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Jaijaiwanti
Jaijaivanti or Jaijaiwanti is a Hindustani classical ''raga'' belonging to Khamaj Thaat. According to the Guru Granth Sahib, this ''raga'' is a mixture of two others: Bilaval and Sorath. The ''raga'' appears in the latter section in Gurbani, as only four hymns were composed by Guru Tegh Bahadur, the ninth Sikh guru. These hymns were added by his son and successor Guru Gobind Singh in 1705 A.D. This ''raga'' is not mentioned in any Indian classical scriptures on music nor in the ''Ragmala''. According to Guru Granth Sahib, Jaijaivanti (ਜੈਜਾਵੰਤੀ) expresses the feeling of happiness and satisfaction of achievement, while simultaneously conveying the sadness of losing. An apt simile for this Raag is that of a king winning a battle, however, he is then told that his son has perished on the battlefield. This Raag conveys a sense of having to put duty first. The duality of the emotions of joy and sorrow prevents overreacting to good or bad news. Raga Jaijaiwanti bears th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gara (raga)
Gara is a Hindustani classical ''raga'' belonging to the Khamaj Thaat. This raga is similar to raga Jaijaiwanti. Both ragas i.e. raga Jaijaiwanti and raga Gara, have the same svaras. Gara is a rare raga. It is rendered in the late evening. The raga uses all the seven notes, six in the ascent and seven in the descent. Therefore the Jati of the raga is ''Shaadav-Sampurna''. While some say that seven svaras are played in the ascent and seven in the descent. Therefore the Jati then becomes ''Sampurna-Sampurna''. It uses both, the Komal (flat) and Shuddha (full) Nishad, and all other notes are Shuddha (full). The derivative ragas out of this structure are grouped under the broad head of Khamaj Thaat. Gara belongs to a family of melodic entities, which were apparently derived from folk melodies, and entered art-music in association with the thumri genre. This family includes ragas like Kafi, Piloo, Jangula, Barwa, and Zilla, along with several others. This raga expresses the feeling of h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jaijaiwanti
Jaijaivanti or Jaijaiwanti is a Hindustani classical ''raga'' belonging to Khamaj Thaat. According to the Guru Granth Sahib, this ''raga'' is a mixture of two others: Bilaval and Sorath. The ''raga'' appears in the latter section in Gurbani, as only four hymns were composed by Guru Tegh Bahadur, the ninth Sikh guru. These hymns were added by his son and successor Guru Gobind Singh in 1705 A.D. This ''raga'' is not mentioned in any Indian classical scriptures on music nor in the ''Ragmala''. According to Guru Granth Sahib, Jaijaivanti (ਜੈਜਾਵੰਤੀ) expresses the feeling of happiness and satisfaction of achievement, while simultaneously conveying the sadness of losing. An apt simile for this Raag is that of a king winning a battle, however, he is then told that his son has perished on the battlefield. This Raag conveys a sense of having to put duty first. The duality of the emotions of joy and sorrow prevents overreacting to good or bad news. Raga Jaijaiwanti bears th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Khamaj Thaat
Khamaj () is one of the ten thaats (parent scales) of Hindustani music from the Indian subcontinent. It is also the name of a raga within this thaat. The Khamaj thaat can be obtained by replacing the Shuddha Nishad of Bilaval by Komal Nishad. The ragas of this thaat are full of Shringara Rasa (romantic) hence this raga is mostly rendered in the form of light classical thumris, tappas, horis, kajris etc. Its pictorial descriptions in the existing texts are sensuous and even today, the raga Khamaj is considered to be a 'flirtatious' raag. There is a theory which assumes that in the past, the Khamaj scale found its way in the Ch'in music of late medieval China. Description The parent-scale or Thaat of Khamaj, notated in sargam notation, has the following structure: Sa Re Ga Ma Pa Dha Sa'. In Western terms, assuming the tonic (Sa) to be at C, the scale would be: C D E F G A B-flat C. Khamaj thaat is thus equivalent to the mixolydian mode in Western classical music. The Carna ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kafi Thaat
Kafi () is one of the ten basic thaats of Hindustani music from the Indian subcontinent. It is also the name of a raga (Kharaharapriya) within this thaat. Description Kafi thaat makes use of the Komal Gandhara and Komal Nishad. So basically it adds Komal Gandhara to the Khamaj thaat. The Kafi raga is one of the oldest ragas and its intervals are described as the basic scale of the Natyashastra. Thus in ancient and medieval times, Kafi was considered as natural scale. Kafi is a late evening raga and said to convey the mood of springtime. Ragas Ragas in Kafi thaat include: * Abhogi * Bageshri * Bageshri-Ang Chandrakauns * Bahar * Barwa * Bhimpalasi * Brindavani Sarang * Dhani * Hanskinkini * Jog * Kafi * Megh * Malhar * Nayaki Kanada * Patdeep * Pilu * Jaijaiwanti Jaijaivanti or Jaijaiwanti is a Hindustani classical ''raga'' belonging to Khamaj Thaat. According to the Guru Granth Sahib, this ''raga'' is a mixture of two others: Bilaval and Sorath. The ''raga'' appears ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Haricharan
Haricharan Seshadri, known mononymously as Haricharan (born 20 March 1987), is an Indian Carnatic vocalist, playback singer, and musician who predominantly works in Tamil, Malayalam and Telugu music and cinema. He sung 2000 songs in films, albums etc. He recorded his first Tamil film song for the film ''Kaadhal'', in Joshua Sridhar's music when he was 17, and went on to record three songs in his debut movie. His song "Unakkena Iruppen" was nominated for the National Film Awards in 2005 which became widely popular. However he became popular only after his rendition to the song, "Thuli Thuli", composed by Yuvan Shankar Raja for the movie ''Paiyaa'' (2010). Background Haricharan comes from Tamil music family from Chennai, India . His grandfather P. S. Ganapathy was an organiser of mic-less Carnatic concerts in the 60s under the name "Aalapanaa", and his grandmother Smt. Alamelu Ganapathy is a national awardee in Mathematics, and has been in academia for more than 35 years. His ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kochadaiiyaan
''Kochadaiiyaan: The Legend'' () is a 2014 Indian Tamil-language 3D animated action film written by K. S. Ravikumar and directed by Soundarya Rajinikanth. It is India's first photorealistic motion capture film, featuring characters whose designs were based on the appearance and likeness of their respective actors. Rajinikanth, also Soundarya's father, enacted and voiced two lead roles and one surprise role in the film's climax. Meanwhile Sarath Kumar, Deepika Padukone, Shobana, Aadhi Pinisetty, Jackie Shroff, Nassar, and Rukmini Vijayakumar had also voiced their respective characters. The narrative follows the quest of an 8th-century warrior who seeks revenge after witnessing the unlawful punishment administered to his father, a good-hearted warrior in his kingdom, by the jealous ruler. The film was the result of a complex development process, starting with the director's idea of directing and co-producing ''Sultan: The Warrior'' with Eros International in 2007, which was to fe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sadhana Sargam
Sadhana Sargam (née Ghanekar, born 7 March 1969) is an Indian singer known for her playback career in Indian cinema predominantly in Hindi, Bengali, Telugu and Tamil language films. She is a recipient of the National Film Award and Filmfare Awards South. She has also won five Maharashtra State Film Awards, four Gujarat State Film Awards, and one Orissa State Film. Early life Sargam was born to a family of musicians at Dabhol, the seaport town in Ratnagiri District of Maharashtra. Her mother Neela Ghanekar was a classical singer and music teacher and knew arranger–composer Anil Mohile, who then arranged music for Kalyanji-Anandji. He introduced Sargam to them, and she was in the children's chorus in "Pam Pararampam, Bole Jeevan Ki Sargam" sung by Kishore Kumar in G. P. Sippy's '' Trishna'' (1978). Sargam performed at music festival Sawai Gandharva at the age of 4. She sang the popular song Ek Anek Aur Ekta for Doordarshan at the age 6. The song was composed by Vasant Desai. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Srinivas (singer)
Srinivasan Doraiswamy, known by his stage name Srinivas, is an Indian playback singer who has sung over 2000 songs in Tamil, Malayalam, Telugu, Kannada and Hindi. He has also worked independently as a music composer, working on films and private albums. Early life Singer Srinivas was born On 7 November in Ambasamudram in Tamil Nadu. He was born to Duraiswamy Iyengar and Lakshmi. He learnt Carnatic music from his aunt Padma Narayanan. The great Carnatic stalwarts of the 60s influenced his early days. After which Hindi film music chiefly that of Kishore Kumar & R.D.Burman deeply influenced him in his childhood days.(Later on it was the ghazals of Mehdi Hassan which redefined his singing) He completed his BTech in Dyestuffs And Intermediate Technology from University Department of Chemical Technology of University of Bombay; during which he represented his university in youth festivals. After pursuing his career as a chemical engineer and a marketing professional for ten years, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carnatic Classical Music
Carnatic music, known as or in the South Indian languages, is a system of music commonly associated with South India, including the modern Indian states of Karnataka, Andhra Pradesh, Telangana, Kerala and Tamil Nadu, and Sri Lanka. It is one of two main subgenres of Indian classical music that evolved from ancient Hindu Texts and traditions, particularly the Samaveda. The other subgenre being Hindustani music, which emerged as a distinct form because of Persian or Islamic influences from Northern India. The main emphasis in Carnatic music is on vocal music; most compositions are written to be sung, and even when played on instruments, they are meant to be performed in ''gāyaki'' (singing) style. Although there are stylistic differences, the basic elements of (the relative musical pitch), (the musical sound of a single note), (the mode or melodic formulæ), and (the rhythmic cycles) form the foundation of improvisation and composition in both Carnatic and Hindustani mus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vani Jairam
Vani Jairam (born as Kalaivani on 30 November 1945), also credited as Vani Jayaram, is an Indian singer. She is best known as a playback singer in South Indian cinema. Vani's career started in 1971 and has spanned over five decades. She has done playback for over one thousand Indian movies recording over 10,000 songs. In addition, she has recorded thousands of devotionals and private albums and also participated in numerous solo concerts in India and abroad. Renowned for her vocal range and easy adaptability to any difficult composition, Vani has often been the choice for several composers across India through the 1970s until the late 1990s. She has sung in several Indian languages, such as Kannada, Tamil, Hindi, Telugu, Malayalam, Marathi, Odia, Gujarati, Haryanvi, Assameese, and Bengali languages. Vani won the National Film Awards for Best Female Playback Singer three times and also has won State Government awards from the states of Odisha, Andhra Pradesh, Tamil Nadu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madhuraiyai Meetta Sundharapandiyan
''Madhuraiyai Meetta Sundharapandiyan'' () is a 1978 Indian Tamil-language historical action film, directed by M. G. Ramachandran, starring himself in the lead role, with M. N. Nambiar, P. S. Veerappa, Latha and Padmapriya. It was Ramachandran's final film as an actor. The film, based on the serial novel ''Kayalvizhi'' by Akilan. Though it was released after Ramachandran became chief minister of Tamil Nadu, In its initial theatrical release, box office collection was dismal by the standards set by MGR's movies. However, subsequently, the movie gained high recognition for its historical value. Plot A brave prince named Sundharapandhiyan saves a kingdom from the hands of a terrible king. Under the identity of an itinerant poet, Paintamizh Kumaran, he is going to fire the consciousness of the people with his words and reunite them in his cause, which is the defence of freedom and rights. Cast *M. G. Ramachandran as Paintamizh Kumaran alias Sundharapandhiyan * Latha as Kayal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Meera (1945 Film)
''Meera'' is a 1945 Indian Tamil-language musical drama film directed by Ellis R. Dungan, produced by T. Sadasivam and written by Kalki Krishnamurthy. Based on the life of the 16th century mystic and poet Mirabai, the film stars M. S. Subbulakshmi as the eponymous character, a zealous devotee of Krishna, who considers him to be her husband. Despite marrying Rana ( Chittoor Nagayya), she follows her own way of living, which is unacceptable to her husband and his family. Sadasivam wanted to produce a film that would make his singer wife Subbulakshmi's music available to the average person, so he started looking for a good story; Subbulakshmi chose the story of Meera. The film began production at Newtone Studio in Madras, but was filmed predominantly on location in North India in places like Jaipur, Vrindavan, Udaipur, Chittor and Dwarka to maintain credibility and historical accuracy. ''Meera'' was released on 3 November 1945, Diwali day, and became a major critical and co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
