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House Party (Jimmy Smith Album)
''House Party'' is the fourteenth album by American jazz organist Jimmy Smith featuring performances recorded in 1957 and 1958 and released on the Blue Note label.Blue Note discography accessed November 25, 2010 The album was rereleased on CD with one bonus track. Background Blue Note used the Manhattan Towers Hotel Ballroom in New York City for recording sessions in 1957-1958, while their recording engineer was still using his parents' Hackensack, N.J. home studio to record artists. ''House Party'' was the first of two Smith albums recorded on two dates, the second was Smith's next album '' |
Jimmy Smith (musician)
James Oscar Smith (December 8, 1925 – February 8, 2005) was an American jazz musician whose albums often appeared on ''Billboard'' magazine charts. He helped popularize the Hammond B-3 organ, creating a link between jazz and 1960s soul music. In 2005, Smith was awarded the NEA Jazz Masters Award from the National Endowment for the Arts, the highest honor that America bestows upon jazz musicians. Early years There is confusion about Smith's birth year, with sources citing either 1925 or 1928. Born James Oscar Smith in Norristown, Pennsylvania, he joined his father doing a song-and-dance routine in clubs at the age of six. He began teaching himself to play the piano. When he was nine, Smith won a Philadelphia radio talent contest as a boogie-woogie pianist. After a period in the U.S. Navy, he began furthering his musical education in 1948, with a year at Royal Hamilton College of Music, then the Leo Ornstein School of Music in Philadelphia in 1949. He began exploring the Ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Confirmation (composition)
''Confirmation'' is a bebop standard composed by saxophonist Charlie Parker in 1945. It is known as a challenging number due to its long, complex head and rapid chord changes, which feature an extended cycle of fifths (see Bird changes). Jazz educator Dariusz Terefenko has pointed out the speed and intricacy of "Confirmation's" "harmonic rhythm" (the rate and manner in which chords change underneath the melody), which he notes is typical of the bebop era. The first recording of "Confirmation" was made by Dizzy Gillespie at a small group session for Dial Records by producer Ross Russell in February 1946 at which Parker was not present. Parker did not record a studio version of "Confirmation" until July 1953. However, Parker did play the piece frequently during live performances, and at least five live recordings of Parker performing "Confirmation" are known to exist. The earliest of these is a 1947 performance with Gillespie at Carnegie Hall. The musicologist Henry Martin ext ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Donald Bailey (musician)
Donald Orlando "Duck" Bailey (March 26, 1933 – October 15, 2013) was an American jazz drummer. Biography Bailey was born in Philadelphia, Pennsylvania, on March 26, 1933. He was largely self-taught as a drummer. Bailey got his big break in the jazz world and he is probably best known as the drummer in the trio of jazz organist Jimmy Smith from 1956 to 1964 and also for his work with The Three Sounds on Blue Note Records. While based in Los Angeles, Bailey also worked as a sideman for musicians including Sarah Vaughan, Carmen McRae, Hampton Hawes, Kenny Burrell, and Red Mitchell. In the mid-1970s, Bailey moved to Japan, where he lived for five years. His album ''Blueprints of Jazz, Vol. 3'' was recorded in 2006 and issued by Talking House Records in 2008. It features Charles Tolliver (trumpet), Odean Pope (tenor saxophone), George Burton (piano), and Tyrone Brown (bass). The album is part of the ''Blueprints of Jazz'' series conceived, produced and recorded by Talking H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eddie McFadden
Eddie Lee McFadden (August 6, 1928 – September 23, 1992) was a jazz guitarist. He played in Philadelphia clubs from the 1950s and was in organist Jimmy Smith's band for several recordings in 1957–58. He then recorded several albums with another organist – Johnny "Hammond" Smith – during the period 1960–63, and one more in 1966. McFadden made two further sideman appearances on albums in the late 1970s. Early life McFadden was born on August 6, 1928. His mother was Mary McFadden. As a small child, he tried the piano, but later settled on guitar. He had military service, after which he concentrated on jazz guitar.Heine, Kurt (September 28, 1992) "Eddie Lee Mcfadden; Noted Jazz Guitarist". ''The Philadelphia Inquirer''. philly.com. Career McFadden played in music clubs in Philadelphia from the 1950s. He recorded with organist Jimmy Smith as part of a trio and sextet in February 1957, resulting in the albums ''A Date with Jimmy Smith Volume One'' and ''A Date with Jimmy S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz Guitar
Jazz guitar may refer to either a type of electric guitar or a guitar playing style in jazz, using electric amplification to increase the volume of acoustic guitars. In the early 1930s, jazz musicians sought to amplify their sound to be heard over loud big bands. When guitarists in big bands switched from acoustic to semi-acoustic guitar and began using amplifiers, it enabled them to play solos. Jazz guitar had an important influence on jazz in the beginning of the twentieth century. Although the earliest guitars used in jazz were acoustic and acoustic guitars are still sometimes used in jazz, most jazz guitarists since the 1940s have performed on an electrically amplified guitar or electric guitar. Traditionally, jazz electric guitarists use an archtop with a relatively broad hollow sound-box, violin-style f-holes, a " floating bridge", and a magnetic pickup. Solid body guitars, mass-produced since the early 1950s, are also used. Jazz guitar playing styles include '' c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tina Brooks
Harold Floyd "Tina" Brooks (June 7, 1932 – August 13, 1974) was an American jazz tenor saxophonist and composer best remembered for his work in the hard bop style. Early years Harold Floyd Brooks was born in Fayetteville, North Carolina, and was the brother of David "Bubba" Brooks. The nickname "Tina", pronounced ''Teena'', was a variation of "Teeny", a childhood moniker. His favourite tune was "My Devotion".Original 1980 liner notes to ''Minor Move'' by Lawrence Kart He studied harmony and theory with Herbert Bourne. Initially, he studied the C-melody saxophone, which he began playing shortly after he moved to New York with his family in 1944. Brooks' first professional work came in 1951 with rhythm and blues pianist Sonny Thompson, and in 1955 Brooks played with vibraphonist Lionel Hampton. Brooks also received less formal guidance from trumpeter and composer "Little" Benny Harris, who led the saxophonist to his first recording as a leader. Harris recommended Brooks to Blu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lou Donaldson
Lou Donaldson (born November 1, 1926) is an American retired jazz Alto saxophone, alto saxophonist. He is best known for his soulful, bluesy approach to playing the alto saxophone, although in his formative years he was, as many were of the bebop era, heavily influenced by Charlie Parker. Life and career Donaldson was born in Badin, North Carolina, United States. He attended North Carolina Agricultural and Technical State University in Greensboro in the early 1940s. He enlisted in the U.S. Navy during World War II and was trained at the Great Lakes bases in Chicago where he was introduced to bop music in the lively club scene. At the war's conclusion, he returned to Greensboro, where he worked club dates with the Rhythm Vets, a combo composed of A and T students who had served in the U.S. Navy. The band recorded the soundtrack to a musical comedy featurette, ''Pitch a Boogie Woogie'', in Greenville, North Carolina, in the summer of 1947. The movie had a limited run at black audie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alto Saxophone
The alto saxophone is a member of the saxophone family of woodwind instruments. Saxophones were invented by Belgian instrument designer Adolphe Sax in the 1840s and patented in 1846. The alto saxophone is pitched in E, smaller than the B tenor but larger than the B soprano. It is the most common saxophone and is used in popular music, concert bands, chamber music, solo repertoire, military bands, marching bands, pep bands, and jazz (such as big bands, jazz combos, swing music). The alto saxophone had a prominent role in the development of jazz. Influential jazz musicians who made significant contributions include Don Redman, Jimmy Dorsey, Johnny Hodges, Benny Carter, Charlie Parker, Sonny Stitt, Lee Konitz, Jackie McLean, Phil Woods, Art Pepper, Paul Desmond, and Cannonball Adderley. Although the role of the alto saxophone in classical music has been limited, influential performers include Marcel Mule, Sigurd Raschèr, Jean-Marie Londeix, Eugene Rousseau, and Frederick ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Coleman
George Edward Coleman (born March 8, 1935) is an American jazz saxophonist known for his work with Miles Davis and Herbie Hancock in the 1960s. In 2015, he was named an NEA Jazz Master. Early life Coleman was born in Memphis, Tennessee. He was taught how to play the alto saxophone in his teens by his older brother Lucian Adams, inspired (like many jazz musicians of his generation) by Charlie Parker. Among his schoolmates were Harold Mabern, Booker Little, Frank Strozier, Hank Crawford, and Charles Lloyd. Later life and career After working with Ray Charles, Coleman started working with B.B. King in 1953, at which point he switched to tenor saxophone. In 1956 Coleman moved to Chicago, along with Booker Little, where he worked with Gene Ammons and Johnny Griffin before joining Max Roach's quintet (1958–1959). Coleman recorded with organist Jimmy Smith on his album ''House Party'' (1957), along with Lee Morgan, Curtis Fuller, Kenny Burrell, and Donald Bailey. Moving to New ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trombone
The trombone (german: Posaune, Italian, French: ''trombone'') is a musical instrument in the Brass instrument, brass family. As with all brass instruments, sound is produced when the player's vibrating lips cause the Standing wave, air column inside the instrument to vibrate. Nearly all trombones use a telescoping slide mechanism to alter the Pitch (music), pitch instead of the brass instrument valve, valves used by other brass instruments. The valve trombone is an exception, using three valves similar to those on a trumpet, and the superbone has valves and a slide. The word "trombone" derives from Italian ''tromba'' (trumpet) and ''-one'' (a suffix meaning "large"), so the name means "large trumpet". The trombone has a predominantly cylindrical bore like the trumpet, in contrast to the more conical brass instruments like the cornet, the euphonium, and the French horn. The most frequently encountered trombones are the tenor trombone and bass trombone. These are treated as trans ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Curtis Fuller
Curtis DuBois Fuller (December 15, 1932May 8, 2021) was an American jazz trombonist. He was a member of Art Blakey's Jazz Messengers and contributed to many classic jazz recordings. Early life Fuller was born in Detroit on December 15, 1932. His father had emigrated from Jamaica and worked in a Ford automobile factory, but he died from tuberculosis before his son was born. His mother, who had moved north from Atlanta, died when he was 9. He spent several years in an orphanage run by Jesuits. He developed a passion for jazz after one of the nuns there brought him to see Illinois Jacquet and his band perform, with J. J. Johnson on trombone. Fuller attended a public school in his hometown, together with Paul Chambers, Donald Byrd, Tommy Flanagan, Thad Jones, and Milt Jackson. There, he took up the trombone when he was sixteen, after attempting the violin and with the saxophone (his next choice) being unavailable. He studied under Johnson and Elmer James. Career Fuller joined ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
