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The Yellow Ticket (play)
''The Yellow Ticket'' is a 1914 Broadway play by dramatist Michael Morton, which premiered at the Eltinge 42nd Street Theatre in Manhattan on January 20, 1914. Plot Anna Mirrel, a young Jewish girl in Czarist Russia, is forced to pretend to be a prostitute to obtain a prostitute's passport (a "yellow ticket") in order to visit her father, whom she believes to be ill. When she arrives in St. Petersburg, she learns that her father has been killed. She encounters a young journalist and tells him of the crimes the state perpetrates against its citizens. Original cast * John Barrymore as Julian Rolfe * Florence Reed as Marya Varenka * Emmett Corrigan as Monsieur Zoubatoff * A. C. P. Evans as Vassellevitch * Macy Harlam as Petrov Paviak * Elaine Inescort as Marjory Seaton * Julian L'Estrange as Count Nikolai Rostov * Harry Lillford as Boglosky * John B. Mason as Baron Stepan Audrey * David Torrence as John Seaton * Michael Wilens as Peter In other media Film * '' The Yell ...
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Michael Morton (dramatist)
Michael Morton (1864 – 11 January 1931) was an English dramatist in the early 20th century. Career ''Detective Sparkes'' Morton's comedy called ''Detective Sparkes'' opened at the Garrick Theatre in August 1909 to good reviews. He also directed the production which ran into October for a total of 64 performances. ''The Yellow Ticket'' In 1914, Morton's play, ''The Yellow Ticket'' ran 183 performances on Broadway and starred Florence Reed and John Barrymore. It was adapted to the screen and, due to its popularity, several filmed versions were made in the silent era alone. The first, '' The Yellow Passport'' (1916), was directed by Edwin August and starred Clara Kimball Young. The second version, ''The Yellow Ticket'' (1918), starred Fannie Ward, Warner Oland and Milton Sills. A German version called ''Der Gelbe Schein'' was produced in 1918 and starred Pola Negri. Yet another filmed version was a talking picture and was directed by Raoul Walsh in 1931. It was also titl ...
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The Yellow Ticket (1918 Film)
''The Yellow Ticket'' is a 1918 American silent drama film directed by William Parke and starring Fannie Ward. It is based on Michael Morton's 1914 play ''The Yellow Ticket''. This screen adaptation of the play is currently classified as a lost film. Plot Anna Mirrel, a young Jewish girl in Czarist Russia, is forced to pretend to be a prostitute to obtain a passport (a "yellow ticket") in order to visit her father, whom she believes to be ill. When she arrives in St. Petersburg, she learns that her father has been killed. She encounters a young journalist and tells him of the crimes the state perpetrates against its citizens. Cast * Fannie Ward as Anna Mirrel * Milton Sills as Julian rolfe * Warner Oland as Baron Andrey * Armand Kaliz as Count rostov * J. H. Gilmour as U. S. Consul Seaton * Helene Chadwick as Miss Seaton * Leon Bary as Petrov Paviak * Anna Lehr as Mary Varenka * Dan Mason as Isaac Mirrel Uncredited cast * Nicholas Dunaew * Edward Elkas * Charles Jackson (*as ...
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1914 Plays
This year saw the beginning of what became known as World War I, after Archduke Franz Ferdinand of Austria, heir to the Austrian throne was Assassination of Archduke Franz Ferdinand, assassinated by Serbian nationalist Gavrilo Princip. It also saw the first airline to provide scheduled regular commercial passenger services with heavier-than-air aircraft, with the St. Petersburg–Tampa Airboat Line. Events January * January 1 – The St. Petersburg–Tampa Airboat Line in the United States starts services between St. Petersburg, Florida, St. Petersburg and Tampa, Florida, becoming the first airline to provide scheduled regular commercial passenger services with heavier-than-air aircraft, with Tony Jannus (the first federally-licensed pilot) conveying passengers in a Benoist XIV flying boat. Abram C. Pheil, mayor of St. Petersburg, is the first airline passenger, and over 3,000 people witness the first departure. * January 11 – The Sakurajima volcano in Japan b ...
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Internet Broadway Database
The Internet Broadway Database (IBDB) is an online database of Broadway theatre productions and their personnel. It was conceived and created by Karen Hauser in 1996 and is operated by the Research Department of The Broadway League, a trade association for the North American commercial theatre community. This comprehensive history of Broadway provides records of productions from the beginnings of New York theatre in the 18th century up to today. Details include cast and creative lists for opening night and current day, song lists, awards and other interesting facts about every Broadway production. Other features of IBDB include an extensive archive of photos from past and present Broadway productions, headshots, links to cast recordings on iTunes or Amazon, gross and attendance information. Its mission was to be an interactive, user-friendly, searchable database for League members, journalists, researchers, and Broadway fans. The League recently added Broadway Touring shows t ...
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Der Gelbe Schein
''Der Gelbe Schein'' (English titles ''The Yellow Ticket'' and ''The Devil's Pawn'') is a 1918 German silent film starring Pola Negri in a double role as Lea and her mother Lydia, Victor Janson as Ossip Storki, and Harry Liedtke as Dimitri. It was directed by Victor Janson and Eugen Illés. Plot Pola Negri plays Lea, a bright adolescent girl who lives in the Jewish ghetto of Warsaw with her ill father. She loves to read, and intends to study medicine at a university in St. Petersburg in the hopes of making her father well again. Her father dies suddenly and her tutor, Ossip Storki, is called away to work for the governor. When she goes to Russia, she learns that Jewish women are only allowed to work as sex workers with the benefit of a "yellow passport", otherwise they will be taken to prison. She applies for a yellow passport and takes up residency at a brothel. Upon finding the identification papers of her tutor's deceased sister Sophie in a book her tutor gave her, Lea applie ...
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Laurence Olivier
Laurence Kerr Olivier, Baron Olivier (; 22 May 1907 – 11 July 1989) was an English actor and director who, along with his contemporaries Ralph Richardson and John Gielgud, was one of a trio of male actors who dominated the Theatre of the United Kingdom, British stage of the mid-20th century. He also worked in films throughout his career, playing more than fifty cinema roles. Late in his career, he had considerable success in television roles. His family had no theatrical connections, but Olivier's father, a clergyman, decided that his son should become an actor. After attending a drama school in London, Olivier learned his craft in a succession of acting jobs during the late 1920s. In 1930 he had his first important West End theatre, West End success in Noël Coward's ''Private Lives'', and he appeared in his first film. In 1935 he played in a celebrated production of ''Romeo and Juliet'' alongside Gielgud and Peggy Ashcroft, and by the end of the decade he was an establish ...
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Elissa Landi
Elissa Landi (born Elisabeth Marie Christine Kühnelt; December 6, 1904 – October 21, 1948) was an Austrian-American actress born in Venice, who was popular as a performer in Hollywood films of the 1920s and 1930s. She was noted for her alleged aristocratic bearing. Biography Landi was born Elisabeth Marie Christine Kühnelt in Venice, Italy, to Austrian military officer Richard Kühnelt and his wife Caroline. She was raised in the village of Kleinhart in Lower Austria near Vienna until the divorce of her parents. Later on she was educated in England. From 1928 to 1936, she was married to John Cecil Lawrence, and from 1943 to 1948 to Curtis Kinney Thomas (1905–2002). Landi's first ambition was to be an author. She wrote her first novel at the age of twenty, and returned to writing during lulls in her acting career. She debuted on stage in '' Dandy Dick'' (1923). She joined the Oxford Repertory Company at an early age, and appeared in many successful British and American ...
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Drama Film
In film and television, drama is a category or genre of narrative fiction (or semi-fiction) intended to be more serious than humorous in tone. Drama of this kind is usually qualified with additional terms that specify its particular super-genre, macro-genre, or micro-genre, such as soap opera, police crime drama, political drama, legal drama, historical drama, domestic drama, teen drama, and comedy-drama (dramedy). These terms tend to indicate a particular setting or subject-matter, or else they qualify the otherwise serious tone of a drama with elements that encourage a broader range of moods. To these ends, a primary element in a drama is the occurrence of conflict—emotional, social, or otherwise—and its resolution in the course of the storyline. All forms of cinema or television that involve fictional stories are forms of drama in the broader sense if their storytelling is achieved by means of actors who represent ( mimesis) characters. In this broader sense, drama ...
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Pre-Code Hollywood
Pre-Code Hollywood was the brief era in the Cinema of the United States, American film industry between the widespread adoption of sound in film in 1929LaSalle (2002), p. 1. and the enforcement of the Motion Picture Production Code censorship guidelines, popularly known as the "Hays Code", in mid-1934. Although the Code was adopted in 1930, oversight was poor, and it did not become rigorously enforced until July 1, 1934, with the establishment of the Production Code Administration (PCA). Before that date, film content was restricted more by local laws, negotiations between the Studio Relations Committee (SRC) and the major studios, and popular opinion, than by strict adherence to the Hays Code, which was often ignored by Hollywood filmmakers. As a result, some films in the late 1920s and early 1930s depicted or implied innuendo, sexual innuendo, miscegenation, romantic and sexual relationships between white and black people, mild profanity, Recreational drug use, illegal drug ...
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The Yellow Ticket
''The Yellow Ticket'' is a 1931 pre-Code American drama film based on the 1914 play of the same name by Michael Morton, produced by the Fox Film Corporation, directed by Raoul Walsh, and starring Elissa Landi, Lionel Barrymore and Laurence Olivier. Boris Karloff appears briefly in a small supporting role. The picture is also a noteworthy example of productions from the pre-Code era in that it includes brief nudity. The original play, presented on Broadway, ran from January to June 1914 and starred Lionel's younger brother John Barrymore opposite Florence Reed. This film is the third American adaptation of the play. The first two are ''The Yellow Passport'' from 1916 and ''The Yellow Ticket'' from 1918. A German version, ''Der Gelbe Schein'', was also filmed and released in 1918. Plot When martial law is declared in Russia, all Jews are restricted to their villages. The authorities are unsympathetic to Marya (Elissa Landi), who desperately wants to travel to St. Petersburg to s ...
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Milton Sills
Milton George Gustavus Sills (January 12, 1882 – September 15, 1930) was an American stage and film actor of the early twentieth century. Biography Sills was born in Chicago, Illinois, into a wealthy family. He was the son of William Henry Sills, a successful mineral dealer, and Josephine Antoinette Troost Sills, an heiress from a prosperous banking family. Upon completing high school, Sills was offered a one-year scholarship to the University of Chicago, where he studied psychology and philosophy. After graduating, he was offered a position at the university as a researcher and within several years worked his way up to become a professor at the school. In 1905, stage actor Donald Robertson visited the school to lecture on author and playwright Henrik Ibsen and suggested to Sills that he try his hand at acting. On a whim, Sills agreed and left his teaching career to embark on a stint in acting. Sills joined Robertson's stock theater company and began touring the country. ...
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Fannie Ward
Fannie Ward (born Fannie Buchanan; February 22, 1872 – January 27, 1952), also credited as Fanny Ward, was an American actress of stage and screen. Known for performing in both comedic and dramatic roles, she was cast in '' The Cheat'', a sexually-charged 1915 silent film directed by Cecil B. DeMille. Reportedly, Ward's ageless appearance helped her to achieve and maintain her celebrity. In its obituary for her, ''The New York Times'' describes her as "an actress who never quite reached the top in her profession ... nd whotirelessly devoted herself to appearing perpetually youthful, an act that made her famous"."Fannie Ward Dies; Perennial Flapper", ''The New York Times'', digital archives (1923-present), 28 January 1952, L17. ProQuest Historical Newspapers. Early life and stage career Born in St. Louis, Missouri, Ward was the only daughter of Eliza and John Buchanan, who was a dry goods merchant. She had one sibling, a brother, Benton. In 1890, "against the wishes of her pa ...
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