Morose

Melancholia or melancholy (from el, µέλαινα χολή ',Burton, Bk. I, p. 147 meaning black bile) is a concept found throughout ancient, medieval and premodern medicine in Europe that describes a condition characterized by markedly depressed mood, bodily complaints, and sometimes hallucinations and delusions.

Melancholy was regarded as one of the four temperaments matching the four humours. Until the 18th century, doctors and other scholars classified melancholic conditions as such by their perceived common causean excess of a notional fluid known as "black bile", which was commonly linked to the spleen.

Between the late 18th and late 19th centuries, ''melancholia'' was a common medical diagnosis, and modern concepts of depression as a mood disorder eventually arose from this historical context.

Related terms used in historical medicine include lugubriousness (from Latin '' lugere'': "to mourn"), moroseness (from Latin '' morosus'': "self-will or fastidious habit"), wistfulness (from a blend of "wishful" and the obsolete English '' wistly'', meaning "intently"), and saturnineness (from Latin ''Saturninus'': "of the planet Saturn).

Early history

The name "melancholia" comes from the old medical belief of the four humours: disease or ailment being caused by an imbalance in one or more of the four basic bodily liquids, or humours. Personality types were similarly determined by the dominant humor in a particular person. According to Hippocrates and subsequent tradition, melancholia was caused by an excess of black bile, hence the name, which means "black bile", from Ancient Greek μέλας (''melas''), "dark, black", and χολή (''kholé''), "bile"; a person whose constitution tended to have a preponderance of black bile had a ''melancholic'' disposition. In the complex elaboration of humorist theory, it was associated with the earth from the Four Elements, the season of autumn, the spleen as the originating organ and cold and dry as related qualities. In astrology it showed the influence of Saturn, hence the related adjective ''saturnine''.

Melancholia was described as a distinct disease with particular mental and physical symptoms in the 5th and 4th centuries BC. Hippocrates, in his ''Aphorisms'', characterized all "fears and despondencies, if they last a long time" as being symptomatic of melancholia. Other symptoms mentioned by Hippocrates include: poor appetite, abulia, sleeplessness, irritability, agitation. The Hippocratic clinical description of melancholia shows significant overlaps with contemporary nosography of depressive syndromes (6 symptoms out of the 9 included in DSM diagnostic criteria for a Major Depressive).

In ancient Rome, Galen added "fixed delusions" to the set of symptoms listed by Hippocrates. Galen also believed that melancholia caused cancer. Aretaeus of Cappadocia, in turn, believed that melancholia involved both a state of anguish, and a delusion.

In the 10th century Persian physician Al-Akhawayni Bokhari described melancholia as a chronic illness caused by the impact of black bile on the brain. He described melancholia's initial clinical manifestations as "suffering from an unexplained fear, inability to answer questions or providing false answers, self-laughing and self-crying and speaking meaninglessly, yet with no fever."

In Middle-Ages Europe, the humoral, somatic paradigm for understanding sustained sadness lost primacy in front of the prevailing religious perspective. Sadness came to be a vice (λύπη in the Greek vice list by Evagrius Ponticus, tristitia vel acidia in the 7 vice list by Gregorius Magnus). When a patient could not be cured of the disease it was thought that the melancholia was a result of demonic possession.

In his study of French and Burgundian courtly culture, Johan Huizinga noted that "at the close of the Middle Ages, a sombre melancholy weighs on people's souls." In chronicles, poems, sermons, even in legal documents, an immense sadness, a note of despair and a fashionable sense of suffering and deliquescence at the approaching end of times, suffuses court poets and chroniclers alike: Huizinga quotes instances in the ballads of Eustache Deschamps, "monotonous and gloomy variations of the same dismal theme", and in Georges Chastellain's prologue to his Burgundian chronicle, and in the late fifteenth-century poetry of Jean Meschinot. Ideas of reflection and the workings of imagination are blended in the term ''merencolie'', embodying for contemporaries "a tendency", observes Huizinga, "to identify all serious occupation of the mind with sadness".

Painters were considered by Vasari and other writers to be especially prone to melancholy by the nature of their work, sometimes with good effects for their art in increased sensitivity and use of fantasy. Among those of his contemporaries so characterised by Vasari were Pontormo and Parmigianino, but he does not use the term of Michelangelo, who used it, perhaps not very seriously, of himself. A famous allegorical engraving by Albrecht Dürer is entitled '' Melencolia I''. This engraving has been interpreted as portraying melancholia as the state of waiting for inspiration to strike, and not necessarily as a depressive affliction. Amongst other allegorical symbols, the picture includes a magic square and a truncated rhombohedron. The image in turn inspired a passage in ''The City of Dreadful Night'' by James Thomson (B.V.), and, a few years later, a sonnet by Edward Dowden.

The most extended treatment of melancholia comes from Robert Burton, whose '' The Anatomy of Melancholy'' (1621) treats the subject from both a literary and a medical perspective. His concept of melancholia includes all mental illness, which he divides into different types. Burton wrote in the 17th century that music and dance were critical in treating mental illness.

In the Encyclopédie of Diderot and d'Alembert, the causes of melancholia are stated to be similar to those that cause Mania: "grief, pains of the spirit, passions, as well as all the love and sexual appetites that go unsatisfied."

English cultural movement

During the later 16th and early 17th centuries, a curious cultural and literary cult of melancholia arose in England. In an influential – via (subscription required) 1964 essay in Apollo, art historian Roy Strong traced the origins of this fashionable melancholy to the thought of the popular Neoplatonist and humanist Marsilio Ficino (1433–1499), who replaced the medieval notion of melancholia with something new:

'' The Anatomy of Melancholy'' (''The Anatomy of Melancholy, What it is: With all the Kinds, Causes, Symptomes, Prognostickes, and Several Cures of it... Philosophically, Medicinally, Historically, Opened and Cut Up'') by Burton, was first published in 1621 and remains a defining literary monument to the fashion. Another major English author who made extensive expression upon being of an melancholic disposition is Sir Thomas Browne in his Religio Medici (1643).

'' Night-Thoughts'' (''The Complaint: or, Night-Thoughts on Life, Death, & Immortality''), a long poem in blank verse by Edward Young was published in nine parts (or "nights") between 1742 and 1745, and hugely popular in several languages. It had a considerable influence on early Romantics in England, France and Germany. William Blake was commissioned to illustrate a later edition.

In the visual arts, this fashionable intellectual melancholy occurs frequently in portraiture of the era, with sitters posed in the form of "the lover, with his crossed arms and floppy hat over his eyes, and the scholar, sitting with his head resting on his hand"descriptions drawn from the frontispiece to the 1638 edition of Burton's ''Anatomy'', which shows just such by-then stock characters. These portraits were often set out of doors where Nature provides "the most suitable background for spiritual contemplation" or in a gloomy interior.

In music, the post-Elizabethan cult of melancholia is associated with John Dowland, whose motto was ''Semper Dowland, semper dolens'' ("Always Dowland, always mourning"). The melancholy man, known to contemporaries as a "malcontent", is epitomized by Shakespeare's Prince Hamlet, the "Melancholy Dane".

A similar phenomenon, though not under the same name, occurred during the German '' Sturm und Drang'' movement, with such works as '' The Sorrows of Young Werther'' by Goethe or in Romanticism with works such as '' Ode on Melancholy'' by John Keats or in Symbolism with works such as '' Isle of the Dead'' by Arnold Böcklin. In the 20th century, much of the counterculture of modernism was fueled by comparable alienation and a sense of purposelessness called "anomie"; earlier artistic preoccupation with death has gone under the rubric of memento mori (''acedie'' in English) and the Romantic Weltschmerz were similar concepts, most likely to affect the intellectual.

Modern connotations

In the 18th to 19th centuries, the concept of "melancholia" became almost solely about abnormal beliefs, and lost its attachment to depression and other affective symptoms.

Melancholia was a category that "the well-to-do, the sedentary, and the studious were even more liable to be placed in the eighteenth century than they had been in preceding centuries."

In the 20th century, "melancholia" lost its attachment to abnormal beliefs, and in common usage became entirely a synonym for depression. Sigmund Freud published a paper on Mourning and Melancholia in 1918. In the early 20th century, some believed there was distinct condition called involutional melancholia, a low mood disorder affecting people of advanced age.

In 1996, Gordon Parker and Dusan Hadzi-Pavlovic described "melancholia" as a specific disorder of movement and mood. They attached the term to the concept of "endogenous depression" (claimed to be caused by internal forces rather than environmental influences).

In 2006, Michael Alan Taylor and Max Fink also defined melancholia as a systemic disorder that could be identified by depressive mood rating scales, verified by the presence of abnormal cortisol metabolism. They considered it to be characterized by depressed mood, abnormal motor functions, and abnormal vegetative signs, and they described several forms, including retarded depression, psychotic depression and postpartum depression.

For the purposes of medical diagnostic classification, the terms "melancholia" the "melancholic" are still in use (for example, in ICD-11 and DSM-5) to specify certain features that may be present in major depression, such as:
* severely depressed mood, wherein the person often feels despondent, forlorn, disconsolate, or empty
* pervasive anhedonia – loss of interest or pleasure in most activities that are normally enjoyable
* lack of emotional responsiveness (mood does not brighten, even briefly) to normally pleasurable stimuli (such as food or entertainment) or situations (such as warm, affectionate interactions with friends or family)
* terminal insomnia – unwanted early morning awakening (two or more hours earlier than normal)
* marked psychomotor retardation or agitation
* marked loss of appetite or weight loss

In May 2020, BBC Radio 4 broadcast a twelve part series titled "The New Anatomy of Melancholy", looking at depression from the perspectives of Robert Burton's 1621 book "The Anatomy of Melancholy".

See also

* Boredom
* Dysthymia
* Got the morbs
* Melancholic depression
* '' Mono no aware''
* Nostalgia
* Pessimism
* '' Saudade''
* Spleen
* Vapours (disease)
* ''Wit and Mirth, or Pills to Purge Melancholy''

Citations

Further reading

* Azzone, Paolo: ''Depression as a Psychoanalytic Problem''. University Press of America, Lanham, Md., 2013.
* Blazer, Dan G.: ''The Age of Melancholy: "Major Depression" and its Social Origin''. Routledge, 2005.
* Bowring, Jacky: ''A Field Guide to Melancholy''. Oldcastle Books, 2009.
* Boym, Svetlana: ''The Future of Nostalgia''. Basic Books, 2002.
* Jackson, Stanley W.: ''Melancholia and Depression: From Hippocratic Times to Modern Times''. Yale University Press, 1986.
* Klibansky, Raymond; Panofsky, Erwin; Saxl, Fritz: ''Saturn and Melancholy: Studies in the History of Natural Philosophy, Religion, and Art''. McGill-Queen's Press, 1964 019
* Kristeva, Julia: ''Black Sun''. Columbia University Press, 1992.
* Radden, Jennifer: ''The Nature of Melancholy: From Aristotle to Kristeva''. Oxford University Press, 2002.
* Schwenger, Peter: ''The Tears of Things: Melancholy and Physical Objects''. University of Minnesota Press, 2006.
* Shenk, Joshua W.: ''Lincoln's Melancholy: How Depression Challenged a President and Fueled His Greatness''. Mariner Books, 2006.
* Various: ''Melancholy Experience in Literature of the Long Eighteenth Century''. Palgrave Macmillan, 2011.

External links

Grunwald Center website: Durer's ''Melencolia'' and clinical depression, iconography and printmaking techniques




on the Berlin exhibition "Melancholy: Genius and Madness in Art"

Diderot's historic writing on Melancholy

A consideration of the Durer's work and the 2011 film 'Melancholia'

"The Four Humours" on "In Our Time"

"An Anatomy of Melancholy" on "In Our Time"

At the Roots of Melancholy

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Obsolete terms for mental disorders
Humorism
Mood disorders
Emotions