Pointillism (, ) is a technique of
painting
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and ai ...
in which small, distinct dots of color are applied in patterns to form an image.
Georges Seurat
Georges Pierre Seurat ( , , ; 2 December 1859 – 29 March 1891) was a French post-Impressionist artist. He devised the painting techniques known as chromoluminarism and pointillism and used conté crayon for drawings on paper with a rough su ...
and
Paul Signac
Paul Victor Jules Signac ( , ; 11 November 1863 – 15 August 1935) was a French Neo-Impressionist painter who, working with Georges Seurat, helped develop the Pointillist style.
Biography
Paul Signac was born in Paris on 11 November 1863. ...
developed the technique in 1886, branching from
Impressionism
Impressionism was a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage ...
. The term "Pointillism" was coined by
art critics
An art critic is a person who is specialized in analyzing, interpreting, and evaluating art. Their written critiques or reviews contribute to art criticism and they are published in newspapers, magazines, books, exhibition brochures, and catalogu ...
in the late 1880s to ridicule the works of these artists, but is now used without its earlier pejorative connotation.
The movement Seurat began with this technique is known as
Neo-impressionism
Neo-Impressionism is a term coined by French art critic Félix Fénéon in 1886 to describe an art movement founded by Georges Seurat. Seurat's most renowned masterpiece, '' A Sunday Afternoon on the Island of La Grande Jatte'', marked the beginn ...
. The
Divisionists used a similar technique of patterns to form images, though with larger cube-like brushstrokes.
Technique
The technique relies on the ability of the eye and mind of the viewer to blend the color spots into a fuller range of tones. It is related to
Divisionism, a more technical variant of the method. Divisionism is concerned with color theory, whereas pointillism is more focused on the specific style of brushwork used to apply the paint.
It is a technique with few serious practitioners today and is notably seen in the works of
Seurat
Georges Pierre Seurat ( , , ; 2 December 1859 – 29 March 1891) was a French post-Impressionist artist. He devised the painting techniques known as chromoluminarism and pointillism and used conté crayon for drawings on paper with a rough su ...
,
Signac, and
Cross
A cross is a geometrical figure consisting of two intersecting lines or bars, usually perpendicular to each other. The lines usually run vertically and horizontally. A cross of oblique lines, in the shape of the Latin letter X, is termed a sa ...
.
From 1905 to 1907,
Robert Delaunay
Robert Delaunay (12 April 1885 – 25 October 1941) was a French artist who, with his wife Sonia Delaunay and others, co-founded the Orphism art movement, noted for its use of strong colours and geometric shapes. His later works were more abstra ...
and
Jean Metzinger
Jean Dominique Antony Metzinger (; 24 June 1883 – 3 November 1956) was a major 20th-century French painter, theorist, writer, critic and poet, who along with Albert Gleizes wrote the first theoretical work on Cubism. His earliest works, from 1 ...
painted in a Divisionist style with large squares or 'cubes' of color: the size and direction of each gave a sense of rhythm to the painting, yet color varied independently of size and placement.
[Jean Metzinger, ca. 1907, quoted in Georges Desvallières, ''La Grande Revue'', vol. 124, 1907, as cited in Robert L. Herbert, 1968, Neo-Impressionism, The Solomon R. Guggenheim Foundation, New York] This form of Divisionism was a significant step beyond the preoccupations of Signac and Cross. In 1906, the art critic Louis Chassevent recognized the difference and, as art historian
Daniel Robbins pointed out, used the word "cube" which would later be taken up by
Louis Vauxcelles
Louis Vauxcelles (born Louis Meyer; 1 January 187021 July 1943) was a French art critic. He is credited with coining the terms '' Fauvism'' (1905) and ''Cubism'' (1908). He used several pseudonyms in various publications: Pinturrichio, Vasari, ...
to baptize Cubism. Chassevent writes:
: M. Metzinger is a mosaicist like M. Signac but he brings more precision to the cutting of his cubes of color which appear to have been made mechanically
..[Robert L. Herbert, 1968, ''Neo-Impressionism'', The Solomon R. Guggenheim Foundation, New York][Daniel Robbins, 1964, ''Albert Gleizes 1881 – 1953, A Retrospective Exhibition'', Published by The Solomon R. Guggenheim Foundation, New York, in collaboration with Musée National d'Art Moderne, Paris, Museum am Ostwall, Dortmund](_blank)
/ref>
Practice
The practice of Pointillism is in sharp contrast to the traditional methods of blending pigments on a palette. Pointillism is analogous to the four-color CMYK
The CMYK color model (also known as process color, or four color) is a subtractive color model, based on the CMY color model, used in color printing, and is also used to describe the printing process itself. The abbreviation ''CMYK'' refers ...
printing process used by some color printers and large presses that place dots of cyan, magenta
Magenta () is a color that is variously defined as pinkish- purplish- red, reddish-purplish-pink or mauvish-crimson. On color wheels of the RGB (additive) and CMY (subtractive) color models, it is located exactly midway between red and blu ...
, yellow and key (black). Televisions and computer monitors use a similar technique to represent image colors using Red, Green, and Blue (RGB) colors.[Vivien Greene, ''Divisionism, Neo-Impressionism: Arcadia & Anarchy'', Guggenheim Museum Publications, 2007, ]
If red, blue, and green light (the additive primaries) are mixed, the result is something close to white light (see Prism (optics)). Painting is inherently subtractive, but Pointillist colors often seem brighter than typical mixed subtractive colors. This may be partly because subtractive mixing of the pigments is avoided, and because some of the white canvas may be showing between the applied dots.
The painting technique used for Pointillist color mixing is at the expense of the traditional brushwork used to delineate texture
Texture may refer to:
Science and technology
* Surface texture, the texture means smoothness, roughness, or bumpiness of the surface of an object
* Texture (roads), road surface characteristics with waves shorter than road roughness
* Texture ...
.
The majority of Pointillism is done in oil paint. Anything may be used in its place, but oils are preferred for their thickness and tendency not to run or bleed.
Music
Pointillism also refers to a style of 20th-century music composition. Different musical notes are made in seclusion, rather than in a linear sequence, giving a sound texture similar to the painting version of Pointillism. This type of music is also known as punctualism
Punctualism (commonly also called "pointillism" or "point music") is a style of musical composition prevalent in Europe between 1949 and 1955 "whose structures are predominantly effected from tone to tone, without superordinate formal concepti ...
or klangfarbenmelodie
''Klangfarbenmelodie'' (German for "sound-color melody") is a musical technique that involves splitting a musical line or melody between several instruments, rather than assigning it to just one instrument (or set of instruments), thereby adding c ...
.
Notable artists
*Georges Seurat
Georges Pierre Seurat ( , , ; 2 December 1859 – 29 March 1891) was a French post-Impressionist artist. He devised the painting techniques known as chromoluminarism and pointillism and used conté crayon for drawings on paper with a rough su ...
*Charles Angrand
Charles Angrand (19 April 1854 – 1 April 1926) was a French artist who gained renown for his Neo-Impressionist paintings and drawings. He was an important member of the Parisian avant-garde art scene in the late 1880s and early 1890s.
Early l ...
*Chuck Close
Charles Thomas Close (July 5, 1940 – August 19, 2021) was an American painter, visual artist, and photographer who made massive-scale photorealist and abstract portraits of himself and others. Close also created photo portraits using a very l ...
*Henri-Edmond Cross
Henri-Edmond Cross, born Henri-Edmond-Joseph Delacroix, (20 May 1856 – 16 May 1910) was a French painter and printmaker. He is most acclaimed as a master of Neo-Impressionism and he played an important role in shaping the second phase of t ...
* Henri Delavallée
*Albert Dubois-Pillet
Albert Dubois-Pillet (28 October 1846 – 18 August 1890) was a French Neo-impressionist painter and a career army officer. He was instrumental in the founding of the Société des Artistes Indépendants, and was one of the first artists t ...
*Louis Fabien
Fabien Louis Pouilloux (18 January 1924 – 1 August 2016), better known by the pseudonym of Louis Fabien, was a French painter.
Early life, family and education
Fabien was born in L'Isle-Jourdain in the French département of Vienne in Januar ...
(pseudonym
A pseudonym (; ) or alias () is a fictitious name that a person or group assumes for a particular purpose, which differs from their original or true name (orthonym). This also differs from a new name that entirely or legally replaces an individua ...
)
*Georges Lemmen
Georges Lemmen (1865–1916) was a neo-impressionist painter from Belgium. He was a member of Les XX from 1888. His works include ''The Beach at Heist'', ''Aline Marechal'' and ''Vase of Flowers''. Yvonne Serruys studied in his workshop in Brus ...
*Maximilien Luce
Maximilien Luce (13 March 1858 – 6 February 1941) was a prolific French Neo-impressionist artist, known for his paintings, illustrations, engravings, and graphic art, and also for his anarchist activism. Starting as an engraver, he then c ...
*Jean Metzinger
Jean Dominique Antony Metzinger (; 24 June 1883 – 3 November 1956) was a major 20th-century French painter, theorist, writer, critic and poet, who along with Albert Gleizes wrote the first theoretical work on Cubism. His earliest works, from 1 ...
* Camille Pissarro
*John Roy
John Roy (September 13, 1930 – June 13, 2001) was a noted professor in the Art Department at the University of Massachusetts, Amherst from 1964 until his retirement in 1994. He continued to paint until his death in 2001. His work included poin ...
*Paul Signac
Paul Victor Jules Signac ( , ; 11 November 1863 – 15 August 1935) was a French Neo-Impressionist painter who, working with Georges Seurat, helped develop the Pointillist style.
Biography
Paul Signac was born in Paris on 11 November 1863. ...
*Vincent van Gogh
Vincent Willem van Gogh (; 30 March 185329 July 1890) was a Dutch Post-Impressionist painter who posthumously became one of the most famous and influential figures in Western art history. In a decade, he created about 2,100 artworks, inc ...
*Théo van Rysselberghe
Théophile "Théo" van Rysselberghe (23 November 1862 – 13 December 1926) was a Belgian neo-impressionist painter, who played a pivotal role in the European art scene at the turn of the twentieth century.
Biography
Early years
Born ...
* Hippolyte Petitjean
* Jan Toorop
*Alfred William Finch
Alfred William (Willy) Finch (1854 –1930) was a ceramist and painter in the pointillist and Neo-Impressionist style. Born in Brussels to British parents, he spent most of his creative life in Finland.
Life and work
Alfred William Finch ...
Notable paintings
* ''A Sunday Afternoon on the Island of La Grande Jatte
''A Sunday Afternoon on the Island of La Grande Jatte'' (french: Un dimanche après-midi à l'Île de la Grande Jatte) was painted from 1884 to 1886 and is Georges Seurat's most famous work. A leading example of pointillist technique, executed ...
'' by Georges Seurat
Georges Pierre Seurat ( , , ; 2 December 1859 – 29 March 1891) was a French post-Impressionist artist. He devised the painting techniques known as chromoluminarism and pointillism and used conté crayon for drawings on paper with a rough su ...
* ''Bathers at Asnières
''Bathers at Asnières'' (french: Une Baignade, Asnières) is an 1884 oil on canvas painting by French artist Georges Pierre Seurat, the first of his two masterpieces on the monumental scale. The canvas is of a suburban, placid Parisian riversi ...
'' by Georges Seurat
Georges Pierre Seurat ( , , ; 2 December 1859 – 29 March 1891) was a French post-Impressionist artist. He devised the painting techniques known as chromoluminarism and pointillism and used conté crayon for drawings on paper with a rough su ...
* ''The Windmills at Overschie'' by Paul Signac
Paul Victor Jules Signac ( , ; 11 November 1863 – 15 August 1935) was a French Neo-Impressionist painter who, working with Georges Seurat, helped develop the Pointillist style.
Biography
Paul Signac was born in Paris on 11 November 1863. ...
* ''Banks of Seine'' by Georges Seurat
Georges Pierre Seurat ( , , ; 2 December 1859 – 29 March 1891) was a French post-Impressionist artist. He devised the painting techniques known as chromoluminarism and pointillism and used conté crayon for drawings on paper with a rough su ...
* ''A Coastal Scene'' by Théo van Rysselberghe
Théophile "Théo" van Rysselberghe (23 November 1862 – 13 December 1926) was a Belgian neo-impressionist painter, who played a pivotal role in the European art scene at the turn of the twentieth century.
Biography
Early years
Born ...
* ''Family in the Orchard'' by Théo van Rysselberghe
Théophile "Théo" van Rysselberghe (23 November 1862 – 13 December 1926) was a Belgian neo-impressionist painter, who played a pivotal role in the European art scene at the turn of the twentieth century.
Biography
Early years
Born ...
* ''Countryside at Noon'' by Théo van Rysselberghe
Théophile "Théo" van Rysselberghe (23 November 1862 – 13 December 1926) was a Belgian neo-impressionist painter, who played a pivotal role in the European art scene at the turn of the twentieth century.
Biography
Early years
Born ...
* ''Afternoon at Pardigon'' by Henri-Edmond Cross
Henri-Edmond Cross, born Henri-Edmond-Joseph Delacroix, (20 May 1856 – 16 May 1910) was a French painter and printmaker. He is most acclaimed as a master of Neo-Impressionism and he played an important role in shaping the second phase of t ...
* ''Rio San Trovaso, Venice'' by Henri-Edmond Cross
Henri-Edmond Cross, born Henri-Edmond-Joseph Delacroix, (20 May 1856 – 16 May 1910) was a French painter and printmaker. He is most acclaimed as a master of Neo-Impressionism and he played an important role in shaping the second phase of t ...
* ''The Seine in front of the Trocadero'' by Henri-Edmond Cross
Henri-Edmond Cross, born Henri-Edmond-Joseph Delacroix, (20 May 1856 – 16 May 1910) was a French painter and printmaker. He is most acclaimed as a master of Neo-Impressionism and he played an important role in shaping the second phase of t ...
* ''The Pine Tree at St. Tropez'' by Paul Signac
Paul Victor Jules Signac ( , ; 11 November 1863 – 15 August 1935) was a French Neo-Impressionist painter who, working with Georges Seurat, helped develop the Pointillist style.
Biography
Paul Signac was born in Paris on 11 November 1863. ...
]
* '' Opus 217. Against the Enamel of a Background Rhythmic with Beats and Angles, Tones, and Tints, Portrait of M. Félix Fénéon in 1890'' by Paul Signac
Paul Victor Jules Signac ( , ; 11 November 1863 – 15 August 1935) was a French Neo-Impressionist painter who, working with Georges Seurat, helped develop the Pointillist style.
Biography
Paul Signac was born in Paris on 11 November 1863. ...
* ''The Yellow Sail, Venice'' by Paul Signac
Paul Victor Jules Signac ( , ; 11 November 1863 – 15 August 1935) was a French Neo-Impressionist painter who, working with Georges Seurat, helped develop the Pointillist style.
Biography
Paul Signac was born in Paris on 11 November 1863. ...
* ''Notre Dame Cathedral'' by Maximilien Luce
Maximilien Luce (13 March 1858 – 6 February 1941) was a prolific French Neo-impressionist artist, known for his paintings, illustrations, engravings, and graphic art, and also for his anarchist activism. Starting as an engraver, he then c ...
* ''Le Pont De Pierre, Rouen'' by Charles Angrand
Charles Angrand (19 April 1854 – 1 April 1926) was a French artist who gained renown for his Neo-Impressionist paintings and drawings. He was an important member of the Parisian avant-garde art scene in the late 1880s and early 1890s.
Early l ...
* ''The Beach at Heist'' by Georges Lemmen
Georges Lemmen (1865–1916) was a neo-impressionist painter from Belgium. He was a member of Les XX from 1888. His works include ''The Beach at Heist'', ''Aline Marechal'' and ''Vase of Flowers''. Yvonne Serruys studied in his workshop in Brus ...
* ''Aline Marechal'' by Georges Lemmen
Georges Lemmen (1865–1916) was a neo-impressionist painter from Belgium. He was a member of Les XX from 1888. His works include ''The Beach at Heist'', ''Aline Marechal'' and ''Vase of Flowers''. Yvonne Serruys studied in his workshop in Brus ...
* ''Vase of Flowers'' by Georges Lemmen
Georges Lemmen (1865–1916) was a neo-impressionist painter from Belgium. He was a member of Les XX from 1888. His works include ''The Beach at Heist'', ''Aline Marechal'' and ''Vase of Flowers''. Yvonne Serruys studied in his workshop in Brus ...
* '' Two Nudes in an Exotic Landscape'' by Jean Metzinger
Jean Dominique Antony Metzinger (; 24 June 1883 – 3 November 1956) was a major 20th-century French painter, theorist, writer, critic and poet, who along with Albert Gleizes wrote the first theoretical work on Cubism. His earliest works, from 1 ...
Gallery
File:Baigneurs a Asnieres.jpg, Georges Seurat
Georges Pierre Seurat ( , , ; 2 December 1859 – 29 March 1891) was a French post-Impressionist artist. He devised the painting techniques known as chromoluminarism and pointillism and used conté crayon for drawings on paper with a rough su ...
, 1884, ''Bathers at Asnières
''Bathers at Asnières'' (french: Une Baignade, Asnières) is an 1884 oil on canvas painting by French artist Georges Pierre Seurat, the first of his two masterpieces on the monumental scale. The canvas is of a suburban, placid Parisian riversi ...
'', oil on canvas, 201 × 301 cm, National Gallery
The National Gallery is an art museum in Trafalgar Square in the City of Westminster, in Central London, England. Founded in 1824, it houses a collection of over 2,300 paintings dating from the mid-13th century to 1900. The current Director ...
, London
File:Georges Seurat - A Sunday on La Grande Jatte -- 1884 - Google Art Project.jpg, Georges Seurat
Georges Pierre Seurat ( , , ; 2 December 1859 – 29 March 1891) was a French post-Impressionist artist. He devised the painting techniques known as chromoluminarism and pointillism and used conté crayon for drawings on paper with a rough su ...
, 1884–1886, ''A Sunday Afternoon on the Island of La Grande Jatte
''A Sunday Afternoon on the Island of La Grande Jatte'' (french: Un dimanche après-midi à l'Île de la Grande Jatte) was painted from 1884 to 1886 and is Georges Seurat's most famous work. A leading example of pointillist technique, executed ...
'', oil on canvas, 207.6 x 308 cm, Art Institute of Chicago
File:Rijsselberghe, Voiliers.jpg, Théo van Rysselberghe
Théophile "Théo" van Rysselberghe (23 November 1862 – 13 December 1926) was a Belgian neo-impressionist painter, who played a pivotal role in the European art scene at the turn of the twentieth century.
Biography
Early years
Born ...
, 1887, '' Sailboats and Estuary'', oil on canvas, 50.2 x 61 cm, Musée d'Orsay
File:Apple Harvest by Camille Pissarro.jpg, Camille Pissarro, 1888, ''La Récolte des pommes'', oil on canvas, 61 x 74 cm, Dallas Museum of Art
The Dallas Museum of Art (DMA) is an art museum located in the Arts District of downtown Dallas, Texas, along Woodall Rodgers Freeway between St. Paul and Harwood. In the 1970s, the museum moved from its previous location in Fair Park to the Art ...
File:1889 Toorop Brug in Londen anagoria.JPG, Jan Toorop, 1889, ''Bridge in London'', Kröller-Müller Museum
The Kröller-Müller Museum () is a national art museum and sculpture garden, located in the Hoge Veluwe National Park in Otterlo in the Netherlands. The museum, founded by art collector Helene Kröller-Müller within the extensive grounds of ...
File:Young Woman Powdering Herself Georges Seurat.jpg, Georges Seurat
Georges Pierre Seurat ( , , ; 2 December 1859 – 29 March 1891) was a French post-Impressionist artist. He devised the painting techniques known as chromoluminarism and pointillism and used conté crayon for drawings on paper with a rough su ...
, c.1889-90 '' Young Woman Powdering Herself'', Courtauld Gallery
The Courtauld Gallery () is an art museum in Somerset House, on the Strand in central London. It houses the collection of the Courtauld Institute of Art, a self-governing college of the University of London specialising in the study of the his ...
File:Lemmen2.jpg, Georges Lemmen
Georges Lemmen (1865–1916) was a neo-impressionist painter from Belgium. He was a member of Les XX from 1888. His works include ''The Beach at Heist'', ''Aline Marechal'' and ''Vase of Flowers''. Yvonne Serruys studied in his workshop in Brus ...
, c.1891-92, ''The Beach at Heist'', Musée d'Orsay Paris
Paris () is the Capital city, capital and List of communes in France with over 20,000 inhabitants, most populous city of France, with an estimated population of 2,165,423 residents in 2019 in an area of more than 105 km² (41 sq mi), ma ...
File:Theo Van Rysselberghe portrait-of-irma-sethe-1894.jpg, Théo van Rysselberghe
Théophile "Théo" van Rysselberghe (23 November 1862 – 13 December 1926) was a Belgian neo-impressionist painter, who played a pivotal role in the European art scene at the turn of the twentieth century.
Biography
Early years
Born ...
, 1894, '' Portrait of Irma Sèthe''
File:Van Rysselberghe femme et enfant.jpg, Théo van Rysselberghe
Théophile "Théo" van Rysselberghe (23 November 1862 – 13 December 1926) was a Belgian neo-impressionist painter, who played a pivotal role in the European art scene at the turn of the twentieth century.
Biography
Early years
Born ...
, 1899, ''His wife Maria and daughter Elisabeth''
File:Paul Signac - L'Hirondelle Steamer on the Seine.JPG, Paul Signac
Paul Victor Jules Signac ( , ; 11 November 1863 – 15 August 1935) was a French Neo-Impressionist painter who, working with Georges Seurat, helped develop the Pointillist style.
Biography
Paul Signac was born in Paris on 11 November 1863. ...
, 1901, ''L'Hirondelle Steamer on the Seine'', oil on canvas, National Gallery in Prague
The National Gallery Prague ( cz, Národní galerie Praha, NGP), formerly the National Gallery in Prague (), is a state-owned art gallery in Prague, which manages the largest collection of art in the Czech Republic and presents masterpieces of Cze ...
File:Henri Edmond Cross - Regatta in Venice - Google Art Project.jpg, Henri-Edmond Cross
Henri-Edmond Cross, born Henri-Edmond-Joseph Delacroix, (20 May 1856 – 16 May 1910) was a French painter and printmaker. He is most acclaimed as a master of Neo-Impressionism and he played an important role in shaping the second phase of t ...
, 1903-04, ''Regatta in Venice'', oil on canvas, 73.7 x 92.7 cm, Museum of Fine Arts, Houston
File:Jean Metzinger, c.1906, Femme au Chapeau (Woman with a Hat), oil on canvas, 44.8 x 36.8 cm, Korban Art Foundation..jpg, Jean Metzinger
Jean Dominique Antony Metzinger (; 24 June 1883 – 3 November 1956) was a major 20th-century French painter, theorist, writer, critic and poet, who along with Albert Gleizes wrote the first theoretical work on Cubism. His earliest works, from 1 ...
, c.1906, ''Femme au Chapeau
''Femme au Chapeau'' or ''Lucie au chapeau'' is an oil painting created circa 1906 by the French artist and theorist Jean Metzinger (1883–1956). The work is executed in a highly personal Divisionist style with a marked Proto-Cubist component ...
(Woman with a Hat)'', oil on canvas, 44.8 x 36.8 cm, Korban Art Foundation
File:Robert Delaunay, 1906, Portrait de Metzinger, oil on canvas, 55 x 43 cm, DSC08255.jpg, Robert Delaunay
Robert Delaunay (12 April 1885 – 25 October 1941) was a French artist who, with his wife Sonia Delaunay and others, co-founded the Orphism art movement, noted for its use of strong colours and geometric shapes. His later works were more abstra ...
, 1906, ''Portrait de Metzinger'', oil on canvas, 55 x 43 cm
File:Hippolyte Petitjean - Femmes au bain.jpg, Hippolyte Petitjean, 1919, ''Femmes au bain'', oil on canvas, 61.1 X 46 cm, private collection
See also
* Halftone
* ''Klangfarbenmelodie
''Klangfarbenmelodie'' (German for "sound-color melody") is a musical technique that involves splitting a musical line or melody between several instruments, rather than assigning it to just one instrument (or set of instruments), thereby adding c ...
''
* Micromontage
In music, montage (literally "putting together") or sound collage ("gluing together") is a technique where newly branded sound objects or compositions, including songs, are created from collage, also known as montage. This is often done throu ...
, similar technique in music
* Stipple engraving
* Pixel art
Pixel art () is a form of digital art drawn with graphical software where images are built using pixels as the only building block. It is widely associated with the low-resolution graphics from 8-bit and 16-bit era computers and arcade video g ...
* Contemporary Indigenous Australian art
Contemporary Indigenous Australian art (also known as contemporary Aboriginal Australian art) is the modern art work produced by Indigenous Australians, that is, Aboriginal Australians and Torres Strait Islander people. It is generally regarded a ...
, the most well-known style of which is known as "dot painting"
References
External links
Georges Seurat, 1859–1891
a fully digitized exhibition catalog from The Metropolitan Museum of Art Libraries
''Signac, 1863–1935''
a fully digitized exhibition catalog from The Metropolitan Museum of Art Libraries
{{Post-Impressionism
Artistic techniques
Painting techniques
Post-Impressionism
...