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Halftone
Halftone is the reprographic technique that simulates continuous-tone imagery through the use of dots, varying either in size or in spacing, thus generating a gradient-like effect.Campbell, Alastair. The Designer's Lexicon. ©2000 Chronicle, San Francisco. "Halftone" can also be used to refer specifically to the image that is produced by this process. Where continuous-tone imagery contains an infinite range of colors or greys, the halftone process reduces visual reproductions to an image that is printed with only one color of ink, in dots of differing size ( pulse-width modulation) or spacing (frequency modulation) or both. This reproduction relies on a basic optical illusion: when the halftone dots are small, the human eye interprets the patterned areas as if they were smooth tones. At a microscopic level, developed black-and-white photographic film also consists of only two colors, and not an infinite range of continuous tones. For details, see film grain. Just as color ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Halftoning Introduction
Halftone is the reprographic technique that simulates continuous-tone imagery through the use of dots, varying either in size or in spacing, thus generating a gradient-like effect.Campbell, Alastair. The Designer's Lexicon. ©2000 Chronicle, San Francisco. "Halftone" can also be used to refer specifically to the image that is produced by this process. Where continuous-tone imagery contains an infinite range of colors or greys, the halftone process reduces visual reproductions to an image that is printed with only one color of ink, in dots of differing size (pulse-width modulation) or spacing (frequency modulation) or both. This reproduction relies on a basic optical illusion: when the halftone dots are small, the human eye interprets the patterned areas as if they were smooth tones. At a microscopic level, developed black-and-white photographic film also consists of only two colors, and not an infinite range of continuous tones. For details, see film grain. Just as color phot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frederic Eugene Ives
Frederic Eugene Ives (February 17, 1856 – May 27, 1937) was a U.S. inventor who was born in Litchfield, Connecticut. In 1874–78 he had charge of the photographic laboratory at Cornell University. He moved to Philadelphia, Pennsylvania, where in 1885 he was one of the founding members of the Photographic Society of Philadelphia. He was awarded the Franklin Institute's Elliott Cresson Medal in 1893, the Edward Longstreth Medal in 1903, and the John Scott Medal in 1887, 1890, 1904 and 1906. His son Herbert E. Ives was a pioneer of television and telephotography, including color facsimile. Color photography Ives was a pioneer in the field of color photography. He first demonstrated a system of natural color photography at the 1885 Novelties Exposition of the Franklin Institute in Philadelphia.Louis Walton Sipley, ''A Half Century of Color'', New York: The Macmillan Company, 1951. His fully developed Kromskop (long-vowel marks over both "o"s and pronounced "chrome-scope") color ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Continuous Tone
A continuous tone image (contone for short, or CT even shorter) is one where each color at any point in the image is reproduced as a single tone, and not as discrete halftones, such as one single color for monochromatic prints, or a combination of halftones for color prints. The most common continuous tone images are film photographs (digital latitude is not continuous!) Also see film latitude. Every single dot of which can take a continuous range of colors depending on the quantity of captured radiance. On the other hand, at a microscopic level, developed black-and-white photographic film consists of only two colors, and not an infinite range of continuous tones. For details, see film grain. An example of a continuous-tone device is a CRT computer screen. Here, any pixel can represent any color, because the color components of the pixel are analog and can vary in infinite steps, and hence do not need halftones to make the colors. Of course, because the computer is a digital de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
CMYK Color Model
The CMYK color model (also known as process color, or four color) is a subtractive color model, based on the CMY color model, used in color printing, and is also used to describe the printing process itself. The abbreviation ''CMYK'' refers to the four ink plates used: cyan, magenta, yellow, and key (black). The CMYK model works by partially or entirely masking colors on a lighter, usually white, background. The ink reduces the light that would otherwise be reflected. Such a model is called ''subtractive'' because inks "subtract" the colors red, green and blue from white light. White light minus red leaves cyan, white light minus green leaves magenta, and white light minus blue leaves yellow. In additive color models, such as RGB, white is the "additive" combination of all primary colored lights, black is the absence of light. In the CMYK model, it is the opposite: white is the natural color of the paper or other background, black results from a full combination of c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Leggo
William Augustus Leggo (25 January 1830 – 21 July 1915) was a Canadians, Canadian inventor, engraving, engraver and businessperson. He is noted for co-inventing the half-tone engraver with George-Édouard Desbarats. He had several patents to his name, including leggotyping and granulated photography. Early life Leggo was born in Quebec City on January 25, 1830, to William Augustus Leggo, a bookbinder and engraver, and Margaret Grant. After graduating from Quebec High School, he apprenticed as an engraver, first to his father and then to Cyrus A. Swett in Boston. Career Leggo worked with his brothers Thomas, Edward, and Henry in the family engraving business before partnering with George-Paschal Desbarats and Stewart Derbishire as Wm. A Leggo and Company on January 21, 1863. George-Paschal's son, George-Édouard Desbarats, joined the partnership when Derbishire died in March 1863, and became sole partner when his father died in November 1964. The two patented "Leggotyping ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Posterization
Posterization or posterisation of an image is the conversion of a continuous gradation of tone to several regions of fewer tones, causing abrupt changes from one tone to another. This was originally done with photographic processes to create posters. It can now be done photographically or with digital image processing, and may be deliberate or an unintended artifact of color quantization. Cause The effect may be created deliberately, or happen accidentally. For artistic effect, most image editing programs provide a posterization feature, or photographic processes may be used. Unwanted posterization, also known as banding, may occur when the color depth, sometimes called bit depth, is insufficient to accurately sample a continuous gradation of color tone. As a result, a continuous gradient appears as a series of discrete steps or bands of color — hence the name. When discussing fixed pixel displays, such as LCD and plasma televisions, this effect is referred to as false c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lines Per Inch
Lines per inch (LPI) is a measurement of printing resolution. A line consists of halftones that is built up by physical ink dots made by the printer device to create different tones. Specifically LPI is a measure of how close together the lines in a halftone grid are. The quality of printer device or screen determines how high the LPI will be. High LPI indicates greater detail and sharpness. Printed magazines and newspapers often use a halftone system. Typical newsprint paper is not very dense, and has relatively high dot gain or color bleeding, so newsprint is usually around 85 LPI. Higher-quality paper, such as that used in commercial magazines, has less dot gain, and can range up to 300 LPI with quality glossy (coated) paper. In order to effectively utilize the entire range of available LPI in a halftone system, an image selected for printing generally must have 1.5 to 2 times as many samples per inch (SPI). For instance, if the target output device is capable of printing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contrast (vision)
Contrast is the contradiction in luminance or colour that makes an object (or its representation in an image or display) distinguishable. In visual perception of the real world, contrast is determined by the difference in the colour and brightness of the object and other objects within the same field of view. The human visual system is more sensitive to contrast than absolute luminance; we can perceive the world similarly regardless of the huge changes in illumination over the day or from place to place. The maximum ''contrast'' of an image is the contrast ratio or dynamic range. Images with a contrast ratio close to their medium's maximum possible contrast ratio experience a ''conservation of contrast'', wherein any increase in contrast in some parts of the image must necessarily result in a decrease in contrast elsewhere. Brightening an image will increase contrast in dark areas but decrease contrast in bright areas, while darkening the image will have the opposite effect. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ronchi Ruling
A Ronchi ruling, Ronchi grating, or Ronchi mask, named after the Italian physicist Vasco Ronchi, is a constant-interval bar and space square-wave optical target or mask. The design produces a precisely patterned light source by reflection or illumination, or a stop pattern by transmission, with precise uniformity, spatial frequency, sharp edge definition, and high contrast ratio. Manufacturing Ronchi rulings are typically manufactured through photolithographic deposition of metallic chromium on a substrate, which yields a precise, nearly 100% contrast pattern. For a reflective or illuminated type, dark stripes are printed on a diffusely reflecting or translucent substrate, such as a square of white ceramic material or opal glass. For a transmissive type, opaque stripes are printed on a transparent glass substrate. A transmissive type may be readily modified to act as an illuminated type by stacking a reflective object behind it. Applications A test target in the Ronchi pat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Diffraction
Diffraction is defined as the interference or bending of waves around the corners of an obstacle or through an aperture into the region of geometrical shadow of the obstacle/aperture. The diffracting object or aperture effectively becomes a secondary source of the propagating wave. Italian scientist Francesco Maria Grimaldi coined the word ''diffraction'' and was the first to record accurate observations of the phenomenon in 1660. In classical physics, the diffraction phenomenon is described by the Huygens–Fresnel principle that treats each point in a propagating wavefront as a collection of individual spherical wavelets. The characteristic bending pattern is most pronounced when a wave from a coherent source (such as a laser) encounters a slit/aperture that is comparable in size to its wavelength, as shown in the inserted image. This is due to the addition, or interference, of different points on the wavefront (or, equivalently, each wavelet) that travel by paths of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lithography
Lithography () is a planographic method of printing originally based on the immiscibility of oil and water. The printing is from a stone ( lithographic limestone) or a metal plate with a smooth surface. It was invented in 1796 by the German author and actor Alois Senefelder and was initially used mostly for musical scores and maps.Meggs, Philip B. A History of Graphic Design. (1998) John Wiley & Sons, Inc. p 146 Carter, Rob, Ben Day, Philip Meggs. Typographic Design: Form and Communication, Third Edition. (2002) John Wiley & Sons, Inc. p 11 Lithography can be used to print text or images onto paper or other suitable material. A lithograph is something printed by lithography, but this term is only used for fine art prints and some other, mostly older, types of printed matter, not for those made by modern commercial lithography. Originally, the image to be printed was drawn with a greasy substance, such as oil, fat, or wax onto the surface of a smooth and flat limestone pl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Relief Printing
Relief printing is a family of printing methods where a printing block, plate or matrix, which has had ink applied to its non-recessed surface, is brought into contact with paper. The non-recessed surface will leave ink on the paper, whereas the recessed areas will not. A printing press may not be needed, as the back of the paper can be rubbed or pressed by hand with a simple tool such as a brayer or roller. In contrast, in intaglio printing, the ''recessed'' areas are printed. Relief printing is one of the traditional families of printmaking techniques, along with the intaglio and planographic families, though modern developments have created others. In the relief family of printing, the matrix was historically made subtractively, by removing material from the surface of areas not intended to be printed. The remaining surface would then receive ink. The relief family of techniques includes woodcut, metalcut, wood engraving, relief etching, linocut, rubber stamp, foam pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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