Muriel Starr

Muriel Starr (20 February 1888 – 19 April 1950) was a Canadian stage actress. She was particularly popular in Australia in the 1910s and 1920s. She appeared in one film, ''Within the Law'' (1916), an adaptation of her stage success. She was also known for the plays ''East of Suez'', ''Birds of Paradise'' and ''Madame X''.

Australia

Starr was a favorite of Australian audiences, and at one time considered settling there.
In 1913–1915 she toured ''Within the Law'' for J. C. Williamson, followed by ''Mid-Channel'', ''Madame X'', ''The Yellow Ticket'', ''Bought and Paid For'', ''Under Cover'' and '' The Law of the Land'' in which she could play strong emotion. She was less successful in the comedies ''The Chorus Lady'' and especially ''Sunday''

She returned in December 1917 for Hugh J. Ward with Richard Walton Tully's ''The Bird of Paradise'', followed by ''The Easiest Way'', '' The Man Who Came Back'', '' Nobody's Widow'', '' The Great Divide'', '' Common Clay'', ''Silent Witness'' and her famous pieces ''Within the Law'' and ''Bought and Paid For''. A cousin, Norma Mitchell, accompanied her and played support roles. Her male lead, Louis Kimball (1889–1936), received good notices. Before leaving, she married W. Hartwell Johnston at the Registry Office in Sydney. Her cousin and her mother, Mrs O'Loughlin, also cited as Mrs Hughie MacIver, were present at the ceremony. Mr Johnston was managing director of the Wrigley Company in Australia.

Her third season in Australia began in April 1924 and brought new plays: Robert Hichens' ''The Garden of Allah'', ''East of Suez'', '' The Pelican'', The Skin Game, and ''Secrets'' and revivals of ''Silent Witness'', ''Bought and Paid For'', and ''Madame X'', possibly her greatest role. In Melbourne she tried a revival of '' The Silver King'' when ''Within the Law'' failed to draw the usual crowds.
While in Melbourne, she swerved her car onto the wrong side of the road to avoid a stationary vehicle, mounting the footpath and crushing a pedestrian, causing serious injuries. She was charged with dangerous driving, but found not guilty.
Her farewell performances in regional centres included ''French Leave'', ''The Sign on the Door'', and '' Outcast''.

In 1927, she reprised a string of her starring roles at the Palace Theatre, Sydney and momentarily saved it from conversion to a movie theatre. Harvey Adams, her leading man in many plays from 1925, now also served as producer. New plays included '' The House of Glass'', '' Cornered'', Robert H. McLaughlin's ''The Eternal Magdalene'', ''The Goldfish'', ''The Donovan Affair'', '' Whispering Wires'', ''The Last Warning'', '' Nice People'', '' Sweeney Todd'', '' The Hole in the Wall'' and '' Shooting Shadows''. This last play was reviewed scathingly in Adelaide and not attempted elsewhere.

In May 1930, she declared herself bankrupt, owing £3,427 (perhaps a million dollars in today's money), mostly to J. C. Williamson. The judge granted her an unconditional discharge on the grounds that her creditors knew the risks inherent in show business and so she was able legally to return to America.

Later years

Starr died in her dressing room at the St Johns Theatre in New York while appearing in the production ''The Velvet Glove''.

Broadway roles

* ''The Star-Wagon'' (1937) as Angela and as herb woman
* ''On the Rocks'' (1938) as Lady Chavender
* ''Outward Bound'' (1938) as Mrs. Clivedon-Banks (replacement)
* ''The Velvet Glove'' (1949) as Sister Athanasius

Personal

In late 1918 she married W. Hartwell Johnston, an American business manager in Sydney.

References

External links

Australian theatre credits
at AusStage
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{{DEFAULTSORT:Starr, Muriel
Canadian stage actresses
Canadian film actresses
1888 births
1950 deaths
Canadian expatriates in Australia