|
Williams And Walker Co.
George Walker and Bert Williams were two of the most renowned figures of the minstrel era. However the two did not start their careers together. Walker was born in 1873 in Lawrence, Kansas. His onstage career began at an early age as he toured in black minstrel shows as a child. George Walker became a better known stage performer as he toured the country with a traveling group of minstrels. George Walker was a "dandy", a performer notorious for performing without makeup due to his dark skin. Most vaudeville actors were white at this time and often wore blackface. As Walker and his group traveled the country, Bert Williams was touring with his group, named Martin and Selig’s Mastodon Minstrels. While performing with the Minstrels, African American song-and-dance man George Walker and Bert Williams met in San Francisco in 1893. George Walker married Ada Overton in 1899. Ada Overton Walker was known as one of the first professional African American choreographers. Prior to s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ziegfeld Follies
The ''Ziegfeld Follies'' was a series of elaborate theatrical revue productions on Broadway in New York City from 1907 to 1931, with renewals in 1934 and 1936. They became a radio program in 1932 and 1936 as ''The Ziegfeld Follies of the Air''. Founding and history Inspired by the Folies Bergère of Paris, the Ziegfeld Follies were conceived and mounted by Florenz Ziegfeld Jr., reportedly at the suggestion of his then-wife, the stage actress and singer Anna Held. The shows' producers were turn-of-the-twentieth-century producing titans Klaw and Erlanger. The Follies were a series of lavish revues, something between later Broadway shows and the more elaborate high class vaudeville and variety show. The first follies, '' The Follies of 1907'', was produced that year at the ''Jardin de Paris'' roof theatre. During the Follies era, many of the top entertainers, including W. C. Fields, Eddie Cantor, Josephine Baker, Fanny Brice, Ann Pennington, Bert Williams, Eva Tanguay, Bob H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bandana Land
A kerchief (from the Old French ''couvrechief'', "cover head"), also known as a bandana, bandanna, or "Wild Rag" (in cowboy culture), is a triangular or square piece of cloth tied around the head, face or neck for protective or decorative purposes. The popularity of ''head kerchiefs'' may vary by culture or religion, often being used as a Christian headcovering by women of the Anabaptist, Eastern Orthodox, and Plymouth Brethren denominations, as well as by some Orthodox Jewish and Muslim women. The ''neckerchief'' and ''handkerchief'' are related items. Types Bandana A bandana or bandanna (from Sanskrit बन्धन or bandhana, "a bond") is a type of large, usually colourful kerchief, originating from the Indian subcontinent, often worn on the head or around the neck of a person. It is considered to be a hat by some. Bandanas are frequently printed in a paisley pattern and are most often used to hold hair back, either as a fashionable head accessory, or for practical purpo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buckingham Palace
Buckingham Palace () is a London royal residence and the administrative headquarters of the monarch of the United Kingdom. Located in the City of Westminster, the palace is often at the centre of state occasions and royal hospitality. It has been a focal point for the British people at times of national rejoicing and mourning. Originally known as ''Buckingham House'', the building at the core of today's palace was a large townhouse built for the Duke of Buckingham in 1703 on a site that had been in private ownership for at least 150 years. It was acquired by King George III in 1761 as a private residence for Queen Charlotte and became known as The Queen's House. During the 19th century it was enlarged by architects John Nash and Edward Blore, who constructed three wings around a central courtyard. Buckingham Palace became the London residence of the British monarch on the accession of Queen Victoria in 1837. The last major structural additions were made in the late 19th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
In Dahomey
''In Dahomey: A Negro Musical Comedy'' is a landmark 1903 American musical comedy described by theatre historian Gerald Bordman as "the first full-length musical written and played by blacks to be performed at a major Broadway house."Bordman, Gerald, ''Musical Theatre: A Chronicle'' (New York: Oxford University Press, 1978), p. 190. It features music by Will Marion Cook, book by Jesse A. Shipp, and lyrics by poet Paul Laurence Dunbar. It was written by Jesse A. Shipp as a satire on the American Colonization Society's back-to-Africa movement of the earlier nineteenth century. ''In Dahomey'' is regarded as a marquee turning point for African-American representation in vaudeville theater. It opened on February 18, 1903, at the New York Theatre, starring George Walker and Bert Williams, two iconic figures of vaudeville entertainment at the time. The musical ran for 53 completed performances and had two tours in the United States and one tour of the United Kingdom.Riis, Thomas L., ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Chicago Defender
''The Chicago Defender'' is a Chicago-based online African-American newspaper. It was founded in 1905 by Robert S. Abbott and was once considered the "most important" newspaper of its kind. Abbott's newspaper reported and campaigned against Jim Crow-era violence and urged black people in the American South to settle in the north in what became the Great Migration. Abbott worked out an informal distribution system with Pullman porters who surreptitiously (and sometimes against southern state laws and mores) took his paper by rail far beyond Chicago, especially to African American readers in the southern United States. Under his nephew and chosen successor, John H. Sengstacke, the paper dealt with racial segregation in the United States, especially in the U.S. military, during World War II. Copies of the paper were passed along in communities, and it is estimated that at its most successful, each copy was read by four to five people. In 1919–1922, the ''Defender'' attracted t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Playbill
''Playbill'' is an American monthly magazine for theatergoers. Although there is a subscription issue available for home delivery, most copies of ''Playbill'' are printed for particular productions and distributed at the door as the show's program. ''Playbill'' was first printed in 1884 for a single theater on 21st Street in New York City. The magazine is now used at nearly every Broadway theatre, as well as many Off-Broadway productions. Outside New York City, ''Playbill'' is used at theaters throughout the United States. As of September 2012, its circulation was 4,073,680. History What is known today as ''Playbill'' started in 1884, when Frank Vance Strauss founded the New York Theatre Program Corporation specializing in printing theater programs. Strauss reimagined the concept of a theater program, making advertisements a standard feature and thus transforming what was then a leaflet into a fully designed magazine. The new format proved popular with theatergoers, who s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cakewalk
The cakewalk was a dance developed from the "prize walks" (dance contests with a cake awarded as the prize) held in the mid-19th century, generally at get-togethers on Black Slavery in the United States, slave plantations before and after End of slavery in the United States of America, emancipation in the Southern United States. Alternative names for the original form of the dance were "chalkline-walk", and the "walk-around". It was originally a processional partner dance danced with comical formality, and may have developed as a subtle mockery of the mannered dances of white slaveholders. Following an exhibition of the cakewalk at the 1876 Centennial Exposition in Philadelphia, the cakewalk was adopted by performers in minstrel shows, where it was danced exclusively by men until the 1890s. At that point, Broadway shows featuring women began to include cakewalks, and grotesque dances became very popular across the country.. The fluid and graceful steps of the dance may have g ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Koster And Bial's Music Hall
Koster and Bial's Music Hall was an important vaudeville theatre in New York City, located at Broadway and Thirty-Fourth Street, where Macy's flagship store now stands. It had a seating capacity of 3,748, twice the size of many theaters. Ticket prices ranged from 25¢ for a seat in the gallery to $1.50 for one in the orchestra. The venue was founded by John Koster (1844-1895) and Albert Bial (1842-1897) in the late 19th century and closed in 1901. History The music hall featured many top performers of its day and is famous in cinema history as the site of the first public exhibition of the Vitascope on April 23, 1896.Ramsaye, Terry (1926), ''A Million and One Nights: A History of the Motion Picture Through 1926,'' Simon and Schuster Essandess paperback reprint, 1964. Location at Broadway and Thirty-Fourth: p. 117; 20-foot screen and gilded frame, p. 232. Koster and Bial's Music Hall was the successor to Koster and Bial's Concert Hall. That earlier establishment was located on 23 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Casino Theatre (New York City)
The Casino Theatre was a Broadway theatre located at 1404 Broadway and West 39th Street (Manhattan), 39th Street in New York City. Built in 1882, it was a leading presenter of mostly musicals and operettas until it closed in 1930."Casino Theatre (Built: 1882 Demolished: 1930 Closed: 1930)" ''Internet Broadway Database'' (Retrieved on December 31, 2007) The theatre was the first in New York to be lit entirely by electricity, popularized the chorus line and later introduced white audiences to African-American shows. It originally seated approximately 875 people, however the theatre was enlarged in 1894 and again in 1905, after a fire, when its capacity was enlarged to 1,300 seats. It hosted a number of long-running comic operas, operettas and musical comedies, including ''Erminie'', ''Florodora'', ''Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Walker (vaudeville)
George Walker (1872 or 1873 – 1911) was an American vaudevillian, actor, and producer. In 1893, in San Francisco, Walker at the age of 20 met Bert Williams, who was a year younger. The two young men became performing partners. Walker and Williams appeared in ''The Gold Bug'' (1895), ''Clorindy'' (1898), ''The Policy Player'' (1899), ''Sons of Ham'' (1900), ''In Dahomey'' (1903), ''Abyssinia'' (1906), and '' Bandanna Land'' (1907). Walker married dancer Ada Overton, who later also was a choreographer. The two men set up an agency, The Williams and Walker Company, to support African-American actors and other performers, create networking, and produce new works. Early life George W. Walker was born in 1873 in Lawrence, Kansas, the son of a policeman and his wife. He began his career as a child performer, touring in black minstrel and medicine shows. George Walker and Bert Williams Walker and Bert Williams became two of the most prominent figures of the minstrel era and a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lew Johnson
Lew Johnson (–1910) was an African-American owner and business manager of blackface minstrel troupes composed of African-American performers. His career began in the mid-1860s and spanned 25 years. Johnson is the only black minstrel-troupe owner to have enjoyed any consistent success (others, such as Charles Hicks, were constantly fluctuating between success to failure). This was due to his keeping well away from the lucrative markets dominated by white owners. He primarily toured in the Midwestern and Western United States, playing countless one-nighters in rural settlements. The people in these areas could be racist (perhaps more than in the East), which made the itinerant lifestyle a hard one for Johnson and his minstrels.Toll 212. Johnson made a brief venture into the Eastern market in 1886, but his troupe fared poorly and fled back west. Johnson's troupes had between six and twenty members, with an average of twelve. None became famous (though they were popular where they p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Buckingham Palace")
