacharya. Rambola was given the ''Virakta Diksha'' (Vairagi initiation) with the new name of Tulsidas. Tulsidas narrates the dialogue that took place during the first meeting with his guru in a passage in the ''Vinayapatrika''. When he was seven years old, his Upanayana ("sacred thread ceremony") was performed by Narharidas on the fifth day of the bright half of the month of Magha (January–February) at Ayodhya, a pilgrimage-site related to Rama. Tulsidas started his learning at Ayodhya. After some time, Narharidas took him to a particular ''Varaha Kshetra'' Soron (a holy place with temple dedicated to Varaha – the boar avatar of Vishnu), where he first narrated the Ramayana to Tulsidas. Tulsidas mentions this in the Ramcharitmanas.

Most authors identify the Varaha Kshetra referred to by Tulsidas with the Sookarkshetra is the Soron Varaha Kshetra in modern-day Kasganj, Tulsidas further mentions in the Ramcharitmanas that his guru repeatedly narrated the Ramayana to him, which led him to understand it somewhat.

Tulsidas later came to the sacred city of Varanasi and studied Sanskrit grammar, four Vedas, six Vedangas, Jyotisha and the six schools of Hindu philosophy over a period of 15–16 years from guru Shesha Sanatana who was based at the Pancaganga Ghat in Varanasi. Shesha Sanatana was a friend of Narharidas and a renowned scholar on literature and philosophy.Ralhan 1997 pp. 197–207.

Marriage and renunciation

There are two contrasting views regarding the marital status of Tulsidas. According to the ''Tulsi Prakash'' and some other works, Tulsidas was married to Ratnavali on the eleventh day of the bright half of the Kartik month (October–November) in Vikram 1589 (1532 CE). Ratnavali was the daughter of Dinbandhu Pathak, a Brahmin of the Vashishtha Gotra, who belonged to Badariya village of Kasganj district.Pandey 2008, pp. 44–49.Tripathi 2004, pp. 51–55 They had a son named ''Tarak'' who died as a toddler. Once when Tulsidas had gone to a Hanuman temple, Ratnavali went to her father's home with her brother. When Tulsidas learned of this, he swam across the Yamuna river in the night to meet his wife. Ratnavali chided Tulsidas for this, and remarked that if Tulsidas was even half as devoted to God as he was to her body of flesh and blood, he would have been redeemed. Tulsidas left her instantly and left for the holy city of Prayag. Here, he renounced the Grihastha (householder's life) stage and became a Sadhu (Hindu ascetic).

Some authors consider the marriage episode of Tulsidas to be a later interpolation and maintain among that he was a bachelor. They include Rambhadracharya, who cite two verses in the ''Vinayapatrika'' and ''Hanuman Bahuka'' to mean that Tulsidas never married and was a Sadhu from childhood.

Later life

Travels

After renunciation, Tulsidas spent most of his time at Varanasi, Prayag, Ayodhya, and Chitrakuta but visited many other nearby and far-off places. He travelled across India to many places, studying different people, meeting saints and Sadhus and meditating.Ralhan 1997, pp. 194–197. The ''Mula Gosain Charita'' gives an account of his travels to the four pilgrimages of Hindus (Badrinath, Dwarka, Puri and Rameshwaram) and the Himalayas.Shukla 2002, pp. 30–32. He visited the Manasarovar lake in current-day Tibet, where tradition holds he had Darshan (sight) of Kakabhushundi,Gita Press Publisher 2007, pp. 27–29. the crow who is one of the four narrators in the Ramcharitmanas.Lutgendorf 1991, p. 25.

Darshan of Hanuman

Tulsidas hints at several places in his works, that he had met face to face with Hanuman and Rama. The detailed account of his meetings with Hanuman and Rama are given in the ''Bhaktirasbodhini'' of Priyadas.Lutgendorf 1991, pp. 49–50. According to Priyadas' account, Tulsidas used to visit the woods outside Varanasi for his morning ablutions with a water pot. On his return to the city, he used to offer the remaining water to a certain tree. This quenched the thirst of a Preta (a type of ghost believed to be ever thirsty for water), who appeared to Tulsidas and offered him a boon.Growse 1914, p. ix. Tulsidas said he wished to see Rama with his eyes, to which the Preta responded that it was beyond him. However, the Preta said that he could guide Tulsidas to Hanuman, who could grant the boon Tulsidas asked for. The Preta told Tulsidas that Hanuman comes everyday disguised in the mean attire of a leper to listen to his Katha, he is the first to arrive and last to leave.

That evening Tulsidas noted that the first listener to arrive at his discourse was an old leper, who sat at the end of the gathering. After the Katha was over, Tulsidas quietly followed the leper to the woods. In the woods, at the spot where the Sankat Mochan Temple stands today,Rambhadracharya 2008, pp. xxix–xxxiv. Tulsidas firmly fell at the leper's feet, shouting "I know who you are" and "You cannot escape me". At first the leper feigned ignorance but Tulsidas did not relent. Then the leper revealed his original form of Hanuman and blessed Tulsidas. When granted a boon, Tulsidas told Hanuman he wanted to see Rama face to face. Hanuman told him to go to Chitrakuta where he would see Rama with his own eyes.

At the beginning of the Ramcharitmanas, Tulsidas bows down to a particular Preta and asks for his grace (Ramcharitmanas, Doha 1.7). According to Rambhadracharya, this is the same Preta which led Tulsidas to Hanuman.

Darshan of Rama

As per Priyadas' account, Tulsidas followed the instruction of Hanumana and started living in an Ashram at Ramghat in Chitrakoot Dham. One day Tulsidas went to perform the Parikrama (circumambulation) of the Kamadgiri mountain. He saw two princes, one dark and the other fair, dressed in green robes pass by mounted on horsebacks. Tulsidas was enraptured at the sight, however he could not recognise them and took his eyes off them. Later Hanuman asked Tulsidas if he saw Rama and his brother Lakshmana on horses. Tulsidas was disappointed and repentful. Hanuman assured Tulsidas that he would have the sight of Rama once again the next morning. Tulsidas recalls this incident in a song of the ''Gitavali'' and laments how "his eyes turned his own enemies" by staying fixed to the ground and how everything happened in a trice.

On the next morning, Wednesday, the new-moon day of Magha, Vikram 1607 (1551 CE) or 1621 (1565 CE) as per some sources, Rama again appeared to Tulsidas, this time as a child. Tulsidas was making sandalwood paste when a child came and asked for a sandalwood Tilaka (a religious mark on the forehead). This time Hanuman gave a hint to Tulsidas and he had a full view of Rama. Tulsidas was so charmed that he forgot about the sandalwood. Rama took the sandalwood paste and put a Tilaka himself on his forehead and Tulsidas' forehead before disappearing. This famous incidence is described in the verse चित्रकूट के घाट पर हुई संतन की भीर तुलसीदास चन्दन घिसे तिलक देते रघुबीर.

In a verse in the ''Vinayapatrika'', Tulsidas alludes to a certain "miracle at Chitrakuta", and thanks Rama for what he did for him at Chitrakuta. Some biographers conclude that the deed of Rama at Chitrakuta referred to by Tulsidas is the Darshan of Rama.

Darshan of Yajnavalkya and Bharadvaja

In Vikram 1628 (1572 CE), Tulsidas left Chitrakuta for Prayag where he stayed during the ''Magha Mela'' (the annual fair in January). Six days after the Mela ended, he had the Darshan of the sages Yajnavalkya and Bharadvaja under a banyan tree. In one of the four dialogues in the Ramcharitmanas, Yajnavalkya is the speaker and Bharadvaja the listener. Tulsidas describes the meeting between Yajnavalkya and Bharadvaja after a Magha Mela festival in the Ramcharitmanas, it is this meeting where Yajnavalkya narrates the Ramcharitmanas to Bharadvaja.

Attributed miracles

Most stories about Tulsidas tend to be apocryphal, and have been carried forward by word of mouth. None of them were related by Tulsi himself, thus making it difficult to separate fact from lore and fiction. In Priyadas' biography, Tulsidas is attributed with the power of working miracles.Macfie 2004, p. xxiv In one such miracle, he is believed to have brought back a dead Brahmin to life.Growse 1914, p. ix–x.Mishra 2010, pp. 22–24.Singh 2008, pp. 29–30. While the Brahmin was being taken for cremation, his widow bowed down to Tulsidas on the way who addressed her as ''Saubhagyavati'' (a woman whose husband is alive). The widow told Tulsidas her husband had just died, so his words could not be true. Tulsidas said that the word has passed his lips and so he would restore the dead man to life. He asked everybody present to close their eyes and uttered the name of lord ''Rama'', on doing which the dead Brahmin was raised back to life.

Tulsidas was acclaimed in his lifetime to be a reincarnation of Valmiki, the composer of the original Ramayana in Sanskrit. He is also considered to be the composer of the Hanuman Chalisa, a popular devotional hymn dedicated to Hanuman,the monkey god and divine devotee of lord Rama.

In another miracle described by Priyadas, the Mughal Emperor Akbar summoned Tulsidas on hearing of his bringing back a dead man to life.Mishra 2010, p. 28–32 Tulsidas declined to go as he was too engrossed in creating his verses but he was later forcibly brought before the Akbar and was asked to perform a miracle, which Tulsidas declined by saying "It's a lie, all I know is Rama." The emperor imprisoned Tulsidas at Fatehpur Sikri, "We will see this Rama." Tulsidas refused to bow to Akbar and created a verse in praise of Hanuman and chanted it (Hanuman Chalisa) for forty days and suddenly an army of monkeys descended upon the town and wreaked havoc in all corners of Fatehpur Sikri, entering each home and the emperor's harem, scratching people and throwing bricks from ramparts. An old Hafiz told the emperor that this was the miracle of the ''imprisoned Fakir''. The emperor fell at Tulsidas' feet, released him and apologised. Tulsidas stopped the menace of monkeys and asked the emperor to abandon the place. The emperor agreed and moved back to Delhi. Ever since Akbar became a close friend of Tulsidas and he also ordered a firman that followers of lord Rama, lord Hanuman & other Hindus, should not be harassed in his kingdom.

Priyadas narrates a miracle of Tulsidas at Vrindavan, when he visited a temple of Krishna.Mishra 2010, pp. 37–38 When he began bowing down to the idol of Krishna, the Mahant of the temple named Parshuram decided to test Tulsidas. He told Tulsidas that he who bows down to any deity except their Ishta Devata (cherished form of divinity) is a fool, as Tulsidas' Ishta Devata was Rama. In response, Tulsidas recited the following extemporaneously composed couplet

When Tulsidas recited this couplet, the idol of Krishna holding the flute and stick in hands changed to the idol of Rama holding the bow and arrow in hands. Some authors have expressed doubts on the couplet being composed by Tulsidas.

Literary life

Tulsidas started composing poetry in Sanskrit in Varanasi on the Prahlada Ghat. Tradition holds that all the verses that he composed during the day, would get lost in the night. This happened daily for eight days. On the eighth night, Shiva – whose famous Kashi Vishwanath Temple is located in Varanasi – is believed to have ordered Tulsidas in a dream to compose poetry in the vernacular instead of Sanskrit. Tulsidas woke up and saw both Shiva and Parvati who blessed him. Shiva ordered Tulsidas to go to Ayodhya and compose poetry in Awadhi. Shiva also predicted that Tulsidas' poetry would fructify like the Sama Veda.Gita Press Publisher 2007, pp. 29–32. In the Ramcharitmanas, Tulsidas hints at having the Darshan of Shiva and Parvati in both dream and awakened state.

Tulsidas is also credited with having composed a number of wise sayings and ''dohas'' containing lessons for life. A popular one among them is:

आवत ही हरसय नहीं, नैनन नहीं सनोह ।
तुलसी वहाँ न जाइये, चाहे कञ्चन बरसे मेर ॥ सिया पति राम चन्द्र जी की जय , जय जय बजरंगबली ।।
(Aawat hi harshe nahin, nainan nahin saneh. Tulsi tahan na jaiye, chahe kanchan barse megh. Lit. A place where people are not happy or welcoming when you come, where their eyes have no affection for you, Don't go there, even if a mountain of gold is showered.)

Composition of ''Ramcharitmanas''

In the year Vikram 1631 (1575 CE), Tulsidas started composing the Ramcharitmanas in Ayodhya on Sunday, Ramnavami day (ninth day of the bright half of the Chaitra month, which is the birthday of Rama). Tulsidas himself attests this date in the Ramcharitmanas. He composed the epic over two years, seven months and twenty-six days, and completed the work in Vikram 1633 (1577 CE) on the Vivaha Panchami day (fifth day of the bright half of the Margashirsha month, which commenrates the wedding of Rama and his wife Sita).

Tulsidas came to Varanasi and recited the Ramcharitmanas to Shiva (Vishwanath) and Parvati (Annapurna) at the Kashi Vishwanath Temple. A popular legend goes that the Brahmins of Varanasi, who were critical of Tulsidas for having rendered the Sanskrit Ramayana in the Awadhi, decided to test the worth of the work. A manuscript of the Ramcharitmanas was kept at the bottom of pile of Sanskrit scriptures in the sanctum sanctorum of the Vishvanath temple in the night, and the doors of the sanctum sanctorum were locked. In the morning when the doors were opened, the Ramcharitmanas was found at the top of the pile. The words ''Satyam Shivam Sundaram'' (Sanskrit: सत्यं शिवं सुन्दरम्, literally "truth, auspiciousness, beauty") were inscribed on the manuscript with the signature of Shiva. The words were also heard by the people present.

Per traditional accounts, some Brahmins of Varanasi were still not satisfied, and sent two thieves to steal the manuscript.Macfie 2004, pp. xxiii–xxiv. The thieves tried to break into the Ashram of Tulsidas, but were confronted by two guards with bows and arrows, of dark and fair complexion. The thieves had a change of heart and came to Tulsidas in the morning to ask who the two guards were. Believing that the two guards could be none other than Rama and Lakshmana, Tulsidas was aggrieved to discover that they were guarding his home at night. He sent the manuscript of Ramcharitmanas to his friend Todar Mal, the finance minister of Akbar, and donated all his money. The thieves were reformed and became devotees of Rama.

Last compositions

Around Vikram 1664 (1607 CE), Tulsidas was afflicted by acute pain all over his body, especially in his arms. He then composed the ''Hanuman Bahuk'', where he describes his bodily pain and suffering in several stanzas.Pandey 2008, pp. 51–58. He was relieved of his pain after this composition. Later he was also afflicted by ''Bartod'' boils (Hindi: बरतोड़, furuncles caused by pulling out of the hair), which may have been the cause of his death.

The Vinaypatrika is considered as the last compositions of Tulsidas, believed to be written when Kali Yuga started troubling him. In this work of 279 stanzas, he beseeches Rama to give him Bhakti ("devotion"), and to accept his petition. Tulsidas attests in the last stanza of ''Vinaypatrika'' that Rama himself signed the manuscript of the work. The 45th stanza of the Vinaypatrika is sung as the evening Aarti by many Hindus.

Death

Tulsidas died at the age of 91 on 31 July 1623 (Shravan month of the year Vikram 1680) in Assi Ghat on the bank of the river Ganga. Like the year of his birth, traditional accounts and biographers do not agree on the exact date of his death.

Works

Twelve works are widely considered by biographers to be written by Tulsidas, six major works and six minor works. Based on the language of the works, they have been classified into two groups as follows–Pandey 2008, pp. 54–58
# Awadhi works – Ramcharitmanas, Ramlala Nahachhu, Barvai Ramayan, Parvati Mangal, Janaki Mangal and Ramagya Prashna.
# Braja works – Krishna Gitavali, Gitavali, Sahitya Ratna, Dohavali, Vairagya Sandipani and Vinaya Patrika.
besides these twelve works, four more works are popularly believed to be composed by Tulsidas which include Hanuman Chalisa, Hanuman Ashtak, Hanuman Bahuk and Tulsi Satsai.

Ramcharitmanas

''Ramacharitamanas'' (रामचरितमानस, 1574–1576), "The Mānasa lake brimming over with the exploits of Lord Rāma" is an Awadhi rendering of the Ramayana narrative. It is the longest and earliest work of Tulsidas, and draws from various sources including the Ramayana of Valmiki, the Adhyatma Ramayana, the ''Prasannaraghava'' and Hanuman Nataka.Lutgendorf 1991, pp. 3–12. The work consists of around 12,800 lines divided into 1073 stanzas, which are groups of Chaupais separated by Dohas or Sorthas.Lutgendorf 1991, pp. 13–18. It is divided into seven books (Kands) like the Ramayana of Valmiki, and is around one-third of the size of Valmiki's Ramayana. The work is composed in 18 metres which include ten Sanskrit metres (''Anushtup'', ''Shardulvikridit'', ''Vasantatilaka'', ''Vamshashta'', ''Upajati'', ''Pramanika'', ''Malini'', ''Sragdhara'', ''Rathoddhata'' and ''Bhujangaprayata'') and eight Prakrit metres (''Soratha'', ''Doha'', ''Chaupai'', ''Harigitika'', ''Tribhangi'', ''Chaupaiya'', ''Trotaka'' and ''Tomara''). It is popularly referred to as ''Tulsikrit Ramayana'', literally ''The Ramayana composed by Tulsidas''. The work has been acclaimed as "the living sum of Indian culture", "the tallest tree in the magic garden of medieval Indian poesy", "the greatest book of all devotional literature", "the Bible of Northern India", and "the best and most trustworthy guide to the popular living faith of its people."But, as he has said "हरि अनंत हरि कथा अनंता।( The story of the lord is endless as are his glories)

Several manuscripts of the Ramcharitmanas are claimed to have been written down by Tulsidas himself. Grierson wrote in the late nineteenth century, two copies of the epic were said to have existed in the poet's own handwriting. One manuscript was kept at Rajapur, of which only the ''Ayodhyakand'' is left now, which bears marks of water. A legend goes that the manuscript was stolen and thrown into Yamuna river when the thief was being pursued, and only the second book of the epic could be rescued.Prasad 2008, p. 850, quoting George Grierson. Grierson wrote that the other copy was at Malihabad in Lucknow district, of which only one leaf was missing. Another manuscript of the ''Ayodhyakanda'' claimed to be in the poet's own hand exists at Soron in Etah district, one of the places claimed to be Tulsidas' birthplace. One manuscript of ''Balakanda'', dated Samvat 1661, nineteen years before the poet's death, claimed to be corrected by Tulsidas, is at Ayodhya. Some other ancient manuscripts are found in Varanasi, including one in possession of the Maharaja of Benares that was written in Vikram 1704 (1647), twenty-four years after the death of Tulsidas.

Other major works

The five major works of Tulsidas apart from Ramcharitmanas include:
# ''Dohavali'' (दोहावली, 1581), literally ''Collection of Dohas'', is a work consisting of 573 miscellaneous Doha and Sortha verses mainly in Braja with some verses in Awadhi. The verses are aphorisms on topics related to tact, political wisdom, righteousness and the purpose of life. 85 Dohas from this work are also found in the Ramcharitmanas, 35 in Ramagya Prashna, two in Vairagya Sandipani and some in ''Rama Satsai'', another work of 700 Dohas attributed to Tulsidas.
# ''sahitya ratna'' or ''ratna Ramayan'' (1608–1614), literally ''Collection of Kavittas'', is a Braja rendering of the Ramayana, composed entirely in metres of the ''Kavitta'' family – Kavitta, Savaiya, Ghanakshari and Chhappaya. It consists of 325 verses including 183 verses in the Uttarkand. Like the Ramcharitmanas, it is divided into seven Kands or books and many episodes in this work are different from the Ramcharitmanas.
# ''Gitavali'' (गीतावली), literally ''Collection of Songs'', is a Braja rendering of the Ramayana in songs. All the verses are set to Ragas of Hindustani classical music and are suitable for singing. It consists of 328 songs divided into seven Kands or books. Many episodes of the Ramayana are elaborated while many others are abridged.
# ''Krishna Gitavali'' or ''Krishnavali'' (कृष्णगीतावली, 1607), literally ''Collection of Songs to Krishna'', is a collection of 61 songs in honour of Krishna in Braja. There are 32 songs devoted to the childhood sports (''Balalila'') and Rasa Lila of Krishna, 27 songs form the dialogue between Krishna and Uddhava, and two songs describe the episode of disrobing of Draupadi.
# ''Vinaya Patrika'' (विनयपत्रिका), literally ''Petition of Humility'', is a Braja work consisting of 279 stanzas or hymns. The stanzas form a petition in the court of Rama asking for Bhakti. It is considered to be the second best work of Tulsidas after the Ramcharitmanas, and is regarded as important from the viewpoints of philosophy, erudition, and eulogistic and poetic style of Tulsidas. The first 43 hymns are addressed to various deities and Rama's courtiers and attendants, and remaining are addressed to Rama.

Minor works

Minor works of Tulsidas include:
# ''Barvai Ramayana'' (बरवै रामायण, 1612), literally ''The Ramayana in Barvai metre'', is an abridged rendering of the Ramayana in Awadhi. The works consists of 69 verses composed in the ''Barvai'' metre, and is divided into seven ''Kands'' or books. The work is based on a psychological framework.
# ''Parvati Mangal'' (पार्वती मंगल), literally ''The marriage of Parvati'', is an Awadhi work of 164 verses describing the penance of Parvati and the marriage of Parvati and Shiva. It consists of 148 verses in the ''Sohar'' metre and 16 verses in the ''Harigitika'' metre.
# ''Janaki Mangal'' (जानकी मंगल), literally ''The marriage of Sita'', is an Awadhi work of 216 verses describing the episode of marriage of Sita and Rama from the Ramayana. The work includes 192 verses in the ''Hamsagati'' metre and 24 verses in the ''Harigitika'' metres. The narrative differs from the Ramcharitmanas at several places.
# ''Ramalala Nahachhu'' (रामलला नहछू), literally ''The Nahachhu ceremony of the child Rama'', is an Awadhi work of 20 verses composed in the ''Sohar'' metre. The Nahachhu ceremony involves cutting the nails of the feet before the Hindu Samskaras (rituals) of Chudakarana, Upanayana, Vedarambha, Samavartana or Vivaha. In the work, events take place in the city of Ayodhya, so it is considered to describe the Nahachhu before Upanayana, Vedarambha and Samavartana.
# ''Ramajna Prashna'' (रामाज्ञा प्रश्न), literally ''Querying the Will of Rama'', is an Awadhi work related to both Ramayana and Jyotisha (astrology). It consists of seven ''Kand''s or books, each of which is divided into seven ''Saptaka''s or Septets of seven Dohas each. Thus it contains 343 Dohas in all. The work narrates the Ramayana non-sequentially, and gives a method to look up the Shakuna (omen or portent) for astrological predictions.
# ''Vairagya Sandipini'' (वैराग्य संदीपनी, 1612), literally ''Kindling of Detachment'', is a philosophical work of 60 verses in Braja which describe the state of Jnana (realisation) and Vairagya (dispassion), the nature and greatness of saints, and moral conduct. It consists of 46 Dohas, 2 Sorathas and 12 Chaupai metres.

Popularly attributed works

The following four works are popularly attributed to Tulsidas–
# ''Hanuman Chalisa'' (हनुमान चालीसा), literally, ''Forty Verses to Hanuman'', is an Awadhi work of 40 Chaupais and two Dohas in obeisance to Hanuman. Popular belief holds the work to be authored by Tulsidas, and it contains his signature, though some authors do not think the work was written by him.Lutgendorf 1991, p. 11. It is one of the most read short religious texts in India, and is recited by millions of Hindus on Tuesdays and Saturdays. It is believed to have been uttered by Tulsidas in a state of Samadhi at the Kumbh Mela in Haridwar.
# ''Sankatmochan Hanumanashtak'' (संकटमोचन हनुमानाष्टक), literally ''Eight verses for Hanuman, the Remover of Afflictions'', is an Awadhi work of eight verses in the ''Mattagajendra'' metre, devoted to Hanuman. It is believed to have been composed by Tulsidas on the occasion of the founding of the Sankatmochan Temple in Varanasi. The work is usually published along with Hanuman Chalisa.
# ''Hanuman Bahuka'' (हनुमान बाहुक), literally ''The Arm of Hanuman'', is a Braja work of 44 verses believed to have been composed by Tulsidas when he suffered acute pain in his arms at an advanced age. Tulsidas describes the pain in his arms and also prays to Hanuman for freedom from the suffering. The work has two, one, five and 36 verses respectively in the ''Chhappaya'', ''Jhulna'', ''Savaiya'' and ''Ghanakshari'' metre.
# ''Tulsi Satsai'' (तुलसी सतसई), literally ''Seven Hundred Verses by Tulsidas'', is a work in both Awadhi and Braja and contains 747 Dohas divided in seven ''Sarga''s or cantos. The verses are same as those in ''Dohavali'' and ''Ramagya Prashna'' but the order is different.

Doctrine

The philosophy and principles of Tulsidas are found across his works, and are especially outlined in the dialogue between Kakbhushundi and Garuda in the Uttar Kand of the Ramcharitmanas.Prasad 2008, pp. xiii–xv. Tulsidas' doctrine has been described as an assimilation and reconciliation of the diverse tenets and cultures of Hinduism. At the beginning of the Ramcharitmanas, Tulsidas says that his work is in accordance with various scriptures – the Puranas, Vedas, Upavedas, Tantra and Smriti. Ram Chandra Shukla in his critical work ''Hindi Sahitya Ka Itihaas'' elaborates on Tulsidas' ''Lokmangal'' as the doctrine for social upliftment which made this great poet immortal and comparable to any other world littérateur.

Nirguna and Saguna Brahman

As per Tulsidas, the Nirguna Brahman (quality-less impersonal absolute) and Saguna Brahman (personal God with qualities) are one and the same. Both, Saguna (qualified Brahman) and Aguna (or Nirguna - unqualified Brahman) are Akath (unspeakable), Agaadh (unfathomable), Anaadi (without beginning, in existence since eternity) and Anupa (without parallel) (अगुन सगुन दुइ ब्रह्म सरूपा। अकथ अगाध अनादि अनूपा॥). It is the devotion (Bhakti) of the devotee that forces the Nirguna Brahman which is quality-less, formless, invisible and unborn, to become Saguna Brahman with qualities. Tulsidas gives the example of water, snow and hail to explain this – the substance is the same in all three, but the same formless water solidifies to become hail or a mountain of snow – both of which have a form. Tulsidas also gives the simile of a lake – the Nirguna Brahman is like the lake with just water, while the Saguna Brahman is a lake resplendent with blooming lotuses. In the Uttar Kand of Ramcharitmanas, Tulsidas describes in detail a debate between Kakbhushundi and Lomasa about whether God is Nirguna (as argued by Lomasa adhering to monism) or Saguna (as argued by Kakbhushundi adhering to dualism). Kakbhushundi repeatedly refutes all the arguments of Lomasa, to the point when Lomasa becomes angry and curses Kakbhushundi to be a crow. Lomasa repents later when Kakbhushundi happily accepts the curse but refuses to give up the Bhakti of Rama, the Saguna Brahman. Though Tulsidas holds both aspects of God to be equal, he favours the qualified Saguna aspect and the devotees of the highest category in the Ramcharitmanas repeatedly ask for the qualified Saguna aspect of Rama to dwell in their mind. Some authors contend from a few couplets in Ramcharitmanas and Vinay Patrika that Tulsidas has vigorously contradicted the denial of Avatar by Kabir.Singh 2008, pp. 200–201: उन्होंने उत्तेजित होकर कबीर के मत का ओजस्वी शब्दों में प्रतिकार किया ... कबीर का अवतार विरोधी कथन था ... तुलसी ने "आना" और "अंधा" शब्दों को लक्ष्य करके शिव से मुँहतोड़ उत्तर दिलाया ... In several of his works, Kabir had said that the actual ''Rama'' is not the son of Dasharatha. In the Balkand of Ramcharitmanas, Shiva tells Parvati – those who say that the Rama whom the Vedas sing of and whom the sages contemplate on is different from the Rama of Raghu's race are possessed by the devil of delusion and do not know the difference between truth and falsehood. However, such allusions are based on interpretations of the text and do not hold much water when considered in the context of Ramcharitmanas. Tulsidas, in none of his works, has ever mentioned Kabir.

The name of Rama

At the beginning of the Ramcharitmanas, there is a section devoted to the veneration of the name of Rama. As per Tulsidas, repeating the name of Rama is the only means to attain God in the Kali age where the means suited for other ages like meditation, Karma, and Puja are ineffective. He says in Kavitavali that his own redemption is because of the power, glory and majesty of the name of Rama. In a couplet in the Gitavali, Tulsidas says that wishing for liberation without refuge in the name of Rama is like wishing to climb to the sky by holding on to the falling rain. In his view, the name of Rama is greater than both Nirguna and Saguna aspects of God – it controls both of them and is illuminates both like a bilingual interpreter. In a verse in the Dohavali, Tulsidas says that the Nirguna Brahman resides in his heart, the Saguna Brahman resides in his eyes and the name of Rama resides on his tongue, as if a radiant gemstone is kept between the lower and upper halves of a golden casket. He holds that ''Rama'' is superior to all other names of God, and argues that ''ra'' and ''ma'' being are the only two consonants that are written above all other consonants in the conjunct form in Sanskrit because they are the two sounds in the word ''Rama''.

Rama as Brahman

At several places in Tulsidas' works, Rama is seen to be the higher than Vishnu and not as an avatar of Vishnu, which is the general portrayal of Rama.Singh 2005, p. 180

In the episode of the delusion of Sati in Ramcharitmanas, Sati sees many a Shiva, Brahma and Vishnu serving Rama and bowing at his feet. When Manu and Shatarupa perform penance, they crave to see that Supreme Lord "from a part of whose being emanate a number of Shivas, Brahmas and Vishnus."Prasad 2008, pp. 102–104. Brahma, Vishnu and Shiva come to them many times tempting them with a boon, but Manu and Shatarupa do not stop their penance. They are finally satisfied only by the appearance of Rama, on whose left side is Sita, from a part of whom are born "countless Lakshmis, Umas (Parvatis) and Brahmanis (Sarasvatis)." In the episode of marriage of Sita and Rama in Balkand, the trio of Brahma, Vishnu and Shiva is present – Brahma is astounded as he finds nowhere anything that is his own handiwork, while Vishnu is enchanted with Lakhmi on seeing Rama. In the Sundarkand, Hanuman tells Ravana that Brahma, Vishnu and Shiva can create, preserve and destroy by the might of Rama. In the Lankakand, Tulsidas presents the universe as the cosmic form of Rama, in which Shiva is the consciousness, Brahma is the reason and Vishnu is his intelligence. As per Tulsidas, Rama is not only an avatar, but also the source of avatars – Krishna is also an Avatar of Rama. Thus, Tulsidas clearly considers Rama as supreme brahman and not an avatar of Vishnu.

In the opinion of Urvashi Soorati, the Rama of Tulsidas is an amalgamation of Vishnu who takes avatars, Vishnu in the abode of Ksheera Sagara, Brahman and the Para manifestation of the Pancharatra

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