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The Phrenologist Coon
"The Phrenologist Coon" is a 1901 song written by African-American entertainer Ernest Hogan with music by Will Accooe. Bert Williams recorded it on Victor Records and sheet music was published for it. It was produced by Williams and Walker Co. and published by Jos. W. Stern & Co. in New York City. The song's lyrics describe a " conjureman" ironically engaging in phrenology – the pseudoscientific study of human characteristics according to the shape of the skull. "In what is at first glance a demeaning stereotype, 'The Phrenologist's Coon' might, indeed, be something much more involved, because it suggests that black artists were self-consciously dialoging with political context prior to the modernist explorations of affirmative black identity by the Harlem Renaissance writers," suggests Paula J. Massood in ''Making a Promised Land: Harlem in Twentieth-Century Photography and Film'' (2013). The tune as a schottische was used for the 1902 song "Maiden with the Dreamy Eyes" by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Phrenologist Coon (NYPL Hades-1932247-1994401)
''The'' () is a grammatical article in English, denoting persons or things that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ernest Hogan
Ernest Hogan (born Ernest Reuben Crowdus; 1865 – May 20, 1909) was the first African-American entertainer to produce and star in a Broadway show (''The Oyster Man'' in 1907) and helped to popularize the musical genre of ragtime. A native of Bowling Green, Kentucky, as a teenager Hogan worked in traveling minstrel shows as a dancer, musician, and comedian. In 1895 Hogan composed several popular songs, including "La Pas Ma La" and "All Coons Look Alike to Me". The success of the latter song created many derogatory imitations, known as "coon songs" because of their use of racist and stereotypical images of black people. Hogan was considered one of the most talented performers and comedians of his day.''Tap Roots: The Early History of Tap Dancing'' by Mark Knowles, McFarland & Company, 2002, , pages 119-20. His contribution to the racist "coon song" craze haunted him—before his death he stated that he regretted using the racial slur in his song. Early years He was born Ernest R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Will Accooe
Willis J. Accooe (1874 – April 26, 1904) was an American performing musician and composer, mainly of musicals. He was "an important songwriter during the birth of the black musical" according to the Library of Congress website. Life and career He was born in Winchester, Virginia to preacher John Harris Accooe and Anna Accooe. He married fellow musician and performer Alice Mackey. He studied at Princess Anne Academy in Maryland. He played organ at the 1897 Tennessee Centennial Exposition, and his composition ''Tennessee Centennial March'' proved greatly successful. Accooe was musical director for John William Isham's ''Octoroons'', a popular quasi-minstrel troupe, and was musical director for productions with Bert Williams. With Bob Cole and Billy Johnson he produced ''A Trip to Coontown'' in 1898, "the first New York musical written, produced, and performed by black artists". He wrote songs for the show and was its musical director. In addition to his other theatrical work ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bert Williams
Bert Williams (November 12, 1874 – March 4, 1922) was a Bahamian-born American entertainer, one of the pre-eminent entertainers of the Vaudeville era and one of the most popular comedians for all audiences of his time. He is credited as being the first Black man to have the leading role in a film: ''Darktown Jubilee'' in 1914. He was by far the best-selling Black recording artist before 1920. In 1918, the ''New York Dramatic Mirror'' called Williams "one of the great comedians of the world." Williams was a key figure in the development of African-American entertainment. In an age when racial inequality and stereotyping were commonplace, he became the first black person to take a lead role on the Broadway stage, and did much to push back racial barriers during his three-decade-long career. Fellow vaudevillian W. C. Fields, who appeared in productions with Williams, described him as "the funniest man I ever saw—and the saddest man I ever knew." Early life Williams was born i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Victor Records
The Victor Talking Machine Company was an American recording company and phonograph manufacturer that operated independently from 1901 until 1929, when it was acquired by the Radio Corporation of America and subsequently operated as a subsidiary called RCA Victor. Headquartered in Camden, New Jersey, it was the largest and most prestigious firm of its kind in the world, probably best known for its use of the iconic "His Master's Voice" trademark and the production, marketing, and design of the popular "Victrola" line of phonographs. After its merger with RCA in 1929, the company continued to make phonographs, records, radios and other products. History In 1896, Emile Berliner—inventor of the gramophone and disc record—contracted machinist Eldridge R. Johnson to manufacture his inventions.Gelatt, Roland, ''The Fabulous Phonograph: 1877–1977'', MacMillan, New York, 1954. Name There are different accounts as to how the "Victor" name came about. RCA historian Fred Ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Evocation
Evocation is the act of evoking, calling upon, or summoning a spirit, demon, deity or other supernatural agents, in the Western mystery tradition. Comparable practices exist in many religions and magical traditions and may employ the use of mind-altering substances with and without uttered word formulas. Overview Evocation is the act of calling upon or summoning a spirit, demon, deity or other supernatural agent. Conjuration also refers to a summoning, often by the use of a magical spell. In the Western mystery tradition History The Latin word ''evocatio'' was the "caIIing forth" or "summoning away" of a city's tutelary deity. The rituaI was conducted in a miIitary setting either as a threat during a siege or as a result of surrender, and aimed at diverting the god's favor from the opposing city to the Roman side, customariIy with a promise of a better-endowed cuIt or a more Iavish tempIe. ''Evocatio'' was thus a kind of rituaI dodge to mitigate Iooting of sacred objects or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phrenology
Phrenology () is a pseudoscience which involves the measurement of bumps on the skull to predict mental traits.Wihe, J. V. (2002). "Science and Pseudoscience: A Primer in Critical Thinking." In ''Encyclopedia of Pseudoscience'', pp. 195–203. California: Skeptics Society.Hines, T. (2002). ''Pseudoscience and the Paranormal''. New York: Prometheus Books. p. 200 It is based on the concept that the brain is the organ of the mind, and that certain brain areas have localized, specific functions or modules. It was said that the brain was composed of different muscles, so those that were used more often were bigger, resulting in the different skull shapes. This led to the reasoning behind why everyone had bumps on the skull in different locations. The brain "muscles" not being used as frequently remained small and were therefore not present on the exterior of the skull. Although both of those ideas have a basis in reality, phrenology generalized beyond empirical knowledge in a way that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harlem Renaissance
The Harlem Renaissance was an intellectual and cultural revival of African American music, dance, art, fashion, literature, theater, politics and scholarship centered in Harlem, Manhattan, New York City, spanning the 1920s and 1930s. At the time, it was known as the "New Negro Movement", named after ''The New Negro'', a 1925 anthology edited by Alain Locke. The movement also included the new African American cultural expressions across the urban areas in the Northeast and Midwest United States affected by a renewed militancy in the general struggle for civil rights, combined with the Great Migration of African American workers fleeing the racist conditions of the Jim Crow Deep South, as Harlem was the final destination of the largest number of those who migrated north. Though it was centered in the Harlem neighborhood, many francophone black writers from African and Caribbean colonies who lived in Paris were also influenced by the movement, which spanned from about 1918 until ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Schottische
The schottische is a partnered country dance that apparently originated in Bohemia. It was popular in Victorian era ballrooms as a part of the Bohemian folk-dance craze and left its traces in folk music of countries such as Argentina ("chotis"Spanish Wikipedia and "chamamé"), Finland ("jenkka"), France, Italy, Norway (""), Portugal and Brazil (''xote'', '), Spain (''chotis''), Sweden, Denmark ("schottis"), Mexico (Norteño music), and the United States, among other nations. The schottische is considered by ''The Oxford Companion to Music'' to be a kind of slower polka, with continental-European origin. The schottische basic step is made up of two sidesteps to the left and right, followed by a turn in four steps. In some countries, the sidesteps and turn are replaced by Strathspey hopping steps. Schottisches danced in Europe (in the context of balfolk), where they originated, are different from how they are danced in the United States. The European (or Continental) version (ofte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Discography Of American Historical Recordings
The Discography of American Historical Recordings (DAHR) is a database of master recordings made by American record companies during the 78rpm era. The DAHR provides some of these original recordings, free of charge, via audio streaming, along with access to the production catalogs of those same companies. DAHR is part of the American Discography Project (ADP), and is funded and operated in partnership by the University of California, Santa Barbara, the National Endowment for the Humanities, and the Packard Humanities Institute. Database catalog The database catalog is essentially based on physically accessible archive material, stored at the companies that still exist and others that succeeded the production companies that were active at the time. Catalog compilations created by specialist authors are also used, supplemented by newly acquired research knowledge. * Victor Talking Machine Company releases, including RCA-Victor recordings, were made in the United States and Centra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1901 Songs
Nineteen or 19 may refer to: * 19 (number), the natural number following 18 and preceding 20 * one of the years 19 BC, AD 19, 1919, 2019 Films * ''19'' (film), a 2001 Japanese film * ''Nineteen'' (film), a 1987 science fiction film Music * 19 (band), a Japanese pop music duo Albums * ''19'' (Adele album), 2008 * ''19'', a 2003 album by Alsou * ''19'', a 2006 album by Evan Yo * ''19'', a 2018 album by MHD * ''19'', one half of the double album ''63/19'' by Kool A.D. * ''Number Nineteen'', a 1971 album by American jazz pianist Mal Waldron * ''XIX'' (EP), a 2019 EP by 1the9 Songs * "19" (song), a 1985 song by British musician Paul Hardcastle. * "Nineteen", a song by Bad4Good from the 1992 album ''Refugee'' * "Nineteen", a song by Karma to Burn from the 2001 album ''Almost Heathen''. * "Nineteen" (song), a 2007 song by American singer Billy Ray Cyrus. * "Nineteen", a song by Tegan and Sara from the 2007 album '' The Con''. * "XIX" (song), a 2014 song by Slipknot. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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