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Melencolia I
''Melencolia I'' is a large 1514 engraving by the German Renaissance artist Albrecht Dürer. The print's central subject is an enigmatic and gloomy winged female figure thought to be a personification of melancholia – melancholy. Holding her head in her hand, she stares past the busy scene in front of her. The area is strewn with symbols and tools associated with craft and carpentry, including an hourglass, weighing scales, a hand plane, a claw hammer, and a saw. Other objects relate to alchemy, geometry or numerology. Behind the figure is a structure with an embedded magic square, and a ladder leading beyond the frame. The sky contains a rainbow, a comet or planet, and a bat-like creature bearing the text that has become the print's title. Dürer's engraving is one of the most well-known extant old master prints, but, despite a vast art-historical literature, it has resisted any definitive interpretation. Dürer may have associated melancholia with creative activity; th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
State (printmaking)
In printmaking, a state is a different form of a print, caused by a deliberate and permanent change to a matrix such as a copper plate (for engravings etc.) or woodblock (for woodcut). Artists often take prints from a plate (or block, etc.) and then do further work on the plate before printing more impressions (copies). Sometimes two states may be printed on the same day, sometimes several years may elapse between them. States are usually numbered in Roman numerals: I, II, III ..., and often as e.g.: "I/III", to indicate the first of three recorded states. Some recent scholars refine the work of their predecessors, without wishing to create a confusing new numbering, by identifying states such as "IIa", "IVb" and so forth. A print with no different states known is catalogued as "only state". Most authorities do not count accidental damage to a plate – usually scratches on a metal plate or cracks in a woodcut block – as constituting different states, partly be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Preparatory Sketch For The Polyeder In Melencolia I By Albrecht Dürer
Preparatory school or prep school may refer to: Schools *Preparatory school (United Kingdom), an independent school preparing children aged 8–13 for entry into fee-charging independent schools, usually public schools *College-preparatory school, in the United States, a high or secondary school, either private or public, preparing students aged 14–18 for higher education at an elite college or university *''Classe préparatoire aux grandes écoles'', two-years’ intensive higher-education schooling when French students prepare to enter top-level schools (engineering, commerce, research, politics, etc.) via competitive examinations Media * '' Prep School'', a 2015 American coming of age drama film, starring Carly Schroeder. See also *Preschool, an establishment offering early childhood education before primary school * Prepper (other) A prepper engages in survivalism, a movement who actively prepare for emergencies, including possible disruptions in social or politica ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iconography
Iconography, as a branch of art history, studies the identification, description and interpretation of the content of images: the subjects depicted, the particular compositions and details used to do so, and other elements that are distinct from artistic style. The word ''iconography'' comes from the Greek ("image") and ("to write" or ''to draw''). A secondary meaning (based on a non-standard translation of the Greek and Russian equivalent terms) is the production or study of the religious images, called "icons", in the Byzantine and Orthodox Christian tradition (see Icon). This usage is mostly found in works translated from languages such as Greek or Russian, with the correct term being "icon painting". In art history, "an iconography" may also mean a particular depiction of a subject in terms of the content of the image, such as the number of figures used, their placing and gestures. The term is also used in many academic fields other than art history, for example semiotics ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compass (drawing Tool)
A compass, more accurately known as a pair of compasses, is a technical drawing instrument that can be used for inscribing circles or arcs. As dividers, it can also be used as a tool to mark out distances, in particular, on maps. Compasses can be used for mathematics, drafting, navigation and other purposes. Prior to computerization, compasses and other tools for manual drafting were often packaged as a set with interchangeable parts. By the mid-twentieth century, circle templates supplemented the use of compasses. Today those facilities are more often provided by computer-aided design programs, so the physical tools serve mainly a didactic purpose in teaching geometry, technical drawing, etc. Construction and parts Compasses are usually made of metal or plastic, and consist of two "legs" connected by a hinge which can be adjusted to allow changing of the radius of the circle drawn. Typically one leg has a spike at its end for anchoring, and the other leg holds a drawing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Geometry
Geometry (; ) is, with arithmetic, one of the oldest branches of mathematics. It is concerned with properties of space such as the distance, shape, size, and relative position of figures. A mathematician who works in the field of geometry is called a ''geometer''. Until the 19th century, geometry was almost exclusively devoted to Euclidean geometry, which includes the notions of point, line, plane, distance, angle, surface, and curve, as fundamental concepts. During the 19th century several discoveries enlarged dramatically the scope of geometry. One of the oldest such discoveries is Carl Friedrich Gauss' ("remarkable theorem") that asserts roughly that the Gaussian curvature of a surface is independent from any specific embedding in a Euclidean space. This implies that surfaces can be studied ''intrinsically'', that is, as stand-alone spaces, and has been expanded into the theory of manifolds and Riemannian geometry. Later in the 19th century, it appeared that geometries ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albrecht Dürer, The Virgin And Child Seated By The Wall, 1514, NGA 6639
Albrecht ("noble", "bright") is a given name or surname of German origin and may refer to: First name *Albrecht Agthe, (1790–1873), German music teacher *Albrecht Altdorfer, (c. 1480–1538) German Renaissance painter *Albrecht Becker, (1906–2002), German production designer, photographer, and actor *Albrecht Berblinger, (1770–1829), German constructor (the tailor of ulm) *Albrecht Brandi, (1914–1966), German U-boat commander in World War II *Albrecht, Duke of Württemberg, (1865–1939), German field marshal in World War I *Albrecht von Wallenstein, (1583–1634), Bohemian soldier and politician during the Thirty Years' War *Albrecht Dieterich, (1866–1908) German classical philologist and religious scholar *Albrecht Dietz, (1926–2012), German entrepreneur and scientist *Albrecht Dürer, (1471–1528), German artist and mathematician * Albrecht Dürer the Elder, German goldsmith and father of Albrecht Dürer *Albrecht Elof Ihre, (1797–1877), Swedish diplomat and politi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nigredo
In alchemy, nigredo, or blackness, means putrefaction or decomposition. Many alchemists believed that as a first step in the pathway to the philosopher's stone, all alchemical ingredients had to be cleansed and cooked extensively to a uniform black matter. In analytical psychology, the term became a metaphor for "the dark night of the soul, when an individual confronts the shadow within." Jung For Carl Jung, "the rediscovery of the principles of alchemy came to be an important part of my work as a pioneer of psychology". As a student of alchemy, he (and his followers) "compared the 'black work' of the alchemists (the nigredo) with the often highly critical involvement experienced by the ego, until it accepts the new equilibrium brought about by the creation of the self." Jungians interpreted nigredo in two main psychological senses. The first sense represented a subject's initial state of undifferentiated unawareness, "the first nigredo, that of the ''unio naturalis'', is an obje ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heinrich Cornelius Agrippa
Heinrich Cornelius Agrippa von Nettesheim (; ; 14 September 1486 – 18 February 1535) was a German polymath, physician, legal scholar, soldier, theologian, and occult writer. Agrippa's ''Three Books of Occult Philosophy'' published in 1533 drew heavily upon Kabbalah, Hermeticism, and neo-Platonism. His book was widely influential among occultists of the early modern period, and was condemned as heretical by the inquisitor of Cologne. Life Agrippa was born in Nettersheim, near Cologne on 14 September 1486 to a family of middle nobility.Valente, Michaela "Agrippa, Heinrich Cornelius". In: ''Dictionary of Gnosis and Western Esotericism'' (Wouter J. Hanegraaff, ed.), pp. 4–8. Brill, 2006. . Many members of his family had been in the service of the House of Habsburg. Agrippa studied at the University of Cologne from 1499 to 1502, (age 13–16) when he received the degree of ''magister artium''. The University of Cologne was one of the centers of Thomism, and the faculty of art ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
State (printmaking)
In printmaking, a state is a different form of a print, caused by a deliberate and permanent change to a matrix such as a copper plate (for engravings etc.) or woodblock (for woodcut). Artists often take prints from a plate (or block, etc.) and then do further work on the plate before printing more impressions (copies). Sometimes two states may be printed on the same day, sometimes several years may elapse between them. States are usually numbered in Roman numerals: I, II, III ..., and often as e.g.: "I/III", to indicate the first of three recorded states. Some recent scholars refine the work of their predecessors, without wishing to create a confusing new numbering, by identifying states such as "IIa", "IVb" and so forth. A print with no different states known is catalogued as "only state". Most authorities do not count accidental damage to a plate – usually scratches on a metal plate or cracks in a woodcut block – as constituting different states, partly be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
British Museum
The British Museum is a public museum dedicated to human history, art and culture located in the Bloomsbury area of London. Its permanent collection of eight million works is among the largest and most comprehensive in existence. It documents the story of human culture from its beginnings to the present.Among the national museums in London, sculpture and decorative and applied art are in the Victoria and Albert Museum; the British Museum houses earlier art, non-Western art, prints and drawings. The National Gallery holds the national collection of Western European art to about 1900, while art of the 20th century on is at Tate Modern. Tate Britain holds British Art from 1500 onwards. Books, manuscripts and many works on paper are in the British Library. There are significant overlaps between the coverage of the various collections. The British Museum was the first public national museum to cover all fields of knowledge. The museum was established in 1753, largely b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saint Jerome In His Study (Dürer)
''Saint Jerome in His Study'' (german: Der heilige Hieronymus im Gehäus) is a copper engraving of 1514 by the German artist Albrecht Dürer. Saint Jerome is shown sitting behind his desk, engrossed in work. The table, on the corner of which is a cross, is typical of the Renaissance. An imaginary line from Jerome's head passing through the cross would arrive at the skull on the window ledge, as if contrasting death and the Resurrection. The lion in the foreground is part of the traditional iconography of St. Jerome, and near it is a sleeping dog, an animal found frequently in Dürer's works, symbolizing loyalty. Both creatures are part of Jerome's story in the ''Golden Legend'' (c. 1260), which contained fanciful Hagiography, hagiographies of saints. ''St. Jerome in His Study'' is often considered as part of a group of three Dürer engravings (his Meisterstiche (Dürer), Meisterstiche), the other two being the well-known ''Melencolia I'' (1514) and ''Knight, Death and the Devil'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
