Harold Floyd "Tina" Brooks (June 7, 1932 – August 13, 1974)
was an American jazz tenor
saxophonist and composer best remembered for his work in the
hard bop
Hard bop is a subgenre of jazz that is an extension of bebop (or "bop") music. Journalists and record companies began using the term in the mid-1950s to describe a new current within jazz that incorporated influences from rhythm and blues, gosp ...
style.
Early years
Harold Floyd Brooks was born in
Fayetteville, North Carolina
Fayetteville () is a city in and the county seat of Cumberland County, North Carolina, Cumberland County, North Carolina, United States. It is best known as the home of Fort Bragg, a major U.S. Army installation northwest of the city.
Fayettev ...
,
and was the brother of
David "Bubba" Brooks. The nickname "Tina", pronounced ''Teena'', was a variation of "Teeny", a childhood moniker.
His favourite tune was "My Devotion".
[Original 1980 liner notes to '' Minor Move'' by Lawrence Kart] He studied harmony and theory with Herbert Bourne.
Initially, he studied the
C-melody saxophone,
which he began playing shortly after he moved to New York with his family in 1944. Brooks' first professional work came in 1951 with rhythm and blues pianist
Sonny Thompson, and in 1955 Brooks played with vibraphonist
Lionel Hampton
Lionel Leo Hampton (April 20, 1908 – August 31, 2002) was an American jazz vibraphonist, pianist, percussionist, and bandleader. Hampton worked with jazz musicians from Teddy Wilson, Benny Goodman, and Buddy Rich, to Charlie Parker, Charle ...
.
Brooks also received less formal guidance from trumpeter and composer
"Little" Benny Harris, who led the saxophonist to his first recording as a leader.
Harris recommended Brooks to
Blue Note producer
Alfred Lion in 1958.
Recordings
Brooks is best known for his recordings for the Blue Note label between 1958 and 1961, recording as a sideman with
Kenny Burrell,
Freddie Hubbard,
Jackie McLean,
Freddie Redd, and
Jimmy Smith.
Around the same period, Brooks was McLean's understudy in ''
The Connection'', a play by
Jack Gelber with music by Redd, and performed on
an album of music from the play on
Felsted Records, a session which also featured
Howard McGhee.
Brooks recorded five sessions of his own for Blue Note (including one jointly with McLean). The first session was recorded on March 16, 1958 at the
Van Gelder Studio in
, and featured trumpeter
Lee Morgan alongside seasoned professionals such as
Sonny Clark,
Doug Watkins and
Art Blakey.
However, for unknown reasons ''
Minor Move'' was not released for more than two decades, several years after Brooks had died. This started an unfortunate trend, as three of his four other sessions (''
Street Singer'', ''
Back to the Tracks
''Back to the Tracks'' is a hard bop album by tenor saxophonist Tina Brooks recorded in 1960 and released posthumously. The album was originally intended as BLP 4052, but, for some reason, it was shelved at the time. A song recorded during the se ...
'' and ''
The Waiting Game'') did not appear during his lifetime.
The exception was ''
True Blue'', a session recorded on June 25, 1960 with
Freddie Hubbard,
Duke Jordan,
Sam Jones and
Art Taylor. The release of ''True Blue'' coincided with the release of Hubbard's Blue Note debut album, ''
Open Sesame
"Open sesame" (french: Sésame, ouvre-toi; ar, افتح يا سمسم) is a magical phrase in the story of " Ali Baba and the Forty Thieves" in Antoine Galland's version of ''One Thousand and One Nights''. It opens the mouth of a cave in whic ...
'' (also featuring Brooks, who wrote the opening title track as well as "Gypsy Blue"), and was not actively promoted.
Brooks did not record after 1961. Plagued by heroin dependency, and gradually deteriorating health, he died of liver failure aged 42.
Legacy
Michael Cuscuna in 1985, through
Mosaic Records, released a boxset of Brooks' recordings as leader; the limited edition is out of print. The interest in Brooks' music has also led to releases of the unissued sessions through Blue Note Japan and on CD in Blue Note's Connoisseur series.
In the liner notes for the CD release of ''Back to the Tracks'', Cuscuna wrote: "Far lesser talents have been far more celebrated" and that Brooks "was a unique, sensitive improviser who could weave beautiful and complex tapestries through his horn. His lyricism, unity of ideas and inner logic were astounding."
David Rosenthal in his book ''Hard Bop: Jazz and Black Music 1955-1965'' wrote about Brooks. Of his composition "Street Singer", Rosenthal wrote that it is "an authentic hard-bop classic" where "pathos, irony and rage come together in a performance at once anguished and sinister."
The official Blue Note website says of Brooks: "With a strong, smooth tone and an amazing flow of fresh ideas every time he soloed, tenor saxophonist Tina Brooks should have been a major jazz artist, but his legacy is confined to a series of dates that he did for Blue Note as a sideman and leader" and that he "was one of the most brilliant, if underrated, tenor saxophonists in modern jazz."
Discography
All on
Blue Note Records
Blue Note Records is an American jazz record label owned by Universal Music Group and operated under Capitol Music Group. Established in 1939 by Alfred Lion and Max Margulis, it derived its name from the blue notes of jazz and the blues. Or ...
, unless otherwise indicated.
As leader/co-leader
* 1958: ''
Minor Move'' (1980)
* 1960: ''
True Blue'' (1960)
* 1960: ''
Street Singer'' with
Jackie McLean (1980) – Japan only
* 1960: ''
Back to the Tracks
''Back to the Tracks'' is a hard bop album by tenor saxophonist Tina Brooks recorded in 1960 and released posthumously. The album was originally intended as BLP 4052, but, for some reason, it was shelved at the time. A song recorded during the se ...
'' (1998)
* 1961: ''
The Waiting Game'' (2002)
As sideman
With
Kenny Burrell
* ''
Blue Lights Volume 1 & 2'' (1958)
* ''
On View at the Five Spot Cafe'' (1959)
* ''
Swingin''' (1980) – recorded in 1956–59
With
Freddie Hubbard
* ''
Open Sesame
"Open sesame" (french: Sésame, ouvre-toi; ar, افتح يا سمسم) is a magical phrase in the story of " Ali Baba and the Forty Thieves" in Antoine Galland's version of ''One Thousand and One Nights''. It opens the mouth of a cave in whic ...
'' (1960)
With
Howard McGhee
* ''
Music from the Connection'' (Felsted, 1960)
With
Jackie McLean
* ''
Jackie's Bag
''Jackie's Bag'' is an album by American saxophonist Jackie McLean recorded in 1959 and 1960 and released by Blue Note. '' (1961) – recorded in 1959–60
With
Freddie Redd
* ''
Shades of Redd'' (1960)
* ''
Redd's Blues
''Redd's Blues'' is an album by the American pianist Freddie Redd, recorded in 1961 but not released on the Blue Note label until 1988. '' (1988) – recorded in 1961
With
Jimmy Smith
* ''
House Party'' (1958) – recorded in 1957-58
* ''
The Sermon!'' (1959) – recorded in 1957-58
* ''
Cool Blues'' (1980) – recorded in 1958
With Sonny Thompson
* ''Sonny Thompson and his Orchestra'' (King, 1951)
References
External links
Tina Brooks at the Hard Bop Home Page
{{DEFAULTSORT:Brooks, Tina
1932 births
1974 deaths
African-American jazz musicians
American jazz musicians
American jazz tenor saxophonists
Blue Note Records artists
Hard bop saxophonists
Musicians from the Bronx
Post-bop saxophonists
Deaths from liver failure
20th-century American saxophonists
Jazz musicians from New York (state)
American male saxophonists
20th-century American male musicians
American male jazz musicians
20th-century African-American musicians