Sarang ragang {{IPA-hns, ˈsärəŋg ˈrägäŋg (

ISO 15919 ISO 15919 (Transliteration of Devanagari and related Indic scripts into Latin characters) is one of a series of international standards for romanization by the International Organization for Standardization. It was published in 2001 and uses dia ...

IAST The International Alphabet of Sanskrit Transliteration (IAST) is a transliteration scheme that allows the lossless romanisation of Indic scripts as employed by Sanskrit and related Indic languages. It is based on a scheme that emerged during ...

: ''Sāraṅg rāgaṅg'',

Hindi Hindi (Devanāgarī: or , ), or more precisely Modern Standard Hindi (Devanagari: ), is an Indo-Aryan language spoken chiefly in the Hindi Belt region encompassing parts of northern, central, eastern, and western India. Hindi has been de ...

and

Marathi Marathi may refer to: *Marathi people, an Indo-Aryan ethnolinguistic group of Maharashtra, India *Marathi language, the Indo-Aryan language spoken by the Marathi people *Palaiosouda, also known as Marathi, a small island in Greece See also * * ...

: सारंग रागांग,

Bengali Bengali or Bengalee, or Bengalese may refer to: *something of, from, or related to Bengal, a large region in South Asia * Bengalis, an ethnic and linguistic group of the region * Bengali language, the language they speak ** Bengali alphabet, the w ...

: সারং রাগাঙ্গ), and all other ragas falling under this category are ragas in the

Hindustani Classical music Hindustani classical music is the classical music of northern regions of the Indian subcontinent. It may also be called North Indian classical music or, in Hindustani, ''shastriya sangeet'' (). It is played in instruments like the violin, sita ...

. ''Ragang'' refers to a family of ragas, sharing a common melodic kernel. Other similar raga families are the Malhar family and the Kanada family. The Sarang ragas are sung in the time period of early afternoon. This includes many ragas originating from

folk music Folk music is a music genre that includes traditional folk music and the contemporary genre that evolved from the former during the 20th-century folk revival. Some types of folk music may be called world music. Traditional folk music has b ...

and songs. The Sarang raga and all other ragas falling under in this type depict the scenes of the Indian historic past events, e.g. raga

Brindabani Sarang Brindavani Sarang or Brindabani Sarang, also known as raga Sarang, is a Hindustani classical raga. It is also called Vridavani Sarang. This raga falls under the category of Sarang ragas. Theory Brindabani Sarang is a Kafi thaat raga. It ...

depicting

Vrindavan Vrindavan (; ), also spelt Vrindaban and Brindaban, is a historical city in the Mathura district of Uttar Pradesh, India. It is located in the Braj Bhoomi region and holds religious importance in Hinduism as Krishna spent most of his childho ...

village or Lankadahan Sarang depicting

Lord Hanuman Hanuman (; sa, हनुमान, ), also called Anjaneya (), is a Hindu god and a divine ''vanara'' companion of the god Rama. Hanuman is one of the central characters of the Hindu epic ''Ramayana''. He is an ardent devotee of Rama and one ...

singing this raga while burning

Lanka Lanka (, ) is the name given in Hindu epics to the island fortress capital of the legendary asura king Ravana in the epics of the ''Ramayana'' and the ''Mahabharata''. The fortress was situated on a plateau between three mountain peaks known ...

with his tail, etc. Hanuman fires Lanka

History

The main raga Sarang was created by

Swami Haridas Swami Haridas (1480—1573) was a spiritual poet and classical musician. Credited with a large body of devotional compositions, especially in the Dhrupad style, he is also the founder of the Haridasi school of mysticism, still found today ...

. The associated mythology being that he brought

Lord Krishna Krishna (; sa, कृष्ण ) is a major deity in Hinduism. He is worshipped as the eighth avatar of Vishnu and also as the Supreme god in his own right. He is the god of protection, compassion, tenderness, and love; and is one of ...

to earth by singing this raga who took the form of an idol which can still be seen in Mathura. It may be so that raga Sarang is also called as

or Vridavani Sarang depicting that Lord Krishna being associated as

as he lived there. Given its connection to Lord Krishna, it is a popular and sacred Raga in the religious genre

Haveli Sangeet Haveli Sangeet is a form of Hindustani classical music sung in ''havelis''. The essential component is dhrupad. It originated in Mathura in Braj, northern India. It takes the form of devotional songs sung daily to Krishna by the Pushtimarg sect. U ...

. This raga is sung mostly based on the

Mathura Mathura () is a city and the administrative headquarters of Mathura district in the Indian state of Uttar Pradesh. It is located approximately north of Agra, and south-east of Delhi; about from the town of Vrindavan, and from Govardhan. ...

region. The Gats and the Bandhish are based on the

Braja Braj, also known as Vraj, Vraja, Brij or Brijbhoomi, is a region in India on both sides of the Yamuna river with its centre at Mathura-Vrindavan in Uttar Pradesh state encompassing the area which also includes Palwal and Ballabhgarh in Haryan ...

Basha or the Braja language/dialect.

List of ragas in the Sarang family

Following is the list of the ragas in the Sarang Family : * Ambika Sarang * Badhamsa Sarang / Badhans / Barhams Sarang * Dhulia Sarang * Gaud Sarang * Hindoli Sarang * Jayant Sarang * Lankadahan Sarang (sometimes also called as Lankadahani Sarang.) * Loor Sarang * Madhumad/Madhmad Sarang * Maru Sarang * Miyan Ki Sarang * Nat Sarang * Noor Sarang (very Specially sung in Haveli sangeet) * Salang * Samant Sarang * Saraswati Sarang * Shuddha Sarang * Shyam Sarang * Sunand Sarang (Created by Pt. Milind Date)

Detailed historical information about some ragas

1. Raga Sarang - The associated mythology of raga Sarang is that 'being that he (

) brought

to earth by singing this raga who took the form of an idol which can still be seen in Mathura. It may be so that Raga Sarang is also called as

or Vridavani Sarang depicting that Krishna being associated as

as he lived there.' 2. Raga Lankadahan Sarang - Lankadahan Sarang (also known as Lankadahani Sarang) depicts

singing this raga while burning

with his tail. See Sundar Kand for more indepth information. 3. Raga Madhumad Sarang - The only difference between raga

and Madhumad Sarang is the Brindabani Sarang has both, the Komal and the Shuddha Nishad (Ni) but Madhumad Sarang has only the Komal Nishad. Akbar and Tansen visit Haridas

4. Raga Miyan ki Sarang - Miyan ki Sarang is the mixture of raga Miyan Malhar and raga Vridavani Sarang. This raga was made by Miyan

Tansen Tansen ( – 26 April 1589), also referred to and commonly known as Sangeet Samrat () , was a Hindustani classical musician. Born in a Hindu Gaur Brahmin family, he learnt and perfected his art in the northwest region of modern Madhya Pra ...

and so called as Miyan Ki Sarang. This raga obtains by eliminating Komal Gandhar (Ga) from Miyan Malhar and by advancing the Sarang Raganga. 5. Raga Saraswati Sarang - Saraswati Sarang is simply a mixture of ragas, Saraswati and Sarang. 6. Raga Kauns Sarang - Kauns Sarang is just a mixture of ragas,

Malkauns Malkauns, known also as rag Malkosh, is a raga in Indian classical music. It is one of the oldest ragas of Indian classical music. The equivalent raga in Carnatic music is called Hindolam, not to be confused with the Hindustani Hindol. Accordi ...

and Sarang. 7. Raga Maru Sarang - Maru Sarang is a mixture of ragas, Maru (Putra raga) and Sarang. 8. Raga Shuddha Sarang - This is probably the most popular Sarang prakar. It employs both shuddha and teevra madhyam. 9. Raga Samant Sarang - The approach to Shuddha Dhaivat and its assimilation in vakra aang is the main theme in raga Samant Sarang. 10. Raga Salang - This audav jati Sarang prakar is in a sense the obverse of Madhmad. That is, the komal nishad in the Madhmad contour is replaced by its shuddha counterpart here. This makes it somewhat tan-unfriendly. 11. Raga Ambika Sarang - This raga was designed by Chidanand Nagarkar. The gandhar is varjya, and elements of Shuddha Sarang and Kafi are blended together. There are occasional reminders of Raga Saraswati but the presence of shuddha nishad and shuddha madhyam make for a clear separation. 12. Raga Jayant Sarang - Raga Jayant Sarang is a mixture of ragas

Jaijaiwanti Jaijaivanti or Jaijaiwanti is a Hindustani classical ''raga'' belonging to Khamaj Thaat. According to the Guru Granth Sahib, this ''raga'' is a mixture of two others: Bilaval and Sorath. The ''raga'' appears in the latter section in Gurbani, as ...

and

. 13. Raga Nat Sarang - It is derived by a mixture of 2 ragas, Chhayanat and

Sources

The Sarang Family

Google Groups

Raagabase - A collection of Indian Classical Music Raags (aka Ragas)

Shuddh sarang

This sultry summer, make your afternoons dreamy with raag Saarang

Also see

* List of Ragas in Hindustani classical music *

Kanada (family of ragas) Kanada (, (ISO 15919/IAST: ''Kānaṛā rāgaṅg'' Hindi: कान्हड़ा, Bengali: কানাড়া)) also known as Kanhada is a group of ''raga''s in Hindustani classical music. The name Kanada suggests that it may have originate ...

Malhar (family of ragas) Malhar Ragang and all other ragas falling under this category are ragas in the Hindustani Classical music. ''Ragang'' refers to a family of ragas sharing a common melodic kernel. Other similar raga families are the Sarang family and the Kanada fa ...

Hindustani music Ragas