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Free Verse
Free verse is an open form of poetry, which in its modern form arose through the French ''vers libre'' form. It does not use consistent meter patterns, rhyme, or any musical pattern. It thus tends to follow the rhythm of natural speech. Definition Free verse does not "proceed by a strict set of rules … is not a literary type, and does not conform to a formal structure." It is not considered to be completely free. In 1948, Charles Allen wrote, "The only freedom cadenced verse obtains is a limited freedom from the tight demands of the metered line." Free verse contains some elements of form, including the poetic line, which may vary freely; rhythm; strophes or strophic rhythms; stanzaic patterns and rhythmic units or cadences. It is said that verse is free "when it is not primarily obtained by the metered line." Donald Hall goes as far as to say that "the ''form'' of free verse is as binding and as liberating as the ''form'' of a rondeau," and T. S. Eliot wrote, "No verse is fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Poetry
Poetry (derived from the Greek ''poiesis'', "making"), also called verse, is a form of literature that uses aesthetic and often rhythmic qualities of language − such as phonaesthetics, sound symbolism, and metre − to evoke meanings in addition to, or in place of, a prosaic ostensible meaning. A poem is a literary composition, written by a poet, using this principle. Poetry has a long and varied history, evolving differentially across the globe. It dates back at least to prehistoric times with hunting poetry in Africa and to panegyric and elegiac court poetry of the empires of the Nile, Niger, and Volta River valleys. Some of the earliest written poetry in Africa occurs among the Pyramid Texts written during the 25th century BCE. The earliest surviving Western Asian epic poetry, the '' Epic of Gilgamesh'', was written in Sumerian. Early poems in the Eurasian continent evolved from folk songs such as the Chinese ''Shijing'', as well as religious hymns (the S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Humdrum And Harum-Scarum
"Humdrum and Harum-Scarum: A Lecture on Free Verse" is an essay by the poet Robert Bridges, first published in November 1922 in both the ''North American Review'' and the ''London Mercury.'' In it Bridges explains what he regards as the 'adverse conditions' that free verse Free verse is an open form of poetry, which in its modern form arose through the French ''vers libre'' form. It does not use consistent meter patterns, rhyme, or any musical pattern. It thus tends to follow the rhythm of natural speech. Definit ... imposes upon a poet: # loss of carrying power # self-consciousness # same-ness of line structure # indetermination of subsidiary 'accent' See also * 1922 in poetry Essays about poetry Poetic forms 1922 essays Works originally published in the London Mercury Works originally published in the North American Review {{poetry-essay-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cynghanedd
In Welsh-language poetry, ''cynghanedd'' (, literally "harmony") is the basic concept of sound-arrangement within one line, using stress, alliteration and rhyme. The various forms of ''cynghanedd'' show up in the definitions of all formal Welsh verse forms, such as the ''awdl'' and ''cerdd dafod''. Though of ancient origin, ''cynghanedd'' and variations of it are still used today by many Welsh-language poets. A number of poets have experimented with using ''cynghanedd'' in English-language verse, for instance Gerard Manley Hopkins. Some of Dylan Thomas's work is also influenced by ''cynghanedd''. Forms of ''cynghanedd'' Note that ⟨dd⟩, ⟨ll⟩ and ⟨ch⟩ are digraphs in the Welsh alphabet, each representing a single consonant /ð/, /ɬ/ and /χ/ respectively. ''Cynghanedd groes'' ("cross-harmony") All consonants surrounding the main stressed vowel before the caesura must be repeated after it in the same order. However, the final consonants of the final words of each ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cerdd Dafod
''Cerdd dafod'' (literally ''tongue craft'') is the Welsh tradition of creating verse or poetry to a strict metre in the Welsh language. History The history of ''cerdd dafod'' can be traced to 6th century Welsh poets such as Aneirin and Taliesin, but is probably much older. Studies also suggest that features of this form of poetry are comparable to the ancient Irish versifications and therefore point to an older shared Celtic inheritance. The composition of ''cerdd dafod'' requires strict observance of the rules of cynghanedd: an intricate system of sound-arrangement in respect of stress, alliteration, and internal rhyme within each line. One of the earliest texts on the subject is credited to Einion Offeiriad (fl c. 1320–c. 1349) a bard considered to have been under the patronage of Sir Rhys ap Gruffydd, a powerful nobleman of south-west Wales. In it, he lists 24 canonical metres used for all poems in the writing of ''cerdd dafod''. This was later revised by Dafydd ap Edmwnd ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sonnet
A sonnet is a poetic form that originated in the poetry composed at the Court of the Holy Roman Emperor Frederick II in the Sicilian city of Palermo. The 13th-century poet and notary Giacomo da Lentini is credited with the sonnet's invention, and the Sicilian School of poets who surrounded him then spread the form to the mainland. The earliest sonnets, however, no longer survive in the original Sicilian language, but only after being translated into Tuscan dialect. The term "sonnet" is derived from the Italian word ''sonetto'' (lit. "little song", derived from the Latin word ''sonus'', meaning a sound). By the 13th century it signified a poem of fourteen lines that followed a strict rhyme scheme and structure. According to Christopher Blum, during the Renaissance, the sonnet became the "choice mode of expressing romantic love". During that period, too, the form was taken up in many other European language areas and eventually any subject was considered acceptable for writers o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jan Morris
(Catharine) Jan MorrisJan Morris, Paul Clements, University of Wales Press, 2008, p. 7 (born James Humphry Morris; 2 October 192620 November 2020) was a Welsh historian, author and travel writer. She was known particularly for the ''Pax Britannica'' trilogy (1968–1978), a history of the British Empire, and for portraits of cities, including Oxford, Venice, Trieste, Hong Kong and New York City. She published under her birth name, James, until 1972, when she had gender reassignment surgery after transitioning from male to female. As James Morris, she was a member of the 1953 British Mount Everest expedition, which made the first ascent of the mountain. She was the only journalist to accompany the expedition, climbing with the team to a camp at 22,000 feet, and using a prearranged code to send news of the successful ascent, which was announced in ''The Times'' on the day of Queen Elizabeth II's coronation (2 June 1953). Background Morris was born in Clevedon, Somerset, Engl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Welsh Poetry
Welsh poetry refers to poetry of the Welsh people or nation. This includes poetry written in Welsh, poetry written in English by Welsh or Wales based poets, poetry written in Wales in other languages or poetry by Welsh poets around the world. History Wales has one of the earliest literary traditions in Northern Europe, stretching back to the days of Aneirin ( fl. 550) and Taliesin (second half of the 6th century), and the haunting ''Stafell Cynddylan'', which is the oldest recorded literary work by a woman in northern Europe. The 9th century ''Canu Llywarch Hen'' and ''Canu Heledd'' are both associated with the earlier prince Llywarch Hen. Welsh poetry is connected directly to the bardic tradition, and is historically divided into four periods.Loesch, K. T. (1983). Welsh bardic poetry and performance in the middle ages. In D. W. Thompson (Ed.), ''Performance of Literature in Historical Perspectives'' (177–190). Lanham, MD: University Press of America. The first period, befo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antithesis
Antithesis (Greek for "setting opposite", from "against" and "placing") is used in writing or speech either as a proposition that contrasts with or reverses some previously mentioned proposition, or when two opposites are introduced together for contrasting effect. This is based on the logical phrase or term. Antithesis can be defined as "a figure of speech involving a seeming contradiction of ideas, words, clauses, or sentences within a balanced grammatical structure. Parallelism of expression serves to emphasize opposition of ideas". An antithesis must always contain two ideas within one statement. The ideas may not be structurally opposite, but they serve to be functionally opposite when comparing two ideas for emphasis. According to Aristotle, the use of an antithesis makes the audience better understand the point the speaker is trying to make. Further explained, the comparison of two situations or ideas makes choosing the correct one simpler. Aristotle states that antith ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ezra Pound
Ezra Weston Loomis Pound (30 October 1885 – 1 November 1972) was an expatriate American poet and critic, a major figure in the early modernist poetry movement, and a Fascism, fascist collaborator in Italy during World War II. His works include ''Ripostes'' (1912), ''Hugh Selwyn Mauberley'' (1920), and his 800-page Epic poetry, epic poem, ''The Cantos'' (c. 1917–1962). Pound's contribution to poetry began in the early 20th century with his role in developing Imagism, a movement stressing precision and economy of language. Working in London as foreign editor of several American literary magazines, he helped discover and shape the work of contemporaries such as T. S. Eliot, Ernest Hemingway, and James Joyce. He was responsible for the 1914 serialization of Joyce's ''A Portrait of the Artist as a Young Man'', the 1915 publication of Eliot's "The Love Song of J. Alfred Prufrock", and the serialization from 1918 of Joyce's ''Ulysses (novel), Ulysses''. Hemingway wrote ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wallace Stevens
Wallace Stevens (October 2, 1879 – August 2, 1955) was an American modernist poet. He was born in Reading, Pennsylvania, educated at Harvard and then New York Law School, and spent most of his life working as an executive for an insurance company in Hartford, Connecticut. He won the Pulitzer Prize for Poetry for his ''Collected Poems'' in 1955. Stevens's first period of writing begins with the 1923 publication of ''Harmonium'', followed by a slightly revised and amended second edition in 1930. His second period occurred in the 11 years immediately preceding the publication of his ''Transport to Summer'', when Stevens had written three volumes of poems including ''Ideas of Order'', '' The Man with the Blue Guitar'', ''Parts of a World'', along with ''Transport to Summer''. His third and final period began with the publication of '' The Auroras of Autumn'' in the early 1950s, followed by the release of his ''Collected Poems'' in 1954, a year before his death. Stevens's best-known ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marianne Moore
Marianne Craig Moore (November 15, 1887 – February 5, 1972) was an American modernist poet, critic, translator, and editor. Her poetry is noted for formal innovation, precise diction, irony, and wit. Early life Moore was born in Kirkwood, Missouri, in the manse of the Presbyterian church where her maternal grandfather, John Riddle Warner, served as pastor. Her father, John Milton Moore, a mechanical engineer and inventor, suffered a psychotic episode, as a consequence of which her parents separated before she was born; Moore never met him. She and her elder brother, John Warner Moore, were reared by their mother, Mary Warner Moore. The family wrote voluminous letters to one another throughout their lives, often addressing each other by playful nicknames based on characters from ''The Wind in the Willows'' and using a private language. Like her mother and her elder brother, Moore remained a devoted Presbyterian, strongly influenced by her grandfather, approaching her Christi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yvor Winters
Arthur Yvor Winters (October 17, 1900 – January 25, 1968) was an American poet and literary critic. Life Winters was born in Chicago, Illinois and lived there until 1919 except for brief stays in Seattle and in Pasadena, where his grandparents lived. He attended the University of Chicago for four-quarters in 1917–18, where he was a member of a literary circle that included Glenway Wescott, Elizabeth Madox Roberts and his future wife Janet Lewis. In the winter of 1918–19 he was diagnosed with tuberculosis and underwent treatment for two years in Santa Fe, New Mexico. During his recuperation he wrote and published some of his early poems. On his release from the sanitarium he taught in high schools in nearby mining towns. In 1923 Winters published one of his first critical essays, "Notes on the Mechanics of the Poetic Image," in the expatriate literary journal ''Secession''. That same year he enrolled at the University of Colorado, where he achieved his BA and MA degrees ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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