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Femme Au Chapeau
''Femme au Chapeau'' or ''Lucie au chapeau'' is an oil painting created circa 1906 by the French artist and theorist Jean Metzinger (1883–1956). The work is executed in a highly personal Divisionist style with a marked Proto-Cubist component during the height of Fauvism. ''Femme au Chapeau'' exhibits a presentiment of Metzinger's subsequent interest in the faceting of form associated with Cubism. The painting now forms part of the collection of the Korban Art Foundation. Description ''Femme au Chapeau'' is an oil painting on canvas with dimensions 44.8 x 36.8 cm (17 5/8 x 14½ in.), signed ''J.Metzinger'' (lower right). The work—executed in a style consistent with other works by Metzinger created between 1905 and 1907, such as ''Two Nudes in an Exotic Landscape''—is a portrait of an elegant women, Metzinger's future wife, Lucie Soubiron, gazing self-assuredly directly at the spectator, wearing a fashionable wide-brimmed hat with a large green-bleu bow tied in a simple ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Metzinger
Jean Dominique Antony Metzinger (; 24 June 1883 – 3 November 1956) was a major 20th-century French painter, theorist, writer, critic and poet, who along with Albert Gleizes wrote the first theoretical work on Cubism. His earliest works, from 1900 to 1904, were influenced by the neo-Impressionism of Georges Seurat and Henri-Edmond Cross. Between 1904 and 1907 Metzinger worked in the Divisionist and Fauvist styles with a strong Paul Cézanne, Cézannian component, leading to some of the first Proto-Cubism, proto-Cubist works. From 1908 Metzinger experimented with the faceting of form, a style that would soon become known as Cubism. His early involvement in Cubism saw him both as an influential artist and an important theorist of the movement. The idea of moving around an object in order to see it from different view-points is treated, for the first time, in Metzinger's ''Note sur la Peinture'', published in 1910.Jean Metzinger, October–November 1910, "Note sur la peinture" Pan: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre-Auguste Renoir
Pierre-Auguste Renoir (; 25 February 1841 – 3 December 1919) was a French artist who was a leading painter in the development of the Impressionism, Impressionist style. As a celebrator of beauty and especially femininity, feminine sensuality, it has been said that "Renoir is the final representative of a tradition which runs directly from Peter Paul Rubens, Rubens to Antoine Watteau, Watteau." He was the father of actor Pierre Renoir (1885–1952), filmmaker Jean Renoir (1894–1979) and ceramic artist Claude Renoir (1901–1969). He was the grandfather of the filmmaker Claude Renoir (1913–1993), son of Pierre. Life Youth Pierre-Auguste Renoir was born in Limoges, Haute-Vienne, France, in 1841. His father, Léonard Renoir, was a tailor of modest means, so, in 1844, Renoir's family moved to Paris in search of more favorable prospects. The location of their home, in rue d’Argenteuil in central Paris, placed Renoir in proximity to the Louvre. Although the young Renoir had ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leo Gestel
Leo Gestel (11 November 1881, Woerden – 26 November 1941, Hilversum) was a Dutch painter. His father Willem Gestel was also an artist. Leo Gestel experimented with cubism, expressionism, futurism and postimpressionism. Along with Piet Mondrian and Jan Sluyters he was among the leading artists of Dutch modernism. Life Gestel was first instructed in art by his father, Willem Gestel, the director of an art school, and his uncle, Dimmen Gestel, who had painted with Vincent van Gogh. Due to financial problems Gestel created advertisements (e.g. for Philips) for illustrated books. While in Paris he came in contact with the avant-garde movement. In 1913 Herwarth Walden offered him the chance to exhibit work in the "Erster Deutscher Herbstsalon" in Berlin. Generally Gestel spent the summer in Bergen, where he joined the Bergen School. In 1929 the majority of his works were lost when a fire destroyed his studio; he then moved to Blaricum. Public collections * Stedelijk Museum Al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barnes Foundation
The Barnes Foundation is an art collection and educational institution promoting the appreciation of art and horticulture. Originally in Merion, the art collection moved in 2012 to a new building on Benjamin Franklin Parkway in Philadelphia, Pennsylvania. The arboretum of the Barnes Foundation remains in Merion, where it has been proposed to be maintained under a long-term educational affiliation agreement with Saint Joseph's University. The Barnes was founded in 1922 by Albert C. Barnes, who made his fortune by co-developing Argyrol, an antiseptic silver compound that was used to combat gonorrhea and inflammations of the eye, ear, nose, and throat. He sold his business, the A.C. Barnes Company, just months before the stock market crash of 1929. Today, the foundation owns more than 4,000 objects, including over 900 paintings, estimated to be worth about $25 billion. These are primarily works by Impressionist, Post-Impressionist, and Modernist masters, but the collection also i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gelett Burgess
Frank Gelett Burgess (January 30, 1866 – September 18, 1951) was an American artist, art critic, poet, author and humorist. An important figure in the San Francisco Bay Area literary renaissance of the 1890s, particularly through his iconoclastic little magazine, ''The Lark'', he is best known as a writer of nonsense verse, such as " The Purple Cow," and for introducing French modern art to the United States in an essay titled "The Wild Men of Paris." He was the author of the popular Goops books, and he coined the term " blurb." Early life Born in Boston, Burgess was "raised among staid, conservative New England gentry". He attended the Massachusetts Institute of Technology, graduating with a B.S. in 1887. After graduation, Burgess fled conservative Boston for the livelier bohemia of San Francisco, where he worked as a draftsman for the Southern Pacific Railroad. In 1891, he was hired by the University of California at Berkeley as an instructor of topographical draw ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Gauguin
Eugène Henri Paul Gauguin (, ; ; 7 June 1848 – 8 May 1903) was a French Post-Impressionist artist. Unappreciated until after his death, Gauguin is now recognized for his experimental use of colour and Synthetist style that were distinct from Impressionism. Toward the end of his life, he spent ten years in French Polynesia. The paintings from this time depict people or landscapes from that region. His work was influential on the French avant-garde and many modern artists, such as Pablo Picasso and Henri Matisse, and he is well known for his relationship with Vincent and Theo van Gogh. Gauguin's art became popular after his death, partially from the efforts of dealer Ambroise Vollard, who organized exhibitions of his work late in his career and assisted in organizing two important posthumous exhibitions in Paris. Gauguin was an important figure in the Symbolist movement as a painter, sculptor, printmaker, ceramist, and writer. His expression of the inherent meaning ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Sérusier
Paul Sérusier (9 November 1864 – 7 October 1927) was a French painter who was a pioneer of abstract art and an inspiration for the avant-garde Nabis movement, Synthetism and Cloisonnism. Education Sérusier was born in Paris. He studied at the Académie Julian and was a monitor there in the mid-1880s. In the summer of 1888 he travelled to Pont-Aven and joined the small group of artists centered there around Paul Gauguin. While at the Pont-Aven artist's colony he painted a picture that became known as '' The Talisman'', under the close supervision of Gauguin. The picture was an extreme exercise in Cloisonnism that approximated to pure abstraction. He was a Post-Impressionist painter, a part of the group of painters called Les Nabis. Sérusier, along with Paul Gauguin, named the group. Pierre Bonnard, Édouard Vuillard and Maurice Denis became the best known of the group, but at the time they were somewhat peripheral to the core group. In 1892 Sérusier met and befri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Synthetism
Synthetism is a term used by post-Impressionist artists like Paul Gauguin, Émile Bernard and Louis Anquetin to distinguish their work from Impressionism. Earlier, ''Synthetism'' has been connected to the term Cloisonnism, and later to Symbolism. The term is derived from the French verb ''synthétiser'' (''to synthesize'' or ''to combine so as to form a new, complex product''). History Paul Gauguin, Émile Bernard, Louis Anquetin, and others pioneered the style during the late 1880s and early 1890s. Synthetist artists aimed to ''synthesize'' three features: *The outward appearance of natural forms. *The artist's feelings about their subject. *The purity of the aesthetic considerations of line, colour and form. In 1890, Maurice Denis summarized the goals for synthetism as, :''It is well to remember that a picture before being a battle horse, a nude woman, or some anecdote, is essentially a flat surface covered with colours assembled in a certain order.'' The term was first used ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Byzantine Mosaic
A mosaic is a pattern or image made of small regular or irregular pieces of colored stone, glass or ceramic, held in place by plaster/mortar, and covering a surface. Mosaics are often used as floor and wall decoration, and were particularly popular in the Ancient Roman world. Mosaic today includes not just murals and pavements, but also artwork, hobby crafts, and industrial and construction forms. Mosaics have a long history, starting in Mesopotamia in the 3rd millennium BC. Pebble mosaics were made in Tiryns in Mycenean Greece; mosaics with patterns and pictures became widespread in classical times, both in Ancient Greece and Ancient Rome. Early Christian basilicas from the 4th century onwards were decorated with wall and ceiling mosaics. Mosaic art flourished in the Byzantine Empire from the 6th to the 15th centuries; that tradition was adopted by the Norman Kingdom of Sicily in the 12th century, by the eastern-influenced Republic of Venice, and among the Rus. Mosaic fell ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Signac
Paul Victor Jules Signac ( , ; 11 November 1863 – 15 August 1935) was a French Neo-Impressionist painter who, working with Georges Seurat, helped develop the Pointillist style. Biography Paul Signac was born in Paris on 11 November 1863. He followed a course of training in architecture before, at the age of 18, deciding to pursue a career as a painter, after attending an exhibit of Monet's work. He sailed on the Mediterranean Sea, visiting the coasts of Europe and painting the landscapes he encountered. In later years, he also painted a series of watercolors of French harbor cities. In 1884 he met Claude Monet and Georges Seurat. He was struck by the systematic working methods of Seurat and by his theory of colors and he became Seurat's faithful supporter, friend, and heir with his description of Neo-Impressionism and Divisionism method. Under Seurat's influence he abandoned the short brushstrokes of Impressionism to experiment with scientifically-juxtaposed small dots ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henri-Edmond Cross
Henri-Edmond Cross, born Henri-Edmond-Joseph Delacroix, (20 May 1856 – 16 May 1910) was a French painter and printmaker. He is most acclaimed as a master of Neo-Impressionism and he played an important role in shaping the second phase of that movement. He was a significant influence on Henri Matisse and many other artists. His work was instrumental in the development of Fauvism. Background and education Henri-Edmond-Joseph Delacroix was born in Douai, a commune in the Nord départment in northern France, on 20May 1856. He had no surviving siblings. His parents, with a family history of ironmongery, were Alcide Delacroix, a French adventurer, and British Fanny Woollett. In 1865 the family moved to a location near Lille, a northern French city close to the Belgian border. Alcide's cousin, Dr.Auguste Soins, recognized Henri's artistic talent and was very supportive of his artistic inclinations, even financing the boy's first drawing instructions under painter Carolus-Dura ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
