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Hexameter
Hexameter is a metrical line of verses consisting of six feet (a "foot" here is the pulse, or major accent, of words in an English line of poetry; in Greek and Latin a "foot" is not an accent, but describes various combinations of syllables). It was the standard epic metre in classical Greek and Latin literature, such as in the ''Iliad'', ''Odyssey'' and ''Aeneid''. Its use in other genres of composition include Horace's satires, Ovid's ''Metamorphoses,'' and the Hymns of Orpheus. According to Greek mythology, hexameter was invented by Phemonoe, daughter of Apollo and the first Pythia of Delphi.Pliny the Elder, 7.57 __TOC__ Classical Hexameter In classical hexameter, the six feet follow these rules: * A foot can be made up of two long syllables (– –), a spondee; or a long and two short syllables, a dactyl (– υ υ). * The first four feet can contain either one of them. * The fifth is almost always a dactyl, and last must be a spondee. A short syllable (υ) is a syllabl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dactylic Hexameter
Dactylic hexameter (also known as heroic hexameter and the meter of epic) is a form of meter or rhythmic scheme frequently used in Ancient Greek and Latin poetry. The scheme of the hexameter is usually as follows (writing – for a long syllable, u for a short, and u u for a position that may be a long or two shorts): :, – u u , – u u , – u u , – u u , – u u , – – Here, ", " (pipe symbol) marks the beginning of a foot in the line. Thus there are six feet, each of which is either a dactyl (– u u) or a spondee (– –). The first four feet can either be dactyls, spondees, or a mix. The fifth foot can also sometimes be a spondee, but this is rare, as it most often is a dactyl. The last foot is a spondee. The hexameter is traditionally associated with classical epic poetry in both Greek and Latin and was consequently considered to be ''the'' grand style of Western classical poetry. Some well known examples of its use are Homer's ''Iliad'' and ''Odyssey'', Apoll ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Line (poetry)
A line is a unit of language into which a poem or play is divided. The use of a line operates on principles which are distinct from and not necessarily coincident with grammatical structures, such as the sentence or single clauses in sentences. Although the word for a single poetic line is '' verse'', that term now tends to be used to signify poetic form more generally. A line break is the termination of the line of a poem and the beginning of a new line. The process of arranging words using lines and line breaks is known as ''lineation'', and is one of the defining features of poetry. A distinct numbered group of lines in verse is normally called a ''stanza''. A title, in some poems, is considered a line. General conventions in Western poetry Conventions that determine what might constitute line in poetry depend upon different constraints, aural characteristics or scripting conventions for any given language. On the whole, where relevant, a line is generally determined either b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iambic Pentameter
Iambic pentameter () is a type of metric line used in traditional English poetry and verse drama. The term describes the rhythm, or meter, established by the words in that line; rhythm is measured in small groups of syllables called "feet". "Iambic" refers to the type of foot used, here the iamb, which in English indicates an unstressed syllable followed by a stressed syllable (as in ''a-bove''). "Pentameter" indicates a line of five "feet". Iambic pentameter is the most common meter in English poetry. It was first introduced into English by Chaucer in 14th century on the basis of French and Italian models. It is used in several major English poetic forms, including blank verse, the heroic couplet, and some of the traditionally rhymed stanza forms. William Shakespeare famously used iambic pentameter in his plays and sonnets, John Milton in his ''Paradise Lost'', and William Wordsworth in ''The Prelude''. As lines in iambic pentameter usually contain ten syllables, it is consider ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Apollo
Apollo, grc, Ἀπόλλωνος, Apóllōnos, label=genitive , ; , grc-dor, Ἀπέλλων, Apéllōn, ; grc, Ἀπείλων, Apeílōn, label=Arcadocypriot Greek, ; grc-aeo, Ἄπλουν, Áploun, la, Apollō, la, Apollinis, label=genitive, , ; , is one of the Olympian deities in classical Greek and Roman religion and Greek and Roman mythology. The national divinity of the Greeks, Apollo has been recognized as a god of archery, music and dance, truth and prophecy, healing and diseases, the Sun and light, poetry, and more. One of the most important and complex of the Greek gods, he is the son of Zeus and Leto, and the twin brother of Artemis, goddess of the hunt. Seen as the most beautiful god and the ideal of the ''kouros'' (ephebe, or a beardless, athletic youth), Apollo is considered to be the most Greek of all the gods. Apollo is known in Greek-influenced Etruscan mythology as ''Apulu''. As the patron deity of Delphi (''Apollo Pythios''), Apollo is an oracul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sprung Rhythm
Sprung rhythm is a poetic rhythm designed to imitate the rhythm of natural speech. It is constructed from feet in which the first syllable is stressed and may be followed by a variable number of unstressed syllables. The British poet Gerard Manley Hopkins said he discovered this previously unnamed poetic rhythm in the natural patterns of English in folk songs, spoken poetry, Shakespeare, Milton, et al. He used diacritical marks on syllables to indicate which should be stressed in cases "where the reader might be in doubt which syllable should have the stress" (acute, e.g. shéer) and which syllables should be pronounced but not stressed (grave, e.g., gleanèd). Some critics believe he merely coined a name for poems with mixed, irregular feet, like free verse. However, while sprung rhythm allows for an indeterminate number of syllables to a foot, Hopkins was very careful to keep the number of feet per line consistent across each individual work, a trait that free verse does not shar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gerard Manley Hopkins
Gerard Manley Hopkins (28 July 1844 – 8 June 1889) was an English poet and Jesuit priest, whose posthumous fame placed him among leading Victorian poets. His prosody – notably his concept of sprung rhythm – established him as an innovator, as did his praise of God through vivid use of imagery and nature. Only after his death did Robert Bridges publish a few of Hopkins's mature poems in anthologies, hoping to prepare for wider acceptance of his style. By 1930 Hopkins's work was seen as one of the most original literary advances of his century. It intrigued such leading 20th-century poets as T. S. Eliot, Dylan Thomas, W. H. Auden, Stephen Spender and Cecil Day-Lewis. Early life and family Gerard Manley Hopkins was born in Stratford, EssexW. H. Gardner (1963), ''Gerard Manley Hopkins: Poems and Prose'' Penguin p. xvi. (now in Greater London), as the eldest of probably nine children to Manley and Catherine Hopkins, née Smith. He was christened at the Anglican church of S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arthur Hugh Clough
Arthur Hugh Clough ( ; 1 January 181913 November 1861) was an English poet, an educationalist, and the devoted assistant to Florence Nightingale. He was the brother of suffragist Anne Clough and father of Blanche Athena Clough who both became principals of Newnham College, Cambridge. Life Arthur Clough was born in Liverpool to James Butler Clough, a cotton merchant of Welsh descent, and Anne Perfect, from Pontefract in Yorkshire. James Butler Clough was a younger son of a landed gentry family that had been living at Plas Clough in Denbighshire since 1567. In 1822 the family moved to the United States, and Clough's early childhood was spent mainly in Charleston, South Carolina. In 1828 Clough and his older brother Charles Butler Clough (later head of the Clough family of Llwyn Offa, Flintshire and Boughton House, Chester, a magistrate and Deputy Lieutenant) returned to England to attend school in Chester. Holidays were often spent at Beaumaris. In 1829 Clough began attending Ru ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry Wadsworth Longfellow
Henry Wadsworth Longfellow (February 27, 1807 – March 24, 1882) was an American poet and educator. His original works include "Paul Revere's Ride", ''The Song of Hiawatha'', and ''Evangeline''. He was the first American to completely translate Dante Alighieri's ''Divine Comedy'' and was one of the fireside poets from New England. Longfellow was born in Portland, Maine, which was then still part of Massachusetts. He graduated from Bowdoin College and became a professor there and, later, at Harvard College after studying in Europe. His first major poetry collections were ''Voices of the Night'' (1839) and ''Ballads and Other Poems'' (1841). He retired from teaching in 1854 to focus on his writing, and he lived the remainder of his life in the Revolutionary War headquarters of George Washington in Cambridge, Massachusetts. His first wife, Mary Potter, died in 1835 after a miscarriage. His second wife, Frances Appleton, died in 1861 after sustaining burns when her dress caught ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Dryden
'' John Dryden (; – ) was an English poet, literary critic, translator, and playwright who in 1668 was appointed England's first Poet Laureate. He is seen as dominating the literary life of Restoration England to such a point that the period came to be known in literary circles as the Age of Dryden. Romanticist writer Sir Walter Scott called him "Glorious John". Early life Dryden was born in the village rectory of Aldwincle near Thrapston in Northamptonshire, where his maternal grandfather was the rector of All Saints. He was the eldest of fourteen children born to Erasmus Dryden and wife Mary Pickering, paternal grandson of Sir Erasmus Dryden, 1st Barone t (1553–1632), and wife Frances Wilkes, Puritan landowning gentry who supported the Puritan cause and Parliament. He was a second cousin once removed of Jonathan Swift. As a boy, Dryden lived in the nearby village of Titchmarsh, where it is likely that he received his first education. In 1644 he was sent to Westminst ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abraham Cowley
Abraham Cowley (; 161828 July 1667) was an English poet and essayist born in the City of London late in 1618. He was one of the leading English poets of the 17th century, with 14 printings of his ''Works'' published between 1668 and 1721. Early life and career Cowley's father, a wealthy citizen, who died shortly before his birth, was a stationer. His mother was wholly given to works of devotion, but it happened that there lay in her parlour a copy of ''The Faerie Queene''. This became the favourite reading of her son, and he had read it twice before he was sent to school. As early as 1628, that is, in his tenth year, he composed his ''Tragicall Historie of Piramus and Thisbe'', an epic romance written in a six-line stanza, a style of his own invention. It is not too much to say that this work is the most astonishing feat of imaginative precocity on record; it is marked by no great faults of immaturity, and possesses constructive merits of a very high order. Two years later, Cowl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pindaric
Pindar (; grc-gre, Πίνδαρος , ; la, Pindarus; ) was an Ancient Greek lyric poet from Thebes. Of the canonical nine lyric poets of ancient Greece, his work is the best preserved. Quintilian wrote, "Of the nine lyric poets, Pindar is by far the greatest, in virtue of his inspired magnificence, the beauty of his thoughts and figures, the rich exuberance of his language and matter, and his rolling flood of eloquence, characteristics which, as Horace rightly held, make him inimitable." His poems can also, however, seem difficult and even peculiar. The Athenian comic playwright Eupolis once remarked that they "are already reduced to silence by the disinclination of the multitude for elegant learning". Some scholars in the modern age also found his poetry perplexing, at least until the 1896 discovery of some poems by his rival Bacchylides; comparisons of their work showed that many of Pindar's idiosyncrasies are typical of archaic genres rather than of only the poet himself. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heroic Couplet
A heroic couplet is a traditional form for English poetry, commonly used in epic and narrative poetry, and consisting of a rhyming pair of lines in iambic pentameter. Use of the heroic couplet was pioneered by Geoffrey Chaucer in the ''Legend of Good Women'' and the ''Canterbury Tales'',Hobsbaum, Philip. ''Metre, Rhythm and Verse Form''. Routledge (1996) p.23 and generally considered to have been perfected by John Dryden and Alexander Pope in the Restoration Age and early 18th century respectively. Example A frequently-cited example illustrating the use of heroic couplets is this passage from ''Cooper's Hill'' by John Denham, part of his description of the Thames: History The term "heroic couplet" is sometimes reserved for couplets that are largely ''closed'' and self-contained, as opposed to the enjambed couplets of poets like John Donne. The heroic couplet is often identified with the English Baroque works of John Dryden and Alexander Pope, who used the form for their tra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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