The Massacre (Special Edition)

''The Massacre'' is the second studio album by American rapper 50 Cent, released on March 3, 2005, via Interscope Records, Eminem's Shady Records, 50 Cent's G-Unit Records, and Dr. Dre's Aftermath Entertainment. With production from Dr. Dre, Eminem, Scott Storch, Sha Money XL and others, the album features guest appearances from G-Unit affiliates Tony Yayo, Olivia, Eminem and Jamie Foxx.

Supported by the singles " Disco Inferno" and " Candy Shop" before release, the album debuted at number one on the US Billboard 200, selling 1.15 million copies in its first four days and staying atop the chart for six weeks after its release. ''The Massacre'' received generally positive reviews from music critics.

Background

The original title for the album was revealed as ''The St. Valentine's Day Massacre'', named after the 1929 Chicago gang murder spree known as Saint Valentine's Day Massacre. 50 Cent intended the album to be released on February 15, 2005, but Interscope was not interested. He leaked " Disco Inferno" in order to force their hand, and Interscope released it on March 7.

Originally, songs intended for the album included " Hate It or Love It", " How We Do", "Higher", "Church for Thugs" and "Special" but the songs were eventually given to the Game's '' The Documentary'', causing a majority of ''The Massacre'' to be reworked.

After 50 Cent released the Game from his G-Unit Records imprint on live radio February 21, 2005, a shootout occurred. Paul Rosenberg of Shady Records and Jimmy Iovine of Interscope worried that the album would underperform due to the negativity of the Hot 97 shooting. 50 and the Game later entered into a truce six days after ''The Massacre'' was released, but their animosity rose up again after Game made fun of G-Unit at Hot 97's annual Summer Jam, where he first used the "G-Unot" insult, later turning to a boycott.

Censorship

The censored version of the album censors out most profanity, violence, and all drug content. The track "Gunz Come Out" has inconsistency in the editing, and contains some profanity. The opening intro removes the shooting sequence, and is cut down to 20 seconds. The album cover also removes guns in the background behind the rapper, being replaced by motifs and a gradient background. In comparison, the album is not as heavily censored as his previous album '' Get Rich or Die Tryin''' (2003).

Commercial performance

With a release in the middle of the sales week, ''The Massacre'' sold 1.15 million copies in its first four days of release, becoming the sixth-largest opening week for an album at the time since Nielsen SoundScan began tracking sales in 1991. This is the second largest opening week for a hip hop album, behind Eminem's ''The Marshall Mathers LP'' (2000), which sold 1.76 million copies in its first week. Mariah Carey's '' The Emancipation of Mimi'' replaced it as number one in late April 2005, as ''The Massacre'' reached 3 million units sold. In February 2020, ''The Massacre'' was certified six times platinum for combined sales and album-equivalent units of at least six million copies in the United States. It has sold over eleven million copies worldwide.

In 2005, ''The Massacre'' was ranked as the number one album of the year on the ''Billboard'' 200.

Critical reception

''The Massacre'' received generally positive reviews from music critics; it holds a score of 66 out of 100 at Metacritic. '' Vibe'' magazine found it "full of finger-pointing panache" and wrote that "50 delivers a taut, albeit less explosive, album aimed at both silencing his detractors and keeping the ladies satisfied". ''NME'' observed "a new depth to the murderous lyricism" from 50 Cent on the album. Greg Tate, writing in ''The Village Voice'', said that, like Tupac, 50 Cent is "a ruffian who knows the value of a good pop hook", and called ''The Massacre'' "the most diabolically sensous collection of baby-making gangsta music since Pac's '' All Eyez''." Kelefa Sanneh of ''The New York Times'' found the album to be "nearly as addictive as its predecessor" and called 50 Cent "a crafty songwriter, specializing in obvious but nearly irresistible tracks that sound better the more you hear them." In his review for ''The Village Voice'', Robert Christgau said that 50 Cent's "ugly gangsta lies" are "incidental to the mood of the piece, which is friendly, relaxed, good-humored, and in the groove."

In a mixed review, Nathan Rabin of ''The A.V. Club'' said that, although its strengths lie in 50 Cent's "dark charisma" and "fluid delivery", the album is marred by flaws typical of "big rap releases: At nearly 78 minutes, it's far too long, wildly uneven, and not particularly cohesive sonically or thematically." '' Uncut'' magazine wrote that, despite 50 Cent's "cool menace", "not even tight productions from Eminem and Dre can stop things from flagging midway." Lynne D. Johnson of ''Spin'' felt that it lacks "originality" and makes artistic concessions: "He's tryin' too hard to be everything to everybody." In a negative review for ''The Guardian'', Alexis Petridis panned him as a lyricist and felt that the album lacks "any of the factors that make the best gangsta rap disturbingly compelling ... There's nothing except a string of cliches so limited that repetition is unavoidable".

Accolades

''The Massacre'' was nominated at the 2006 Grammy Awards for Best Rap Album, but lost to Kanye West's '' Late Registration''. It was ranked the twenty fifth best album of the year by ''Rolling Stone''.The Top 50 Records of 2005
. ''Rolling Stone''.

According to 50 Cent, the album received more mixed reviews than its predecessor ''Get Rich Or Die Tryin because he was focused more on the hooks and song structure: "People fought love for the things they see are significant. Jimmy Iovine was a producer … he loves the significance of production. He loves Dre. I don’t give a fuck what I made … look, I made my whole second album as a 10-record. I knew they wasn’t my best verses but my choruses were right so I focused on my song structure."

Track listing

;Notes
* signifies an additional producer.
*"Intro" is excluded from the 2006 France edition.

;Sample credits(2005) Album notes for The Massacre by 50 Cent. Aftermath Entertainment.
*"Intro" contains elements from "What Up Gangsta" performed by 50 Cent.
*"This Is 50" contains elements from "Things Done Changed" performed by The Notorious B.I.G.
*"I'm Supposed to Die Tonight" contains vocal samples of "Vocal Planet" performed by Spectrasonics.
*"Gatman and Robbin'" contains replayed elements from "Batman Theme" composed by Danny Elfman.
*" Candy Shop" contains a sample of "Love Break" performed by The Salsoul Orchestra (uncredited).
*"Outta Control" contains an interpolation from "Set It Off" performed by Strafe.
*"Ski Mask Way" contains elements from "What Am I Waiting For" performed by The O'Jays and resung elements from "Cell Therapy" performed by Goodie Mob.
*"A Baltimore Love Thing" contains elements from "I'll Be Waiting There for You" performed by The Dells.
*"God Gave Me Style" contains elements from "Each Day I Cry a Little" performed by Eddie Kendricks.
*"I Don't Need 'Em" contains elements from "Nobody Knows" performed by S.C.L.C.

Personnel

Credits for ''The Massacre'' adapted from Allmusic.

* 50 Cent – executive producer, author
* Bang Out – producer
* Jeff Bass – keyboards, producer
* Mark Bass – producer
* Steve Baughman – engineer, mixing
* Akane Behrens – engineer
* Black Jeruz – producer
* Buck Wild – producer
* Jeff Burns – mixing assistant, assistant
* Dave Cabrera – keyboards
* Tony Campana – engineer
* Larry Chatman – project coordinator
* Lindsay Collins – voices, speech/speaker/speaking part
* Cool – producer
* Ruben Cruz – vocals (background)
* Cue Beats – producer
* Dion Jenkins – vocals (background)
* Disco D – producer
* Dr. Dre – producer, executive producer, mixing
* Mike Elizondo – bass, guitar, keyboards, sitar, producer
* Eminem – producer, executive producer, mixing
* Nicole Frantz – creative assistance
* Brian "Big Bass" Gardener – mastering
* Yvette Gayle – publicity
* Zach Gold – photography
* Scott Gutierrez – assistant engineer, assistant
* Tiffany Hasbourne – stylist
* Adam Hawkins – engineer
* Marcus Heisser – A&R
* Hi-Tek – producer
* Lionel Holoman – keyboards
* Kameron Houff – engineer
* Eric Hudson – bass
* Mauricio "Veto" Irragorri – engineer, mixing
* Tyrue "Slang" Jonas – artwork
* Rouble Kapoor – assistant engineer, mixing assistant, assistant

* Steven King – bass, guitar, mixing
* Marc Labelle – A&R
* Chris Lighty – management
* Steve Lininger – assistant engineer, assistant
* Jared Lopez – engineer
* Mike Lynn – A&R
* Andrew Mains – editing
* Tracy McNew – A&R
* Kyla Miller – engineer
* Riggs Morales – A&R
* Needlz – producer
* Traci Nelson – vocals (background)
* Alex Ortiz – engineer
* James Oruz – management
* Conesha Owens – vocals (background)
* Kirdis Postelle – project coordinator
* Chuck Reed – engineer
* Luis Resto – horn, keyboards, producer
* Robert "Roomio" Reyes – assistant engineer, assistant
* Roberto Reyes – assistant
* J.R. Rotem – producer
* David Saslow – video
* Kelly Sato – marketing coordinator
* Ed Scratch – engineer
* Les Scurry – production coordination
* Sha Money XL – producer, engineer, executive producer, mixing
* Randy Sosin – video
* Nancie Stern – sample clearance
* Scott Storch – producer
* Chris Styles – producer
* Rob Tewlow – producer
* Patrick Viala – mixing
* Che Vicious – programming
* Barbara Wilson – vocals (background)
* Brandon Winslow – assistant
* Ravid Yosef – editing

Charts

Weekly charts

Year-end charts

Certifications

''Special edition''

Background

The album was re-released on September 6, 2005 as the '' Special'' edition. It included a remix of "Outta Control" featuring Mobb Deep, which replaces the original version of the song as track eight. This edition included a bonus DVD with music videos for a majority of the album's tracks (with the exclusion of "Disco Inferno", "Gunz Come Out" and the intro), and the trailer for the film ''Get Rich or Die Tryin''', which released two months later. Due to the ongoing feud between 50 Cent and The Game, this version omits the G-Unit remix to " Hate It or Love It" as the twenty-second track. Once the special edition was released, ''The Massacre'' re-entered the top three of the ''Billboard'' 200 at number two, being blocked from number one by Kanye West's ''Late Registration''. The original version was also re-issued using the special edition track listing leaving out the parts for the DVD.

Track listing

;Notes
signifies an additional producer.

;Sample credits
Informations taken from ''The Massacre'' liner notes:
* "Intro" contains elements from "What Up Gangsta" performed by 50 Cent
* "I'm Supposed to Die Tonight" contains samples of "Warning" by The Notorious B.I.G.
* "Gatman and Robbin'" contains replayed elements from "Batman Theme"
* " Candy Shop" contains a sample of "Love Break" performed by The Salsoul Orchestra (uncredited)
* "Ski Mask Way" contains elements from "What Am I Waiting For" performed by The O'Jays and resung elements from "Cell Therapy" performed by Goodie Mob
* "A Baltimore Love Thing" contains elements from "I'll Be Waiting There For You" performed by The Dells
* "God Gave Me Style" contains elements from "Each Day I Cry A Little" performed by Eddie Kendricks
* "I Don't Need 'Em" contains elements from "Nobody Knows" performed by S.C.L.C.

See also

* List of number-one albums from the 2000s (UK)
* List of number-one albums in 2005 (New Zealand)
* List of number-one albums of 2005 (Ireland)
* List of number-one albums of 2005 (U.S.)
* Lists of fastest-selling albums

References

External links

*

{{DEFAULTSORT:Massacre, The
2005 albums
50 Cent albums
Aftermath Entertainment albums
Shady Records albums
Albums produced by Buckwild
Albums produced by Dr. Dre
Albums produced by Disco D
Albums produced by Eminem
Albums produced by Scott Storch
Albums produced by Hi-Tek
Albums produced by J. R. Rotem
Albums produced by Needlz
Albums produced by Mike Elizondo
Interscope Records albums
Interscope Geffen A&M Records albums