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Duke Jordan
Irving Sidney "Duke" Jordan (April 1, 1922 – August 8, 2006) was an American jazz pianist. Biography Jordan was born in New York and raised in Brooklyn where he attended Boys High School. An imaginative and gifted pianist, Jordan was a regular member of Charlie Parker's quintet during 1947–48, which also featured Miles Davis. He participated in Parker's Dial sessions in late 1947 that produced "Dewey Square", "Bongo Bop", "Bird of Paradise", and the ballad "Embraceable You". These performances are featured on '' Charlie Parker on Dial''. Jordan had a long solo career from the mid-1950s onwards, although for a period in the mid-1960s he drove a taxi in New York. After periods accompanying Sonny Stitt and Stan Getz, he performed and recorded in the trio format. His composition, "Jordu", became a jazz standard when trumpeter Clifford Brown adopted it into his repertoire. Beginning in 1978, he lived in Copenhagen, Denmark, having recorded an extensive sequence of albums fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William P
William is a male given name of Germanic origin.Hanks, Hardcastle and Hodges, ''Oxford Dictionary of First Names'', Oxford University Press, 2nd edition, , p. 276. It became very popular in the English language after the Norman conquest of England in 1066,All Things William"Meaning & Origin of the Name"/ref> and remained so throughout the Middle Ages and into the modern era. It is sometimes abbreviated "Wm." Shortened familiar versions in English include Will, Wills, Willy, Willie, Bill, and Billy. A common Irish form is Liam. Scottish diminutives include Wull, Willie or Wullie (as in Oor Wullie or the play ''Douglas''). Female forms are Willa, Willemina, Wilma and Wilhelmina. Etymology William is related to the given name ''Wilhelm'' (cf. Proto-Germanic ᚹᛁᛚᛃᚨᚺᛖᛚᛗᚨᛉ, ''*Wiljahelmaz'' > German ''Wilhelm'' and Old Norse ᚢᛁᛚᛋᛅᚼᛅᛚᛘᛅᛋ, ''Vilhjálmr''). By regular sound changes, the native, inherited English form of the name should b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dial Records (1946)
Dial Records was an American record company and label that specialized first in bebop jazz and then in contemporary classical music. It was founded in 1946 by Ross Russell. Notable artists who recorded for Dial include Charlie Parker, who signed an exclusive one-year recording contract with Russell on 26 February 1946, as well as Miles Davis, Max Roach, and Milt Jackson. Dial Records initially pressed its music for the Tempo Music Shop of Hollywood, California, but soon relocated to New York City. In the summer of 1949, Ross Russell announced a change of focus, with the label turning to the release of classical music by contemporary composers. The first release in this new series was Béla Bartók's Sonata for Two Pianos and Percussion. This series, titled the Library of Contemporary Classics, was inspired when Russell obtained the master tape of a recording of Arnold Schoenberg's Chamber Symphony No. 1 from Blue Star Records in Paris, in lieu of payment for a number of Di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gigi Gryce
Gigi Gryce (born George General Grice Jr.; November 28, 1925 – March 14, 1983), later Basheer Qusim, was an American jazz saxophonist, flautist, clarinetist, composer, arranger, and educator. While his performing career was relatively short, much of his work as a player, composer, and arranger was quite influential and well-recognized during his time. However, Gryce abruptly ended his jazz career in the 1960s. This, in addition to his nature as a very private person, has resulted in very little knowledge of Gryce today. Several of his compositions have been covered extensively (" Minority", "Social Call", "Nica's Tempo") and have become minor jazz standards. Gryce's compositional bent includes harmonic choices similar to those of contemporaries Benny Golson, Tadd Dameron and Horace Silver. Gryce's playing, arranging, and composing are most associated with the classic hard bop era (roughly 1953–1965). He was a well-educated composer and musician, and wrote some classical work ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kenny Clarke
Kenneth Clarke Spearman (January 9, 1914January 26, 1985), nicknamed Klook, was an American jazz drummer and bandleader. A major innovator of the bebop style of drumming, he pioneered the use of the ride cymbal to keep time rather than the hi-hat, along with the use of the bass drum for irregular accents (" dropping bombs"). Born in Pittsburgh, Pennsylvania, he was orphaned at the age of about five and began playing the drums when he was eight or nine on the urging of a teacher at his orphanage. Turning professional in 1931 at the age of seventeen, he moved to New York City in 1935 when he began to establish his drumming style and reputation. As the house drummer at Minton's Playhouse in the early 1940s, he participated in the after-hours jams that led to the birth of bebop. After military service in the US and Europe between 1943 and 1946, he returned to New York, but from 1948 to 1951 he was mostly based in Paris. He stayed in New York between 1951 and 1956, performing with the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oscar Pettiford
Oscar Pettiford (September 30, 1922 – September 8, 1960) was an American jazz double bassist, cellist and composer. He was one of the earliest musicians to work in the bebop idiom. Biography Pettiford was born in Okmulgee, Oklahoma, United States. His mother was Choctaw, and his father Harry "Doc" Pettiford was half Cherokee and half African American. He grew up playing in the family band in which he sang and danced before switching to piano at the age of 12, then to double bass when he was 14. He is quoted as saying he did not like the way people were playing the bass, so he developed his own way of playing it. Despite being admired by the likes of Milt Hinton at the age of 14, he gave up in 1941 as he did not believe he could make a living. Five months later, he once again met Hinton, who persuaded him to return to music. In 1942, he joined the Charlie Barnet band and in 1943 gained wider public attention after recording with Coleman Hawkins on his " The Man I Love". Pett ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Lanphere
Donald Gale Lanphere (June 26, 1928 – October 9, 2003) was an American jazz tenor and soprano saxophonist, known for his 1940s and 1950s work, and recordings with Fats Navarro (in 1948), Woody Herman (1949), Claude Thornhill, Sonny Dunham, Billy May, and Charlie Barnet. Biography He was born in Wenatchee, Washington, United States. Lanphere briefly studied music at Northwestern University in the 1940s, but moved to New York City as a member of Johnny Bothwell's group to become part of the bebop jazz scene. In New York, Lanphere was in a relationship with Chan Richardson, who later married Charlie Parker and then Phil Woods.Siders, Harvey"Don Lanphere", ''JazzTimes'', March 2002. (accessed 4 June 2015) In 1951, Lanphere was arrested and charged with heroin possession in New York City. After his release from jail, he worked in his family's music store in Wenatchee, where he met Midge Hess. They married in 1953. In the late 1950s and early 1960s, Lanphere performed with Herb Pome ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leon Abramson
Leon Abramson, known as Lee Abrams (January 6, 1925 – April 20, 1992) was an American jazz drummer. Early life Abrams was born in New York City and was raised in Brooklyn. His father played the violin and clarinet. His brother, Ray Abrams, was a jazz saxophonist. Career Abramson joined the United States Army in 1943 and was discharged in 1946. During his career, Abramson played with Roy Eldridge. On 52nd Street, he played with Coleman Hawkins Coleman Randolph Hawkins (November 21, 1904 – May 19, 1969), nicknamed "Hawk" and sometimes "Bean", was an American jazz tenor saxophonist.Yanow, Scot"Coleman Hawkins: Artist Biography" AllMusic. Retrieved December 27, 2013. One of the first p ..., Eddie Lockjaw Davis and Jay Jay Johnson. References American jazz drummers 1925 births 1992 deaths Musicians from Brooklyn United States Army soldiers United States Army personnel of World War II Jazz musicians from New York (state) {{US-jazz-drummer-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gene Ramey
Gene Ramey (April 4, 1913 – December 8, 1984) was an American jazz double bassist. Ramey was born in Austin, Texas, United States, and played trumpet in college, but switched to contrabass when playing with George Corley's Royal Aces, The Moonlight Serenaders, and Terrence Holder. In 1932, he moved to Kansas City, Missouri and took up the bass, studying with Walter Page. He became a fixture on the Kansas City swing jazz scene in the 1930s, and played with Jay McShann's orchestra from 1938 to 1943. In 1944, he moved to New York City, where he played with Lester Young, Count Basie, Ben Webster, Coleman Hawkins, Charlie Parker, Hot Lips Page, Horace Silver, Thelonious Monk (as a member of Monk’s first trio in 1947, together with drummer Art Blakey), Retrieved 2012-08-27 and [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sheila Jordan
Sheila Jordan (born Sheila Jeanette Dawson; November 18, 1928) is an American jazz singer and songwriter. She has recorded as a session musician with an array of critically acclaimed artists in addition to recording her own albums. Jordan pioneered a bebop and scat jazz singing style with an upright bass as the only accompaniment. Jordan's music has earned praise from many critics, particularly for her ability to improvise lyrics; Scott Yanow describes her as "one of the most consistently creative of all jazz singers." Charlie Parker often introduced Jordan as "the lady with the million dollar ears." Biography Early career Sheila Jordan grew up in Summerhill, Pennsylvania, United States, before returning to her birthplace of Detroit, Michigan, in 1940. She sang and played piano in jazz clubs in Detroit. She was a member of the trio Skeeter, Mitch, and Jean (Skeeter Spight, Leroi Mitchell, and Jordan was "Jean"), which wrote lyrics to music by Charlie Parker. They went to Parker' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clifford Brown
Clifford Benjamin Brown (October 30, 1930 – June 26, 1956) was an American jazz trumpeter and composer. He died at the age of 25 in a car accident, leaving behind four years' worth of recordings. His compositions "Sandu", "Joy Spring", and "Daahoud" have become jazz standards. Brown won the '' DownBeat'' magazine Critics' Poll for New Star of the Year in 1954; he was inducted into the ''DownBeat'' Hall of Fame in 1972. Early career Brown was born into a musical family in Wilmington, Delaware. His father organized his four sons, including Clifford, into a vocal quartet. Around age ten, Brown started playing trumpet at school after becoming fascinated with the shiny trumpet his father owned. At age thirteen, his father bought him a trumpet and provided him with private lessons. In high school, Brown received lessons from Robert Boysie Lowery and played in "a jazz group that Lowery organized", making trips to Philadelphia. Brown briefly attended Delaware State University as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jordu
"Jordu" is a jazz standard written by Irving "Duke" Jordan in 1953. This song was first made popular by Clifford Brown and Max Roach, but many other jazz musicians have performed or recorded renditions of it, including Stan Getz, Chet Baker, and Charlie Byrd. It has a traditional AABA jazz form. The A section is composed of two measure patterns, the first being a non-chordal pick-up measure in which the lead player starts a phrase on the "and" of beat 1 and leads right into the second half of the two measure phrase in which the rhythm players and the lead players both hit on 1, 3, and the "and" of 4. The B section is a circle of fourths pattern built on dominant seventh chords. The ending of the song contains a vamp on the last two bars of the A section followed by an alteration of the initial pickup measure ending on a minor-major seventh chord. Floyd Cramer performed the song on the organ on his 1962 album "Floyd Cramer Gets Organized" in which one half of the album was pia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stan Getz
Stanley Getz (February 2, 1927 – June 6, 1991) was an American jazz saxophonist. Playing primarily the tenor saxophone, Getz was known as "The Sound" because of his warm, lyrical tone, with his prime influence being the wispy, mellow timbre of his idol, Lester Young. Coming to prominence in the late 1940s with Woody Herman's big band, Getz is described by critic Scott Yanow as "one of the all-time great tenor saxophonists". Getz performed in bebop and cool jazz groups. Influenced by João Gilberto and Antônio Carlos Jobim, he also helped popularize bossa nova in the United States with the hit 1964 single "The Girl from Ipanema". Early life Stan Getz was born on February 2, 1927, at St. Vincent's Hospital in Philadelphia, Pennsylvania, United States. Getz's father Alexander ("Al") was a Ukrainian Jewish immigrant who was born in Mile End, London, in 1904, while his mother Goldie (née Yampolsky) was born in Philadelphia in 1907. His paternal grandparents Harris and Beckie Gaye ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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