Hanyu Pinyin
Hanyu Pinyin (), often shortened to just pinyin, is the official romanization system for Standard Mandarin Chinese in China, and to some extent, in Singapore and Malaysia. It is often used to teach Mandarin, normally written in Chinese for ...
: Tang Shou Dao, lit. "Chinese Hand Way") is a system of
Chinese
Chinese can refer to:
* Something related to China
* Chinese people, people of Chinese nationality, citizenship, and/or ethnicity
**''Zhonghua minzu'', the supra-ethnic concept of the Chinese nation
** List of ethnic groups in China, people of va ...
internal martial arts
''Neijia'' ( 內家) is a term in Chinese martial arts, grouping those styles that practice ''neijing'', usually translated as internal martial arts, occupied with spiritual, mental or qi-related aspects, as opposed to an "external" approach ...
training founded in the 1950s and 1960s by
Hung I-Hsiang
Hung I-Hsiang or Hong Yixiang () (1925–1993) was a Taiwanese martial artist who specialized in the internal Chinese styles of xingyiquan, baguazhang, and taijiquan.
Hung I-Hsiang was born in Taiwan. He studied with Chang Chun-Feng (), a mast ...
(洪懿祥,
Hanyu Pinyin
Hanyu Pinyin (), often shortened to just pinyin, is the official romanization system for Standard Mandarin Chinese in China, and to some extent, in Singapore and Malaysia. It is often used to teach Mandarin, normally written in Chinese for ...
: Hong Yixiang), a well-known
Taiwan
Taiwan, officially the Republic of China (ROC), is a country in East Asia, at the junction of the East and South China Seas in the northwestern Pacific Ocean, with the People's Republic of China (PRC) to the northwest, Japan to the nort ...
ese internal martial artist. The system was further modified by Hung's student, Hsu Hung-Chi (許鴻基,
Hanyu Pinyin
Hanyu Pinyin (), often shortened to just pinyin, is the official romanization system for Standard Mandarin Chinese in China, and to some extent, in Singapore and Malaysia. It is often used to teach Mandarin, normally written in Chinese for ...
: Xu Hongji) under the name Shen Long Tang Shou Tao (神龍唐手道; lit. "Spirit Dragon Chinese Hand Way").
Tang Shou Tao is not a separate style of martial art, but rather a practical, step-by-step, systematic approach to learning internal martial arts and developing highly refined levels of skill. It incorporates elements of all three of the major Chinese internal arts (
xingyiquan
Xing Yi Quan is classified as one of the internal styles of Chinese martial arts. The name of the art translates approximately to "Form-Intention Fist", or "Shape-Will Fist".
Xing Yi is characterized by aggressive, seemingly linear movements ...
,
baguazhang
Baguazhang or Pakua chang () is one of the three main Chinese martial arts of the Wudang school, the other two being T'ai chi and Xing Yi Quan. It is more broadly grouped as an internal practice (or neijia quan). ''Bāguà zhǎng'' literally m ...
, and
taijiquan
Tai chi (), short for Tai chi ch'üan ( zh, s=太极拳, t=太極拳, first=t, p=Tàijíquán, labels=no), sometimes called "shadowboxing", is an internal Chinese martial art practiced for defense training, health benefits and meditation. Ta ...
) as well as
Shaolin kung fu
Shaolin Kung Fu (), also called Shaolin Wushu (), or Shaolin quan (), is one of the oldest, largest, and most famous styles of wushu, or kung fu of Chan Buddhism. It combines Ch'an philosophy and martial arts and originated and was developed i ...
and
qigong
''Qigong'' (), ''qi gong'', ''chi kung'', ''chi 'ung'', or ''chi gung'' () is a system of coordinated body-posture and movement, breathing, and meditation
used for the purposes of health, spirituality, and martial-arts training. With roots in ...
. However, the emphasis of this system is on xingyi and bagua. Although the system itself was formed and founded by
Hung I-Hsiang
Hung I-Hsiang or Hong Yixiang () (1925–1993) was a Taiwanese martial artist who specialized in the internal Chinese styles of xingyiquan, baguazhang, and taijiquan.
Hung I-Hsiang was born in Taiwan. He studied with Chang Chun-Feng (), a mast ...
during the 1950s and 1960s, the roots of using the commonalities of bagua and xingyi in practice and application can easily be traced back through Hung's teacher Chang Chun-Feng (張俊峰) to his teachers, Li Cunyi (李存義) and
Gao Yisheng
Gao Yisheng () (1866–1951) was the creator of the Gao style of the Chinese Internal Martial Art of Baguazhang. His life bridged the second generation and third generation of Bagua practitioners into the 20th century. He was one of the few third ...
(高義盛).
When Hung I-Hsiang took a trip to
Japan
Japan ( ja, 日本, or , and formally , ''Nihonkoku'') is an island country in East Asia. It is situated in the northwest Pacific Ocean, and is bordered on the west by the Sea of Japan, while extending from the Sea of Okhotsk in the north ...
, he was very impressed with the way martial arts instruction was organized there. He liked the uniforms, the belt system, and the systematic approach to training. Subsequently, he adopted many of the Japanese style martial arts school characteristics when he opened his own school. The students had belt ranks, wore Japanese style uniforms, and Hung devised a more systematic approach to martial arts instruction than what was typical of most Chinese style schools.
Hung felt that before a student was ready to learn xingyiquan or any of the other internal arts, he first had to acquire body strength and basic martial arts skill. The beginning student in Hung's Tang Shou Tao system executes many basic exercises which develop body strength, flexibility, coordination, and balance at the rudimentary level. Many of these exercises were taken from Japanese styles such as
Judo
is an unarmed gendai budō, modern Japanese martial art, Olympic sport (since 1964), and the most prominent form of jacket wrestling competed internationally.『日本大百科全書』電子版【柔道】(CD-ROM version of Encyclopedia Nipponi ...
. The basic curriculum also included simple forms which Hung had put together by combining Shaolin with basic xingyi and bagua movements and techniques. Hung wanted students to have a basic understanding of blocking, kicking, punching, and throwing before they began to study the more refined internal arts.