''Roh'', or known as ''Soul'', is a 2019 Malaysian
Malay-language
Malay (; ms, Bahasa Melayu, links=no, Jawi: , Rencong: ) is an Austronesian language that is an official language of Brunei, Indonesia, Malaysia, and Singapore, and that is also spoken in East Timor and parts of the Philippines and T ...
independent folk horror film directed by Emir Ezwan in his
directorial debut. Set in the past, a family living in a forest is visited by a strange little girl, who comes with a frightening prediction.
''Roh'' was produced by Malaysian production house Kuman Pictures, and filmed on location in
Dengkil. It was released theatrically on 6 August 2020 in Malaysia and Singapore, and internationally on
Netflix in 2021. It was selected as the Malaysian entry for the
Best International Feature Film
The Academy Award for Best International Feature Film (known as Best Foreign Language Film prior to 2020) is one of the Academy Awards handed out annually by the U.S.-based Academy of Motion Picture Arts and Sciences (AMPAS). It is given to ...
at the
93rd Academy Awards, but it was not nominated.
At the 31st
Malaysia Film Festival, ''Roh'' won six awards, including Best Film.
The film received critical acclaim internationally, with reviewers praising its symbolism, cinematography and incorporation of
Malay folklore. Some outlets also highlighted ''Roh'' as a standout in
Malaysian cinema
The cinema of Malaysia consists of feature films produced in Malaysia, shot in the languages Malay, Mandarin, Cantonese, Tamil, various indigenous languages, and English.
Malaysia produces about 60 feature films annually, and between 300–400 ...
and part of a new wave of low-budget
folk horror films from
Southeast Asia.
Synopsis
In the past, two children, Along and Angah, live in a ramshackle shed in the forest with their widowed mother, Mak. One day, they discover a dead deer hanging by its neck caught between branches high off the ground. On their way home, they see a young girl who starts following them. They take her in and call her Adik for little sister. Mak tells them a legend about a restless forest spirit that is cursed to endlessly hunt animals and children but victims can save themselves by knocking two rocks together and chanting a mantra. The next morning, the family wakes to see Adik eating raw birds. She tells them that they will all be dead by the next full moon before slitting her own throat.
The family leaves Adik’s body in a clearing in the forest. They return home to find an old lady who calls herself Tok looking at rocks that mysteriously appeared around the house the night before. Tok tells them the rocks are a bad
omen
An omen (also called ''portent'') is a phenomenon that is believed to foretell the future, often signifying the advent of change. It was commonly believed in ancient times, and still believed by some today, that omens bring divine messages fr ...
and makes the children discard them. That night, Along encounters a
specter that looks like Adik in the
crawl space under their house. She develops a high fever and Mak goes to Tok for help. Tok conducts a ritual and instructs Angah to sacrifice two white pigeons but the boy secretly lets one of the birds go free.
A hunter shows up at the house looking for Adik but Mak turns him away. That night, Along
sleepwalks and wakes to find herself at Adik’s gravesite where she again encounters the apparition. The next day, the hunter finds a terrified Along in the forest and returns her to Mak, who is suspicious that he had abducted the girl and harmed her. An agitated Along tells the hunter about Adik and then urges Mak to move out of the forest. The hunter, who is Adik’s father, finds her body and grieves. While her mother is out of the house, Along slams her head repeatedly into a sharp metal protrusion on the floor and dies.
Now truly fearful, Mak prepares to leave the forest with Angah but the boy wanders off in search of food. The hunter finds that Adik’s body has gone missing. He goes to Mak to warn her that she and her family are in danger from evil forces. She refuses to believe him and accuses him of causing Along’s death and Angah’s disappearance. After he leaves, Mak follows him with the intention of killing the hunter. In the forest, the hunter finds Angah and slits his throat before he himself is run through with a spear by Mak who has crept up behind him.
The hunter wakes to find Tok performing a ritual over Adik’s body which is buried in a shallow grave. She reveals that she is an
iblis
Iblis ( ar, إِبْلِيس, translit=Iblīs), alternatively known as Eblīs, is the leader of the devils () in Islam. According to the Quran, Iblis was thrown out of heaven, after he refused to prostrate himself before Adam. Regarding the o ...
that exists by
possessing humans to gain control of their souls. Tok is using Adik’s body to carry out her evil deeds. The iblis taunts the hunter that he has not managed to save Angah from his fate. The children’s spirits are seen roaming the forest. The film ends with Along burning down the family home with her mother, weakened by loss of blood from slit wrists, and dead brother inside it.
Cast
* Farah Ahmad as Mak (Mother)
* Mhia Farhana as Along (Daughter)
* Harith Haziq as Angah (Son)
* Namron as Pemburu (The Hunter)
* June Lojong as Tok (Old Lady)
* Putri Qaseh as Adik (The Young Girl)
Production
''Roh'' was filmed over two weeks in a forest in
Dengkil, south of
Kuala Lumpur. It had a budget of
RM360,000 ($88,500).
It is the second film produced by Malaysian production house Kuman Pictures, following
''Two Sisters'', and Emir Ezwan's
directorial debut.
The film incorporates elements of
Malay folklore,
Islamic beliefs and
black magic.
Release
The film had its world premiere at the
Singapore International Film Festival and Indonesia Jogja-Netpac Asian Film Festival in November 2019.
It had a theatrical release in Singapore and Malaysia in August 2020, but the reintroduction of the
Movement Control Order during the
COVID-19 pandemic later closed cinemas and disrupted local distribution.
It was released on
Netflix worldwide on June 1, 2021
and on October 29, 2021 in the United States.
Reception
Critical reception
''Roh'' received positive reviews internationally.
''
The New York Times'' gave the film a positive review, saying it "succeeds as a spine-tingling baffler, hitting at nerves we can’t quite articulate but feel all the same." A review in
''Variety'' was also positive, commending its "eerie, poetical simplicity".
''
NME'' called it a "high point in Southeast Asian horror" that does "a fantastic job of crafting ominous imagery from the film’s natural surroundings".
Both ''NME'' and ''Variety'' singled out ''Roh''
's cinematography, score and symbolism for praise.
The ''
Boston Herald
The ''Boston Herald'' is an American daily newspaper whose primary market is Boston, Massachusetts, and its surrounding area. It was founded in 1846 and is one of the oldest daily newspapers in the United States. It has been awarded eight Pulit ...
'' gave it an overall rating of A- and compared it to the work of
Ari Aster.
''Al Jazeera'' highlighted ''Roh'' as an example of a new wave of low-budget Southeast Asian
folk horror films bringing international attention to the
region's film industry, along with ''Belaban Hidup'' (2021) and the work of Indonesian directors
Joko Anwar and
Timo Tjahjanto.
''
NME'' similarly suggested the film "announces newcomer Emir Ezwan as one of Southeast Asia’s premier genre filmmakers, standing alongside the likes of Indonesia’s Joko Anwar and the Philippines’
Mikhail Red."
British director
Edgar Wright praised the film on Twitter, calling it "amazing".
Accolades
''Roh'' won six awards at the 31st
Malaysia Film Festival in 2021, including Best Film, making it the biggest winner of the festival.
See also
*
List of submissions to the 93rd Academy Awards for Best International Feature Film
*
References
External links
* {{IMDb title, 10613002
* Check cinema location and showtimes
Malaysiaan
Singapore
Malaysian horror films
Malay-language films
2019 horror films
Folk horror films
Films about suicide
Films about sacrifice
Films based on Asian myths and legends
Malaysian independent films
Exorcism in Islam
Films set in Malaysia
Films impacted by the COVID-19 pandemic
Films set in forests
Religious horror films
2019 directorial debut films