The Dark Knight (film)

''The Dark Knight'' is a 2008 superhero film directed by Christopher Nolan from a screenplay he co-wrote with his brother Jonathan. Based on the DC Comics superhero, Batman, it is the sequel to ''Batman Begins'' (2005) and the second installment in '' The Dark Knight Trilogy''. The plot follows the vigilante Batman, police lieutenant James Gordon, and district attorney Harvey Dent, who form an alliance to dismantle organized crime in Gotham City. Their efforts are derailed by the Joker, an anarchistic mastermind who seeks to test how far Batman will go to save the city from chaos. The ensemble cast includes Christian Bale, Michael Caine, Heath Ledger, Gary Oldman, Aaron Eckhart, Maggie Gyllenhaal, and Morgan Freeman.

Warner Bros. Pictures prioritized a sequel following the successful reinvention of the ''Batman'' film series with ''Batman Begins''. Christopher and ''Batman Begins'' co-writer David S. Goyer developed the story elements, making Dent the central protagonist caught up in the battle between Batman and the Joker. In writing the screenplay, the Nolans were influenced by 1980s ''Batman'' comics and crime drama films, and sought to continue ''Batman Begins'' heightened reality tone. From April to November 2007, filming took place with a $185million budget in Chicago and Hong Kong, and on sets in England. ''The Dark Knight'' was the first major motion picture to be filmed with high-resolution IMAX cameras. Christopher avoided using computer-generated imagery unless necessary, insisting on practical stunts such as flipping an 18-wheel truck and blowing up a factory.

''The Dark Knight'' was marketed with an innovative interactive viral campaign that initially focused on countering criticism of Ledger's casting by those who believed he was a poor choice to portray the Joker. Ledger died from an accidental drug overdose in January 2008, leading to widespread interest from the press and public regarding his performance. When it was released in July, ''The Dark Knight'' received acclaim for its mature tone and themes, visual style, and performances—particularly that of Ledger, who received many posthumous awards including Academy, BAFTA, and Golden Globe awards for Best Supporting Actor, making ''The Dark Knight'' the first comic-book film to receive major industry awards. It broke several box-office records and became the highest-grossing 2008 film, the fourth-highest-grossing film of its time, and the highest-grossing superhero film.

Since its release, ''The Dark Knight'' has been assessed as one of the greatest superhero films ever made, one of the best films of the 2000s, and one of the best films ever made. It is considered the "blueprint" for modern superhero films, particularly for its rejection of a comic-book style in favor of a genre film that features comic-book characters. Many filmmakers sought to repeat its success by emulating its gritty, realistic tone to varying degrees of success. ''The Dark Knight'' has been analyzed for its themes of terrorism and the limitations of morality and ethics. The United States Library of Congress selected it for preservation in the National Film Registry in 2020. A sequel, ''The Dark Knight Rises'', concluded ''The Dark Knight Trilogy'' in 2012.

Plot

A gang of masked criminals robs a mafia-owned bank in Gotham City, each betraying the others until the sole survivor, the Joker, reveals himself as the mastermind and escapes with the money. The vigilante Batman, district attorney Harvey Dent, and police lieutenant Jim Gordon form an alliance to eliminate Gotham's organized crime. Batman's alter-ego, the billionaire Bruce Wayne, publicly supports Dent as Gotham's legitimate protector, believing his success will allow Batman to retire so Wayne can romantically pursue his childhood friend Rachel Dawes, despite her relationship with Dent.

Gotham's mafia bosses gather to discuss protecting their organizations from the Joker, the police, and Batman. The Joker interrupts the meeting and offers to kill Batman for half of the fortune their accountant, Lau, concealed before fleeing to Hong Kong to avoid extradition. With the help of Wayne Enterprises CEO Lucius Fox, Batman finds Lau in Hong Kong and returns him to the custody of Gotham police, and his testimony enables Dent to apprehend the crime families. The bosses accept the Joker's offer and he kills high-profile targets involved in the trial, including the judge and police commissioner, and although Gordon saves the mayor, the Joker threatens his attacks will continue until Batman unmasks. He targets Dent at a fundraising dinner and throws Rachel out of a window, but Batman rescues her.

Wayne struggles to understand the Joker's motives, but his butler Alfred Pennyworth says some simply relish destruction. Dent claims he is Batman to lure out the Joker, who attacks the police convoy transporting him. Batman and Gordon apprehend the Joker, and Gordon is promoted to commissioner. At the police station, Batman interrogates the Joker, who says he finds Batman entertaining and has no intention of killing him. Having deduced Batman's feelings for Rachel, the Joker reveals she and Dent are being separately held in buildings that are rigged to explode. Batman races to save Rachel while Gordon goes after Dent, but they discover the Joker has switched their positions. Rachel is killed in the explosion, while Dent's face is severely burned on one side. The Joker escapes custody, extracts the fortune's location from Lau, and burns all of it.

Wayne Enterprises accountant Coleman Reese deduces Batman's identity and attempts to expose it, but the Joker threatens to blow up a hospital unless Reese is killed. While the police evacuate hospitals and Gordon struggles to keep Reese alive, the Joker meets with a disillusioned Dent, persuading him to take justice into his own hands and avenge Rachel. Dent defers his decision-making to his half-scarred, two-headed coin, killing the corrupt officers and mafiosi who contributed to Rachel's death. As panic grips the city, the Joker reveals two evacuation ferries, one carrying civilians and the other prisoners, are rigged to explode at midnight unless one group sacrifices the other. To the Joker's disbelief, the passengers refuse to kill one another. Batman subdues the Joker but refuses to kill him. Before the police arrest the Joker, he says although Batman proved incorruptible, his plan to corrupt Dent has succeeded.

Dent takes Gordon's family hostage, blaming his negligence for Rachel's death. He flips his coin to decide their fates but Batman tackles him to save Gordon's son, and Dent falls to his death. Believing Dent is the hero the city needs, Batman takes the blame for his death and actions, and persuades Gordon to conceal the truth. Pennyworth burns an undelivered message to Wayne from Rachel, who said she chose Dent, and Fox destroys the invasive surveillance network that helped Batman find the Joker. The city mourns Dent as a hero and the police launch a manhunt for Batman.

Cast

* Christian Bale as Bruce Wayne / Batman: A wealthy socialite who as a child was traumatized by his parents' murder. Wayne secretly operates as the heroic vigilante Batman.
* Michael Caine as Alfred Pennyworth: Wayne's father-figure, trusted butler, and confidant
* Heath Ledger as the Joker: A criminal mastermind and anarchist who is determined to sow chaos and corruption throughout Gotham
* Gary Oldman as James Gordon: One of the few honest officers in the Gotham City Police Department (GCPD) who assists Batman's war on crime
* Aaron Eckhart as Harvey Dent / Two-Face: Gotham's noble district attorney-turned-violent vigilante
* Maggie Gyllenhaal as Rachel Dawes: Gotham's assistant district attorney and Wayne's childhood friend, who is divided between her feelings for him and for Dent
* Morgan Freeman as Lucius Fox: Wayne Enterprises' CEO who supplies technology and equipment for Batman's campaign

''The Dark Knight''s cast includes Eric Roberts, Michael Jai White, and Ritchie Coster as crime bosses Sal Maroni, Gambol, and the Chechen respectively; and Chin Han portrays Lau, a Chinese criminal banker. The GCPD cast includes Colin McFarlane as commissioner Gillian B. Loeb, Keith Szarabajka and Ron Dean as detectives Stephens and Wuertz, Monique Gabriela Curnen as rookie detective Anna Ramirez and Philip Bulcock as Murphy.

The cast also features Joshua Harto as Wayne Enterprises employee Coleman Reese, Anthony Michael Hall as news reporter Mike Engel, Néstor Carbonell as mayor Anthony Garcia, William Fichtner as a bank manager, Nydia Rodriguez Terracina as Judge Surrillo, Tom "Tiny" Lister Jr. as a prisoner, Beatrice Rosen as Wayne's Russian ballerina date, and David Dastmalchian as the Joker's paranoid schizophrenic henchman Thomas Schiff. Melinda McGraw, Nathan Gamble, and Hannah Gunn portray Gordon's wife Barbara, his son James Jr., and his daughter, respectively. ''The Dark Knight'' features several cameo appearances, including Cillian Murphy, who reprises his role as Jonathan Crane / Scarecrow from ''Batman Begins''; musical performer Matt Skiba; as well as United States Senator and life-long Batman fan Patrick Leahy, who has appeared in or voiced characters in other ''Batman'' media.

Production

Development

Following the critical and financial success of ''Batman Begins'' (2005), the film studio Warner Bros. Pictures prioritized a sequel. Although ''Batman Begins'' ends with a scene in which Batman is presented with a joker playing card, teasing the introduction of his archenemy, the Joker, Christopher Nolan did not intend to make a sequel and was unsure ''Batman Begins'' would be successful enough to warrant one. Christopher, alongside his wife and longtime producer Emma Thomas, had never worked on a sequel film but he and co-writer David Goyer discussed ideas for a sequel during filming. Goyer developed an outline for two sequels, but Christopher remained unsure how to continue the ''Batman Begins'' narrative while keeping it consistent and relevant, though he was interested in utilizing the Joker in ''Begins'' grounded, realistic style. Discussions between Warner Bros. Pictures and Christopher began shortly after ''Batman Begins''s theatrical release, and development began following the production of Christopher's ''The Prestige'' (2006).

Writing

Goyer and Christopher collaborated for three months to develop ''The Dark Knight'' core plot points. They wanted to explore the theme of escalation and the idea that Batman's extraordinary efforts to combat common crimes would lead to an opposing escalation by criminals, attracting the Joker, who uses terrorism as a weapon. The joker playing card scene in ''Batman Begins'' was intended to convey the fallacy of Batman's belief his war on crime would be temporary. Goyer and Christopher did not intentionally include real-world parallels to terrorism, the war on terror, and laws enacted to combat terrorists by the United States government because they believed making overtly political statements would detract from the story. They wanted it to resonate with and reflect contemporary audiences. Christopher described ''The Dark Knight'' as representative of his own "fear of anarchy" and Joker represents an "somebody who wants to just tear down the world around him."

Although he was a fan of ''Batman'' (1989), starring Jack Nicholson as the Joker, Goyer did not consider Nicholson's portrayal scary and ''The Dark Knight''s Joker to be an unknowable, already-formed character, similar to the shark in ''Jaws'' (1975), without a "cliché" origin story. Christopher and Goyer did not give their Joker an origin story or a narrative arc, believing it made the character scarier; Christopher described their film as the "rise of the Joker". They felt the threat of cinematic villains such as Hannibal Lecter and Darth Vader had been undermined by subsequent films depicting their origins.

With Christopher's help, his brother Jonathan spent six months developing the story into a draft screenplay. After submitting the draft to Warner Bros., Jonathan spent a further two months refining it until Christopher had finished directing ''The Prestige''. The pair collaborated on the final script over the next six months during pre-production for ''The Dark Knight''. Jonathan found the "poignant" ending the script's most interesting aspect; it had always depicted Batman fleeing from police but was changed from him leaping across rooftops to escaping on the Batpod, his motorcycle-like vehicle. The dialogue Johnathan considered most important, "you either die a hero or you live long enough to see yourself become the villain", came late in development. Influenced by films such as ''The Godfather'' (1972) and ''Heat'' (1995), and maintaining ''Batman Begins'' tone, their finished script bore more resemblance to a crime drama than a traditional superhero film.

Comic-book influences included writer Frank Miller's 1980s works, which portray characters in a serious tone, and the limited series '' Batman: The Long Halloween'' (1996–1997), which explores the relationship between Batman, Dent, and Gordon. Dent was written as ''The Dark Knight'' central character, serving as the center of the battle between Batman, who believes Dent is the hero the city needs, and the Joker, who wants to prove even the most righteous people can be corrupted. Christopher said the title refers to Dent as equally as Batman. He considered Dent as having a duality similar to Batman's, providing interesting dramatic potential.

Focusing on Dent meant Bruce Wayne / Batman was written as a generally static character who did not undergo drastic character development. Christopher found writing the Joker the easiest aspect of the script. The Nolans identified the traits common to his media incarnations and were influenced by the character's comic-book appearances as well as the villain Dr. Mabuse from the films of Fritz Lang. Writer Alan Moore's graphic novel, '' Batman: The Killing Joke'' (1988), did not influence the main narrative but Christopher believed his interpretation of the Joker as someone partially driven to prove anyone can become like him when pushed far enough helped the Nolans give purpose to an "inherently purposeless" character. The Joker was written as a purely evil psychopath and anarchist who lacks reason, logic, and fear, and could test the moral and ethical limits of Batman, Dent, and Gordon. Christopher and Jonathan later realized they had inadvertently written their version similarly to Joker's first appearance in ''Batman'' #1 (1940). The final scene, in which the Joker states he and Batman are destined to battle forever, was not intended to tease a sequel but to convey the diametrically opposed pair were in an endless conflict because they will not kill each other.

Casting

Describing how his character had evolved from ''Batman Begins'', Christian Bale said Wayne had changed from a young, naive, and angry man seeking purpose to a hero who is burdened by the realization his war against crime is seemingly endless. Because the new Batsuit allowed him to be more agile, Bale did not increase his muscle mass as much as he had for ''Batman Begins''. Christopher had deliberately obscured combat in the previous film because it was intended to portray Batman from the criminals' point of view. The improved Batsuit design let him show more of Bale's Keysi-fighting method training.

Christopher was aware Nicholson's popular portrayal of the Joker would invite comparisons to his version, and wanted an actor who could cope with the associated scrutiny. Ledger's casting in August 2006 was criticized by some industry professionals and members of the public who considered him inappropriate for the role; executive producer Charles Roven said Ledger was the only person seriously considered, and that ''Batman Begins'' positive reception would help alleviate any concerns. Christopher was confident in the casting because discussions between himself and Ledger had demonstrated they shared similar ideas regarding the Joker's portrayal. Ledger said he had some trepidation in succeeding Nicholson in the role but that the challenge excited him. He described his interpretation as a "psychopathic, mass-murdering, schizophrenic clown with zero empathy", and avoided humanizing him. He was influenced by Alex from the crime film ''A Clockwork Orange'' (1971), and British musicians Johnny Rotten and Sid Vicious.

Ledger spent about a month secluding himself in a hotel room while reading relevant comic books. He developed the character's voice by mixing a high-pitch and low-pitch, which was inspired by ventriloquist performances. His fighting style was designed to appear improvised and erratic. Ledger spent a further four months creating a "Joker diary" containing images and elements he believed would resonate with his character, such as finding the disease AIDS humorous. Describing his performance, Ledger said: "It's the most fun I've had with a character and probably will ever have... It was an exhausting process. At the end of the day, I couldn't move. I couldn't talk. I was absolutely wrecked." In a November 2007 interview, Ledger said when committing himself to any role, he had difficulty sleeping because he could not relax his mind, and often slept only two hours a night during filming.

Christopher wanted to cast an actor with an all-American "heroic presence" for Harvey Dent, something he likened to Robert Redford but with an undercurrent of anger or darkness. Josh Lucas, Ryan Phillippe, and Mark Ruffalo were considered, as well as Matt Damon, who could not commit due to scheduling conflicts. According to Christopher, Eckhart had the all-American charm and "aura ... of a good man pushed too far". Eckhart found portraying conflicted characters to be interesting; he said the difference between Dent and Batman is the distance they are willing to go for their causes, and that after Dent's corruption he remains a crime fighter but he takes this to an extreme because he dislikes the restrictions of the law. Eckhart's performance was influenced by the Kennedy family, particularly Robert F. Kennedy, who fought organized crime with a similarly idealistic view of the law. During discussions on the portrayal of Dent's transformation into Two-Face, Eckhart and Christopher agreed to ignore Tommy Lee Jones's "colorful" portrayal in ''Batman Forever'' (1995), in which the character has pink hair and wears a split designer suit, in favor of a more realistic, slightly burnt, neutral-toned suit.

Describing his role as GCPD sergeant James Gordon, Oldman said Gordon is the "moral center" of ''The Dark Knight'', an honest and incorruptible character struggling with the limits of his morality. Maggie Gyllenhaal replaced Katie Holmes as Rachel Dawes, as Holmes chose to star in the crime comedy '' Mad Money'' (2008) instead. Gyllenhaal approached Rachel as a new character and did not reference Holmes's previous performance. Christopher described Rachel as the emotional connection between Wayne and Dent, ultimately serving as a further personal loss to fuel Wayne's character. Gyllenhaal collaborated with Christopher on the character's depiction because she wanted Rachel to be important and meaningful in her relatively minor role. Musician Dwight Yoakam turned down a role as the bank manager or a corrupt police officer because he was recording his album '' Dwight Sings Buck'' (2007).

Pre-production

In October 2006, location scouting for Gotham City took place in the UK in Liverpool, Glasgow, London, and parts of Yorkshire, and in several cities in the U.S. Christopher chose Chicago because he liked the area and believed it offered interesting architectural features without being as recognizable as locations in better-known cities such as New York City. Chicagoan authorities had been supportive during filming of ''Batman Begins'', allowing the production to shut stretches of roads, freeways, and bridges. Christopher wanted to exchange the more natural, scenic settings of ''Batman Begins'' such as the Himalayas and caverns for a modern, structured environment the Joker could disassemble. Production designer Nathan Crowley said the clean, neat lines of Chicagoan architecture enhanced the urban-crime drama they wanted to make, and that Batman had helped improve the city. The destruction of Wayne Manor in ''Batman Begins'' provided an opportunity to move Wayne to a modern, sparse penthouse, reflecting his loneliness. Sets were still used for some interiors such as the Bat Bunker, the replacement for the Batcave, on the outskirts of the city. The production team considered placing it in the penthouse basement but believed it was too unrealistic a solution.

Much of ''The Dark Knight'' was filmed using Panavision's Panaflex Millennium XL and Platinum cameras but Christopher wanted to film about 40 minutes with IMAX cameras, a high-resolution technology using 70 mm film rather than the more-commonly used format 35 mm; the finished film includes 15–20% IMAX footage, running for about 28 minutes. This made it the first major motion picture to use IMAX technology, which was generally employed for documentaries. Warner Bros. was reluctant to endorse the use of the technology because the cameras were large and unwieldy, and purchasing and processing the film stock cost up to four times as much as typical 35 mm film. Christopher said cameras that could be used on Mount Everest could be used for ''The Dark Knight'', and had cinematographer Wally Pfister and his crew begin training to use the equipment in January 2007 to test its feasibility. Christopher particularly wanted to film the bank heist prologue in IMAX to immediately convey the difference in scope between ''The Dark Knight'' and ''Batman Begins''.

Filming in Chicago

Principal photography began on April 18, 2007, in Chicago on a $185million budget. For ''The Dark Knight'', Pfister chose to combine the "rust-style" visuals of ''Batman Begins'' with the "dusk"-like color scheme of ''The Prestige'' (cobalt blues, greens, blacks, and whites), in part to address over-dark scenes in ''Batman Begins''. To avoid attention, filming in Chicago took place under the working title ''Rory's First Kiss'' but the production's true nature was quickly uncovered by media publications. The Joker's homemade videos were filmed and mainly directed by Ledger. Caine said he forgot his lines during a scene involving one video because of Ledger's "stunning" performance.

The first scene filmed was the bank heist, which was shot in the Old Chicago Main Post Office over five days. It was scheduled early to test the IMAX procedure, allowing it to be refilmed with traditional cameras if needed, and it was intended to be publicly released as part of the marketing campaign. Pfister described it as a week of patience and learning because of the four-day wait for the IMAX footage to be processed. Filming moved to England throughout May, returning to Chicago in June.

Filming took place in the lobby of One Illinois Center, which served as Wayne's penthouse apartment; bookcases were built to hide the elevators. A floor of Two Illinois Center was decorated for Wayne's fundraiser. The crew was described as excited as this scene depicted the first meeting between Batman and the Joker. The windows in both settings were covered in green screen material, allowing Gotham City visuals to be added later. In July, three weeks were spent filming the truck chase scene, mainly on Wacker Drive, a multi-level street that had to be closed overnight. During filming, Christopher added a set-piece of a SWAT van crashing through a concrete barricade. The sequence continued on LaSalle Street, which was also used for the GCPD funeral procession, for a practical truck-flip stunt and helicopter sequence. Additional segments were filmed on Monroe Street and Randolph Street, and at Randolph Street Station.

Navy Pier, along the shore of Lake Michigan, served as Gotham Harbor in a climactic ferry scene. Scouts spent over a month searching for suitable vessels but were unsuccessful, so construction coordinator Joe Ondrejko and his team built ferry facades atop barges. The entire sequence was filmed in one day and involved 800 extras, who were moved through makeup and clothing departments in shifts. Exterior footage of the Gotham Prewitt Building, the site of Batman's and the Joker's final confrontation, was filmed at the in-construction Trump International Hotel and Tower. The owners refused permission to film a stunt in which Batman suspends a SWAT team from the building, so this was filmed from the fortieth floor of a separate building site. A former Brach's candy factory on Cicero Avenue scheduled for demolition was used to film the Gotham General Hospital explosion in August 2007. Filming in Chicago concluded on September 1, ending with scenes of Wayne driving and crashing his car, before the production returned to England.

''The Dark Knight'' includes Chicago locations such as Lake Michigan, which doubled as the Caribbean Sea where Wayne boards a seaplane; Richard J. Daley Center (Wayne Enterprises exteriors and a courtroom); The Berghoff restaurant (GCPD arresting mobsters); Twin Anchors restaurant; the Sound Bar; McCormick Place (Wayne Enterprises interiors); and Chicago Theatre. 330 North Wabash served as offices used by Dent, mayor Garcia, and commissioner Loeb; and its thirteenth floor appears as Wayne Enterprises' boardroom; Pfister enhanced its large, panoramic windows and natural light with an glass table and reflective bulbs. A Randolph Street parking garage is where Batman captures Scarecrow and Batman impersonators. Christopher wanted several Rottweiler dogs in the scene but locating a dog-handler willing to simultaneously manage several dogs was difficult. A scene of Batman surveying the city from a rooftop edge was filmed atop Willis Tower, Chicago's tallest building. Stuntman Buster Reeves was due to double as Batman, but Bale persuaded the filmmakers to let him perform the scene himself. The thirteen weeks of filming in Chicago was estimated to have generated $45million for the city's economy and thousands of local jobs.

Filming in England and Hong Kong

Many interior locations for ''The Dark Knight'' were filmed on sets at Pinewood Studios, Buckinghamshire, and Cardington Airfield, Bedfordshire; these locations include the Bat Bunker, which took six weeks to build in a Cardington hangar. The Bat Bunker was based on 1960s Chicago building designs, and was integrated into existing concrete floor, and used the long, tall ceiling to create a broad perspective. The tall hangar was unsuitable for suspending the bunker roof, and an encompassing gantry was built to hold it and the lighting. After moving from Chicago in May, scenes filmed in the UK also include Criterion Restaurant, where Rachel, Dent, and Wayne share dinner, and a Gotham News scene that was filmed at the University of Westminster. The GCPD headquarters was rebuilt in the Farmiloe Building. During the interrogation scene, Ledger asked Bale to actually hit him, and although he declined, Ledger cracked and dented the walls by throwing himself around.

After returning to England in the middle of September, scenes were filmed for the ferry, hospital, and Gotham Prewitt building interiors. By mid-October, interior and exterior scenes of Rachel being held hostage surrounded by barrels of gasoline were filmed at Battersea Power Station. To avoid damaging the power station, a listed building, a false wall was built in front of it and lined with explosives. Nearby residents contacted emergency services believing the explosion was a terrorist attack. Filming in England concluded at the end of October with a variety of green-screen shots for the truck-chase sequence, and shots of Rachel being thrown from a window were filmed on a set at Cardington.

The final nine days of production took place in Hong Kong and included aerial footage from atop the International Finance Centre, as well as filming at Central to Mid-Levels escalator, The Center, Central, The Peninsula Hong Kong, and Queen's Road; and a stunt involving Batman catching an in-flight C-130 aircraft. Despite extensive rehearsals of Reeves jumping from the McClurg Building in Chicago, a planned stunt to depict Batman leaping from one Hong Kong skyscraper to another was canceled because local authorities refused permission for helicopter use; Pfister described the officials as a "nightmare". Christopher disputed a report that said a scene of Batman leaping into Victoria Harbour was canceled because of pollution concerns, saying it was a script decision. The 127-day shoot concluded on November 15, on time and under budget.

Post-production

Editing was underway in January 2008 when Ledger, aged 28, died from an accidental overdose of a prescription drug. A rumor his commitment to his performance as the Joker had affected his mental state circulated, but this was later refuted. Christopher said editing the film became "tremendously emotional, right when he passed, having to go back in and look at him every day uring editing.. but the truth is, I feel very lucky to have something productive to do, to have a performance that he was very, very proud of, and that he had entrusted to me to finish". Because Christopher preferred to capture sound while filming rather than re-recording dialogue in post-production, Ledger's work had been completed before his death, and Christopher did not modify the Joker's narrative in response. Christopher added a dedication to Ledger and stuntman Conway Wickliffe, who died during rehearsals for a Tumbler (Batmobile) stunt.

Alongside lead editor Lee Smith, Christopher took an "aggressive editorial approach" to editing ''The Dark Knight'' to achieve its 152-minute running time. Christopher said no scenes were deleted because he believed every scene was essential, and that unnecessary material had been cut before filming. The Nolans had difficulties refining the script to reduce the running time but after removing so much material they believed it had become incomprehensible, they had added more scenes.

Special effects and design

Unlike the design process of ''Batman Begins'', which was restrained by a need to represent Batman iconography, audience acceptance of its realistic setting gave ''The Dark Knight'' more design freedom. Chris Corbould, the film's special effects supervisor, oversaw the 700 effect shots Double Negative and Framestore produced; there were relatively few effects compared to equivalent films because Christopher only used computer-generated imaging where practical effects would not suffice. Production designer Nathan Crowley designed the Batpod ( Batcycle) because Christopher did not want to extensively re-use the Tumbler. Corbould's team built the Batpod, which is based on a prototype Crowley and Christopher built by combining different commercial model components. The unwieldy, wide-tired vehicle could only be ridden by stuntman Jean Pierre Goy after months of training. The Gotham General Hospital explosion was not in the script but added during filming because Corbould believed it could be done.

Hemming, Crowley, Christopher, and Jamie Rama re-designed the Batsuit to make it more comfortable and flexible, developing a costume made from a stretchy material covered in over 100 urethane armor pieces. Sculptor Julian Murray developed Dent's burnt-facial design, which is based on Christopher's request for a skeletal appearance. Murray went through designs that were "too real and more horrifying" before settling on a more "fanciful" and detailed but less-repulsive version. Hemming designed Joker's overall appearance, which he based on fashion-and-music celebrities to create a modern and trendy look. Influence also came from the 1953 painting ''Study after Velázquez's Portrait of Pope Innocent X'' by Francis Bacon—suggested by Christopher— and the character's comic-book appearances. The outfit consists of a purple coat, a green vest, an antique shirt, and a thin, 1960s-style tie that Ledger suggested. Prosthetics supervisor Conor O'Sullivan created Joker's scars, which he partly based on a scarred delivery man he met, and used his own technique to create and apply the supple, skin-like prosthesis. John Caglione Jr designed Joker's "organic" makeup to look as though it had been worn for days; this idea was partly based on more of Bacon's works. Caglione Jr used a theatrical makeup technique for the application; he instructed Ledger to scrunch up his face so different cracks and textures were created once the makeup was applied and Ledger relaxed. Ledger always applied the lipstick himself, believing it was essential to his characterization.

Music

Composers James Newton Howard and Hans Zimmer, who had also worked on ''Batman Begins'', scored ''The Dark Knight'' because Christopher believed it was important to bridge the musical-narrative gap between the films. The score was recorded at Air Studios, London. Howard and Zimmer composed the score without seeing the film because Christopher wanted them to be influenced by the characters and story rather than fitting specific on-screen elements. Howard and Zimmer separated their duties by character; Howard focused on Dent and Zimmer focused on Batman and the Joker. Zimmer did not consider Batman to be strictly noble and wrote the theme to not seem "super". Howard wrote about ten minutes of music for Dent, wanting to portray him as an American who represents hope, but undergoes an emotional extreme and moral corruption. He used brass instruments for both moral ends but warped the sound as Dent is corrupted.

Zimmer wanted to use a single note for the Joker's theme; he said, "imagine one note that starts off slightly agitated and then goes to serious aggravation and finally rips your head off at the end". He could not make it work, however, and used two notes with alternating tempos and a " punk" influence. The theme was influenced by electronic music innovators Kraftwerk and Zimmer's work with rock band The Damned. He wanted to convey elements of the Joker's corrosion, recklessness, and "otherworldliness" by combining electronic and orchestral music, and modifying almost every note after recording to emulate sounds including thunder and razors. He attempted to develop original sounds with synthesizers, trying to create an "offputting" result by instructing musicians to start with a single note and gradually shift to the second over a three-minute period; the musicians found this difficult because it was the opposite of their training. It took several months to achieve Zimmer's desired result. Following Ledger's death, Zimmer considered discarding the theme for a more traditional one but he and Howard believed they should honor Ledger's performance.

Release

Marketing and anti-piracy

''The Dark Knight''s marketing campaign was developed by alternate reality game (ARG) development company 42 Entertainment. Christopher wanted the team to focus on countering the negative reaction to Ledger's casting and controlling the revelation of the Joker's appearance. Influenced by the script and the comic books ''The Killing Joke'', ''The Long Halloween'', and '' Arkham Asylum: A Serious House on Serious Earth'' (1989), 42 Entertainment paced the ARG over annual events, although Warner Bros. rejected their ideas to use Jokerized Santas at Christmas, coffins filled with chattering teeth on Mother's Day (mocking Wayne's late mother), and Batman actors on rooftops due to safety concerns.

The ARG began in May 2007 with campaign posters for Dent and Joker playing cards bearing the phrase "I believe in Harvey Dent" were hidden inside comic books at stores around the U.S. This led people to a website where they could submit their e-mail addresses to reveal a pixel of a concealed Joker image; about 97,000 e-mail addresses and 20 hours were required to reveal the image in full, which was well-received. At the San Diego Comic-Con, 42 Entertainment modified 11,000 one-dollar bills with the Joker's image and the phrase "Why So Serious?" that led finders to a location. 42 Entertainment's initial plan to throw the bills from a balcony was canceled due to safety concerns, so the bills were covertly distributed to attendees. Although the event was expected to attract a few thousand people, 650,000 arrived and participated in activities that included calling a number taken from a plane flying overhead and wearing Joker makeup to commit disruptive acts with actors. Globally, fans photographed letters on signs to form a ransom note. A U.S.-centric effort involved people recovering cellphones made by Nokia—a brand partner to the film—from a cake, which led to an early screening of the film's bank-heist prologue before its public release in December. Ledger's appearance in the prologue was well-received and positively changed the discourse around his casting.

Following Ledger's death, the campaign continued unchanged with a focus on Dent's election, which was influenced by the ongoing 2008 United States presidential election. Warner Bros. was concerned public knowledge of Dent's character was poor; the campaign included signs, stickers, and "Dentmobiles" visiting U.S. cities to raise his profile. The campaign concluded in July with displays of the Bat-Signal in Chicago and New York City that were eventually defaced by the Joker. Industry professionals considered the campaign innovative and successful.

Warner Bros. dedicated six months to anti-piracy methods; the film industry lost an estimated $6.1billion to piracy in 2005. Delivery methods of film reels were randomized and copies had a chain of custody to track who had access. Some theater staff were given night-vision goggles to identify people recording ''The Dark Knight'', and one person was caught in Kansas City. Warner Bros. considered its strategy a success, delaying the appearance of the first "poorly-lit" camcorder version until 38–48 hours after its earliest global release in Australia.

Context

Compared to 2007's $9.7billion box-office take, in 2008, lower revenues were expected due to the large number of comedies competing against each other and the release of films with dark tones, such as ''The Dark Knight'', during a period of rising living costs and election fatigue in the U.S. Fewer sequels, which generally performed well, were scheduled and only four—''The Dark Knight'', '' The Chronicles of Narnia: Prince Caspian'', '' The Mummy: Tomb of the Dragon Emperor'', and ''Indiana Jones and the Kingdom of the Crystal Skull''—were predicted to be blockbusters. ''Kingdom of the Crystal Skull'' was the only film expected to easily earn over $300million.

''The Dark Knight'' was expected to sell well based on high audience anticipation, positive pre-release reviews, and a record $3.5million in IMAX pre-sales. Predictions placed its opening-weekend take above that of ''Iron Man''s $102.1million but below that of ''Spider-Man 3''s (2007) record $151.1million. Analysts said its success would be influenced by the lengthy running time that limited the number of screenings per day, and counter-programming from the romantic comedy ''Mamma Mia!''—which surveyed well with females—and the family comedy '' Space Chimps''. There was also a perceived limit on financial success for ''Batman'' films; the 1989 installment remained the franchise's highest-grossing release. ''The Dark Knight''s premiere took place on July 14, in IMAX in New York City. A block in Broadway was closed for the event, which included a live performance of the film score by Howard and Zimmer. ''The Hollywood Reporter'' said Ledger received several ovations, and that during the after-party, Warner Bros. executives struggled to maintain a balance between celebrating the successful response and commemorating Ledger.

Box office

On July 18, 2008, ''The Dark Knight'' was widely released in the U.S. and Canada in a record 4,366 theaters on an estimated 9,200 screens. It earned $158.4million during the weekend, a per-theater average of $36,282, breaking ''Spider-Man 3''s record and making it the number-one film ahead of ''Mamma Mia!'' ($27.8million) and ''Hancock'' ($14million) in its third weekend. It set further records for the highest-grossing single-day ($67.2million on the Friday), Sunday ($43.6million), midnight opening ($18.5million, from 3,000 midnight screenings), and IMAX opening ($6.3million from about 94 locations), as well as the second-highest-grossing Saturday ($47.7million) behind ''Spider-Man 3'', and contributed to the highest-grossing weekend on record ($253.6million). The film benefited from repeat viewings by younger audiences and had broad appeal, with 52% of the audience being male and an equal number of those under 25 years old, and those of 25 or older.

''The Dark Knight'' broke more records, including for the highest-grossing opening week ($238.6million), and for three-, four-, five-, six-, seven-, eight-, nine-, and ten-day cumulative grosses, including the highest-grossing non-holiday Monday ($24.5million) and non-opening Tuesday ($20.9million, as well as the second-highest-grossing non-opening Wednesday ($18.4million), behind ''Transformers'' ($29.1million). It retained the number-one position in its second weekend with a total gross of $75.2million, ahead of the debuting '' Step Brothers'' ($31million), giving it the highest-grossing second weekend. It retained the number-one position in its third ($42.7million) and fourth ($26.1million) weekends, before falling to second place in its fifth, with a gross of $16.4million, behind the debuting ''Tropic Thunder'' ($25.8million). ''The Dark Knight'' remained in the top-ten highest-grossing films for ten weeks, and became the film to surpass $400million soonest (18 days) and $500million (45 days). The film was playing in fewer than 100 theaters when it received a 300-theater relaunch in late January 2009 to raise its profile during nominations for the 81st Academy Awards. This raised its total box office to $533.3million before it left theaters on March 5 after 33 weeks, making it the highest-grossing comic-book, superhero, and ''Batman'' film; the highest-grossing film of 2008; and the second-highest-grossing film ever (unadjusted for inflation), behind the 1997 romantic drama ''Titanic'' ($600.8million).

''The Dark Knight'' was released in Australia and Taiwan on Wednesday, July 16, 2008, and opened in twenty markets by the weekend. It earned about $40million combined, making it second to ''Hancock'' ($44.8million), which was playing in nearly four times as many countries. ''The Dark Knight'' was available in sixty-two countries by the end of August, although Warner Bros. decided not to release it in China, blaming "a number of pre-release conditions... as well as cultural sensitivities to some elements of the film". ''The Dark Knight'' earned about $469.7million outside the U.S. and Canada, its highest grosses coming from the United Kingdom ($89.1million), Australia ($39.9million), Germany ($29.7million), France ($27.5million), Mexico ($25million), South Korea ($24.7million), and Brazil ($20.2million). This made it the second-highest-grossing film of the year behind ''Indiana Jones and the Kingdom of the Crystal Skull''.

The film had grossed $997 million worldwide by January 2009. Its reissue in the run-up to the Oscars enabled the film to exceed $1billion in February, and it ultimately earned $1.003billion. It was the first superhero film to gross over $1billion, the highest-grossing film of 2008 worldwide, the fourth film to earn more than $1billion, and the fourth-highest-grossing film of its time behind '' Pirates of the Caribbean: Dead Man's Chest'' ($1.066billion), '' The Lord of the Rings: The Return of the King'' ($1.119billion), and ''Titanic'' ($1.842billion). Rereleases have further raised its box-office take to $1.006 billion.

Reception

Critical response

''The Dark Knight'' received critical acclaim. On Rotten Tomatoes, the film holds a approval rating from the aggregated reviews of critics, with an average score of . The consensus reads; "Dark, complex and unforgettable, ''The Dark Knight'' succeeds not just as an entertaining comic book film, but as a richly thrilling crime saga". The film has a score of 84 out of 100 on Metacritic based on 39 critics, indicating "universal acclaim". Audiences polled by CinemaScore gave the film an average grade of "A" on an A+-to-F scale.

Several publications called ''The Dark Knight'' the best comic-book hero adaptation ever made. Roger Ebert said it, alongside ''Iron Man'', had redefined the potential of superhero films by combining comic-book tropes with real world events. Some appreciated its complex moral tale about the effects of vigilantism and terrorism on contemporary society. Emanuel Levy and Manohla Dargis praised the depiction of the characters as possessing both positive and negative aspects, such as Batman's efforts to end crime provoking unintended consequences and a greater response from criminals; Dargis believed ''The Dark Knight''s exploration of chaos, fear, and death, following the September 11 attacks in 2001, represented "that American movies have entered a new era of ambivalence when it comes to their heroes or maybe just superness." Others criticized the dark, grim, intense, and self-serious tone as lacking any elements of fun or fantasy. David Denby said ''The Dark Knight'' was a product of a "time of terror", but focused on embracing and unleashing it while cynically setting up a sequel. Stephanie Zacharek and David Edelstein criticized a perceived lack of visual storytelling in favor of exposition, and aspects of the plot being difficult to follow amid the fast pace and loud score. Christopher's action direction was criticized, especially during fight scenes where it could be difficult to see things clearly, although the prologue bank heist was praised as among the film's best.

Ledger's performance received near-unanimous praise with the caveat that his death made the role both highly-anticipated and difficult to watch. Dargis, among others, described Ledger as realizing the Joker so convincingly, intensely, and viscerally it made the audience forget about the actor behind the makeup. ''The Village Voice'' wrote the performance would have made Ledger a legend even if he had lived. Other reviews said Ledger outshone Nicholson's "magnificent" performance with macabre humor and malevolence. Reviews generally agreed the Joker was the best-written character, and that Ledger commanded scenes from the entire cast to create one of the most mesmerizing cinematic villains. Zacharek, however, lamented that the performance was not in service of a better film.

Bale's reception was mixed; his performance was considered to be alternately "captivating" or serviceable, but ultimately uninteresting and undermined by portraying an immovable and generally unchanged character who delivers Batman's dialog in a hoarse, unvarying tone. Eckhart's performance was generally well received; reviewers praised his portrayal of Dent as charismatic, and the character's subsequent transformation into a sad, bitter "monster", although ''Variety'' considered his subplot the film's weakest. Stephen Hunter said the Dent character was underwritten and that Eckhart was incapable of portraying the role as intended. Several reviewers regarded Gyllenhaal as an improvement over Holmes, although others said they found difficulty caring about the character and that Gyllenhaal, while more talented than her predecessor, was miscast. Peter Travers praised Oldman's skill in making a virtuous character interesting and he, among others, described Caine's and Freeman's performances as "effortless". Ebert surmised the entire cast provided "powerful" performances that engage the audience, such that "we're surprised how deeply the drama affects us".

Accolades

''The Dark Knight'' appeared on several lists recognizing the best films of 2008, includes those compiled by Ebert, ''The Hollywood Reporter'', and the American Film Institute. At the 13th Satellite Awards, ''The Dark Knight'' received one award for Sound Editing or Mixing ( Richard King, Lora Hirschberg, Gary Rizzo). A further four wins came at the 35th People's Choice Awards: Favorite Movie, Favorite Cast, Favorite Action Movie, and Favorite On-Screen Match-Up (Bale and Ledger), as well as Best Action Movie and Best Supporting Actor (Ledger) at the 14th Critics' Choice Awards. Howard and Zimmer were recognized for Best Motion Picture Score at the 51st Annual Grammy Awards. Ledger won the film's only awards at the 15th Screen Actors Guild Awards, 62nd British Academy Film Awards, and 66th Golden Globe Awards, for Best Supporting Actor. At the 14th Empire Awards, ''The Dark Knight'' received awards for Best Film, Best Director (Christopher Nolan), and Best Actor (Bale). Ledger received the award for Best Villain at the 2009 MTV Movie Awards, and at the 35th Saturn Awards

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