Chaupai (poetry)
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Chaupai (poetry)
A chaupai (चौपाई) is a quatrain verse of Indian poetry, especially medieval Hindi poetry, that uses a metre of four syllables. Famous chaupais include those of poet-saint Tulsidas (used in his classical text ''Ramcharitamanas'' and poem ''Hanuman Chalisa'') . Chaupai is identified by a syllable count 16/16, counted with a value of 1 in case of Hrasva (short sounding letter) and 2 in case of Dirgha (long sounding letter). Examples Some of the famous 40 ''chaupais'' (known as "chalisa"); *Hanuman Chalisa * Ganesh Chalisa * Shiv Chalisa See also *Chhand (poetry) *Chaupai (Sikhism) Kaviyo Bach Benti Chaupai (also referred to as Chaupai Sahib) (Gurmukhi: ਕਬਿਯੋਬਾਚ ਬੇਨਤੀ ਚੌਪਈ or ਚੌਪਈ ਸਾਹਿਬ) is a hymn by Guru Gobind Singh. Chaupai is the 404th Charitar of the Charitropakhyan ... Indian poetics Stanzaic form Poetic rhythm {{India-lit-stub ...
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Quatrain
A quatrain is a type of stanza, or a complete poem, consisting of four lines. Existing in a variety of forms, the quatrain appears in poems from the poetic traditions of various ancient civilizations including Persia, Ancient India, Ancient Greece, Ancient Rome, and China, and continues into the 21st century, where it is seen in works published in many languages. This form of poetry has been continually popular in Iran since the medieval period, as Ruba'is form; an important faction of the vast repertoire of Persian poetry, with famous poets such as Omar Khayyam and Mahsati Ganjavi of Seljuk Persia writing poetry only in this format. Michel de Nostredame (Nostradamus) used the quatrain form to deliver his famous prophecies in the 16th century. There are fifteen possible rhyme schemes, but the most traditional and common are ABAA, AAAA, ABAB, and ABBA. Forms *The heroic stanza or elegiac stanza consists of the iambic pentameter, with the rhyme scheme of ABAB or AABB. An e ...
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Hindi Poetry
Hindi literature ( hi, हिन्दी साहित्य, translit=hindī sāhitya) includes literature in the various Hindi language which have writing systems. Earliest forms of Hindi literature are attested in poetry of Apabhraṃśa like Awadhi, Magadhi, Ardhamagadhi and Marwari languages. Hindi literature is composed in three broad styles- गद्य (Gadya-prose), पद्य( Padya- poetry) and चम्प्पू (Campū -Prosimetrum.) In terms of historical development, it is broadly classified into five prominent forms (genres) based on the date of production. They are: * Ādi Kāl /Vīr-Gāthā Kāl (आदि काल/वीरगाथा काल) -- '' prior_to_&_including_14th_century_CE..html" ;"title="u>prior to & including 14th century CE.">u>prior to & including 14th century CE./u>'' This period was marked by Poems extolling brave warriors. * * Bhakti Kāl (भक्ति काल) -''- 4th–18th century CE./u>'' Promine ...
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Mātrika Metre
''Mātrika'' metre is a quantitative system of poetic metre in Indo-Aryan languages. The unit of measurement is the '' mātrā'' or 'beat', from which it takes its name. A short vowel or a pause is counted as one ''mātrā'', and long vowels, diphthongs, or a short vowel followed by a consonant cluster counts as two ''mātrās''. In recitation, however, 'long vowels may be pronounced as short, or short as long, in order to fit the words into the desired metre. For this reason, the ''mātrā'' count does not always correspond exactly to the written vowel arrangement.' Different ''mātrika'' metres have different rules determining caesurae; most require a specific pattern of rhyme. The most popular of these metres in Hindi are the '' chaupāī'' (sixteen ''mātrās''), the ''chaupaī'' (fifteen ''mātrās''), and the '' dohā'' (thirteen ''mātrās'' in the first and third feet and eleven, along with end-rhyme in the second and fourth). See also * Sanskrit prosody Sanskrit pr ...
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Tulsidas
Tulsidas (; born Rambola Dubey; also known as Goswami Tulsidas; c.1511pp. 23–34.–1623) was a Ramanandi Vaishnava Hindu saint and poet, renowned for his devotion to the deity Rama. He wrote several popular works in Sanskrit and Awadhi, but is best known as the author of the ''Hanuman Chalisa'' and of the epic '' '', a retelling of the Sanskrit ''Ramayana'' based on Rama's life in the vernacular Awadhi. Tulsidas spent most of his life in the city of Varanasi and Ayodhya. The Tulsi Ghat on the Ganges River in Varanasi is named after him. He founded the Sankatmochan Temple dedicated to Lord Hanuman in Varanasi, believed to stand at the place where he had the sight of the deity. Tulsidas started the Ramlila plays, a folk-theatre adaptation of the Ramayana.: ... this book ... is also a drama, because Goswami Tulasidasa started his ''Ram Lila'' on the basis of this book, which even now is performed in the same manner everywhere. He has been acclaimed as one of the greatest poet ...
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Ramcharitamanas
''Ramcharitmanas'' ( deva, श्रीरामचरितमानस, Rāmacaritamānasa), is an Epic poetry, epic poem in the Awadhi language, based on the ''Ramayana'', and composed by the 16th-century Indian bhakti poet Tulsidas (c. 1532–1623). This work is also called, in popular parlance, ''Tulsi Ramayana'', ''Tulsikrit Ramayana'', or ''Tulsidas Ramayana''. The word ''Ramcharitmanas'' literally means "Lake of the deeds of Rama". It is considered one of the greatest works of Hindu literature. The work has variously been acclaimed as "the living sum of Indian culture", "the tallest tree in the magic garden of medieval Indian poetry", "the greatest book of all devotional literature" and "the best and most trustworthy guide to the popular living faith of the Indian people".Lutgendorf 1991, p. 1. Tulsidas was a great scholar of Sanskrit. However, he wanted the story of Rama to be accessible to the general public, as many Apabhramsa languages had evolved from Sanskrit and at ...
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Hanuman Chalisa
The ''Hanuman Chalisa'' (; '' Forty chaupais on Hanuman'') is a Hindu devotional hymn (''stotra'') in praise of Hanuman.Rambhadradas 1984pp. 1–8./ref> It was authored by Tulsidas in the Awadhi language, and is his best known text apart from the ''Ramcharitmanas''. Apart from Awadhi, the ''Hanuman Chalisa'' is also available in various languages including Sanskrit, Kannada, Marathi, Telugu, Tamil, Gujarati and Bengali. The word "chālīsā" is derived from "chālīs", which means the number forty in Hindi, as the ''Hanuman Chalisa'' has 40 verses (excluding the couplets at the beginning and at the end). Hanuman is a devotee of Rama and one of the central characters of the ''Ramayana''. According to the Shaivite tradition, God Hanuman is also an incarnation of God Shiva. Folk tales acclaim the powers of Hanuman.Peebles 1986, p. 100 The qualities of lord Hanuman – his strength, courage, wisdom, celibacy, devotion to Lord Rama and the many names by which he is known – are detail ...
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Ganesh Chalisa
Ganesh Chalisa ( hi, गणेश चालीसा, "'' Forty chaupais on Ganesh''") is a Hindu devotional hymn (stotra) addressed to Lord Ganesh. Literally it is forty Chaupais on Lord Ganesh. It is written in the Awadhi language. The Ganesh Chalisa has gained enormous popularity among the modern-day Hindus. Many of them recite it daily as a prayer. Each of the forty verses of the Ganesh Chalisa conveys one particular form of blessing and, depending on the ''Bhava The Sanskrit word bhava (भव) means being, worldly existence, becoming, birth, be, production, origin,Monier Monier-Williams (1899), Sanskrit English Dictionary, Oxford University Press, Archiveभव bhava but also habitual or emotional te ...'' or '' Shraddha'' (faith and devotion) of the devotee, how the fruits of the particular verse are attained. External links Ganesh Chalisa in English rhyme
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Shiv Chalisa
''Shiv Chalisa'' (Hindi: शिव चालीसा, literally Forty on Shiva) is a devotional ''stotra'' dedicated to Hindu deity Lord Shiva. Adapted from the ''Shiva Purana'', it consists of 40 (chalis) (verses) and recited daily or on special festivals like ''Maha Shivaratri'' by Shivaites, and worshippers of Shiva. See also * ''Hanuman Chalisa The ''Hanuman Chalisa'' (; ''Chaupai (poetry), Forty chaupais on Hanuman'') is a Hinduism, Hindu devotional hymn (''stotra'') in praise of Hanuman.Rambhadradas 1984pp. 1–8./ref> It was authored by Tulsidas in the Awadhi language, and is his bes ...'', Hindu devotional hymn Further reading * ''Sri Shiv Chalisa (Dicritical)', by Manoj Pub. Ed. Board. Manoj Publications, 2009. . References {{Shaivism Indian literature Hindi-language literature Shaiva texts ...
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Chhand (poetry)
''Chhand'' ( pa, ਛੰਦ , ur, چھند, hi, छंद) is a quatrain used in the poetic traditions of North India and Pakistan. Chhands in culture In the culture of the northwestern part of the Indian subcontinent, it is customary for ''chhands'' to be recited at ceremonial occasions such as weddings, where they are used by grooms to praise their in-laws. Formerly, the form was extensively employed by court bards to praise royal personages. ''Chhands'' are also used extensively in the '' Nautanki'' dance-drama tradition of the region, especially in the ''alha chhand'' or ''bir chhand'' formats. A typical Punjabi wedding ''chhand'' might extol the mother- and father-in-law, for instance this one, which says the groom holds them in the same esteem as his own parents - A Rajasthani language ''chhand'', from the poem '' Haldighati'' by Kanhaiyalal Sethia, describes Maharana Pratap's determination to fight on against the Mughals at all costs - Chhands in religion Jaap Sah ...
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Chaupai (Sikhism)
Kaviyo Bach Benti Chaupai (also referred to as Chaupai Sahib) (Gurmukhi: ਕਬਿਯੋਬਾਚ ਬੇਨਤੀ ਚੌਪਈ or ਚੌਪਈ ਸਾਹਿਬ) is a hymn by Guru Gobind Singh. Chaupai is the 404th Charitar of the Charitropakhyan of the Dasam Granth and is a part of a Sikh's Nitnem (daily scripture reading). Chaupai Sahib begins after the 404 Chittar where two massive battles, including the later between Maha Kal and the devils, is narrated and the struggle of a goddess that was born as a result of the first battle and her quest for the acceptance of the Supreme Being, by her abandoning all other worldly desires, is illustrated. Benti Chaupai consists of three parts: Kabiyo Bach Benti Chaupai, Arril, Chaupai, Savaiye and Dohra. Kabiyo Bach Benti Chaupai is normally referred to as Chaupai in short. Dating Chaupai Sahib, as the author suggests, was completed on Sunday, on eighth day (Ashtami) of waxing moon phase (Shukla Paksha) of Lunar month of Bhadrapada in Vik ...
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Indian Poetics
Indian or Indians may refer to: Peoples South Asia * Indian people, people of Indian nationality, or people who have an Indian ancestor ** Non-resident Indian, a citizen of India who has temporarily emigrated to another country * South Asian ethnic groups, referring to people of the Indian subcontinent, as well as the greater South Asia region prior to the 1947 partition of India * Anglo-Indians, people with mixed Indian and British ancestry, or people of British descent born or living in the Indian subcontinent * East Indians, a Christian community in India Europe * British Indians, British people of Indian origin The Americas * Indo-Canadians, Canadian people of Indian origin * Indian Americans, American people of Indian origin * Indigenous peoples of the Americas, the pre-Columbian inhabitants of the Americas and their descendants ** Plains Indians, the common name for the Native Americans who lived on the Great Plains of North America ** Native Americans in the Uni ...
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Stanzaic Form
In poetry, a stanza (; from Italian ''stanza'' , "room") is a group of lines within a poem, usually set off from others by a blank line or indentation. Stanzas can have regular rhyme and metrical schemes, but they are not required to have either. There are many different forms of stanzas. Some stanzaic forms are simple, such as four-line quatrains. Other forms are more complex, such as the Spenserian stanza. Fixed verse poems, such as sestinas, can be defined by the number and form of their stanzas. The stanza has also been known by terms such as ''batch'', ''fit'', and ''stave''. The term ''stanza'' has a similar meaning to ''strophe'', though ''strophe'' sometimes refers to an irregular set of lines, as opposed to regular, rhymed stanzas. Even though the term "stanza" is taken from Italian, in the Italian language the word "strofa" is more commonly used. In music, groups of lines are typically referred to as '' verses''. The stanza in poetry is analogous with the paragraph ...
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