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Harold Floyd "Tina" Brooks (June 7, 1932 – August 13, 1974) was an American jazz tenor saxophonist and composer best remembered for his work in the
hard bop Hard bop is a subgenre of jazz that is an extension of bebop (or "bop") music. Journalists and record companies began using the term in the mid-1950s to describe a new current within jazz that incorporated influences from rhythm and blues, gosp ...
style.


Early years

Harold Floyd Brooks was born in
Fayetteville, North Carolina Fayetteville () is a city in and the county seat of Cumberland County, North Carolina, Cumberland County, North Carolina, United States. It is best known as the home of Fort Bragg, a major U.S. Army installation northwest of the city. Fayettev ...
, and was the brother of David "Bubba" Brooks. The nickname "Tina", pronounced ''Teena'', was a variation of "Teeny", a childhood moniker. His favourite tune was "My Devotion".Original 1980 liner notes to '' Minor Move'' by Lawrence Kart He studied harmony and theory with Herbert Bourne. Initially, he studied the C-melody saxophone, which he began playing shortly after he moved to New York with his family in 1944. Brooks' first professional work came in 1951 with rhythm and blues pianist Sonny Thompson, and in 1955 Brooks played with vibraphonist
Lionel Hampton Lionel Leo Hampton (April 20, 1908 – August 31, 2002) was an American jazz vibraphonist, pianist, percussionist, and bandleader. Hampton worked with jazz musicians from Teddy Wilson, Benny Goodman, and Buddy Rich, to Charlie Parker, Charle ...
. Brooks also received less formal guidance from trumpeter and composer "Little" Benny Harris, who led the saxophonist to his first recording as a leader. Harris recommended Brooks to Blue Note producer Alfred Lion in 1958.


Recordings

Brooks is best known for his recordings for the Blue Note label between 1958 and 1961, recording as a sideman with Kenny Burrell, Freddie Hubbard, Jackie McLean, Freddie Redd, and Jimmy Smith. Around the same period, Brooks was McLean's understudy in '' The Connection'', a play by Jack Gelber with music by Redd, and performed on an album of music from the play on Felsted Records, a session which also featured Howard McGhee. Brooks recorded five sessions of his own for Blue Note (including one jointly with McLean). The first session was recorded on March 16, 1958 at the Van Gelder Studio in
Hackensack, New Jersey Hackensack is a city in and the county seat of Bergen County, New Jersey, United States.New Jer ...
, and featured trumpeter Lee Morgan alongside seasoned professionals such as Sonny Clark, Doug Watkins and Art Blakey. However, for unknown reasons '' Minor Move'' was not released for more than two decades, several years after Brooks had died. This started an unfortunate trend, as three of his four other sessions ('' Street Singer'', ''
Back to the Tracks ''Back to the Tracks'' is a hard bop album by tenor saxophonist Tina Brooks recorded in 1960 and released posthumously. The album was originally intended as BLP 4052, but, for some reason, it was shelved at the time. A song recorded during the se ...
'' and '' The Waiting Game'') did not appear during his lifetime. The exception was '' True Blue'', a session recorded on June 25, 1960 with Freddie Hubbard, Duke Jordan, Sam Jones and Art Taylor. The release of ''True Blue'' coincided with the release of Hubbard's Blue Note debut album, ''
Open Sesame "Open sesame" (french: Sésame, ouvre-toi; ar, افتح يا سمسم) is a magical phrase in the story of " Ali Baba and the Forty Thieves" in Antoine Galland's version of ''One Thousand and One Nights''. It opens the mouth of a cave in whic ...
'' (also featuring Brooks, who wrote the opening title track as well as "Gypsy Blue"), and was not actively promoted. Brooks did not record after 1961. Plagued by heroin dependency, and gradually deteriorating health, he died of liver failure aged 42.


Legacy

Michael Cuscuna in 1985, through Mosaic Records, released a boxset of Brooks' recordings as leader; the limited edition is out of print. The interest in Brooks' music has also led to releases of the unissued sessions through Blue Note Japan and on CD in Blue Note's Connoisseur series. In the liner notes for the CD release of ''Back to the Tracks'', Cuscuna wrote: "Far lesser talents have been far more celebrated" and that Brooks "was a unique, sensitive improviser who could weave beautiful and complex tapestries through his horn. His lyricism, unity of ideas and inner logic were astounding." David Rosenthal in his book ''Hard Bop: Jazz and Black Music 1955-1965'' wrote about Brooks. Of his composition "Street Singer", Rosenthal wrote that it is "an authentic hard-bop classic" where "pathos, irony and rage come together in a performance at once anguished and sinister." The official Blue Note website says of Brooks: "With a strong, smooth tone and an amazing flow of fresh ideas every time he soloed, tenor saxophonist Tina Brooks should have been a major jazz artist, but his legacy is confined to a series of dates that he did for Blue Note as a sideman and leader" and that he "was one of the most brilliant, if underrated, tenor saxophonists in modern jazz."


Discography

All on
Blue Note Records Blue Note Records is an American jazz record label owned by Universal Music Group and operated under Capitol Music Group. Established in 1939 by Alfred Lion and Max Margulis, it derived its name from the blue notes of jazz and the blues. Or ...
, unless otherwise indicated.


As leader/co-leader

* 1958: '' Minor Move'' (1980) * 1960: '' True Blue'' (1960) * 1960: '' Street Singer'' with Jackie McLean (1980) – Japan only * 1960: ''
Back to the Tracks ''Back to the Tracks'' is a hard bop album by tenor saxophonist Tina Brooks recorded in 1960 and released posthumously. The album was originally intended as BLP 4052, but, for some reason, it was shelved at the time. A song recorded during the se ...
'' (1998) * 1961: '' The Waiting Game'' (2002)


As sideman

With Kenny Burrell * '' Blue Lights Volume 1 & 2'' (1958) * '' On View at the Five Spot Cafe'' (1959) * '' Swingin''' (1980) – recorded in 1956–59 With Freddie Hubbard * ''
Open Sesame "Open sesame" (french: Sésame, ouvre-toi; ar, افتح يا سمسم) is a magical phrase in the story of " Ali Baba and the Forty Thieves" in Antoine Galland's version of ''One Thousand and One Nights''. It opens the mouth of a cave in whic ...
'' (1960) With Howard McGhee * '' Music from the Connection'' (Felsted, 1960) With Jackie McLean * ''
Jackie's Bag ''Jackie's Bag'' is an album by American saxophonist Jackie McLean recorded in 1959 and 1960 and released by Blue Note.
'' (1961) – recorded in 1959–60 With Freddie Redd * '' Shades of Redd'' (1960) * ''
Redd's Blues ''Redd's Blues'' is an album by the American pianist Freddie Redd, recorded in 1961 but not released on the Blue Note label until 1988.
'' (1988) – recorded in 1961 With Jimmy Smith * '' House Party'' (1958) – recorded in 1957-58 * '' The Sermon!'' (1959) – recorded in 1957-58 * '' Cool Blues'' (1980) – recorded in 1958 With Sonny Thompson * ''Sonny Thompson and his Orchestra'' (King, 1951)


References


External links


Tina Brooks at the Hard Bop Home Page
{{DEFAULTSORT:Brooks, Tina 1932 births 1974 deaths African-American jazz musicians American jazz musicians American jazz tenor saxophonists Blue Note Records artists Hard bop saxophonists Musicians from the Bronx Post-bop saxophonists Deaths from liver failure 20th-century American saxophonists Jazz musicians from New York (state) American male saxophonists 20th-century American male musicians American male jazz musicians 20th-century African-American musicians