In
music theory
Music theory is the study of the practices and possibilities of music. ''The Oxford Companion to Music'' describes three interrelated uses of the term "music theory". The first is the "rudiments", that are needed to understand music notation (ke ...
, a minor third is a
musical interval that encompasses three
half step
A semitone, also called a half step or a half tone, is the smallest musical interval commonly used in Western tonal music, and it is considered the most dissonant when sounded harmonically.
It is defined as the interval between two adjacent no ...
s, or
semitone
A semitone, also called a half step or a half tone, is the smallest musical interval commonly used in Western tonal music, and it is considered the most dissonant when sounded harmonically.
It is defined as the interval between two adjacent no ...
s.
represents the minor third as encompassing three
staff positions (see:
interval number
In music theory, an interval is a difference in pitch between two sounds.
An interval may be described as horizontal, linear, or melodic if it refers to successively sounding tones, such as two adjacent pitches in a melody, and vertical or ha ...
). The minor third is one of two commonly occurring thirds. It is called ''minor'' because it is the smaller of the two: the
major third
In classical music, a third is a musical interval encompassing three staff positions (see Interval number for more details), and the major third () is a third spanning four semitones. Forte, Allen (1979). ''Tonal Harmony in Concept and P ...
spans an additional semitone. For example, the interval from A to C is a minor third, as the note C lies three semitones above A. Coincidentally, there are three staff positions from A to C.
Diminished and
augmented third
In classical music from Western culture, an augmented third () is an interval of five semitones. It may be produced by widening a major third by a chromatic semitone.Benward & Saker (2003). ''Music: In Theory and Practice, Vol. I'', p.54. . For ...
s span the same number of staff positions, but consist of a different number of semitones (two and five). The minor third is a
skip
Skip or Skips may refer to:
Acronyms
* SKIP (Skeletal muscle and kidney enriched inositol phosphatase), a human gene
* Simple Key-Management for Internet Protocol
* SKIP of New York (Sick Kids need Involved People), a non-profit agency aidin ...
melodically.
Notable examples of ascending minor thirds include the opening two notes of "
Greensleeves
"Greensleeves" is a traditional English folk song. A broadside ballad by the name "A Newe Northen Dittye of ye Ladye Greene Sleves" was registered by Richard Jones at the London Stationer's Company in September 1580,Frank Kidson, ''English Fol ...
" and of "
Light My Fire
"Light My Fire" is a song by the American rock band the Doors. It was recorded in August 1966 and released in January 1967 on their eponymous debut album. Released as an edited single on April 24, 1967, it spent three weeks at number one on t ...
".
The minor third may be derived from the
harmonic series as the interval between the fifth and sixth harmonics, or from the 19th
harmonic
A harmonic is a wave with a frequency that is a positive integer multiple of the ''fundamental frequency'', the frequency of the original periodic signal, such as a sinusoidal wave. The original signal is also called the ''1st harmonic'', the ...
.
The minor third is commonly used to express sadness in music, and research shows that this mirrors its use in speech, as a tone similar to a minor third is produced during sad speech. It is also a
quartal (based on an ascendance of one or more
perfect fourths)
tertian
In music theory, ''tertian'' ( la, tertianus, "of or concerning thirds") describes any piece, chord, counterpoint etc. constructed from the intervals of (major and minor) thirds. An interval such as that between the notes A and C encompasses 3 ...
interval, as opposed to the
major third's quintality. The minor third is also obtainable in reference to a
fundamental note from the
undertone series
In music, the undertone series or subharmonic series is a sequence of notes that results from inverting the intervals of the overtone series. While overtones naturally occur with the physical production of music on instruments, undertones must ...
, while the major third is obtainable as such from the
overtone series
A harmonic series (also overtone series) is the sequence of harmonics, musical tones, or pure tones whose frequency is an integer multiple of a ''fundamental frequency''.
Pitched musical instruments are often based on an acoustic resonator su ...
. (See
Otonality and Utonality
''Otonality'' and ''utonality'' are terms introduced by Harry Partch to describe chords whose pitch classes are the harmonics or subharmonics of a given fixed tone (identity), respectively. For example: , , ,... or , , ,....
Definition ...
.)
The
minor scale
In music theory, the minor scale is three scale patterns – the natural minor scale (or Aeolian mode), the harmonic minor scale, and the melodic minor scale (ascending or descending) – rather than just two as with the major scale, which also ...
is so named because of the presence of this interval between its
tonic and
mediant In music, the mediant (''Latin'': to be in the middle) is the third scale degree () of a diatonic scale, being the note halfway between the tonic and the dominant.Benward & Saker (2003), p.32. In the movable do solfège system, the mediant note i ...
(1st and 3rd)
scale degrees
In music theory, the scale degree is the position of a particular note on a scale relative to the tonic, the first and main note of the scale from which each octave is assumed to begin. Degrees are useful for indicating the size of intervals an ...
.
Minor chord
In music theory, a minor chord is a chord that has a root, a minor third, and a perfect fifth. When a chord comprises only these three notes, it is called a minor triad. For example, the minor triad built on C, called a C minor triad, has pit ...
s too take their name from the presence of this interval built on the chord's
root
In vascular plants, the roots are the organs of a plant that are modified to provide anchorage for the plant and take in water and nutrients into the plant body, which allows plants to grow taller and faster. They are most often below the sur ...
(provided that the interval of a
perfect fifth
In music theory, a perfect fifth is the Interval (music), musical interval corresponding to a pair of pitch (music), pitches with a frequency ratio of 3:2, or very nearly so.
In classical music from Western culture, a fifth is the interval fro ...
from the root is also present or implied).
A minor third, in
just intonation
In music, just intonation or pure intonation is the tuning of musical intervals
Interval may refer to:
Mathematics and physics
* Interval (mathematics), a range of numbers
** Partially ordered set#Intervals, its generalization from numbers to ...
, corresponds to a pitch ratio of 6:5 or 315.64
cents. In an
equal tempered tuning, a minor third is equal to three
semitone
A semitone, also called a half step or a half tone, is the smallest musical interval commonly used in Western tonal music, and it is considered the most dissonant when sounded harmonically.
It is defined as the interval between two adjacent no ...
s, a ratio of 2
1/4:1 (about 1.189), or 300 cents, 15.64 cents narrower than the 6:5 ratio. In other
meantone
Meantone temperament is a musical temperament, that is a tuning system, obtained by narrowing the fifths so that their ratio is slightly less than 3:2 (making them ''narrower'' than a perfect fifth), in order to push the thirds closer to pure. Me ...
tunings it is wider, and in
19 equal temperament
In music, 19 Tone Equal Temperament, called 19 TET, 19 EDO ("Equal Division of the Octave"), or 19 ET, is the tempered scale derived by dividing the octave into 19 equal steps (equal frequency ratios). Each step represent ...
it is very nearly the 6:5 ratio of just intonation; in more complex
schismatic temperament
A schismatic temperament is a musical tuning system that results from tempering the schisma of 32805:32768 (1.9537 cents) to a unison. It is also called the schismic temperament, Helmholtz temperament, or quasi-Pythagorean temperament.
Construc ...
s, such as
53 equal temperament
In music, 53 equal temperament, called 53 TET, 53 EDO, or 53 ET, is the tempered scale derived by dividing the octave into 53 equal steps (equal frequency ratios). Each step represents a frequency ratio of 2, or 22.6415 ...
, the "minor third" is often significantly flat (being close to
Pythagorean tuning
Pythagorean tuning is a system of musical tuning in which the frequency ratios of all intervals are based on the ratio 3:2.Bruce Benward and Marilyn Nadine Saker (2003). ''Music: In Theory and Practice'', seventh edition, 2 vols. (Boston: Mc ...
()), although the "
augmented second
In classical music from Western culture, an augmented second is an interval that, in equal temperament, is sonically equivalent to a minor third, spanning three semitones, and is created by widening a major second by a chromatic semitone.Benwar ...
" produced by such scales is often within ten cents of a pure 6:5 ratio. If a minor third is tuned in accordance with the fundamental of the
overtone series
A harmonic series (also overtone series) is the sequence of harmonics, musical tones, or pure tones whose frequency is an integer multiple of a ''fundamental frequency''.
Pitched musical instruments are often based on an acoustic resonator su ...
, the result is a ratio of 19:16 or 297.51 cents (the nineteenth harmonic). The 12-TET minor third (300 cents) more closely approximates the nineteenth harmonic with only 2.49 cents error. M. Ergo mistakenly claimed that the nineteenth harmonic was the highest ever written, for the bass-trumpet in
Richard Wagner
Wilhelm Richard Wagner ( ; ; 22 May 181313 February 1883) was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas"). Unlike most op ...
's ''
Der Ring des Nibelungen
(''The Ring of the Nibelung''), WWV 86, is a cycle of four German-language epic music dramas composed by Richard Wagner. The works are based loosely on characters from Germanic heroic legend, namely Norse legendary sagas and the '' Nibe ...
'' (1848 to 1874), when
Robert Schumann
Robert Schumann (; 8 June 181029 July 1856) was a German composer, pianist, and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career a ...
's Op. 86 ''Konzertstück'' for 4 Horns and Orchestra (1849) features the
twentieth harmonic (four octaves and major third above the fundamental) in the first horn part three times.
Other pitch ratios are given related names, the
septimal minor third
In music, the septimal minor third, also called the subminor third (e.g., by Ellis), is the musical interval exactly or approximately equal to a 7/6 ratio of frequencies. In terms of cents, it is 267 cents, a quartertone of size 36/35 flatter ...
with ratio 7:6 and the tridecimal minor third with ratio 13:11 in particular.
The minor third is classed as an
imperfect consonance and is considered one of the most consonant intervals after the
unison
In music, unison is two or more musical parts that sound either the same pitch or pitches separated by intervals of one or more octaves, usually at the same time. ''Rhythmic unison'' is another term for homorhythm.
Definition
Unison or per ...
,
octave
In music, an octave ( la, octavus: eighth) or perfect octave (sometimes called the diapason) is the interval between one musical pitch and another with double its frequency. The octave relationship is a natural phenomenon that has been refer ...
,
perfect fifth
In music theory, a perfect fifth is the Interval (music), musical interval corresponding to a pair of pitch (music), pitches with a frequency ratio of 3:2, or very nearly so.
In classical music from Western culture, a fifth is the interval fro ...
, and
perfect fourth
A fourth is a musical interval encompassing four staff positions in the music notation of Western culture, and a perfect fourth () is the fourth spanning five semitones (half steps, or half tones). For example, the ascending interval from C to ...
.
The
sopranino saxophone
The sopranino saxophone is the second-smallest member of the saxophone family. It is tuned in the key of E, and sounds an octave higher than the alto saxophone. An F sopranino (an octave above the F alto (also called mezzo-soprano) saxophone) w ...
and
E♭ clarinet
The E-flat (E) clarinet is a member of the clarinet family, smaller than the more common B clarinet and pitched a perfect fourth higher. It is typically considered the sopranino or piccolo member of the clarinet family and is a transposing inst ...
sound in the
concert pitch
Concert pitch is the pitch (music), pitch reference to which a group of musical instruments are musical tuning, tuned for a performance. Concert pitch may vary from musical ensemble, ensemble to ensemble, and has varied widely over music history. ...
( C ) a minor third higher than the written pitch; therefore, to get the sounding pitch one must
transpose
In linear algebra, the transpose of a matrix is an operator which flips a matrix over its diagonal;
that is, it switches the row and column indices of the matrix by producing another matrix, often denoted by (among other notations).
The tr ...
the written pitch up a minor third. Instruments in A – most commonly the
A clarinet, sound a minor third lower than the written pitch.
Pythagorean minor third
In
music theory
Music theory is the study of the practices and possibilities of music. ''The Oxford Companion to Music'' describes three interrelated uses of the term "music theory". The first is the "rudiments", that are needed to understand music notation (ke ...
, a ''semiditone'' (or ''Pythagorean minor third'') is the
interval 32:27 (approximately 294.13
cents). It is the minor third in
Pythagorean tuning
Pythagorean tuning is a system of musical tuning in which the frequency ratios of all intervals are based on the ratio 3:2.Bruce Benward and Marilyn Nadine Saker (2003). ''Music: In Theory and Practice'', seventh edition, 2 vols. (Boston: Mc ...
. The 32:27 Pythagorean minor third arises in the
5-limit justly tuned major scale
Ptolemy's intense diatonic scale, also known as the Ptolemaic sequence,
justly tuned major scale,
Ptolemy's tense diatonic scale, or the syntonous (or syntonic) diatonic scale, is a musical tuning, tuning for the diatonic scale proposed by Ptole ...
between the 2nd and 4th degrees (in the C
major scale
The major scale (or Ionian mode) is one of the most commonly used musical scales, especially in Western music. It is one of the diatonic scales. Like many musical scales, it is made up of seven notes: the eighth duplicates the first at double i ...
, between D and F).
[ Paul, Oscar (1885). ]
A manual of harmony for use in music-schools and seminaries and for self-instruction
', p. 165. Theodore Baker
Theodore Baker (June 3, 1851"Passed Away," ''Musical America'' (Nov. 10, 1934), p. 32."Dr. Theodore Baker," ''Musical Courier'' (Nov. 3, 1934), p. 20. – October 12, 1934)[octave
In music, an octave ( la, octavus: eighth) or perfect octave (sometimes called the diapason) is the interval between one musical pitch and another with double its frequency. The octave relationship is a natural phenomenon that has been refer ...]
s minus three justly tuned fifths. It is narrower than a justly tuned minor third by a syntonic comma
In music theory, the syntonic comma, also known as the chromatic diesis, the Didymean comma, the Ptolemaic comma, or the diatonic comma is a small comma type interval between two musical notes, equal to the frequency ratio 81:80 (= 1.0125) ( ...
. Its inversion is a Pythagorean major sixth
In music from Western culture, a sixth is a musical interval encompassing six note letter names or staff positions (see Interval number for more details), and the major sixth is one of two commonly occurring sixths. It is qualified as ''major ...
.
See also
* Musical tuning
In music, there are two common meanings for tuning:
* Tuning practice, the act of tuning an instrument or voice.
* Tuning systems, the various systems of pitches used to tune an instrument, and their theoretical bases.
Tuning practice
Tun ...
* List of meantone intervals
The following is a list of intervals of extended meantone temperament. These intervals constitute the standard vocabulary of intervals for the Western common practice era. Here 12-EDO refers to the size of the interval in 12 equal divisions of th ...
* Pythagorean interval
In musical tuning theory, a Pythagorean interval is a musical interval with frequency ratio equal to a power of two divided by a power of three, or vice versa.Benson, Donald C. (2003). ''A Smoother Pebble: Mathematical Explorations'', p.56. . " ...
References
{{DEFAULTSORT:Minor Third
Minor intervals
Thirds (music)
ru:Терция (интервал)#Разновидности терции