Sudarshan Chakra

Sudarshana Chakra (Sanskrit: सुदर्शन चक्र, lit. "disc of auspicious vision", IAST: Sudarśana Chakra) is a spinning, celestial discus with 108 serrated edges, attributed to Vishnu and Krishna in the Hindu scriptures. The Sudarshana Chakra is generally portrayed on the right rear hand of the four hands of Vishnu, who also holds the Panchajanya (conch), the Kaumodaki (mace), and the Padma (lotus).

While in the Rigveda, the Chakra was Vishnu's symbol as the wheel of time and by the late period, the Sudarshana Chakra emerged as an ayudhapurusha (an anthropomorphic form), as a fierce form of Vishnu, used for the destruction of demons. As an ''ayudhapurusha'', the deity is known as Chakraperumal or Chakratalvar.

Etymology

The word ''Sudarshana'' is derived from two Sanskrit words – ''Su''(सु) meaning "good/auspicious" and ''Darshana'' (दर्शन) meaning "vision". In the Monier-Williams dictionary the word Chakra is derived from the root क्रम् (''kram'') or ऋत् (''rt'') or क्रि (''kri'') and refers among many meanings, to the wheel of a carriage, wheel of the sun's chariot or metaphorically to the wheel of time. In Tamil, the Sudarshana Chakra is also known as Chakratalvar (Disc of God).

History

* The Chakra finds mention in the Rigveda as a symbol of Vishnu, and as the wheel of time, and in the Itihasas and Puranas. In the Mahabharatha, Krishna, identified with Vishnu, uses it as a weapon. For example, he beheads Shishupala with the Sudarshana Chakra at the Rajasuya ''yagna'' of Emperor Yudhishthira. He also uses it during the 14th day of the Mahabharata War to perplex Duryodhana by summoning Jayadratha in front of Arjuna by hiding the Sun with his chakra. In the end, the Kauravas get fooled and thus Arjuna avenges the death of his son.
* According to the Valmiki Ramayana, Purushottama (Vishnu) killed a Danava named Hayagriva on top of a mountain named Chakravana constructed by Vishvakarma and took away a Chakra i.e. the Sudarshana Chakra from him.
* In the Puranas, the Sudarshana Chakra was made by the architect of gods, Vishvakarma. Vishvakarma's daughter Sanjana was married to Surya. Due to the Sun's blazing light and heat, she could not go near the Sun. She complained to her father about this. Vishvakarma made the sun shine less so that his daughter could hug the Sun. The leftover stardust was collected by Vishvakarma and made into three divine objects, (1) the aerial vehicle Pushpaka Vimana, (2) Trishula of Shiva, (3) Sudarshana Chakra of Vishnu. The Chakra is described to have 10 million spikes in two rows moving in opposite directions to give it a serrated edge.
* Sudarshana Chakra was used to cut the corpse of Sati, the consort of Shiva into 51 pieces after she gave up her life by throwing herself in a yagna (fire sacrifice) of her father Daksha. Shiva, in grief, carried around her lifeless body and was inconsolable. The 51 parts of the goddess' body were then tossed about in different parts of the Indian subcontinent and became "Shakti Peethas".
* In the Mahabharata, Jayadratha is responsible for the death of Arjuna's son, Arjuna vowing to avenge him by killing Jayadratha the very next day before sunset. However Drona creates a combination of three layers of troops, which act as a protective shield around Jayadratha. So Krishna creates an artificial sunset using his Sudarshana Chakra. Seeing this Jayadratha comes out of the protection to celebrate Arjuna's defeat. At that very moment, Krishna withdraws his Chakra to reveal the sun. Krishna then commands Arjuna to kill him and Arjuna follows his orders, beheading Jayadratha.
* In the Mahabharata, Shisupala was beheaded by Krishna after he invoked the Chakra.
* There are several Puranic stories associated with the Sudarshana Chakra, such as that of Vishnu granting King Ambarisha the boon of Sudarshana Chakra in form of prosperity, peace, and security to his kingdom.
* The Sudarshana Chakra was also used to behead Rahu and cut the celestial Mandara mountain during the Samudra Manthana.

Historical representations

The chakra is found in the coins of many tribes with the word ''gana'' and the name of the tribe inscribed on them. Early historical evidence of the Sudarshana-Chakra is found in a rare tribal Vrishni silver coin with the legend ''Vṛishṇi-rājaṅṅya-gaṇasya-trātasya'' which P.L.Gupta thought was possibly jointly issued by the gana (tribal confederation) after the Vrishnis formed a confederation with the Rajanya tribe. However, there is no conclusive proof so far. Discovered by Cunningham, and currently placed in the British Museum, the silver coin is witness to the political existence of the Vrishnis. It is dated to around 1st century BCE. Vrishni copper coins dated to later time were found in Punjab. Another example of coins inscribed with the chakra are the Taxila coins of the 2nd century BCE with a sixteen-spoked wheel.

A coin dated to 180 BCE, with an image of Vasudeva-Krishna, was found in the Greco-Bactrian city of Ai-Khanoum in the Kunduz area of Afghanistan, minted by Agathocles of Bactria. In Nepal, Jaya Cakravartindra Malla of Kathmandu issued a coin with the chakra.

Among the only two types of Chakra-vikrama coins known so far, there is one gold coin in which Vishnu is depicted as the Chakra-purusha. Though Chandragupta II issued coins with the epithet ''vikrama'', due to the presence of the kalpavriksha on the reverse it has not been possible to ascribe it to him.

In anthropomorphic form

The anthropomorphic form of Sudarshana can be traced from discoid weapons of ancient India to his esoteric multi-armed images in the medieval period in which the Chakra served the supreme deity (Vishnu) as his faithful attendants. While the two-armed Chakra-Purusha was humanistic, the medieval multi-armed Sudarshana (known as Chakraperumal or Chakrathazhwar) was speculatively regarded as an impersonal manifestation of destructive forces in the universe; that, in its final aspect, combined the flaming weapon and the wheel of time which destroys the universe.Wayne Edison Begley. (1973). Viṣṇu's flaming wheel: the iconography of the Sudarśana-cakra, pp. 18, 48, 65–66, 76–77. Volume 27 of Monographs on archaeology and fine arts. New York University Press

The rise of Tantrism aided the development of the anthropomorphic personification of the chakra as the active aspect of Vishnu with few sculptures of the Pala era bearing witness to the development, with the chakra in this manner possibly associated with the Vrishnis. However, the worship of Sudarshana as a quasi-independent deity concentrated with the power of Vishnu in its entirety is a phenomenon of the southern part of India; with idols, texts and inscriptions surfacing from the 13th century onwards and increasing in large numbers only after the 15th century.

The ''Chakra Purusha'' in Pancharatra on other side (called Sudarshana-Narasimha in Pancharatra) within a circular rim, sometimes in dancing posture found in Gaya area datable to 6th and 8th centuries.The Orissa Historical Research Journal, Volume 31, p. 90. Superintendent of Research and Museum, Orissa State Museum, 1985. Unique images of Chakra Purusha, one with Varaha in Rajgir possibly dating to the 7th century,
and another from Aphsad (Bihar) detailing a fine personification dating to 672 CE have been found.

While the chakra is ancient, with the emergence of the anthropomorphic forms of ''chakra'' and ''shankha'' traceable in the north and east of India as the ''Chakra-Purusha'' and ''Shanka-Purusha''; in the south of India, the Nayak period popularized the personified images of Sudarshana with the flames. In the Kilmavilangai cave is an archaic rock-cut structure in which an image of Vishnu has been hallowed out, holding the Shanka and Chakra, without flames. At this point, the Chakrapurusha with the flames had not been conceived in the south of India. The threat of invasions from the north was a national emergency during which the rulers sought out the Ahirbudhnya Samhita, which prescribes that the king should resolve the threat by making and worshiping images of Sudarshana.

Though similar motives induced the Vijayanagara period to install images of Sudarshana, there was a wider distribution of the cult during the Nayak period, with Sudarshana's images set up in temples ranging from small out-of-the-way ones to large temples of importance. Though political turmoil resulted in the disintegration of the Vijayanagara empire, the construction and refurbishing of temples did not cease; with the Nayak period continuing with their architectural enterprises, which Begley and Nilakantha Sastri note "reflected the rulers' awareness of their responsibilities in the preservation and development of all that remained of Hinduism.

The worship of Sudarshana Chakra is found in the Vedic and in the tantric cults. In the Garuda purana, the chakra was also invoked in tantric rites.Nanditha Krishna, (1980). The Art and Iconography of Vishnu-Narayana, p. 51. The tantric cult of Sudarshana was to empower the king to defeat his enemies in the shortest time possible.Saryu Doshi, (1998). Treasures of Indian art: Germany's tribute to India's cultural heritage, p. 68. The National Museum of India. Sudarshana's hair, depicted as tongues of flames flaring high forming a nimbus, bordering the rim of the discus and surrounding the deity in a circle of rays (Prabha-mandala) are a depiction of the deity's destructive energy.

Representation

Philosophy

Various Pancharatra