The Phrenologist Coon
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"The Phrenologist Coon" is a 1901 song written by African-American entertainer
Ernest Hogan Ernest Hogan (born Ernest Reuben Crowdus; 1865 – May 20, 1909) was the first African-American entertainer to produce and star in a Broadway show (''The Oyster Man'' in 1907) and helped to popularize the musical genre of ragtime. A native of Bo ...
with music by Will Accooe.
Bert Williams Bert Williams (November 12, 1874 – March 4, 1922) was a Bahamian-born American entertainer, one of the pre-eminent entertainers of the Vaudeville era and one of the most popular comedians for all audiences of his time. He is credited as being ...
recorded it on
Victor Records The Victor Talking Machine Company was an American recording company and phonograph manufacturer that operated independently from 1901 until 1929, when it was acquired by the Radio Corporation of America and subsequently operated as a subsidi ...
and sheet music was published for it. It was produced by Williams and Walker Co. and published by Jos. W. Stern & Co. in New York City. The song's lyrics describe a " conjureman" ironically engaging in
phrenology Phrenology () is a pseudoscience which involves the measurement of bumps on the skull to predict mental traits.Wihe, J. V. (2002). "Science and Pseudoscience: A Primer in Critical Thinking." In ''Encyclopedia of Pseudoscience'', pp. 195–203. C ...
– the pseudoscientific study of human characteristics according to the shape of the skull. "In what is at first glance a demeaning stereotype, 'The Phrenologist's Coon' might, indeed, be something much more involved, because it suggests that black artists were self-consciously dialoging with political context prior to the modernist explorations of affirmative black identity by the
Harlem Renaissance The Harlem Renaissance was an intellectual and cultural revival of African American music, dance, art, fashion, literature, theater, politics and scholarship centered in Harlem, Manhattan, New York City, spanning the 1920s and 1930s. At the t ...
writers," suggests Paula J. Massood in ''Making a Promised Land: Harlem in Twentieth-Century Photography and Film'' (2013). The tune as a
schottische The schottische is a partnered country dance that apparently originated in Bohemia. It was popular in Victorian era ballrooms as a part of the Bohemian folk-dance craze and left its traces in folk music of countries such as Argentina ("chotis"Span ...
was used for the 1902 song "Maiden with the Dreamy Eyes" by Cole and Johnson.


References

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External links


Recording
via
Discography of American Historical Recordings The Discography of American Historical Recordings (DAHR) is a database of master recordings made by American record companies during the 78rpm era. The DAHR provides some of these original recordings, free of charge, via audio streaming, along with ...
1901 songs Victor Records singles