religious poetry, love poetry, and
rap
Rapping (also rhyming, spitting, emceeing or MCing) is a musical form of vocal delivery that incorporates "rhyme, rhythmic speech, and street vernacular". It is performed or chanted, usually over a backing beat or musical accompaniment. The ...
.
File:The oldest love poem. Sumerian terracotta tablet from Nippur, Iraq. Ur III period, 2037-2029 BCE. Ancient Orient Museum, Istanbul.jpg, The oldest known love poem. Sumerian terracotta tablet #2461 from Nippur, Iraq. Ur III period, 2037–2029 BCE. Ancient Orient Museum, Istanbul
File:Confucius the scholar.jpg, The philosopher Confucius
Confucius ( ; zh, s=, p=Kǒng Fūzǐ, "Master Kǒng"; or commonly zh, s=, p=Kǒngzǐ, labels=no; – ) was a Chinese philosopher and politician of the Spring and Autumn period who is traditionally considered the paragon of Chinese sages. C ...
was influential in the developed approach to poetry and ancient music theory.
File:Manuscript from Shanghai Museum 1.jpg, An early Chinese poetics
Poetics is the theory of structure, form, and discourse within literature, and, in particular, within poetry.
History
The term ''poetics'' derives from the Ancient Greek ποιητικός ''poietikos'' "pertaining to poetry"; also "creative" an ...
, the ''Kǒngzǐ Shīlùn'' (孔子詩論), discussing the ''Shijing'' (''Classic of Poetry'')
Western traditions
![Aristoteles Louvre](https://upload.wikimedia.org/wikipedia/commons/a/a4/Aristoteles_Louvre.jpg)
Classical thinkers in the
West
West or Occident is one of the four cardinal directions or points of the compass. It is the opposite direction from east and is the direction in which the Sunset, Sun sets on the Earth.
Etymology
The word "west" is a Germanic languages, German ...
employed classification as a way to define and assess the quality of poetry. Notably, the existing fragments of
Aristotle
Aristotle (; grc-gre, Ἀριστοτέλης ''Aristotélēs'', ; 384–322 BC) was a Greek philosopher and polymath during the Classical period in Ancient Greece. Taught by Plato, he was the founder of the Peripatetic school of ...
's
''Poetics'' describe three genres of poetry—the epic, the comic, and the tragic—and develop rules to distinguish the highest-quality poetry in each genre, based on the perceived underlying purposes of the genre. Later
aestheticians identified three major genres: epic poetry,
lyric poetry
Modern lyric poetry is a formal type of poetry which expresses personal emotions or feelings, typically spoken in the first person.
It is not equivalent to song lyrics, though song lyrics are often in the lyric mode, and it is also ''not'' equi ...
, and
dramatic poetry
Verse drama is any drama written significantly in verse (that is: with line endings) to be performed by an actor before an audience. Although verse drama does not need to be ''primarily'' in verse to be considered verse drama, significant portio ...
, treating
comedy
Comedy is a genre of fiction that consists of discourses or works intended to be humorous or amusing by inducing laughter, especially in theatre, film, stand-up comedy, television, radio, books, or any other entertainment medium. The term o ...
and
tragedy
Tragedy (from the grc-gre, τραγῳδία, ''tragōidia'', ''tragōidia'') is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a main character. Traditionally, the intention of tragedy ...
as
subgenres
Genre () is any form or type of communication in any mode (written, spoken, digital, artistic, etc.) with socially-agreed-upon conventions developed over time. In popular usage, it normally describes a category of literature, music, or other fo ...
of dramatic poetry.
![John keats](https://upload.wikimedia.org/wikipedia/commons/5/51/John_keats.jpg)
Aristotle's work was influential throughout the Middle East during the
Islamic Golden Age
The Islamic Golden Age was a period of cultural, economic, and scientific flourishing in the history of Islam, traditionally dated from the 8th century to the 14th century. This period is traditionally understood to have begun during the reign ...
, as well as in Europe during the
Renaissance
The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas ...
. Later poets and aestheticians often distinguished poetry from, and defined it in opposition to
prose
Prose is a form of written or spoken language that follows the natural flow of speech, uses a language's ordinary grammatical structures, or follows the conventions of formal academic writing. It differs from most traditional poetry, where the f ...
, which they generally understood as writing with a proclivity to logical explication and a linear narrative structure.
This does not imply that poetry is illogical or lacks narration, but rather that poetry is an attempt to render the beautiful or sublime without the burden of engaging the logical or narrative thought-process. English
Romantic poet
John Keats
John Keats (31 October 1795 – 23 February 1821) was an English poet of the second generation of Romantic poets, with Lord Byron and Percy Bysshe Shelley. His poems had been in publication for less than four years when he died of tuberculo ...
termed this escape from logic "
negative capability
Negative capability is a phrase first used by Romantic poet John Keats in 1817 to explain the capacity of the greatest writers (particularly Shakespeare) to pursue a vision of artistic beauty even when it leads them into intellectual confusion a ...
". This "romantic" approach views
form
Form is the shape, visual appearance, or configuration of an object. In a wider sense, the form is the way something happens.
Form also refers to:
*Form (document), a document (printed or electronic) with spaces in which to write or enter data
...
as a key element of successful poetry because form is abstract and distinct from the underlying notional logic. This approach remained influential into the 20th century.
During the 18th and 19th centuries, there was also substantially more interaction among the various poetic traditions, in part due to the spread of European
colonialism
Colonialism is a practice or policy of control by one people or power over other people or areas, often by establishing colonies and generally with the aim of economic dominance. In the process of colonisation, colonisers may impose their relig ...
and the attendant rise in global trade. In addition to a boom in
translation
Translation is the communication of the Meaning (linguistic), meaning of a #Source and target languages, source-language text by means of an Dynamic and formal equivalence, equivalent #Source and target languages, target-language text. The ...
, during the Romantic period numerous ancient works were rediscovered.
20th-century and 21st-century disputes
![Archibaldmacleish](https://upload.wikimedia.org/wikipedia/commons/2/29/Archibaldmacleish.jpeg)
Some 20th-century
literary theorists
Literature is any collection of written work, but it is also used more narrowly for writings specifically considered to be an art form, especially prose fiction, drama, and poetry. In recent centuries, the definition has expanded to include ...
rely less on the ostensible opposition of prose and poetry, instead focusing on the poet as simply one who
creates using language, and poetry as what the poet creates. The underlying concept of the poet as
creator is not uncommon, and some
modernist poets
This is a list of major poets of the Modernist movement.
English-language Modernist poets
*Marion Angus
* W. H. Auden
*Djuna Barnes
* Elizabeth Bishop
*Rupert Brooke
* Basil Bunting
*Hart Crane
* E. E. Cummings
* H.D.
* T. S. Eliot
*Robert Fr ...
essentially do not distinguish between the creation of a poem with words, and creative acts in other media. Yet other modernists challenge the very attempt to define poetry as misguided.
The rejection of traditional forms and structures for poetry that began in the first half of the 20th century coincided with a questioning of the purpose and meaning of traditional definitions of poetry and of distinctions between poetry and prose, particularly given examples of poetic prose and prosaic poetry. Numerous modernist poets have written in non-traditional forms or in what traditionally would have been considered prose, although their writing was generally infused with poetic diction and often with rhythm and
tone established by
non-metrical means. While there was a substantial
formalist reaction within the modernist schools to the breakdown of structure, this reaction focused as much on the development of new formal structures and syntheses as on the revival of older forms and structures.
Postmodernism
Postmodernism is an intellectual stance or Rhetorical modes, mode of discourseNuyen, A.T., 1992. The Role of Rhetorical Devices in Postmodernist Discourse. Philosophy & Rhetoric, pp.183–194. characterized by philosophical skepticism, skepticis ...
goes beyond modernism's emphasis on the creative role of the poet, to emphasize the role of the reader of a text (
hermeneutics
Hermeneutics () is the theory and methodology of interpretation, especially the interpretation of biblical texts, wisdom literature, and philosophical texts. Hermeneutics is more than interpretative principles or methods used when immediate c ...
), and to highlight the complex cultural web within which a poem is read. Today, throughout the world, poetry often incorporates poetic form and diction from other cultures and from the past, further confounding attempts at definition and classification that once made sense within a tradition such as the
Western canon
The Western canon is the body of high culture literature, music, philosophy, and works of art that are highly valued in the West; works that have achieved the status of classics. However, not all these works originate in the Western world, and ...
.
The early 21st-century poetic tradition appears to continue to strongly orient itself to earlier precursor poetic traditions such as those initiated by
Whitman,
Emerson, and
Wordsworth
William Wordsworth (7 April 177023 April 1850) was an English Romantic poet who, with Samuel Taylor Coleridge, helped to launch the Romantic Age in English literature with their joint publication ''Lyrical Ballads'' (1798).
Wordsworth's ' ...
. The literary critic
Geoffrey Hartman (1929–2016) used the phrase "the anxiety of demand" to describe the contemporary response to older poetic traditions as "being fearful that the fact no longer has a form", building on a trope introduced by Emerson. Emerson had maintained that in the debate concerning poetic structure where either "form" or "fact" could predominate, that one need simply "Ask the fact for the form." This has been challenged at various levels by other literary scholars such as
Harold Bloom
Harold Bloom (July 11, 1930 – October 14, 2019) was an American literary critic and the Sterling Professor of Humanities at Yale University. In 2017, Bloom was described as "probably the most famous literary critic in the English-speaking wor ...
(1930–2019), who has stated: "The generation of poets who stand together now, mature and ready to write the major American verse of the twenty-first century, may yet be seen as what Stevens called 'a great shadow's last embellishment,' the shadow being Emerson's."
Elements
Prosody
Prosody is the study of the meter,
rhythm
Rhythm (from Greek , ''rhythmos'', "any regular recurring motion, symmetry") generally means a " movement marked by the regulated succession of strong and weak elements, or of opposite or different conditions". This general meaning of regular re ...
, and
intonation of a poem. Rhythm and meter are different, although closely related. Meter is the definitive pattern established for a verse (such as
iambic pentameter
Iambic pentameter () is a type of metric line used in traditional English poetry and verse drama. The term describes the rhythm, or meter, established by the words in that line; rhythm is measured in small groups of syllables called " feet". "Iam ...
), while rhythm is the actual sound that results from a line of poetry. Prosody also may be used more specifically to refer to the
scanning of poetic lines to show meter.
Rhythm
![Robinsonjeffers (cropped)](https://upload.wikimedia.org/wikipedia/commons/c/cf/Robinsonjeffers_%28cropped%29.jpg)
The methods for creating poetic rhythm vary across languages and between poetic traditions. Languages are often described as having timing set primarily by
accents Accent may refer to:
Speech and language
* Accent (sociolinguistics), way of pronunciation particular to a speaker or group of speakers
* Accent (phonetics), prominence given to a particular syllable in a word, or a word in a phrase
** Pitch acce ...
,
syllables, or
moras, depending on how rhythm is established, though a language can be influenced by multiple approaches.
Japanese
Japanese may refer to:
* Something from or related to Japan, an island country in East Asia
* Japanese language, spoken mainly in Japan
* Japanese people, the ethnic group that identifies with Japan through ancestry or culture
** Japanese diaspor ...
is a
mora
Mora may refer to:
People
* Mora (surname)
Places Sweden
* Mora, Säter, Sweden
* Mora, Sweden, the seat of Mora Municipality
* Mora Municipality, Sweden
United States
* Mora, Louisiana, an unincorporated community
* Mora, Minnesota, a city
* M ...
-timed language.
Latin
Latin (, or , ) is a classical language belonging to the Italic branch of the Indo-European languages. Latin was originally a dialect spoken in the lower Tiber area (then known as Latium) around present-day Rome, but through the power of the ...
,
Catalan
Catalan may refer to:
Catalonia
From, or related to Catalonia:
* Catalan language, a Romance language
* Catalans, an ethnic group formed by the people from, or with origins in, Northern or southern Catalonia
Places
* 13178 Catalan, asteroid #1 ...
,
French,
Leonese,
Galician and
Spanish
Spanish might refer to:
* Items from or related to Spain:
**Spaniards are a nation and ethnic group indigenous to Spain
**Spanish language, spoken in Spain and many Latin American countries
**Spanish cuisine
Other places
* Spanish, Ontario, Can ...
are called syllable-timed languages. Stress-timed languages include
English
English usually refers to:
* English language
* English people
English may also refer to:
Peoples, culture, and language
* ''English'', an adjective for something of, from, or related to England
** English national ide ...
,
Russian
Russian(s) refers to anything related to Russia, including:
*Russians (, ''russkiye''), an ethnic group of the East Slavic peoples, primarily living in Russia and neighboring countries
*Rossiyane (), Russian language term for all citizens and peo ...
and, generally,
German
German(s) may refer to:
* Germany (of or related to)
** Germania (historical use)
* Germans, citizens of Germany, people of German ancestry, or native speakers of the German language
** For citizens of Germany, see also German nationality law
**Ge ...
. Varying
intonation also affects how rhythm is perceived. Languages can rely on either pitch or tone. Some languages with a pitch accent are Vedic Sanskrit or Ancient Greek.
Tonal language
Tone is the use of pitch in language to distinguish lexical or grammatical meaning – that is, to distinguish or to inflect words. All verbal languages use pitch to express emotional and other paralinguistic information and to convey emph ...
s include Chinese, Vietnamese and most
Subsaharan languages.
Metrical rhythm generally involves precise arrangements of stresses or syllables into repeated patterns called
feet
The foot ( : feet) is an anatomical structure found in many vertebrates. It is the terminal portion of a limb which bears weight and allows locomotion. In many animals with feet, the foot is a separate organ at the terminal part of the leg made ...
within a line. In Modern English verse the pattern of stresses primarily differentiate feet, so rhythm based on meter in Modern English is most often founded on the pattern of stressed and unstressed syllables (alone or
elided
In linguistics, an elision or deletion is the omission of one or more sounds (such as a vowel, a consonant, or a whole syllable) in a word or phrase. However, these terms are also used to refer more narrowly to cases where two words are run toget ...
). In the
classical languages
A classical language is any language with an independent literary tradition and a large and ancient body of written literature. Classical languages are typically dead languages, or show a high degree of diglossia, as the spoken varieties of the ...
, on the other hand, while the
metrical units are similar,
vowel length
In linguistics, vowel length is the perceived length of a vowel sound: the corresponding physical measurement is duration. In some languages vowel length is an important phonemic factor, meaning vowel length can change the meaning of the word, f ...
rather than stresses define the meter.
Old English
Old English (, ), or Anglo-Saxon, is the earliest recorded form of the English language, spoken in England and southern and eastern Scotland in the early Middle Ages. It was brought to Great Britain by Anglo-Saxon settlement of Britain, Anglo ...
poetry used a metrical pattern involving varied numbers of syllables but a fixed number of strong stresses in each line.
![Marianne Moore 1935](https://upload.wikimedia.org/wikipedia/commons/8/88/Marianne_Moore_1935.jpg)
The chief device of ancient
Hebrew
Hebrew (; ; ) is a Northwest Semitic language of the Afroasiatic language family. Historically, it is one of the spoken languages of the Israelites and their longest-surviving descendants, the Jews and Samaritans. It was largely preserved ...
Biblical poetry
The ancient Hebrews identified poetical portions in their sacred texts, as shown by their entitling as "songs" or as "chants" passages such as Exodus 15:1-19 and Numbers 21:17-20; a song or chant () is, according to the primary meaning of the ter ...
, including many of the
psalms
The Book of Psalms ( or ; he, תְּהִלִּים, , lit. "praises"), also known as the Psalms, or the Psalter, is the first book of the ("Writings"), the third section of the Tanakh, and a book of the Old Testament. The title is derived ...
, was ''
parallelism'', a rhetorical structure in which successive lines reflected each other in grammatical structure, sound structure, notional content, or all three. Parallelism lent itself to
antiphon
An antiphon ( Greek ἀντίφωνον, ἀντί "opposite" and φωνή "voice") is a short chant in Christian ritual, sung as a refrain. The texts of antiphons are the Psalms. Their form was favored by St Ambrose and they feature prominentl ...
al or
call-and-response
Call and response is a form of interaction between a speaker and an audience in which the speaker's statements ("calls") are punctuated by responses from the listeners. This form is also used in music, where it falls under the general category of ...
performance, which could also be reinforced by
intonation. Thus, Biblical poetry relies much less on metrical feet to create rhythm, but instead creates rhythm based on much larger sound units of lines, phrases and sentences. Some classical poetry forms, such as
Venpa
Venpa or Venba ('' வெண்பா'' in Tamil) is a form of classical Tamil poetry. Classical Tamil poetry has been classified based upon the rules of metric prosody. Such rules form a context-free grammar. Every venba consists of between two ...
of the
Tamil language
Tamil (; ' , ) is a Dravidian language natively spoken by the Tamil people of South Asia. Tamil is an official language of the Indian state of Tamil Nadu, the sovereign nations of Sri Lanka and Singapore, and the Indian territory of Pudu ...
, had rigid grammars (to the point that they could be expressed as a
context-free grammar) which ensured a rhythm.
Classical Chinese poetics, based on the
tone system of Middle Chinese, recognized two kinds of tones: the level (平 ''píng'') tone and the oblique (仄 ''zè'') tones, a category consisting of the rising (上 ''sháng'') tone, the departing (去 ''qù'') tone and the entering (入 ''rù'') tone. Certain forms of poetry placed constraints on which syllables were required to be level and which oblique.
The formal patterns of meter used in Modern English verse to create rhythm no longer dominate contemporary English poetry. In the case of
free verse
Free verse is an open form of poetry, which in its modern form arose through the French ''vers libre'' form. It does not use consistent meter patterns, rhyme, or any musical pattern. It thus tends to follow the rhythm of natural speech.
Definit ...
, rhythm is often organized based on looser units of
cadence
In Western musical theory, a cadence (Latin ''cadentia'', "a falling") is the end of a phrase in which the melody or harmony creates a sense of full or partial resolution, especially in music of the 16th century onwards.Don Michael Randel (199 ...
rather than a regular meter.
Robinson Jeffers
John Robinson Jeffers (January 10, 1887 – January 20, 1962) was an American poet, known for his work about the central California coast. Much of Jeffers's poetry was written in narrative and epic form. However, he is also known for his short ...
,
Marianne Moore
Marianne Craig Moore (November 15, 1887 – February 5, 1972) was an American modernist poet, critic, translator, and editor. Her poetry is noted for formal innovation, precise diction, irony, and wit.
Early life
Moore was born in Kirkwood ...
, and
William Carlos Williams
William Carlos Williams (September 17, 1883 – March 4, 1963) was an American poet, writer, and physician closely associated with modernism and imagism.
In addition to his writing, Williams had a long career as a physician practicing both pedia ...
are three notable poets who reject the idea that regular accentual meter is critical to English poetry. Jeffers experimented with
sprung rhythm
Sprung rhythm is a poetic rhythm designed to imitate the rhythm of natural speech. It is constructed from feet in which the first syllable is stressed and may be followed by a variable number of unstressed syllables. The British poet Gerard Manle ...
as an alternative to accentual rhythm.
Meter
![Alkaios Sappho Staatliche Antikensammlungen 2416 n2](https://upload.wikimedia.org/wikipedia/commons/1/12/Alkaios_Sappho_Staatliche_Antikensammlungen_2416_n2.jpg)
In the Western poetic tradition, meters are customarily grouped according to a characteristic
metrical foot
The foot is the basic repeating metre (poetry), rhythmic unit that forms part of a line of poetry, verse in most Indo-European languages, Indo-European traditions of poetry, including English accentual-syllabic verse and the quantitative meter of ...
and the number of feet per line. The number of metrical feet in a line are described using Greek terminology:
tetrameter
In poetry, a tetrameter is a line of four metrical feet. The particular foot can vary, as follows:
* '' Anapestic tetrameter:''
** "And the ''sheen'' of their ''spears'' was like ''stars'' on the ''sea''" (Lord Byron, "The Destruction of Sennach ...
for four feet and
hexameter
Hexameter is a metrical line of verses consisting of six feet (a "foot" here is the pulse, or major accent, of words in an English line of poetry; in Greek and Latin a "foot" is not an accent, but describes various combinations of syllables). It w ...
for six feet, for example. Thus, "
iambic pentameter
Iambic pentameter () is a type of metric line used in traditional English poetry and verse drama. The term describes the rhythm, or meter, established by the words in that line; rhythm is measured in small groups of syllables called " feet". "Iam ...
" is a meter comprising five feet per line, in which the predominant kind of foot is the "
iamb". This metric system originated in ancient
Greek poetry
Greek literature () dates back from the ancient Greek literature, beginning in 800 BC, to the modern Greek literature of today.
Ancient Greek literature was written in an Ancient Greek dialect, literature ranges from the oldest surviving writte ...
, and was used by poets such as
Pindar
Pindar (; grc-gre, Πίνδαρος , ; la, Pindarus; ) was an Ancient Greek lyric poet from Thebes. Of the canonical nine lyric poets of ancient Greece, his work is the best preserved. Quintilian wrote, "Of the nine lyric poets, Pindar is ...
and
Sappho
Sappho (; el, Σαπφώ ''Sapphō'' ; Aeolic Greek ''Psápphō''; c. 630 – c. 570 BC) was an Archaic Greek poet from Eresos or Mytilene on the island of Lesbos. Sappho is known for her Greek lyric, lyric poetry, written to be sung while ...
, and by the great
tragedians of
Athens
Athens ( ; el, Αθήνα, Athína ; grc, Ἀθῆναι, Athênai (pl.) ) is both the capital and largest city of Greece. With a population close to four million, it is also the seventh largest city in the European Union. Athens dominates ...
. Similarly, "
dactylic hexameter
Dactylic hexameter (also known as heroic hexameter and the meter of epic) is a form of meter or rhythmic scheme frequently used in Ancient Greek and Latin poetry. The scheme of the hexameter is usually as follows (writing – for a long syllable, ...
", comprises six feet per line, of which the dominant kind of foot is the "
dactyl
Dactyl may refer to:
* Dactyl (mythology), a legendary being
* Dactyl (poetry), a metrical unit of verse
* Dactyl Foundation, an arts organization
* Finger, a part of the hand
* Dactylus, part of a decapod crustacean
* "-dactyl", a suffix used ...
". Dactylic hexameter was the traditional meter of Greek
epic poetry
An epic poem, or simply an epic, is a lengthy narrative poem typically about the extraordinary deeds of extraordinary characters who, in dealings with gods or other superhuman forces, gave shape to the mortal universe for their descendants.
...
, the earliest extant examples of which are the works of
Homer
Homer (; grc, Ὅμηρος , ''Hómēros'') (born ) was a Greek poet who is credited as the author of the ''Iliad'' and the ''Odyssey'', two epic poems that are foundational works of ancient Greek literature. Homer is considered one of the ...
and
Hesiod
Hesiod (; grc-gre, Ἡσίοδος ''Hēsíodos'') was an ancient Greek poet generally thought to have been active between 750 and 650 BC, around the same time as Homer. He is generally regarded by western authors as 'the first written poet i ...
.
Iambic pentameter and dactylic hexameter were later used by a number of poets, including
William Shakespeare
William Shakespeare ( 26 April 1564 – 23 April 1616) was an English playwright, poet and actor. He is widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's nation ...
and
Henry Wadsworth Longfellow
Henry Wadsworth Longfellow (February 27, 1807 – March 24, 1882) was an American poet and educator. His original works include "Paul Revere's Ride", ''The Song of Hiawatha'', and ''Evangeline''. He was the first American to completely transl ...
, respectively. The most common metrical feet in English are:
![Homer British Museum](https://upload.wikimedia.org/wikipedia/commons/1/1c/Homer_British_Museum.jpg)
*
iamb – one unstressed syllable followed by a stressed syllable (e.g. des-cribe, in-clude, re-tract)
*
trochee
In English poetic metre and modern linguistics, a trochee () is a metrical foot consisting of a stressed syllable followed by an unstressed one. But in Latin and Ancient Greek poetic metre, a trochee is a heavy syllable followed by a light one ( ...
one stressed syllable followed by an unstressed syllable (e.g. pic-ture, flow-er)
*
dactyl
Dactyl may refer to:
* Dactyl (mythology), a legendary being
* Dactyl (poetry), a metrical unit of verse
* Dactyl Foundation, an arts organization
* Finger, a part of the hand
* Dactylus, part of a decapod crustacean
* "-dactyl", a suffix used ...
– one stressed syllable followed by two unstressed syllables (e.g. an-no-tate, sim-i-lar)
*
anapaest
An anapaest (; also spelled anapæst or anapest, also called antidactylus) is a metrical foot used in formal poetry. In classical quantitative meters it consists of two short syllables followed by a long one; in accentual stress meters it consist ...
two unstressed syllables followed by one stressed syllable (e.g. com-pre-hend)
*
spondee
A spondee (Latin: ) is a metrical foot consisting of two long syllables, as determined by syllable weight in classical meters, or two stressed syllables in modern meters. The word comes from the Greek , , 'libation'.
Spondees in Ancient Greek ...
two stressed syllables together (e.g. heart-beat, four-teen)
*
pyrrhic
A pyrrhic (; el, πυρρίχιος ''pyrrichios'', from πυρρίχη ''pyrrichē'') is a metrical foot used in formal poetry. It consists of two unaccented, short syllables. It is also known as a dibrach.
Poetic use in English
Tennyson us ...
two unstressed syllables together (rare, usually used to end dactylic hexameter)
There are a wide range of names for other types of feet, right up to a
choriamb
In Greek and Latin poetry, a choriamb is a metron (prosodic foot) consisting of four syllables in the pattern long-short-short-long (— ‿ ‿ —), that is, a trochee alternating with an iamb. Choriambs are one of the two basic metra that do ...
, a four syllable metric foot with a stressed syllable followed by two unstressed syllables and closing with a stressed syllable. The choriamb is derived from some ancient
Greek
Greek may refer to:
Greece
Anything of, from, or related to Greece, a country in Southern Europe:
*Greeks, an ethnic group.
*Greek language, a branch of the Indo-European language family.
**Proto-Greek language, the assumed last common ancestor ...
and
Latin poetry
The history of Latin poetry can be understood as the adaptation of Greek models. The verse comedies of Plautus, the earliest surviving examples of Latin literature, are estimated to have been composed around 205-184 BC.
History
Scholars conven ...
.
[ Languages which use ]vowel length
In linguistics, vowel length is the perceived length of a vowel sound: the corresponding physical measurement is duration. In some languages vowel length is an important phonemic factor, meaning vowel length can change the meaning of the word, f ...
or intonation rather than or in addition to syllabic accents in determining meter, such as Ottoman Turkish or Vedic
upright=1.2, The Vedas are ancient Sanskrit texts of Hinduism. Above: A page from the '' Atharvaveda''.
The Vedas (, , ) are a large body of religious texts originating in ancient India. Composed in Vedic Sanskrit, the texts constitute the ...
, often have concepts similar to the iamb and dactyl to describe common combinations of long and short sounds.
Each of these types of feet has a certain "feel," whether alone or in combination with other feet. The iamb, for example, is the most natural form of rhythm in the English language, and generally produces a subtle but stable verse. Scanning meter can often show the basic or fundamental pattern underlying a verse, but does not show the varying degrees of stress
Stress may refer to:
Science and medicine
* Stress (biology), an organism's response to a stressor such as an environmental condition
* Stress (linguistics), relative emphasis or prominence given to a syllable in a word, or to a word in a phrase ...
, as well as the differing pitches and lengths
Length is a measure of distance. In the International System of Quantities, length is a quantity with dimension distance. In most systems of measurement a base unit for length is chosen, from which all other units are derived. In the Intern ...
of syllables.
There is debate over how useful a multiplicity of different "feet" is in describing meter. For example, Robert Pinsky
Robert Pinsky (born October 20, 1940) is an American poet, essayist, literary critic, and translator. From 1997 to 2000, he served as Poet Laureate Consultant in Poetry to the Library of Congress. Pinsky is the author of nineteen books, most o ...
has argued that while dactyls are important in classical verse, English dactylic verse uses dactyls very irregularly and can be better described based on patterns of iambs and anapests, feet which he considers natural to the language. Actual rhythm is significantly more complex than the basic scanned meter described above, and many scholars have sought to develop systems that would scan such complexity. Vladimir Nabokov
Vladimir Vladimirovich Nabokov (russian: link=no, Владимир Владимирович Набоков ; 2 July 1977), also known by the pen name Vladimir Sirin (), was a Russian-American novelist, poet, translator, and entomologist. Bo ...
noted that overlaid on top of the regular pattern of stressed and unstressed syllables in a line of verse was a separate pattern of accents resulting from the natural pitch of the spoken words, and suggested that the term "scud" be used to distinguish an unaccented stress from an accented stress.
Metrical patterns
Different traditions and genres of poetry tend to use different meters, ranging from the Shakespearean iambic pentameter
Iambic pentameter () is a type of metric line used in traditional English poetry and verse drama. The term describes the rhythm, or meter, established by the words in that line; rhythm is measured in small groups of syllables called " feet". "Iam ...
and the Homeric dactylic hexameter
Dactylic hexameter (also known as heroic hexameter and the meter of epic) is a form of meter or rhythmic scheme frequently used in Ancient Greek and Latin poetry. The scheme of the hexameter is usually as follows (writing – for a long syllable, ...
to the anapestic tetrameter
Anapestic tetrameter is a poetic meter that has four anapestic metrical feet per line. Each foot has two unstressed syllables followed by a stressed syllable. It is sometimes referred to as a "reverse dactyl", and shares the rapid, driving pace ...
used in many nursery rhymes. However, a number of variations to the established meter are common, both to provide emphasis or attention to a given foot or line and to avoid boring repetition. For example, the stress in a foot may be inverted, a caesura
image:Music-caesura.svg, 300px, An example of a caesura in modern western music notation
A caesura (, . caesuras or caesurae; Latin for "cutting"), also written cæsura and cesura, is a Metre (poetry), metrical pause or break in a Verse (poetry), ...
(or pause) may be added (sometimes in place of a foot or stress), or the final foot in a line may be given a feminine ending to soften it or be replaced by a spondee
A spondee (Latin: ) is a metrical foot consisting of two long syllables, as determined by syllable weight in classical meters, or two stressed syllables in modern meters. The word comes from the Greek , , 'libation'.
Spondees in Ancient Greek ...
to emphasize it and create a hard stop. Some patterns (such as iambic pentameter) tend to be fairly regular, while other patterns, such as dactylic hexameter, tend to be highly irregular. Regularity can vary between language. In addition, different patterns often develop distinctively in different languages, so that, for example, iambic tetrameter Iambic tetrameter is a poetic meter in ancient Greek and Latin poetry; as the name of ''a rhythm'', iambic tetrameter consists of four metra, each metron being of the form , x – u – , , consisting of a spondee and an iamb, or two iambs. There ...
in Russian will generally reflect a regularity in the use of accents to reinforce the meter, which does not occur, or occurs to a much lesser extent, in English.
Some common metrical patterns, with notable examples of poets and poems who use them, include:
* Iambic pentameter
Iambic pentameter () is a type of metric line used in traditional English poetry and verse drama. The term describes the rhythm, or meter, established by the words in that line; rhythm is measured in small groups of syllables called " feet". "Iam ...
(John Milton
John Milton (9 December 1608 – 8 November 1674) was an English poet and intellectual. His 1667 epic poem '' Paradise Lost'', written in blank verse and including over ten chapters, was written in a time of immense religious flux and political ...
, ''Paradise Lost
''Paradise Lost'' is an epic poem in blank verse by the 17th-century English poet John Milton (1608–1674). The first version, published in 1667, consists of ten books with over ten thousand lines of verse (poetry), verse. A second edition fo ...
''; William Shakespeare
William Shakespeare ( 26 April 1564 – 23 April 1616) was an English playwright, poet and actor. He is widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's nation ...
, ''Sonnets
A sonnet is a poetic form that originated in the poetry composed at the Court of the Holy Roman Emperor Frederick II in the Sicilian city of Palermo. The 13th-century poet and notary Giacomo da Lentini is credited with the sonnet's inventio ...
'')
* Dactylic hexameter
Dactylic hexameter (also known as heroic hexameter and the meter of epic) is a form of meter or rhythmic scheme frequently used in Ancient Greek and Latin poetry. The scheme of the hexameter is usually as follows (writing – for a long syllable, ...
(Homer, ''Iliad
The ''Iliad'' (; grc, Ἰλιάς, Iliás, ; "a poem about Ilium") is one of two major ancient Greek epic poems attributed to Homer. It is one of the oldest extant works of literature still widely read by modern audiences. As with the ''Ody ...
''; Virgil
Publius Vergilius Maro (; traditional dates 15 October 7021 September 19 BC), usually called Virgil or Vergil ( ) in English, was an ancient Roman poet of the Augustan period. He composed three of the most famous poems in Latin literature: th ...
, ''Aeneid
The ''Aeneid'' ( ; la, Aenē̆is or ) is a Latin epic poem, written by Virgil between 29 and 19 BC, that tells the legendary story of Aeneas, a Trojan who fled the fall of Troy and travelled to Italy, where he became the ancestor of ...
'')
* Iambic tetrameter Iambic tetrameter is a poetic meter in ancient Greek and Latin poetry; as the name of ''a rhythm'', iambic tetrameter consists of four metra, each metron being of the form , x – u – , , consisting of a spondee and an iamb, or two iambs. There ...
(Andrew Marvell
Andrew Marvell (; 31 March 1621 – 16 August 1678) was an English metaphysical poet, satirist and politician who sat in the House of Commons at various times between 1659 and 1678. During the Commonwealth period he was a colleague and friend ...
, "To His Coy Mistress
"To His Coy Mistress" is a metaphysical poem written by the English author and politician Andrew Marvell (1621–1678) either during or just before the English Interregnum (1649–60). It was published posthumously in 1681.
This poem is consid ...
"; Alexander Pushkin
Alexander Sergeyevich Pushkin (; rus, links=no, Александр Сергеевич ПушкинIn pre-Revolutionary script, his name was written ., r=Aleksandr Sergeyevich Pushkin, p=ɐlʲɪkˈsandr sʲɪrˈɡʲe(j)ɪvʲɪtɕ ˈpuʂkʲɪn, ...
, ''Eugene Onegin
''Eugene Onegin, A Novel in Verse'' (Reforms of Russian orthography, pre-reform Russian: ; post-reform rus, Евгений Оне́гин, ромáн в стихáх, p=jɪvˈɡʲenʲɪj ɐˈnʲeɡʲɪn, r=Yevgeniy Onegin, roman v stikhakh) is ...
''; Robert Frost
Robert Lee Frost (March26, 1874January29, 1963) was an American poet. His work was initially published in England before it was published in the United States. Known for his realistic depictions of rural life and his command of American colloq ...
, ''Stopping by Woods on a Snowy Evening
"Stopping by Woods on a Snowy Evening" is a poem by Robert Frost, written in 1922, and published in 1923 in his ''New Hampshire'' volume. Imagery, personification, and repetition are prominent in the work. In a letter to Louis Untermeyer, Fros ...
'')
* Trochaic octameter Trochaic octameter is a poetic meter with eight trochaic metrical feet per line. Each foot has one stressed syllable followed by an unstressed syllable. Trochaic octameter is a rarely used meter.
Description and uses
The best known work in trocha ...
(Edgar Allan Poe
Edgar Allan Poe (; Edgar Poe; January 19, 1809 – October 7, 1849) was an American writer, poet, editor, and literary critic. Poe is best known for his poetry and short stories, particularly his tales of mystery and the macabre. He is wide ...
, "The Raven
"The Raven" is a narrative poem by American writer Edgar Allan Poe. First published in January 1845, the poem is often noted for its musicality, stylized language, and supernatural atmosphere. It tells of a distraught lover who is paid a myste ...
")
* Trochaic tetrameter
Trochaic tetrameter is a meter in poetry. It refers to a line of four trochaic feet. The etymology of the word Trochaic is the Greek word ''trokhaios'', from the verb ''trecho'', which means "I run". In classical metre, a trochee is a foot cons ...
(Henry Wadsworth Longfellow
Henry Wadsworth Longfellow (February 27, 1807 – March 24, 1882) was an American poet and educator. His original works include "Paul Revere's Ride", ''The Song of Hiawatha'', and ''Evangeline''. He was the first American to completely transl ...
, ''The Song of Hiawatha
''The Song of Hiawatha'' is an 1855 epic poem in trochaic tetrameter by Henry Wadsworth Longfellow which features Native American characters. The epic relates the fictional adventures of an Ojibwe warrior named Hiawatha and the tragedy of his l ...
''; the Finnish national epic, ''The Kalevala
The ''Kalevala'' ( fi, Kalevala, ) is a 19th-century work of epic poetry compiled by Elias Lönnrot from Karelian and Finnish oral folklore and mythology, telling an epic story about the Creation of the Earth, describing the controversies and ...
'', is also in trochaic tetrameter, the natural rhythm of Finnish and Estonian)
* (Jean Racine
Jean-Baptiste Racine ( , ) (; 22 December 163921 April 1699) was a French dramatist, one of the three great playwrights of 17th-century France, along with Molière and Corneille as well as an important literary figure in the Western traditio ...
, ''Phèdre
''Phèdre'' (; originally ''Phèdre et Hippolyte'') is a French dramatic tragedy in five acts written in alexandrine verse by Jean Racine, first performed in 1677 at the theatre of the Hôtel de Bourgogne in Paris.
Composition and premiere
Wit ...
'')
Rhyme, alliteration, assonance
Rhyme, alliteration, assonance and consonance
In music, consonance and dissonance are categorizations of simultaneous or successive sounds. Within the Western tradition, some listeners associate consonance with sweetness, pleasantness, and acceptability, and dissonance with harshness, unpl ...
are ways of creating repetitive patterns of sound. They may be used as an independent structural element in a poem, to reinforce rhythmic patterns, or as an ornamental element. They can also carry a meaning separate from the repetitive sound patterns created. For example, Chaucer
Geoffrey Chaucer (; – 25 October 1400) was an English poet, author, and civil servant best known for '' The Canterbury Tales''. He has been called the "father of English literature", or, alternatively, the "father of English poetry". He w ...
used heavy alliteration to mock Old English verse and to paint a character as archaic.
Rhyme consists of identical ("hard-rhyme") or similar ("soft-rhyme") sounds placed at the ends of lines or at locations within lines ("internal rhyme In poetry, internal rhyme, or middle rhyme, is rhyme that occurs within a single line of verse, or between internal phrases across multiple lines. By contrast, rhyme between line endings is known as end rhyme.
Internal rhyme schemes can be denoted ...
"). Languages vary in the richness of their rhyming structures; Italian, for example, has a rich rhyming structure permitting maintenance of a limited set of rhymes throughout a lengthy poem. The richness results from word endings that follow regular forms. English, with its irregular word endings adopted from other languages, is less rich in rhyme. The degree of richness of a language's rhyming structures plays a substantial role in determining what poetic forms are commonly used in that language.
Alliteration is the repetition of letters or letter-sounds at the beginning of two or more words immediately succeeding each other, or at short intervals; or the recurrence of the same letter in accented parts of words. Alliteration and assonance played a key role in structuring early Germanic, Norse and Old English forms of poetry. The alliterative patterns of early Germanic poetry interweave meter and alliteration as a key part of their structure, so that the metrical pattern determines when the listener expects instances of alliteration to occur. This can be compared to an ornamental use of alliteration in most Modern European poetry, where alliterative patterns are not formal or carried through full stanzas. Alliteration is particularly useful in languages with less rich rhyming structures.
Assonance, where the use of similar vowel sounds within a word rather than similar sounds at the beginning or end of a word, was widely used in skaldic poetry but goes back to the Homeric epic. Because verbs carry much of the pitch in the English language, assonance can loosely evoke the tonal elements of Chinese poetry and so is useful in translating Chinese poetry. Consonance occurs where a consonant sound is repeated throughout a sentence without putting the sound only at the front of a word. Consonance provokes a more subtle effect than alliteration and so is less useful as a structural element.[
]
Rhyming schemes
In many languages, including modern European languages and Arabic, poets use rhyme in set patterns as a structural element for specific poetic forms, such as ballad
A ballad is a form of verse, often a narrative set to music. Ballads derive from the medieval French ''chanson balladée'' or ''ballade'', which were originally "dance songs". Ballads were particularly characteristic of the popular poetry and ...
s, sonnet
A sonnet is a poetic form that originated in the poetry composed at the Court of the Holy Roman Emperor Frederick II in the Sicilian city of Palermo. The 13th-century poet and notary Giacomo da Lentini is credited with the sonnet's invention, ...
s and rhyming couplets
A couplet is a pair of successive lines of metre in poetry. A couplet usually consists of two successive lines that rhyme and have the same metre. A couplet may be formal (closed) or run-on (open). In a formal (or closed) couplet, each of the ...
. However, the use of structural rhyme is not universal even within the European tradition. Much modern poetry avoids traditional rhyme scheme
A rhyme scheme is the pattern of rhymes at the end of each line of a poem or song. It is usually referred to by using letters to indicate which lines rhyme; lines designated with the same letter all rhyme with each other.
An example of the ABAB r ...
s. Classical Greek and Latin poetry did not use rhyme. Rhyme entered European poetry in the High Middle Ages
The High Middle Ages, or High Medieval Period, was the periodization, period of European history that lasted from AD 1000 to 1300. The High Middle Ages were preceded by the Early Middle Ages and were followed by the Late Middle Ages, which ended ...
, in part under the influence of the Arabic language in Al Andalus (modern Spain). Arabic language poets used rhyme extensively from the first development of literary Arabic in the 6th century in poetry, sixth century, as in their long, rhyming qasidas. Some rhyming schemes have become associated with a specific language, culture or period, while other rhyming schemes have achieved use across languages, cultures or time periods. Some forms of poetry carry a consistent and well-defined rhyming scheme, such as the chant royal or the Ruba'i, rubaiyat, while other poetic forms have variable rhyme schemes.
Most rhyme schemes are described using letters that correspond to sets of rhymes, so if the first, second and fourth lines of a quatrain rhyme with each other and the third line do not rhyme, the quatrain is said to have an "aa-ba" rhyme scheme. This rhyme scheme is the one used, for example, in the rubaiyat form. Similarly, an "a-bb-a" quatrain (what is known as "enclosed rhyme") is used in such forms as the Petrarchan sonnet. Some types of more complicated rhyming schemes have developed names of their own, separate from the "a-bc" convention, such as the ottava rima and terza rima. The types and use of differing rhyming schemes are discussed further in the rhyme scheme, main article.
Form in poetry
Poetic form is more flexible in modernist and post-modernist poetry and continues to be less structured than in previous literary eras. Many modern poets eschew recognizable structures or forms and write in free verse
Free verse is an open form of poetry, which in its modern form arose through the French ''vers libre'' form. It does not use consistent meter patterns, rhyme, or any musical pattern. It thus tends to follow the rhythm of natural speech.
Definit ...
. Free verse is, however, not "formless" but composed of a series of more subtle, more flexible prosodic elements. Thus poetry remains, in all its styles, distinguished from prose by form; some regard for basic formal structures of poetry will be found in all varieties of free verse, however much such structures may appear to have been ignored. Similarly, in the best poetry written in classic styles there will be departures from strict form for emphasis or effect.
Among major structural elements used in poetry are the line, the stanza or verse paragraph, and larger combinations of stanzas or lines such as cantos. Also sometimes used are broader visual presentations of words and calligraphy. These basic units of poetic form are often combined into larger structures, called ''poetic forms'' or poetic modes (see the following section), as in the sonnet
A sonnet is a poetic form that originated in the poetry composed at the Court of the Holy Roman Emperor Frederick II in the Sicilian city of Palermo. The 13th-century poet and notary Giacomo da Lentini is credited with the sonnet's invention, ...
.
Lines and stanzas
Poetry is often separated into lines on a page, in a process known as line break (poetry), lineation. These lines may be based on the number of metrical feet or may emphasize a rhyming pattern at the ends of lines. Lines may serve other functions, particularly where the poem is not written in a formal metrical pattern. Lines can separate, compare or contrast thoughts expressed in different units, or can highlight a change in tone. See the article on line break (poetry), line breaks for information about the division between lines.
Lines of poems are often organized into stanzas, which are denominated by the number of lines included. Thus a collection of two lines is a couplet (or distich), three lines a tercet, triplet (or tercet), four lines a quatrain, and so on. These lines may or may not relate to each other by rhyme or rhythm. For example, a couplet may be two lines with identical meters which rhyme or two lines held together by a common meter alone.
Other poems may be organized into verse paragraphs, in which regular rhymes with established rhythms are not used, but the poetic tone is instead established by a collection of rhythms, alliterations, and rhymes established in paragraph form. Many medieval poems were written in verse paragraphs, even where regular rhymes and rhythms were used.
In many forms of poetry, stanzas are interlocking, so that the rhyming scheme or other structural elements of one stanza determine those of succeeding stanzas. Examples of such interlocking stanzas include, for example, the ghazal and the villanelle, where a refrain (or, in the case of the villanelle, refrains) is established in the first stanza which then repeats in subsequent stanzas. Related to the use of interlocking stanzas is their use to separate thematic parts of a poem. For example, the strophe, antistrophe and epode of the ode form are often separated into one or more stanzas.
In some cases, particularly lengthier formal poetry such as some forms of epic poetry, stanzas themselves are constructed according to strict rules and then combined. In skaldic poetry, the dróttkvætt stanza had eight lines, each having three "lifts" produced with alliteration or assonance. In addition to two or three alliterations, the odd-numbered lines had partial rhyme of consonants with dissimilar vowels, not necessarily at the beginning of the word; the even lines contained internal rhyme in set syllables (not necessarily at the end of the word). Each half-line had exactly six syllables, and each line ended in a trochee. The arrangement of dróttkvætts followed far less rigid rules than the construction of the individual dróttkvætts.
Visual presentation
Even before the advent of printing, the visual appearance of poetry often added meaning or depth. Acrostic poems conveyed meanings in the initial letters of lines or in letters at other specific places in a poem. In Arabic poetry, Arabic, Jewish literature#Poetry, Hebrew and Chinese poetry
Chinese poetry is poetry written, spoken, or chanted in the Chinese language. While this last term comprises Classical Chinese, Standard Chinese, Mandarin Chinese, Yue Chinese, and other historical and vernacular forms of the language, its poetry ...
, the visual presentation of finely calligraphy, calligraphed poems has played an important part in the overall effect of many poems.
With the advent of printing, poets gained greater control over the mass-produced visual presentations of their work. Visual elements have become an important part of the poet's toolbox, and many poets have sought to use visual presentation for a wide range of purposes. Some Modernism, Modernist poets have made the placement of individual lines or groups of lines on the page an integral part of the poem's composition. At times, this complements the poem's rhythm
Rhythm (from Greek , ''rhythmos'', "any regular recurring motion, symmetry") generally means a " movement marked by the regulated succession of strong and weak elements, or of opposite or different conditions". This general meaning of regular re ...
through visual caesura
image:Music-caesura.svg, 300px, An example of a caesura in modern western music notation
A caesura (, . caesuras or caesurae; Latin for "cutting"), also written cæsura and cesura, is a Metre (poetry), metrical pause or break in a Verse (poetry), ...
s of various lengths, or creates Contrast (linguistics), juxtapositions so as to accentuate meaning, ambiguity
Ambiguity is the type of meaning in which a phrase, statement or resolution is not explicitly defined, making several interpretations plausible. A common aspect of ambiguity is uncertainty. It is thus an attribute of any idea or statement ...
or irony
Irony (), in its broadest sense, is the juxtaposition of what on the surface appears to be the case and what is actually the case or to be expected; it is an important rhetorical device and literary technique.
Irony can be categorized int ...
, or simply to create an aesthetically pleasing form. In its most extreme form, this can lead to concrete poetry or asemic writing.
Diction
Poetic diction treats the manner in which language is used, and refers not only to the sound but also to the underlying meaning and its interaction with sound and form. Many languages and poetic forms have very specific poetic dictions, to the point where distinct grammars and dialects are used specifically for poetry. Register tone, Registers in poetry can range from strict employment of ordinary speech patterns, as favoured in much late-20th-century Prosody (poetry), prosody, through to highly ornate uses of language, as in medieval and Renaissance poetry.
Poetic diction can include rhetorical devices such as simile
A simile () is a figure of speech that directly ''compares'' two things. Similes differ from other metaphors by highlighting the similarities between two things using comparison words such as "like", "as", "so", or "than", while other metaphors c ...
and metaphor
A metaphor is a figure of speech that, for rhetorical effect, directly refers to one thing by mentioning another. It may provide (or obscure) clarity or identify hidden similarities between two different ideas. Metaphors are often compared wi ...
, as well as tones of voice, such as irony
Irony (), in its broadest sense, is the juxtaposition of what on the surface appears to be the case and what is actually the case or to be expected; it is an important rhetorical device and literary technique.
Irony can be categorized int ...
. Aristotle
Aristotle (; grc-gre, Ἀριστοτέλης ''Aristotélēs'', ; 384–322 BC) was a Greek philosopher and polymath during the Classical period in Ancient Greece. Taught by Plato, he was the founder of the Peripatetic school of ...
wrote in the ''Poetics (Aristotle), Poetics'' that "the greatest thing by far is to be a master of metaphor." Since the rise of Modernism, some poets have opted for a poetic diction that de-emphasizes rhetorical devices, attempting instead the direct presentation of things and experiences and the exploration of Tone (linguistics), tone. On the other hand, surrealism, Surrealists have pushed rhetorical devices to their limits, making frequent use of catachresis.
Allegory, Allegorical stories are central to the poetic diction of many cultures, and were prominent in the West during classical times, the Allegory in the Middle Ages, late Middle Ages and the Renaissance
The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas ...
. ''Aesop's Fables'', repeatedly rendered in both verse and prose since first being recorded about 500 BCE, are perhaps the richest single source of allegorical poetry through the ages. Other notables examples include the ''Roman de la Rose'', a 13th-century French poem, William Langland's ''Piers Ploughman'' in the 14th century, and Jean de la Fontaine's ''Fables'' (influenced by Aesop's) in the 17th century. Rather than being fully allegorical, however, a poem may contain symbols or allusions that deepen the meaning or effect of its words without constructing a full allegory.
Another element of poetic diction can be the use of vivid imagery (literature), imagery for effect. The juxtaposition of unexpected or impossible images is, for example, a particularly strong element in surrealist poetry and haiku. Vivid images are often endowed with symbolism or metaphor. Many poetic dictions use repetitive phrases for effect, either a short phrase (such as Homer's "rosy-fingered dawn" or "the wine-dark sea") or a longer refrain. Such repetition can add a somber tone to a poem, or can be laced with irony as the context of the words changes.
Forms
Specific poetic forms have been developed by many cultures. In more developed, closed or "received" poetic forms, the rhyming scheme, meter and other elements of a poem are based on sets of rules, ranging from the relatively loose rules that govern the construction of an elegy to the highly formalized structure of the ghazal or villanelle. Described below are some common forms of poetry widely used across a number of languages. Additional forms of poetry may be found in the discussions of the poetry of particular cultures or periods and in the Glossary of poetry terms, glossary.
Sonnet
Among the most common forms of poetry, popular from the Late Middle Ages on, is the sonnet, which by the 13th century had become standardized as fourteen lines following a set rhyme scheme and logical structure. By the 14th century and the Italian Renaissance, the form had further crystallized under the pen of Petrarch, whose sonnets were translated in the 16th century by Thomas Wyatt (poet), Sir Thomas Wyatt, who is credited with introducing the sonnet form into English literature. A traditional Italian or Petrarchan sonnet follows the rhyme scheme ''ABBA, ABBA, CDECDE'', though some variation, perhaps the most common being CDCDCD, especially within the final six lines (or ''sestet''), is common. The English sonnet, English (or Shakespearean) sonnet follows the rhyme scheme ''ABAB, CDCD, EFEF, GG'', introducing a third quatrain (grouping of four lines), a final couplet, and a greater amount of variety in rhyme than is usually found in its Italian predecessors. By convention, sonnets in English typically use iambic pentameter
Iambic pentameter () is a type of metric line used in traditional English poetry and verse drama. The term describes the rhythm, or meter, established by the words in that line; rhythm is measured in small groups of syllables called " feet". "Iam ...
, while in the Romance languages, the hendecasyllable and Alexandrine are the most widely used meters.
Sonnets of all types often make use of a ''volta'', or "turn," a point in the poem at which an idea is turned on its head, a question is answered (or introduced), or the subject matter is further complicated. This ''volta'' can often take the form of a "but" statement contradicting or complicating the content of the earlier lines. In the Petrarchan sonnet, the turn tends to fall around the division between the first two quatrains and the sestet, while English sonnets usually place it at or near the beginning of the closing couplet.
Sonnets are particularly associated with high poetic diction, vivid imagery, and romantic love, largely due to the influence of Petrarch as well as of early English practitioners such as Edmund Spenser (who gave his name to the Spenserian sonnet), Michael Drayton, and Shakespeare, whose Shakespeare's sonnets, sonnets are among the most famous in English poetry, with twenty being included in the ''Oxford Book of English Verse''. However, the twists and turns associated with the ''volta'' allow for a logical flexibility applicable to many subjects. Poets from the earliest centuries of the sonnet to the present have used the form to address topics related to politics (John Milton
John Milton (9 December 1608 – 8 November 1674) was an English poet and intellectual. His 1667 epic poem '' Paradise Lost'', written in blank verse and including over ten chapters, was written in a time of immense religious flux and political ...
, Percy Bysshe Shelley, Claude McKay), theology (John Donne, Gerard Manley Hopkins), war (Wilfred Owen, e.e. cummings), and gender and sexuality (Carol Ann Duffy). Further, postmodern authors such as Ted Berrigan and John Berryman have challenged the traditional definitions of the sonnet form, rendering entire sequences of "sonnets" that often lack rhyme, a clear logical progression, or even a consistent count of fourteen lines.
Shi
''Shi'' () Is the main type of Classical Chinese poetry. Within this form of poetry the most important variations are "folk song" styled verse (''yuefu''), "old style" verse (''gushi (poetry), gushi''), "modern style" verse (''jintishi''). In all cases, rhyming is obligatory. The Yuefu is a folk ballad or a poem written in the folk ballad style, and the number of lines and the length of the lines could be irregular. For the other variations of ''shi'' poetry, generally either a four line (quatrain, or ''jueju'') or else an eight-line poem is normal; either way with the even numbered lines rhyming. The line length is scanned by an according number of characters (according to the convention that one character equals one syllable), and are predominantly either five or seven characters long, with a caesura
image:Music-caesura.svg, 300px, An example of a caesura in modern western music notation
A caesura (, . caesuras or caesurae; Latin for "cutting"), also written cæsura and cesura, is a Metre (poetry), metrical pause or break in a Verse (poetry), ...
before the final three syllables. The lines are generally end-stopped, considered as a series of couplets, and exhibit verbal parallelism as a key poetic device. The "old style" verse (''Gushi'') is less formally strict than the ''jintishi'', or regulated verse, which, despite the name "new style" verse actually had its theoretical basis laid as far back as Shen Yue (441–513 CE), although not considered to have reached its full development until the time of Chen Zi'ang (661–702 CE). A good example of a poet known for his ''Gushi'' poems is Li Bai (701–762 CE). Among its other rules, the jintishi rules regulate the tonal variations within a poem, including the use of set patterns of the Four tones (Middle Chinese), four tones of Middle Chinese. The basic form of jintishi (sushi) has eight lines in four couplets, with parallelism between the lines in the second and third couplets. The couplets with parallel lines contain contrasting content but an identical grammatical relationship between words. Jintishi often have a rich poetic diction, full of allusion, and can have a wide range of subject, including history and politics. One of the masters of the form was Du Fu (712–770 CE), who wrote during the Tang Dynasty (8th century).
Villanelle
The villanelle is a nineteen-line poem made up of five triplets with a closing quatrain; the poem is characterized by having two refrains, initially used in the first and third lines of the first stanza, and then alternately used at the close of each subsequent stanza until the final quatrain, which is concluded by the two refrains. The remaining lines of the poem have an a-b alternating rhyme. The villanelle has been used regularly in the English language since the late 19th century by such poets as Dylan Thomas, W. H. Auden, and Elizabeth Bishop.
Limerick
A limerick is a poem that consists of five lines and is often humorous. Rhythm is very important in limericks for the first, second and fifth lines must have seven to ten syllables. However, the third and fourth lines only need five to seven. Lines 1, 2 and 5 rhyme with each other, and lines 3 and 4 rhyme with each other. Practitioners of the limerick included Edward Lear, Alfred, Lord Tennyson, Lord Alfred Tennyson, Rudyard Kipling, Robert Louis Stevenson.
Tanka
Tanka is a form of unrhymed Japanese poetry, with five sections totalling 31 ''On (Japanese prosody), on'' (phonological units identical to Mora (linguistics), morae), structured in a 5-7-5-7-7 pattern. There is generally a shift in tone and subject matter between the upper 5-7-5 phrase and the lower 7-7 phrase. Tanka were written as early as the Asuka period by such poets as Kakinomoto no Hitomaro (''fl.'' late 7th century), at a time when Japan was emerging from a period where much of its poetry followed Chinese form. Tanka was originally the shorter form of Japanese formal poetry (which was generally referred to as "waka (poetry), waka"), and was used more heavily to explore personal rather than public themes. By the tenth century, tanka had become the dominant form of Japanese poetry, to the point where the originally general term ''waka'' ("Japanese poetry") came to be used exclusively for tanka. Tanka are still widely written today.
Haiku
Haiku is a popular form of unrhymed Japanese poetry, which evolved in the 17th century from the ''hokku'', or opening verse of a renku. Generally written in a single vertical line, the haiku contains three sections totalling 17 ''on'' (Mora (linguistics), morae), structured in a 5-7-5 pattern. Traditionally, haiku contain a kireji, or cutting word, usually placed at the end of one of the poem's three sections, and a kigo, or season-word. The most famous exponent of the haiku was Matsuo Bashō
born then was the most famous poet of the Edo period in Japan. During his lifetime, Bashō was recognized for his works in the collaborative '' haikai no renga'' form; today, after centuries of commentary, he is recognized as the greatest ma ...
(1644–1694). An example of his writing:
:
:fuji no kaze ya oogi ni nosete Edo miyage
:the wind of Mt. Fuji
:I've brought on my fan!
:a gift from Edo
Khlong
The ''khlong'' (, ) is among the oldest Thai poetic forms. This is reflected in its requirements on the tone markings of certain syllables, which must be marked with ''mai ek'' (, , ) or ''mai tho'' (, , ). This was likely derived from when the Thai language had three tones (as opposed to today's five, a split which occurred during the Ayutthaya Kingdom period), two of which corresponded directly to the aforementioned marks. It is usually regarded as an advanced and sophisticated poetic form.[ Reproduced form ]
In ''khlong'', a stanza (''bot'', , ) has a number of lines (''bat'', , , from Pali and Sanskrit
Sanskrit (; attributively , ; nominally , , ) is a classical language belonging to the Indo-Aryan languages, Indo-Aryan branch of the Indo-European languages. It arose in South Asia after its predecessor languages had Trans-cultural diffusion ...
''Pada (foot), pāda''), depending on the type. The ''bat'' are subdivided into two ''wak'' (, , from Sanskrit ''varga''). The first ''wak'' has five syllables, the second has a variable number, also depending on the type, and may be optional. The type of ''khlong'' is named by the number of ''bat'' in a stanza; it may also be divided into two main types: ''khlong suphap'' (, ) and ''khlong dan'' (, ). The two differ in the number of syllables in the second ''wak'' of the final ''bat'' and inter-stanza rhyming rules.
Khlong si suphap
The ''khlong si suphap'' (, ) is the most common form still currently employed. It has four ''bat'' per stanza (''si'' translates as ''four''). The first ''wak'' of each ''bat'' has five syllables. The second ''wak'' has two or four syllables in the first and third ''bat'', two syllables in the second, and four syllables in the fourth. ''Mai ek'' is required for seven syllables and ''Mai tho'' is required for four, as shown below. "Dead word (Thai language), Dead word" syllables are allowed in place of syllables which require ''mai ek'', and changing the spelling of words to satisfy the criteria is usually acceptable.
Ode
Odes were first developed by poets writing in ancient Greek, such as Pindar
Pindar (; grc-gre, Πίνδαρος , ; la, Pindarus; ) was an Ancient Greek lyric poet from Thebes. Of the canonical nine lyric poets of ancient Greece, his work is the best preserved. Quintilian wrote, "Of the nine lyric poets, Pindar is ...
, and Latin, such as Horace. Forms of odes appear in many of the cultures that were influenced by the Greeks and Latins. The ode generally has three parts: a strophe, an antistrophe, and an epode. The strophe and the antistrophe of the ode possess similar metrical structures and, depending on the tradition, similar rhyme structures. In contrast, the epode is written with a different scheme and structure. Odes have a formal poetic diction and generally deal with a serious subject. The strophe and antistrophe look at the subject from different, often conflicting, perspectives, with the epode moving to a higher level to either view or resolve the underlying issues. Odes are often intended to be recited or sung by two choruses (or individuals), with the first reciting the strophe, the second the antistrophe, and both together the epode. Over time, differing forms for odes have developed with considerable variations in form and structure, but generally showing the original influence of the Pindaric or Horatian ode. One non-Western form which resembles the ode is the qasida in Arabic poetry.
Ghazal
The (also , , , or ) is a form of poetry common in Arabic poetry, Arabic, Bengali poetry, Bengali, Persian literature, Persian and Urdu poetry, Urdu. In classic form, the has from five to fifteen rhyming couplets that share a refrain at the end of the second line. This refrain may be of one or several syllables and is preceded by a rhyme. Each line has an identical meter. The often reflects on a theme of unattainable love or divinity.
As with other forms with a long history in many languages, many variations have been developed, including forms with a quasi-musical poetic diction in Urdu. Ghazals have a classical affinity with Sufism, and a number of major Sufi religious works are written in ghazal form. The relatively steady meter and the use of the refrain produce an incantatory effect, which complements Sufi mystical themes well. Among the masters of the form is Rumi
Jalāl al-Dīn Muḥammad Rūmī ( fa, جلالالدین محمد رومی), also known as Jalāl al-Dīn Muḥammad Balkhī (), Mevlânâ/Mawlānā ( fa, مولانا, lit= our master) and Mevlevî/Mawlawī ( fa, مولوی, lit= my ma ...
, a 13th-century Persian poet.
One of the most famous poet in this type of poetry is Hafez, whose poems often include the theme of exposing hypocrisy. His life and poems have been the subject of much analysis, commentary and interpretation, influencing post-fourteenth century Persian writing more than any other author. The West-östlicher Diwan of Johann Wolfgang von Goethe, a collection of lyrical poems, is inspired by the Persian poet Hafez.
Genres
In addition to specific forms of poems, poetry is often thought of in terms of different genre
Genre () is any form or type of communication in any mode (written, spoken, digital, artistic, etc.) with socially-agreed-upon conventions developed over time. In popular usage, it normally describes a category of literature, music, or other f ...
s and subgenres. A poetic genre is generally a tradition or classification of poetry based on the subject matter, style, or other broader literary characteristics. Some commentators view genres as natural forms of literature. Others view the study of genres as the study of how different works relate and refer to other works.
Narrative poetry
Narrative poetry is a genre of poetry that tells a narrative, story. Broadly it subsumes epic poetry
An epic poem, or simply an epic, is a lengthy narrative poem typically about the extraordinary deeds of extraordinary characters who, in dealings with gods or other superhuman forces, gave shape to the mortal universe for their descendants.
...
, but the term "narrative poetry" is often reserved for smaller works, generally with more appeal to human interest. Narrative poetry may be the oldest type of poetry. Many scholars of Homer
Homer (; grc, Ὅμηρος , ''Hómēros'') (born ) was a Greek poet who is credited as the author of the ''Iliad'' and the ''Odyssey'', two epic poems that are foundational works of ancient Greek literature. Homer is considered one of the ...
have concluded that his ''Iliad
The ''Iliad'' (; grc, Ἰλιάς, Iliás, ; "a poem about Ilium") is one of two major ancient Greek epic poems attributed to Homer. It is one of the oldest extant works of literature still widely read by modern audiences. As with the ''Ody ...
'' and ''Odyssey
The ''Odyssey'' (; grc, Ὀδύσσεια, Odýsseia, ) is one of two major ancient Greek epic poems attributed to Homer. It is one of the oldest extant works of literature still widely read by modern audiences. As with the '' Iliad'', ...
'' were composed of compilations of shorter narrative poems that related individual episodes. Much narrative poetry—such as Scottish and English ballad
A ballad is a form of verse, often a narrative set to music. Ballads derive from the medieval French ''chanson balladée'' or ''ballade'', which were originally "dance songs". Ballads were particularly characteristic of the popular poetry and ...
s, and Balts, Baltic and Slavic peoples, Slavic heroic poems—is performance poetry with roots in a preliterate oral tradition. It has been speculated that some features that distinguish poetry from prose, such as meter, alliteration
Alliteration is the conspicuous repetition of initial consonant sounds of nearby words in a phrase, often used as a literary device. A familiar example is "Peter Piper picked a peck of pickled peppers". Alliteration is used poetically in various ...
and kennings, once served as memory aids for bards who recited traditional tales.
Notable narrative poets have included Ovid, Dante, Juan Ruiz, William Langland, Geoffrey Chaucer, Chaucer, Fernando de Rojas, Luís de Camões, Shakespeare, Alexander Pope, Robert Burns, Adam Mickiewicz, Alexander Pushkin
Alexander Sergeyevich Pushkin (; rus, links=no, Александр Сергеевич ПушкинIn pre-Revolutionary script, his name was written ., r=Aleksandr Sergeyevich Pushkin, p=ɐlʲɪkˈsandr sʲɪrˈɡʲe(j)ɪvʲɪtɕ ˈpuʂkʲɪn, ...
, Edgar Allan Poe
Edgar Allan Poe (; Edgar Poe; January 19, 1809 – October 7, 1849) was an American writer, poet, editor, and literary critic. Poe is best known for his poetry and short stories, particularly his tales of mystery and the macabre. He is wide ...
, Alfred Tennyson, and Anne Carson.
Lyric poetry
Lyric poetry is a genre that, unlike epic poetry, epic and dramatic poetry, does not attempt to tell a story but instead is of a more personal nature. Poems in this genre tend to be shorter, melodic, and contemplative. Rather than depicting Character (arts), characters and actions, it portrays the poet's own feelings, Qualia, states of mind, and perceptions. Notable poets in this genre include Christine de Pizan, John Donne, Charles Baudelaire, Gerard Manley Hopkins, Antonio Machado, and Edna St. Vincent Millay.
Epic poetry
Epic poetry is a genre of poetry, and a major form of narrative literature. This genre is often defined as lengthy poems concerning events of a heroic or important nature to the culture of the time. It recounts, in a continuous narrative, the life and works of a heroic or mythological person or group of persons. Examples of epic poems are Homer
Homer (; grc, Ὅμηρος , ''Hómēros'') (born ) was a Greek poet who is credited as the author of the ''Iliad'' and the ''Odyssey'', two epic poems that are foundational works of ancient Greek literature. Homer is considered one of the ...
's ''Iliad
The ''Iliad'' (; grc, Ἰλιάς, Iliás, ; "a poem about Ilium") is one of two major ancient Greek epic poems attributed to Homer. It is one of the oldest extant works of literature still widely read by modern audiences. As with the ''Ody ...
'' and ''Odyssey
The ''Odyssey'' (; grc, Ὀδύσσεια, Odýsseia, ) is one of two major ancient Greek epic poems attributed to Homer. It is one of the oldest extant works of literature still widely read by modern audiences. As with the '' Iliad'', ...
'', Virgil
Publius Vergilius Maro (; traditional dates 15 October 7021 September 19 BC), usually called Virgil or Vergil ( ) in English, was an ancient Roman poet of the Augustan period. He composed three of the most famous poems in Latin literature: th ...
's Aeneid
The ''Aeneid'' ( ; la, Aenē̆is or ) is a Latin epic poem, written by Virgil between 29 and 19 BC, that tells the legendary story of Aeneas, a Trojan who fled the fall of Troy and travelled to Italy, where he became the ancestor of ...
, the ''Nibelungenlied'', Luís de Camões' ''Os Lusíadas'', the ''Cantar de Mio Cid'', the ''Epic of Gilgamesh
The ''Epic of Gilgamesh'' () is an epic poem from ancient Mesopotamia, and is regarded as the earliest surviving notable literature and the second oldest religious text, after the Pyramid Texts. The literary history of Gilgamesh begins with ...
'', the ''Mahabharata
The ''Mahābhārata'' ( ; sa, महाभारतम्, ', ) is one of the two major Sanskrit epics of ancient India in Hinduism, the other being the '' Rāmāyaṇa''. It narrates the struggle between two groups of cousins in the K ...
'', Lönnrot's ''Kalevala'', Valmiki's ''Ramayana
The ''Rāmāyana'' (; sa, रामायणम्, ) is a Sanskrit epic composed over a period of nearly a millennium, with scholars' estimates for the earliest stage of the text ranging from the 8th to 4th centuries BCE, and later stages ...
'', Ferdowsi's ''Shahnama'', Nizami Ganjavi, Nizami (or Nezami)'s Khamse (Five Books), and the ''Epic of King Gesar''. While the composition of epic poetry, and of long poems generally, became less common in the west after the early 20th century, some notable epics have continued to be written. ''The Cantos'' by Ezra Pound, ''Helen in Egypt'' by H.D., and ''Paterson (poem), Paterson'' by William Carlos Williams
William Carlos Williams (September 17, 1883 – March 4, 1963) was an American poet, writer, and physician closely associated with modernism and imagism.
In addition to his writing, Williams had a long career as a physician practicing both pedia ...
are examples of modern epics. Derek Walcott won a Nobel prize in 1992 to a great extent on the basis of his epic, ''Omeros''.
Satirical poetry
Poetry can be a powerful vehicle for satire. The Ancient Rome, Romans had a strong tradition of satirical poetry, often written for political purposes. A notable example is the Roman poet Juvenal's Satires of Juvenal, satires.
The same is true of the English satirical tradition. John Dryden (a Tory), the first Poet Laureate, produced in 1682 ''Mac Flecknoe'', subtitled "A Satire on the True Blue Protestant Poet, T.S." (a reference to Thomas Shadwell). Satirical poets outside England include Poland's Ignacy Krasicki, Azerbaijan's Mirza Alakbar Sabir, Sabir, Portugal's Manuel Maria Barbosa du Bocage, and Korea's Kim Kirim, especially noted for his ''Gisangdo''.
Elegy
An elegy is a mournful, melancholy or plaintive poem, especially a lament for the dead or a funeral song. The term "elegy," which originally denoted a type of poetic meter (elegiac meter), commonly describes a poem of mourning. An elegy may also reflect something that seems to the author to be strange or mysterious. The elegy, as a reflection on a death, on a sorrow more generally, or on something mysterious, may be classified as a form of lyric poetry.
Notable practitioners of elegiac poetry have included Propertius, Jorge Manrique, Jan Kochanowski, Chidiock Tichborne, Edmund Spenser, Ben Jonson, John Milton
John Milton (9 December 1608 – 8 November 1674) was an English poet and intellectual. His 1667 epic poem '' Paradise Lost'', written in blank verse and including over ten chapters, was written in a time of immense religious flux and political ...
, Thomas Gray, Charlotte Smith (writer), Charlotte Smith, William Cullen Bryant, Percy Bysshe Shelley, Johann Wolfgang von Goethe, Evgeny Baratynsky, Alfred Tennyson, Walt Whitman, Antonio Machado, Juan Ramón Jiménez, William Butler Yeats, Rainer Maria Rilke, and Virginia Woolf.
Verse fable
The fable is an ancient literary genre, often (though not invariably) set in Verse (poetry), verse. It is a succinct story that features Anthropomorphism, anthropomorphised animals, legendary creatures, plants, inanimate objects, or forces of nature that illustrate a moral lesson (a "moral"). Verse fables have used a variety of meter
The metre (British spelling) or meter (American spelling; see spelling differences) (from the French unit , from the Greek noun , "measure"), symbol m, is the primary unit of length in the International System of Units (SI), though its pref ...
and rhyme
A rhyme is a repetition of similar sounds (usually, the exact same phonemes) in the final stressed syllables and any following syllables of two or more words. Most often, this kind of perfect rhyming is consciously used for a musical or aesthetic ...
patterns.
Notable verse fabulists have included Aesop, Vishnu Sarma, Phaedrus (fabulist), Phaedrus, Marie de France, Robert Henryson, Biernat of Lublin, Jean de La Fontaine, Ignacy Krasicki, Félix María de Samaniego, Tomás de Iriarte, Ivan Krylov and Ambrose Bierce.
Dramatic poetry
Dramatic poetry is drama
Drama is the specific mode of fiction represented in performance: a play, opera, mime, ballet, etc., performed in a theatre, or on radio or television.Elam (1980, 98). Considered as a genre of poetry in general, the dramatic mode has b ...
written in Verse (poetry), verse to be spoken or sung, and appears in varying, sometimes related forms in many cultures. Greek tragedy in verse dates to the 6th century B.C., and may have been an influence on the development of Sanskrit drama, just as Indian drama in turn appears to have influenced the development of the ''bianwen'' verse dramas in China, forerunners of Chinese Opera. East Asian verse dramas also include Japanese Noh. Examples of dramatic poetry in Persian literature include Nizami Ganjavi, Nizami's two famous dramatic works, ''Layla and Majnun'' and ''Khosrow and Shirin'', Ferdowsi's tragedies such as ''Sohrab, Rostam and Sohrab'', Rumi
Jalāl al-Dīn Muḥammad Rūmī ( fa, جلالالدین محمد رومی), also known as Jalāl al-Dīn Muḥammad Balkhī (), Mevlânâ/Mawlānā ( fa, مولانا, lit= our master) and Mevlevî/Mawlawī ( fa, مولوی, lit= my ma ...
's ''Masnavi'', Asad Gorgani, Gorgani's tragedy of ''Vis and Ramin'', and Vahshi Bafqi, Vahshi's tragedy of ''Farhad''. American poets of 20th century revive dramatic poetry, including Ezra Pound in “''Sestina: Altaforte,''” T. S. Eliot, T.S. Eliot with “The Love Song of J. Alfred Prufrock,”.
Speculative poetry
Speculative poetry, also known as fantastic poetry (of which weird or macabre poetry is a major sub-classification), is a poetic genre which deals thematically with subjects which are "beyond reality", whether via extrapolation as in science fiction or via weird and horrific themes as in horror fiction. Such poetry appears regularly in modern science fiction and horror fiction magazines. Edgar Allan Poe
Edgar Allan Poe (; Edgar Poe; January 19, 1809 – October 7, 1849) was an American writer, poet, editor, and literary critic. Poe is best known for his poetry and short stories, particularly his tales of mystery and the macabre. He is wide ...
is sometimes seen as the "father of speculative poetry". Poe's most remarkable achievement in the genre was his anticipation, by three-quarters of a century, of the Big Bang theory of the universe's origin, in his then much-derided 1848 essay (which, due to its very speculative nature, he termed a "prose poem"), ''Eureka: A Prose Poem''.
Prose poetry
Prose poetry is a hybrid genre that shows attributes of both prose and poetry. It may be indistinguishable from the microfiction, micro-story (List of acronyms and initialisms: A#AK, a.k.a. the "short short story", "flash fiction"). While some examples of earlier prose strike modern readers as poetic, prose poetry is commonly regarded as having originated in 19th-century France, where its practitioners included Aloysius Bertrand, Charles Baudelaire, Stéphane Mallarmé, and Arthur Rimbaud. Since the late 1980s especially, prose poetry has gained increasing popularity, with entire journals, such as ''The Prose Poem: An International Journal'', ''Contemporary Haibun Online'', and ''Haibun Today'' devoted to that genre and its hybrids. Latin American poetry, Latin American poets of the 20th century who wrote prose poems include Octavio Paz and Alejandra Pizarnik.
Light poetry
Light poetry, or light verse, is poetry that attempts to be humorous. Poems considered "light" are usually brief, and can be on a frivolous or serious subject, and often feature word play, including puns, adventurous rhyme and heavy alliteration
Alliteration is the conspicuous repetition of initial consonant sounds of nearby words in a phrase, often used as a literary device. A familiar example is "Peter Piper picked a peck of pickled peppers". Alliteration is used poetically in various ...
. Although a few free verse poets have excelled at light verse outside the formal verse tradition, light verse in English usually obeys at least some formal conventions. Common forms include the limerick (poetry), limerick, the clerihew, and the double dactyl.
While light poetry is sometimes condemned as doggerel, or thought of as poetry composed casually, humor often makes a serious point in a subtle or subversive way. Many of the most renowned "serious" poets have also excelled at light verse. Notable writers of light poetry include Lewis Carroll, Ogden Nash, X. J. Kennedy, Willard R. Espy, Shel Silverstein, and Wendy Cope.
Slam poetry
Slam poetry as a genre originated in 1986 in Chicago, Illinois, when Marc Kelly Smith organized the first slam. Slam performers comment emotively, aloud before an audience, on personal, social, or other matters. Slam focuses on the aesthetics of word play, intonation, and voice inflection. Slam poetry is often competitive, at dedicated "poetry slam" contests.
Performance poetry
Performance poetry, similar to slam in that it occurs before an audience, is a genre of poetry that may fuse a variety of disciplines in a performance of a text, such as dance, music
Music is generally defined as the art of arranging sound to create some combination of form, harmony, melody, rhythm or otherwise expressive content. Exact definitions of music vary considerably around the world, though it is an aspe ...
, and other aspects of performance art.
Language happenings
The term ''happening'' was popularized by the avante garde movements in the 1950s and regard spontaneous, site-specific performances. ''Language happenings'', termed from the poetics
Poetics is the theory of structure, form, and discourse within literature, and, in particular, within poetry.
History
The term ''poetics'' derives from the Ancient Greek ποιητικός ''poietikos'' "pertaining to poetry"; also "creative" an ...
collective OBJECT:PARADISE in 2018, are events which focus less on poetry as a prescriptive literary genre, but more as a descriptive linguistic act and performance, often incorporating broader forms of performance art while poetry is read or created in that moment.
See also
* Anti-poetry
* Digital poetry
* Glossary of poetry terms
* Improvisation
* List of poetry groups and movements
* Oral poetry
* Outline of poetry
* Persona poetry
* Phonestheme
* Phono-semantic matching
* Poetry reading
* Rhapsode
* Semantic differential
* Spoken word
Notes
References
Citations
Bibliography
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Further reading
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Poetry, Music and Narrative - The Science of Art
* Władysław Tatarkiewicz, Tatarkiewicz, Władysław, "The Concept of Poetry", ''Dialectics and Humanism: The Polish Philosophical Quarterly'', vol. II, no. 2 (spring 1975), pp. 13–24.
Anthologies
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{{Authority control
Poetry,
Literature
Aesthetics
Genres of poetry,
Poetic forms,
Spoken word